The Squid's Ear Magazine
Victo 40th Anniversary Sale Mar 27-30!



Schouten / Courtois / Borges / Baux: Open Space (Relative Pitch)

"The (improvised) music is inspired (and structured) by the iconic book of Georges Perec from 1974 titled Especes d'espaces. We designed a musical story following the chronology and the emotional evolution of the book. Music, too, gener...
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





Product Information:

Personnel:



Fie Schouten-clarinets

Vincent Courtois-violoncello

Sofia Borges-drums

Pierre Baux-spoken voice

Click an artist name above to see in-stock items for that artist.



UPC: 5904224874964

Label: Relative Pitch
Catalog ID: RPR1255
Squidco Product Code: 37286

Format: CD
Condition: New
Released: 2026
Country: USA
Packaging: Cardboard Gatefold
Recorded at Bimhuis, in Amsterdam, the Netherlands, on July 1st, 2025, by Arjan van Asselt.
Descriptions, Reviews, &c.

Artist Biographies

"Fie Schouten, born in Amsterdam and still living there, performs in various formations at many different podia and festivals. She has performed all over the world and is playing on all the clarinets with a warm preference for the low ones.

Chamber music and Solo

As a specialist in performing new music, she can be heard extensively as a soloist and in chamber music formations, oa with cellists Katharina Gross, Eva van de Poll, pianist Keiko Shichijo, bass clarinettist Jelte Althuis, accordionist Marko Kassl, harpsichordist Goska Isphording and percussionist Tatiana Koleva. She also performs with improvisers: pianist Guus Janssen, cellist Vincent Courtois, baritonsax Giuseppe Doronzo, double bass Wilbert de Joode.

Many new pieces are written for and premiered by her groups by composers with very diverse styles and of very different backgrounds and nationalities. Free improvisation appears in many of the pieces. Fie Schouten initiated and leads together with Tobias Klein the Basklarinet Festijn, with four editions: 2014, 2016, 2018, 2020-2022.

Fie Schouten is initiatior and curator (together with composer Aspasia Nasopoulou) of the series for contemporary chambermusic Nieuwe Noten Amsterdam, at Plein Theater

Working with composers

Fie Schouten workes together with composers since her studies. She learned to enjoy this collaboration from former teacher Harry Sparnaay, now she teaches the younger generation and is still working with composers of all over the world, young and old(er). About 100 compositions were written for Schouten and her ensembles and she performed them all.Teaching

Schouten is professor bass clarinet at the Prince Claus Conservatory Groningen. She was guest-professor bass clarinet at Codarts Rotterdam and was visiting professor at conservatoires in Vienna, Tallinn, Chicago, Jerusalem. She teaches the next to the bass clarinet, the bassethorn, contrabass clarinet, contemporary techniques, methodology, she conducts the studentensemble of the conservatoire performing contempoary music and regularly invites composers to work with the studentperformers.Since 2017 she is coordinating the elective Sustainable Performance, where the physical and mental health is the main topic and led by different specialists.Also Schouten is teaching privately, mainly young professionals or coaching composers. She was jurymember in 2018 during Gaudeamus Muziekweek for the Tera de Marez Oyens (composition) Price.

Awards and CDs

In 2019 Fie Schouten received 1st Nieuw Geneco (composers association) Fair Practice Compositioncommission Award for her impact on the musicscene in the Netherlands, an inspiration for many and with attention for Fair Practice.She produced nine CD's. The latest ones are called figures (2022) and Nut (2021) which contain chamber music for (contra)bass clarinet; Monologues 2020 (2021) is a solo CD; Nature (2020) contains chambermusic for (bass) clarinet. Two CD's are released at ATTACCA, Chambery (2018) with chambermusic for bass clarinet and her solo CD Ladder of Escape 11. Her other cd's 'Of Villages and Spaces' (KAIDA 2005), 'Amsterdam, de wereld' (To be Sung 2007) and 'Spielzeug' (bklar,acc,trb 2009) came out at Karnatic Lab Records. Schouten's duo Kaida received the Tera de Marez Oyens Prijs in 2002 (NL). It won prize for best impro at the International Gaudeamus Competition (NL'03), best windensemble at 13th International Chambermusic Competition Illzach (F'03).

Stockhausen

From 2008 to 2018 Fie Schouten performed many works by Karlheinz Stockhausen.Fie played the solistic part as one of the 'Clownesque Swallows' in MICHAELS REISE um die Erde many times - mostly with the German Ensemble MusikFabrik and in regie of La Fura dels Baus, but also with the Dutch ASKO-Schonberg ensemble and the French Ensemble Le Balcon.She performed LICHT-BILDER (SONNTAG aus LICHT) in the production of musikFabrik/Oper Köln in 2011; MICHAELION (MITTWOCH aus LICHT) at the London 2012 Festival with the Birmingham Opera Company; HARMONIEN (KLANG) oa at the MusikTriennale Köln; BASSETSU TRIO (MITTWOCH aus LICHT) and ROTARY quintet at the Festival d'Automne Paris 2013/2014; BASSETSU solo and TIERKREIS.

