A deeply elegiac final statement from Nate Wooley's Columbia Icefield, with Susan Alcorn's pedal steel, Ava Mendoza's guitar and voice, and Ryan Sawyer's drums joining Wooley's trumpet, amplifier, voice, whistling and footwork in music shaped by grief, memory and gratitude, responding to the deaths of Ron Miles and Alcorn through expansive, emotionally weighted improvisation.
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Sample The Album:
Nate Wooley-trumpet and amplifier, feet, whistling, voice
Susan Alcorn-pedal steel guitar
Ava Mendoza-guitar, voice
Ryan Sawyer-drums, shakers, and voice
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Label: Out Of Your Head Records
Catalog ID: OOYH 045 CD
Squidco Product Code: 37367
Format: CD
Condition: New
Released: 2026
Country: USA
Packaging: Cardboard Gatefold
Columbia Icefield tracks recorded at Oktaven Studios by Ryan StreberEl Derecho recorded at Jaybird Studios by Owen MulhollandMixing by Ben Greenberg at Circular Ruin
"Death is a lack with weight. At the moment that you realize that someone you love is irrecoverably gone, a small tear in your life opens up. As days go by, the sliver of grief grows, becoming a rift, a gap, a gulley, a canyon. At the point that you feel lost in the immensity of space where that person used to be, the expansion stops; the hole-the vast and airy part of your life that used to be occupied by that person-becomes solid. Maybe it decreases in size, but more likely, your memories grow to occupy its space.
It's at this point that what was once nothing but lack becomes a thing with density and gravity. The loss of that person holds your body and pulls as you learn to live without them. If you meet this pressure with sadness, it will pull you into the ground. But if you can somehow feel its substance as a gift, a chance to be rooted into a deeper entanglement with life, the heft that you feel becomes an embrace with the person you've lost and a reminder to be present with those you can still hold close. This is what we receive when someone we love dies.
As musicians, we can choose to address death directly or not. We can pay homage in so many ways, but simply reproducing the surface markers of what defined the person we've lost is not enough. We need to find something in our music that responds to the soul of our lost ones, not merely the practiced movement of fingers or the written strokes of a favorite tune. This is the difficulty we must face, and it is the payment for the gift we've received as the weight of our loss.
A Silence Opens was initially recorded as a response to the death of trumpeter and composer Ron Miles. Ron saved my life as a young man, and his friendship and his inspiration as a musician continue to guide me. When I succeed, I can see him smiling; when I fail or am cruel, I know he wants me to do better. When he died suddenly in 2019, I openly wept on the Q train and was a zombie for months. Unexpectedly, I had lost an older brother I didn't realize I had and a friend I'd never told how much I loved. The small tear of loss grew quickly and took forever to heal into its heaviness. The four main tunes on this disc are based on his compositions or on licks and folk music I heard him play often during the years I was lucky enough to hear him live.
After we recorded, another small tear: Susan Alcorn. This loss was fresh and how we, as a band, dealt with it was to allow ourselves to fall into the weightless chasm her passing left. I found one of her favorite pieces of protest music and followed every frantic, delicate tendril of inspiration that my grief allowed. Ryan and Ava brought their personal loss into the studio and found a way to express their own history with Susan using their unique and powerful voices. We invited her friends to come and sing. It didn't matter if it was good. We didn't rehearse. We just felt the joy-in saying thank you, we love you, and good bye-that Susan would have taken in seeing friends and bandmates all lined up, eyes closed, following the lines of a melody she felt in her heart.
This is most likely the last Columbia Icefield record, and that is a loss, too. Over the last decade, the sound of this band has occupied my mind. Susan, Ryan, Ava, Mary Halvorson, and I have hammered out a music that I think is unique in its arc, its ambience, and its power. We've argued and huffed, hugged and laughed. We traveled to other continents and shot the shit in each other's homes. This was a small family, and I think the music we made as a family was good and meaningful to me, and possibly to some other people. I mourn that loss as well.
