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UPDATE
April 10, 2026
"I believe all music should have the roots of Louis Armstrong:
It must have rhythmic truth,
This is the most important thing."
— Albert Ayler
Essential Artists
• Louis Armstrong's Hot Five & Hot Seven
• Marc Copland (w/ Feldman/Gress/Pinciotti/Henkelhausen/Burgwinkel)
• Dietrichs (Don Dietrich/Camille Dietrich)
• Fred Frith/Karen Stackpole
• Bill Laswell/P.ST (w/Henry Kaiser, Graham Haynes, Peter Apfelbaum, &c)
• LDL (Leimgruber, Urs/Jacques Demierre/Thomas Lehn)
• Magda Mayas' Filamental
• Musicworks
• The NU Band (Whitecage/Heberer/Fonda/Grassi)
• The Outskirts (Rempis/Haker-Flaten/Rosaly)
• Ivo Perelman (w/ Marc Ribot/Elliott Sharp/Joe Morris)
• Rodrigues/Rodrigues/Torres/Von Schlippenbach/Kellers
• Pat Thomas & XT (Wright/Abbott)
• Turbulence
• Gabriel Vicens
Essential Labels
| Aerophonic Clepsydra Creative Sources Evil Clown Inner Voice Jazz Mahakala Music | Musicworks Not Two Relative Pitch Sub Rosa Thingamajig We Jazz |
New Releases
From April 10 to April 17th, we have reduced the price of 41 ezz-thetics by Hat Hut Records Ltd albums for savings of up to $10 on each. That's 41 single or double CD albums priced from $7.95 to $9.95 !
Forty two albums at an exceptional price gives our customers a chance to fill in their collection of these important and extraordinary albums of creative improvisation, composition, and the merging of both. Take a close look, as some titles are limited in quantity, and this sale ends Thursday, April 16th!
Click Here to Shop the Spring Hat Sale
In 2019 Switzerland's Hat Hut label initiated their latest line, ezz-thetics by Hat Hut Records Ltd, releasing new albums of improvisation and contemporary compositional music, and mixtures of the same.
In-stock items only. Sold out items will disappear from store. Orders must be placed through our shopping cart. Price shown is discounted price. Sale ends Thursday, April 16, 2026 at 11:59 PM EST. While quantities last. Discounted items will not receive Squidco Reward Points.
| Jazz & Improvisation | ||||
| Altman, Laura: Holy Trinity (Relative Pitch) Recorded at the Holy Trinity Anglican church in York, Western Australia, this solo work from Laura Altman explores the interplay of instrument, environment, and intervention, as clarinet, voice, tapes, and small objects interact with feedback and resonant space to create a delicate yet expressive sound world where shifting timbres, silence, and acoustic response blur the boundaries between source and surroundings. | |||
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| Armstrong, Louis : Hot Five & Hot Seven At 100 [2 CDs + 2 POSTCARDS] (Thingamajig) Recorded in Chicago between 1925 and 1928, these seminal Hot Five and Hot Seven sessions led by Louis Armstrong capture a transformative moment in early jazz, where his virtuosic phrasing, rhythmic innovation, and charismatic presence redefine the music's expressive scope, presented here with exceptional restoration and mastering, and accompanied by two postcards detailing recording sessions and personnel. | |||
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| Copland, Marc (w/ Feldman / Gress / Pinciotti / Henkelhausen / Burgwinkel): String Theory (Inner Voice Jazz) Centering the lyrical interplay of piano and violin, Marc Copland and Mark Feldman lead two rhythm sections with Drew Gress (bass), the late Anthony Pinciotti (drums) or Felix Henkelhausen (bass), and Jonas Burgwinkel (drums), through intimate, textural performances balancing standards and originals with subtle, exploratory improvisation. | |||
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| Dietrichs (Don Dietrich / Camille Dietrich): Live Bahdu (Relative Pitch) Uniting legendary tenor saxophonist Don Dietrich with cellist Camille Dietrich, this fierce duo performance surges with overwhelming intensity, as lung-shaking sax eruptions collide with raw, textural cello force to engulf the sonic space in dense, high-velocity, noise-driven free improv, captured live at the 2025 Ear We Are festival in Biel, Switzerland. | |||
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| Frith, Fred / Karen Stackpole: Nature (Sub Rosa) Bringing together Fred Frith's extended electric guitar vocabulary with Karen Stackpole's richly resonant world of gongs and metals, this intimate duo session unfolds as a deeply textural dialogue where harmonic overtones, shimmering percussion, and transformed string sonorities intertwine, blurring the boundaries between instrument and resonance in a fluid, exploratory program of free improv. | |||