Ensembles, orchestras

Fie Schouten collaborates with the German Ensemble Musikfabrik since 2008. She was guestmusician in Orkest de Volharding, Ensemble Mulitfoon. She played as a guest with Royal Concertgebouw Orchestra, Ensemble Modern, Klangforum Wien, ASKO-Schönberg Ensemble, Insomnio Ensemble, Het Balletorkest, Noord-Nederlands Orkest.

Study

She studied at the Conservatory of Amsterdam, where she received her Bachelor Diplomas in clarinet and bassclarinet and a Masters Degree in bassclarinet with Harry Sparnaay, Tom Sieuwerts, and Herman Braune. She has participated in masterclasses in Austria (Impuls), Germany (Darmstadt) and France (Pablo Casals Festival), where she had lessons with clarinettists Ernesto Molinari, Michel Lethiec.

Other activities

Fie was during 3 years (2016-2019) Advisor at the Amsterdam Art Council, AFK. She is a member of Kunstenbond and Bimpro. She is teaching Professional Writing at the Hogeschool van Amsterdam, faculty Business and Economy since 2018."

-Fie Schouten Website (http://fieschouten.nl/bio/)
3/27/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Vincent Courtois (born 21 March 1968) is a French jazz cellist.

Courtois studied classical cello at the Conservatory of Aubervilliers, first with Erwan Fauré, and then with Roland Pidoux and Frédéric Lodéon. He also played Didier Levallet and Dominique Pifarély, and since 1988 in bandslead by Christian Escoudé and Didier Levallet ("Swing String System") in Paris. In addition he started his own quartet in 1990, releasing his debut solo album Cello News the same year.

He played in the duo with Martial Solal from 1993, with Julien Lourau in "Pendulum Quartet", with Franck Tortiller in the band "Tukish Blend" and the trio "Zebra 3", and in addition he played with Xavier Desandre Navarre. He has also contributed to the album Marvellous (1994) with Michel Petrucciani, Tony Williams and Dave Holland.

In 1995 Courtois performed his first solo concerts, he played within François Corneloup's Septett, and collaborated with Louis Sclavis making music for film and theatre. He also recorded two albums with the quintet of Rabih Abou-Khalil, and in 1998 he participated in an ensemble led by Pierre Favre, and a trio with Yves Robert. In 2000he was in three trio constellations, in 2002 a quintet played at the festival "Banlieues Bleues", and in a trio with Ellery Eskelin and Sylvie Courvoisier.

In 2005 Courtois joined Michele Rabbia and Marilyn Crispell to play in Bamako with his own trio. He was involved with Henri Texiers in recording the music to the movie Holy Lola by Bertrand Tavernier. In 2006 he initiated a new quartet with Jeanne Lagt, Marc Baron and François Merville. In 2008 he released the album L' homme avion with Ze Jam Afane."

-Wikipedia (https://en.wikipedia.org/wiki/Vincent_Courtois)
3/27/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Sofia Borges is a versatile musician active as a composer, performer, percussionist and sound designer. She focuses on interdisciplinary work and blending a variety of genres, traditions, materials and technologies. Her compositions cover a wide spectrum ranging from chamber, orchestra and vocal music up to theatre, dance and multimedia performances and installations. Sofia has participated in numerous international festivals all over Europe, U.S.A, Brazil, Macao, Taiwan, Australia and New Zealand. She was selected to take part in the TENSO Young Composers Workshop 2015 (Mechelen), 2016 (Marseille) and 2017 (Nova Gorica). When performing as a composer-performer, she not only uses self-programmed electronics but also instruments she has developed herself. Sofia is also a dedicated educator, having among other projects headed the composition lab with school children at Klangradar Berlin since 2015. Sofia Borges began studying Percussion and Drums in Lisbon both at the Conservatório Nacional de Lisboa and the Luís Villas-Boas Jazz School. Later she devoted herself to composition, studying at the Escola Superior de Música de Lisboa. In 2012 she completed her MA in Multimedia Composition at the Hamburg University of Music and Theater.

Sofia Borges lives in Berlin, Germany."

