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UPDATE
May 15, 2026
"My compulsion is to give expression to the place
Where beauties that should not be forgotten,
And beauties that have yet to be imagined,
Collide, coexist, and transform."
—Marty Ehrlich
Essential Artists
• Mandhira DeSaram/Steve Beresford/John Edwards
• Marty Ehrlich
• Flojter (Mats Gustafsson/ Delphine Joussein)
• Chad Fowler/Matt Lavelle
• Amanda Irarrazabal
• JOSILEMI (featuring Fonda/Eberhard/Gross)
• Mike Khoury
• Lazro/Leandre/Lovens
• Neurodivergent Orchestra
• Charles K. Noyes
• Cath Roberts/Olie Brice
• Elliot Sharp
• Elliott Sharp/Eric Mingus
• Turbulence
• Turtle Boat (Chebolu/Burgoyne/DiPiero)
• Various Artists
• VoiceAct (feat Jim Black)
• Mike Westbrook Orchestra
Essential Labels
| Amalgam Cadillac Records Corbett vs. Dempsey Evil Clown Listen! Foundation (Fundacja Sluchaj!) | Mahakala Music Relative Pitch Utech Records zOaR Records |
Clean Feed Spring Sale: May 15 - May 21
From May 15th to May 21st, Trem Azul - Clean Feed & Shhpuma labels - has authorized us to offer 147 albums at up to 50% off or more!! That includes 34 vinyl LPs and 114 CDs from both labels at up to half their regular retail price!
This is a rare opportunity to explore and expand your collection with albums that represent some of the most vital, creative, and forward-thinking music in contemporary improvisation. Many titles are in limited supply or are the final copies we have in stock - so act fast before they disappear!
Click Here to Shop the Clean Feed Sale
In stock items only. Orders must be placed through our shopping cart, discounted price is the price shown. Sale items are not eligible for reward points. Quantities are limited, albums will disappear from the store when sold out. Sale ends Thursday, May 21, 2026 at 23:59 PM EST (GMT-5).
New Releases
| Jazz & Improvisation | ||||
| Centrifugal Quartet (feat Mia Dyberg / Antonio Borgini / Michael Griener / Antonio Borghini): Industry (Listen! Foundation (Fundacja Sluchaj!)) Joining the original Centrifugal Trio of Jeb Bishop, Antonio Borghini, and Michael Griener with Danish saxophonist Mia Dyberg, this live Berlin performance unfolds through fiercely interactive free jazz and free improv, balancing dense collective motion, spacious textural interplay, and sharply responsive exchanges in an organically evolving dialog of lyrical abstraction, raw energy, and collective momentum. | |||
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| DeSaram, Mandhira / Steve Beresford / John Edwards: Felix (Listen! Foundation (Fundacja Sluchaj!)) Captured live at London's The Vortex in 2025, violinist Mandhira de Saram, pianist Steve Beresford, and bassist John Edwards engage in detailed free improv that unfolds with the coherence and clarity of spontaneous composition, balancing chamber-like restraint, abstract textural interplay, lyrical precision, and sharply responsive exchanges in intuitively structured collective dialog. | |||
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| Ehrlich, Marty: Cartographies of Flight: Lines Set Afloat Towards Hope (Corbett vs. Dempsey) Marty Ehrlich leads a chamber-jazz septet with poet Erica Hunt reciting her own texts, shaping fifteen concise works where clarinet, flute, alto saxophone, trumpet, bassoon, cello, bass, and percussion move through composed forms, free improv, and spoken word in a vivid, scene-shifting suite balancing dark resonance, bright melodic sparks, and a searching sense of hope. | |||
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| Flojter (Mats Gustafsson / Delphine Joussein): Brest Blow [VINYL] (Utech Records) Flöjter, the high-voltage duo of Delphine Joussein and Mats Gustafsson, capture their first live performance at Atlantique Jazz Festival, pushing flutes, slide flute, spilåpipa, harmonica, organ, and electronics into a volatile terrain of free jazz, noise, groove, extreme metal energy, and raw chamber intensity, where breath, distortion, and fierce interaction reshape the flute from within. | |||
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| Fowler, Chad / Matt Lavelle: Whirlpool (Mahakala Music) Blending exploratory jazz with deeply personal free improv expression, the quartet of Chad Fowler, Matt Lavelle, Ken Filiano, and Bobby Kapp engage in a volatile and spiritually charged dialogue using rare horns, elastic rhythm, and richly textural interplay, evoking ritual, memory, transformation, and collective discovery through instrumental gesture, harmolodic freedom, and emotionally raw exchange. | |||
