Chilean composer, improviser, and sound artist Amanda Irarrazabal transforms the industrial environment of working printing houses into the foundation for a striking electro-acoustic work that blurs the boundaries between field recording, musique concrète, and improvisation. Recorded inside two active printing facilities in Santiago during March 2025, the album captures the rhythmic clatter, mechanical drones, paper movement, and layered sonic textures of the presses as living musical material rather than documentary sound.

Working later in the studio, Irarrazabal responds directly to these recordings through improvisation and sonic intervention, reshaping and colliding with the source material to create an evolving dialogue between human gesture and machine process. The resulting pieces move fluidly between hypnotic repetition, dense industrial abstraction, and fragile moments of spacious resonance, revealing unexpected musicality within mechanical systems.

Rather than treating the printing presses as static background textures, Imprimiendo embraces their physicality, rhythm, and unpredictability, constructing immersive sound environments that feel simultaneously tactile, architectural, and deeply alive. The album continues Irarrazabal's exploration of improvisation and experimental sound practices while extending her work into a richly detailed investigation of labor, machinery, resonance, and transformation.

"Amanda Irarrazabal was born in Santiago de Chile in 1982, currently living in Buenos Aires, Argentina; is a bassist, bassist, singer, improviser and composer. in 2002 he began his musical career, going through different genres (classical, experimental, jazz, rock, tango and Latin American music); and choosing free improvisation and original music as what most identifies her. has been part of projects such as Inciertario, Jorge Campos Grupo, Cardias, Arre!, Dactilar, Cátodo Dúo, De Escamas, Eriza, Entre Otros. among others."