A 1984 live recording from Carla Bley captures her ten-piece ensemble in a vibrant NDR Jazzworkshop performance, blending sly humor, unconventional harmonies, and inventive orchestration, as a stellar lineup channels tightly focused interplay and exuberant energy into a richly expressive, witty, and dynamically charged large ensemble set.

A Norwegian quintet led by Håvard Wiik, bringing together Eivind Lønning, Espen Reinertsen, Ingebrigt Håker Flaten, and Hans Hulbækmo in a dynamic set that balances composed structures with free improv, blending post-bop lyricism, intricate ensemble interplay, and spacious, timbre-focused passages into a fluid and contemporary jazz expression.

"Daggerboard The Skipper (Henry Franklin) and Mike Clark is a new album of ten original songs with beautiful orchestrations written by Erik Jekabson and Gregory Howe. Performed by an all around amazing ensemble with Headhunter drummer M...

A wide-ranging solo and collaborative release from Amy Denio, this eclectic set blends voice, accordion, clarinet, guitars, bass, percussion, electronics, and field recordings across composed, improvised, and live performances, weaving jazz, avant-garde, and global influences into a playful, genre-blurring sonic journey rich in texture, storytelling, and inventive ensemble interplay.

A solo work from D. Petri assembling three cassette-based recordings from 2016-2017, blending abstract guitar voicings with prepared tapes across partially and fully improvised performances, where lo-fi textures and fragmented structures reflect memory reconsolidation, reshaping emotional resonance through layered, obscured, and reassembled sonic material.

Captured in 1968 in Zurich and long shelved before its recent discovery, this early trio session brings Pierre Favre, Irene Schweizer, and George Mraz together in a concise, fiery set of attentive free jazz, balancing Ornette Coleman's title piece with Schweizer's compositions, where dynamic interplay and acute listening reveal a nascent yet fully engaged collective voice.

An electronic project from Phillip Klampe following his album The Contaminist, this 16-track release assembles cerebral atmospheres and surreal soundscapes from layered textures and abstract tonal fragments, where familiar and obscure elements blur into shifting, otherworldly environments that invite immersive listening and subtle psychological dislocation.

Commissioned for the for/with series, Eva-Maria Houben presents a long-form work for Nate Wooley's trumpet, voice, and whistling, where sparse, precisely placed tones unfold in a meditative arc, expanding from an early performance into a deeply considered exploration of pure timbre, attentive listening, and the subtle interplay between composition and free improv.

A site-responsive duo recording from trumpeter Matthew Langford and saxophonist Andrew Weathers, using an emptied pool's reflective acoustics to shape a restrained and textural free improv of breath, resonance, and ambient detail, where sustained tones and environmental sound merge into a focused exploration of space, duration, and the physical limits of performance.

Commissioned for Ensemble Klang's Musical Utopias festival, Matthew Wright leads a twelve-piece ensemble with Sofia Jernberg and Spheric Totemic in a large-scale work structured around a slowly descending tonal "spine," where notated layers and timed frameworks intersect with free improv, while live sampling and post-production deepen the shifting interplay between form, texture, and sonic perspective.