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| Irarrazabal, Amanda: Imprimiendo (Relative Pitch) Using field recordings captured inside working printing houses in Santiago, Chile, Amanda Irarrazabal merges industrial machine rhythms, electro-acoustic manipulation, and studio improvisation into immersive sound works that balance hypnotic repetition, dense textural abstraction, and fragile resonant space, transforming mechanical process into fluid and deeply tactile experimental composition. | |||
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| JOSILEMI (featuring Joe Fonda / Silke Eberhard / Emil Gross): Hear This (Listen! Foundation (Fundacja Sluchaj!)) Uniting veteran bassist Joe Fonda with German saxophonist Silke Eberhard and Austrian drummer Emil Gross, this collective trio balances lyrical structure, agile free improv, and Dolphy-informed melodic abstraction through elegant and highly responsive interplay, where tightly focused compositions unfold into fluid spontaneous exchanges driven by rhythmic precision, adventurous harmonies, and a vibrant live energy. | |||
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| Khoury, Mike: For Hind Rajab (Relative Pitch) A deeply personal solo violin work dedicated to Hind Rajab, Mike Khoury uses extended techniques, sparse lyricism, tense silences, and raw timbral exploration to transform the violin into a vehicle for mourning, reflection, and fragile emotional resonance, balancing meditative stillness with moments of unsettling intensity in a haunting and highly expressive contemporary string performance. | |||
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| Lazro / Leandre / Lovens: For Baritone Sax, Double Bass and Drumset (Relative Pitch) Uniting three masterful improvisers — baritone saxophonist Daunik Lazro, bassist Joëlle Léandre, and drummer Paul Lovens — this Paris concert presents deeply attentive free improv where resonant timbral exploration, fractured lyricism, and highly responsive interplay unfold through spontaneous collective forms of sparse abstraction, visceral expression, and nuanced rhythmic detail. | |||
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| Neurodivergent Orchestra: I Splode You So (Evil Clown) Neurodivergent Orchestra's tenth exploration of Evil Clown's absurdist concept expands its improvised spoken interplay into a four-part exchange, setting disaster-movie and pop-culture mayhem amid a sprawling arsenal of reeds, brass, electronics, percussion, strings, synths, toys, real-time processing, and invented textures for an unusually theatrical form of pure improvisation. | |||
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| Noyes, Charles K. : Blue All (zOaR Records) Charles K. Noyes continues his late-period exploration of electric guitar as a personal electroacoustic language, recording direct to stereo with effects and Ferrous to create nine stark, resonant improvisations where metallic attack, spectral sustain, fractured melody, and raw electronic texture extend his history as a percussion innovator into a solitary, time-bending sound world of memory, landscape, and unease. | |||
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| Roberts, Cath / Olie Brice: Setpieces (Relative Pitch) Drawing on years of close collaboration, saxophonist Cath Roberts and bassist Olie Brice engage in a deeply attuned duo of free improv where baritone saxophone and double bass shift between raw abstraction, lyrical motion, and playful unpredictability, balancing sharply focused exchanges with richly textural interplay that evokes both intimate conversation and surreal theatrical movement. | |||
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| Sharp, Elliott / Eric Mingus: Wrench In The Works (zOaR Records) Eric Mingus and Elliott Sharp extend more than twenty-five years of collaboration from Terraplane and Songs From A Rogue State into a concentrated duo album of psychedelic punkfunk No Wave, with Mingus' commanding voice driven by Sharp's guitars, bass, synths, and drum programming in fourteen jagged songs of blues, politics, rupture, and electric urgency. | |||
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| Turbulence: Troughs (Evil Clown) Turbulence closes Evil Clown's prolific 2025 with a broad-palate horn-driven improvisation led by David Peck with key members John Fugarino, Michael Caglianone, Michael Knoblach, Kelsey Gallagher, and Joel Simches, transforming reeds, brass, electronics, synths, found percussion, bells, gongs, toys, and extended objects into a tightly interactive long-form work of shifting sonorities and large-unit invention. | |||
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| Turtle Boat (Chebolu / Burgoyne / DiPiero): Fear is Heavy, I've Got Plans ... (Amalgam) Led by guitarist and electro-acoustic improviser Abhilasha Chebolu, the Turtle Boat trio joins saxophonist Alex Burgoyne and drummer Dan DiPiero for a deeply attentive and introspective free improv session, balancing spacious interplay, raw textural exploration, and emotionally resonant exchanges informed as much by contemporary composition and experimental sound art as by the traditions of free jazz. | |||
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| Various Artists: Evil Clown Shorties Vol. 7 (2025) (Evil Clown) Collecting fourteen �Five Minute Shorties� from as many Evil Clown albums recorded between July and December 2025, this seventh volume offers a compact sampler of the label�s broad-palette improvisation, presenting twenty musicians across nine modular ensembles in concise works of reeds, brass, strings, electronics, bass, percussion, and emergent form. | |||
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| VoiceAct (feat Jim Black): Bee Space (Listen! Foundation (Fundacja Sluchaj!)) Four adventurous Polish vocalists — Anna Gadt, Natalia Kordiak, Marta Grzywacz, and Gosia Zagajewska — join forces with drummer Jim Black for a striking program of collective free improv, where extended vocal techniques, abstract textures, rhythmic interplay, and spontaneous theatrical expression unfold in highly responsive exchanges, balancing primal energy with nuanced sonic exploration. | |||
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| Westbrook, Mike Orchestra: The Cortege Live At The BBC 1980 [2CDs] (Cadillac Records) Bringing together poetry, theater, and expansive orchestral jazz, composer and pianist Mike Westbrook leads a remarkable 16-piece ensemble through a sweeping work for jazz orchestra where the vocal artistry of Phil Minton and Kate Westbrook intertwines with richly textured brass, reeds, and improvisation to evoke procession, memory, mortality, and the transformative power of collective expression. | |||
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| Composed & Contemporary | ||||
| Sharp, Elliot: Piano Forte (zOaR Records) Elliott Sharp returns to solo piano with a set of compositions rooted in the instrument's physical properties, drawing on his complex history with the piano — from childhood performance to later works such as K!L!A!V!, Mapping, and Oligosono — to explore the poetics of resonance, high-tension strings, attack, volume, and the tactile force of sound through a Steinway B. | |||
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Squid Note Records is our in-house label created to support adventurous new recordings. We launched Squid Note Records to release music we believe in — directly, carefully, and fairly. But we didn't set out with a formal plan to start a label. Squid Note grew from conversations with artists who trusted us and asked for a way to release work that might not otherwise find its audience.
So this isn't simply "our" label. It's something we are building together with the musicians themselves. The direction is shaped as much by the artists as by us — a collaborative effort grounded in mutual respect and shared commitment; each release is an equal partnership.
Ivo Perelman & Damon Smith — Duologue: Core of Existence
Ivo Perelman & Damon Smith — Duologue: Core of Existence Continuing his expansive Duologues series, saxophonist Ivo Perelman joins bassist Damon Smith for a deeply interactive session where spontaneous form emerges through close listening and exchange, their lines intertwining with fluid lyricism and raw intensity, mapping a dynamic terrain of free improv that reflects both distinct voices and a shared, evolving musical language. |
The Squid's Ear is Squidco's companion online magazine,
featuring reviews of Squidco items from independent writers.
We're never quite caught up with new releases that constantly come in our door, and we don't like to rush a release to our homepage. That said, the following releases have already been stocked at Squidco, and are able to be ordered. In most cases we have images, often have samples, and some basic description of each release.
• You can see the newest additions to our catalog in our Just In Stock Section.
• You can see the latest fully cataloged items in our store by using our New Releases section.
• You can see Recently Restocked items on this page.
• You can ask to have us email you when Upcoming Releases are in stock.
Squidco has been in business as a mail-order store since 2003. In 2010, we moved to Wilmington, NC, providing regional and visiting customers access to our catalog of over 9,000 items, including hundreds of discounted, used, and promotional items not listed on our website. We're open for visits by appointment during weekday afternoons, so if you're in the North Carolina coastal region, please email us to set up a time — we'd love to play some music for you!
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