The world of Columbia Icefield encompasses Ryan, Ava, and Mary, but it also includes Mat Maneri, Trevor Dunn, Ryan Streber, Randall Dunn, Ben Greenberg, and Owen Mulholland. Jen Mesch showed me the map of where to find this music, and David Breskin has been an important steward in helping me construct some beautiful buildings upon it. Danielle Oosterop helped us show others where to find it. I thank them all for their care and friendship in developing the life of Columbia Icefield, and I am thankful to all those that have listened to us over the years. May we always bear the weight of these losses as a gift of presence and memory.-Nate Wooley
Artist Biographies
• Show Bio for Nate Wooley "Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances. Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson. Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile". In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist. Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums." ^ Hide Bio for Nate Wooley • Show Bio for Susan Alcorn "Susan Alcorn (born 1953) is an American composer, improvisor, and pedal steel guitarist. Having started out playing guitar at the age of twelve, she quickly immersed herself in folk music, blues, and the pop music of the 1960s. A chance encounter with blues musician Muddy Waters steered her towards playing slide guitar. By the time she was twenty-one, she had immersed herself in the pedal steel guitar, playing in country and western swing bands in Texas. Soon, she began to combine the techniques of country-western pedal steel with her own extended techniques to form a personal style influenced by free jazz, avant-garde classical music, Indian ragas, Indigenous traditions, and various folk musics of the world. By the early 1990s her music began to show an influence of the holistic and feminist "deep listening" philosophies of Pauline Oliveros. Though mostly a solo performer, Alcorn has collaborated with numerous artists including Pauline Oliveros, Eugene Chadbourne, Peter Kowald, Chris Cutler, Joe Giardullo, Caroline Kraabel, Earl Howard, Le Quan Ninh, Sean Meehan, Joe McPhee, LaDonna Smith, Mike Cooper, Walter Daniels, Ellen Fullman, Jandek, George Burt, Janel Leppin, Michael Formanek, Ellery Eskelin, Fred Frith, Maggie Nicols, Evan Parker, Johanna Varner, Zane Campbell and Mary Halvorson." ^ Hide Bio for Susan Alcorn • Show Bio for Ava Mendoza "My name is Ava Mendoza. I play guitars and stompboxes and write music. Currently I'm based out of Brooklyn, NY. I have played guitar for most of my life and been active for the last decade playing my own music and in many different groups. In any context I try to bring expressivity, energy and a wide sonic range to the music I play. I've toured throughout the U.S. and Europe and recorded or performed with a broad spectrum of musicians including singer Carla Bozulich (The Geraldine Fibbers, Evangelista), Fred Frith (Massacre, Henry Cow, Art Bears), Nels Cline, Jamaaladeen Tacuma, Weasel Walter, Tune-Yards, and more. I've played on recordings released by labels Weird Forest, Tzadik, Clean Feed, NotTwo, ugEXPLODE, Resipiscent, New Atlantis, and others. Friendly critics have called me "Oakland's avant-jazz virtuoso" (Brad Cohan, Village Voice), "a versatile and virtuosic guitarist" (The San Francisco Film Society), "a wizard on a semi-circle of effects pedals, but� equally adept with FX-less technique," (Lars Gotrich, A Blog Supreme/NPR Jazz). I was recently named one of Guitar World�s �10 Female Guitarists You Should Know�. My main project these days is UNNATURAL WAYS . PERFORMED/RECORDED WITH: Scott Amendola (Nels Cline Singers, Charlie Hunter Quartet), Liz Allbee, Vijay Anderson, Bran(...)pos, Carla Bozulich (The Geraldine Fibbers, Evangelista), Sheldon Brown, Tony Buck (The Necks), members of Caroliner, Nels Cline (Wilco), George Cremaschi, Tim Dahl (Child Abuse, Lydia Lunch), J.A. Deane, Marco Di Gasbarro (Squartet), John Dikeman (Cactus Truck), Thomas Dimuzio, Shayna Dunkleman, Marco Eneidi, Luc Ex, Ben Goldberg, Fred Frith (Henry Cow, Art Bears, Massacre), Vinny Golia, Phillip Greenlief, Franz Hautzinger, Jacob Felix Heule, Devin Hoff (Good for Cows), Gerri Jager (Knaalpot), Darren Johnston, Henry Kaiser (Crazy Backwards Alphabet), Annette Krebs, Thollem McDonas, Lisa Mezzacappa, Butch Morris, Matt Nelson, Hexlove aka Zac Nelson, Kanoko Nishi, Nick Podgurski (Extra Life), Porest aka Mark Gergis, Gino Robair, Aram Shelton, John Shiurba, SF Sound, Damon Smith, Moe! Staiano, Jamaaladeen Tacuma, Raphael Vanoli (Knaalpot), Weasel Walter (The Flying Luttenbachers), Mike Watt (Minutemen, fIREHOSE), Wobbly (Negativland), Tune-yards, William Winant (Mr. Bungle), Kenny Wollesen (Sex Mob), Theater of Yugen, dancers Leyya Mona Tawil, Yuko Kaseki, and Manuela Tessi." ^ Hide Bio for Ava Mendoza • Show Bio for Ryan Sawyer "Ryan Sawyer is a drummer and percussionist from the USA. He has played with several artists and bands like, Tv On The Radio, At The Drive-In, Scarlet Johanson, Massive Attack, Boredoms (77 & 88 Boadrum), The Mekons, Thurston Moore, among others.He currently is playing with, Stars Like Fleas, Tall Firs, and Eye Contact." ^ Hide Bio for Ryan Sawyer
5/26/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
5/26/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
5/26/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
5/26/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. El Derecho 1:43
2. Howard Beach 12:01
3. El Derecho 0:46
4. Darken My Door 10:29
5. El Derecho 1:29
6. We Say Goodbye Twice/Wildwood Flower 10:34
7. El Derecho 0:51
8. You Taste 11:24
9. El Derecho 1:43
May 2026
Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Quartet Recordings
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Nate Wooley
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