-Sofia Borges Website (https://sofiaborges.com/about/)
3/27/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:
Related Categories of Interest:

In Stock, Not Yet Cataloged
March 2026
Improvised Music
Free Improvisation
Jazz
European Improvisation, Composition and Experimental Forms
Quartet Recordings
Unusual Vocal Forms

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Borges, Sofia / Ada Rave
The Unseen Pact
(Relative Pitch)
Recorded in their first meeting, percussionist Sofia Borges and saxophonist Ada Rave forge a vivid, intuitive dialogue of fire and reflection, blending spontaneous storytelling with fierce lyricism and dynamic restraint; their improvisations unfold like ritual acts of empathy and resistance, where every strike, breath, and silence reveals an unspoken pact between sound and spirit.
Zingaro, Carlos / Joao Madeira / Sofia Borges
Trizmaris
(4DaRecord)
Recorded live at BOTA in Lisbon, the trio of pioneering violinist Carlos 'Zíngaro', bassist João Madeira, and drummer/percussionist Sofia Borges engage in a dynamic and expressive real-time composition, balancing intensity and restraint through intricate musical dialogues, evoking the raw energy of free jazz while embracing contemporary improvisational textures.
Reid / Kitamura / Bynum / Morris
Geometry of Phenomena
(Relative Pitch)
The next angle from the collective Geometry group of Tomeka Reid on cello, Taylor Ho Bynum on cornet & flugelhorn, Kyoko Kitamura on voice, and Joe Morris on guitar, exploring their "Geometry" first of "Caves", then "Distance", "Trees", and now "Phenomena", through highly attuned exploration of sonic complexities and intersecting approaches to their respective instruments.
SORBD (Steyer / Dyberg / Okuda / Robler / Borges)
Wild Peacock In Transit
(Relative Pitch)
Each of the 5 members of this band bring a composition to this 2022 live recording at Kuhlspot Social Club in Berlin, along with four collective improvisations, in the impressive debut of the acronym-named band SORBD, signifying Edith Steyer on Bb clarinet, Mia Dyberg on alto saxophone, Rieko Okuda on piano, Isabel Rossler on bass, and Sofia Borges on drums & percussion.
Schouten / Courtois / Doronzo / Janssen
VOSTOK: Remote Islands
(Relative Pitch)
Inspired by Judith Schalansky's book "Atlas of Remote Islands: 50 islands I never set foot in and never will", the debut of the chamber improvising trio of Fie Schouten on clarinet & basset horn, Vincent Courtois on cello and Guus Janssen on piano, organ, harmonium & harpsichord reflect on these pristine and untouched areas of the earth in sublimely sophisticated conversation.
Kitamura / Ho Bynum / Reid / Morris
Geometry of Trees
(Relative Pitch)
The Geometry quartet of Tomeka Reid on cello, Taylor Ho Bynum on cornet, Kyoko Kitamura on voice, and Joe Morris on guitar in their sophomore release of subtly ferocious acoustic improvisation, acute and obtuse angularity through both highly interactive playing and spacious sprawls that merge melody and pointillist styles, expanded through Kitamura's imagistic vocals; outstanding.
Red List Ensemble
Scope
(Creative Sources)
The Berlin-based electroacoustic Red List Ensemble founded by cellist Guilherme Rodrigues in a studio recording of the 3-part "Scope", improvised music created in real time using extensive techniques to create and raise tension in a game of contrasts, exploring orchestration in micro-groups through organization of surfaces that are opposed in terms of timbre and sound texture.
Reid, Tomeka / Kyoko Kitamura / Tyler Ho Bynum / Joe Morris
Geometry Of Distance
(Relative Pitch)
Following their debut album, "Geometry of Caves", the quartet of improvising musicians Joe Morris (guitar), Tomeka Reid (cello), Taylor Ho Bynum (cornet) and Kyoko Kitamura (voice) return for this album of passionate free improvisation, here even more attuned as a group as they employ their collective language using unusual technique and incredible expertise; spectacular!
Hook, Line & Sinker (Tristan Honsinger / Antonio Borghini / Axel Dorner / Tobias Delius)
Fishy Business
(Relative Pitch)
A truly unique album of free improvisation and unusual narrative from the Berlin-based quartet of Tristan Honsinger on cello, Antonio Borghini on double bass, Axel Dorner on trumpet, and Tobias Delius on tenor saxophone, clarinet, a mix of Honsinger compositions and collective improv, since 2010 a working band combining music, movement and theater; masterfully idiosyncratic.
Ackley, Bruce / Fred Frith / Henry Kaiser / Aram Shelton
Unexpected Twins
(Relative Pitch)
Born out of Eugene Chadbourne's Twins band concepts from the 70s, which included over time saxophonist Bruce Ackley, and guitarists Henry Kaiser, and Fred Frith; fast forward to 2018 as Ackley & Frith return to the concept with Henry Kaiser and saxophonist Aram Shelton to revisit the original approach through pieces by those artists plus Steve Lacy, Eugene Chadbourne, and John Zorn.
Reid, Tomeka / Kyoko Kitamura / Taylor Ho Bynum / Joe Morris
Geometry of Caves
(Relative Pitch)
Bringing New York and Chicago performers together, the quartet of cellist Tomeka Reid, guitarist Joe Morris, cornetist Taylor Ho Bynum and free vocalist Kyoko Kitamura present an album of expressive and creative collective improvisation, bridging chamber forms and free jazz with a captivatingly eccentric appeal from Kitamura's wordless vocalese.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC