"Marco Fusi is a violinist/violist, a researcher in music performance, and a passionate advocate for the music of our time.

Among many collaborations with emerging and established composers, he has premiered works by Jessie Marino, Tim McCormack, Yu Kuwabara, Evan Johnson and Kristine Tjøgersen, among others. Marco has performed with Pierre Boulez, Elena Schwarz, Lorin Maazel, Susanna Mälkki, Alan Gilbert, and frequently plays with leading contemporary ensembles including Klangforum Wien, MusikFabrik, Meitar Ensemble, Mivos Quartet, Ensemble Linea. He has recorded several solo albums, published by Kairos, Stradivarius, Col Legno, Da Vinci, Geiger Grammofon, New Focus Recordings. Marco also plays viola d'amore, commissioning new pieces and collaborating with composers to promote and expand existing repertoire for the instrument.

After his Masters in Violin and Composition at the Conservatory of Milan, Marco received his PhD from the University of Antwerp / docARTES program with a dissertation on the performance practice of Giacinto Scelsi's works for string instruments.

He is currently Assistant Professor of Artistic Research at HEMU Lausanne and Associate Researcher at the Orpheus Instituut of Gent."

"Pierre Alexandre Tremblay was born in 1975 in Montréal, Québec. He studied classical guitar and music theory from an early age, and as a teenager discovered bass guitar with Jean-Guy Larin, Sylvain Bolduc and Michel Donato. He also studied composition with Michel Tétrault, Marcelle Deschênes and Jonty Harrison. He earned his BA in music at the Université de Montréal in 1998 and his doctorate at the University of Birmingham in 2005. Since then, he has been teaching composition at the University of Huddersfield, in England.

In 1993, he explored improvised music with Facteur X, which led to the formation of the contemporary jazz ensemble [iks] in 1996. He directed this ensemble for 11 years, recording seven albums, touring Europe and North America and spending three months in Senegal for a cultural exchange with traditional West African musicians. This journey was chronicled in Étienne Deslières�s documentary film Le journal de sable.

He is currently collaborating on a variety of projects, playing bass guitar and manipulating sound on a laptop. He is a member of the contemporary jazz trio ars circa musicæ with Nicolas Stephan (saxophone) and Sébastien Brun (drums and machines), and the duet de type inconnu with Sylvain Pohu (guitar and laptop). He also works on pop music projects in studio as producer and bass guitar.

Tremblay is now working on hybridizing his aesthetic approaches, which he feels complete each other, into a single, coherent poetic language. He composes fixed media, instrumental and mixed music, sometimes integrating video, improvisation and real-time processing.

As a composer, he is fascinated by the listener�s experience rather than the process of creation. He considers the perception of form extremely important, and gives ample room to the emotional content, the poetic impact of the music.

He also programs sound processing software, mostly using Max/MSP, and freelances as artistic and technical director for contemporary music projects. He devotes the rest of his time (sic) to reading, photography and his family. Founder of the no-tv collective, he does not own a functioning television set."