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| Laswell, Bill / P.ST (w/Henry Kaiser, Graham Haynes, Peter Apfelbaum, &c): Mount Analogue [2 CDs] (Sub Rosa) Recorded across three continents and completed in New York, this double-disc work led by Bill Laswell and conceptualist P.ST draws on René Daumal's unfinished allegorical novel to shape a richly textured electroacoustic narrative, where voice and instrumentation unfold alongside layered improvisation and cinematic abstraction, as Henry Kaiser contributes extended solo guitar meditations. | |||
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| Laswell, Bill / P.ST (w/Henry Kaiser, Graham Haynes, Peter Apfelbaum, &c): Mount Analogue [VINYL 2 LPs] (Sub Rosa) Vinyl edition of the CD listed above. | |||
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| LDL (Leimgruber, Urs / Jacques Demierre / Thomas Lehn): The Eerie Glow Of Jellyfish (Relative Pitch) Recorded live at Kaleidophon Festival in Ulrichsberg, Austria, the trio of Urs Leimgruber on soprano saxophone, Jacques Demierre on amplified spinet, and Thomas Lehn on analogue synthesizer engages in a tense, hyper-attentive electroacoustic exchange, where dense textures, volatile interactions, and precise collective listening shape an ever-shifting dialog rooted in European free improv. | |||
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| Mayas', Magda Filamental: Murmur (Relative Pitch) Exploring the fluid coordination and shifting forms of collective motion, pianist Magda Mayas leads her octet Filamental — featuring Zeena Parkins, Rhodri Davies, Aimée Theriot, Anthea Caddy, Angharad Davies, Christine Abdelnour, and Michael Thieke — in an intricate program of ensemble-driven free improv where shared memory, evolving textures, and intuitive interplay coalesce into dynamic, murmuration-like structures. | |||
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| NU Band, The (Whitecage / Heberer / Fonda / Grassi): In Memory of Mark Whitecage (Live at the BopShop) (Not Two) A tribute to NY reedist & wind player Mark Whitecage, who passed away in March 2021, in a concert at Rochester's BopShop in 2018 by the band he is probably best known for: Nu Band, with trumpeter Thomas Heberer taking Roy Campbell's original seat, plus Lou Grassi on drums and Joe Fonda on bass, a great concert blending modern creative jazz with passionate playing and a bit of hard bop. | |||
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| Outskirts, The (Rempis / Haker-Flaten / Rosaly): Orbital [2CDs] (Aerophonic) Reuniting after years apart, saxophonist Dave Rempis, bassist Ingebrigt Håker Flaten, and drummer Frank Rosaly revive The Outskirts with a dynamic balance of modular compositions and open-ended improvisation, joined on one disc by pianist Marta Warelis, resulting in two contrasting live sets that move fluidly between structured ideas and spontaneous interplay in an expansive program of ensemble-driven free improv. | |||
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| Perelman, Ivo (w/ Marc Ribot / Elliott Sharp / Joe Morris): Trifecta [3 CDs] (Mahakala Music) Uniting tenor saxophonist Ivo Perelman with three distinct guitar voices — Marc Ribot, Elliott Sharp, and Joe Morris — this 3-CD set presents three separate duo encounters recorded at Park West Studios in Brooklyn, highlighting contrasting improvisational languages while exploring timbre, interaction, and the expressive possibilities of the guitar in free improv contexts. | |||
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| Rodrigues, Ernesto / Guilherme Rodrigues / Nuno Torres / Alexander Von Schlippenbach / Willi Kellers: Nickelsdorf (Creative Sources) Recorded live at the 2025 Konfrontationen #45 in Nickelsdorf, this quintet of viola, cello, alto saxophone, piano, and percussion unites frequent Creative Sources players Ernesto Rodrigues, Guilherme Rodrigues, and Nuno Torres with legendary free jazz pianist Alexander von Schlippenbach and drummer Willi Kellers, in a dynamic convergence of textural string abstraction and energetic free jazz interplay. | |||
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| Thomas, Pat & XT (Wright / Abbott): Strata, Act (Joy Contemporary)* Zurich [2 CDs] (We Jazz) Recorded live at Rote Fabrik, in Zurich, this 2-CD set from Pat Thomas with XT — Seymour Wright and Paul Abbott — reimagines free improv through a fluid integration of acoustic and electronic sound, where real and "imaginary" instruments dissolve boundaries of form and timbre, unfolding as a complex, evolving suite that draws on ea traditions while pushing toward a synthetic, genre-defying future. | |||
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| Thomas, Pat & XT (Wright / Abbott): Strata, Act (Joy Contemporary)* London [VINYL + DOWNLOAD] (We Jazz) Vinyl edition of the CD listed above. | |||
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| Turbulence : Phenomena Inside Phenomena (Evil Clown) Drawing from Evil Clown's ever-evolving Turbulence ensemble, this septet session led by PEK assembles a dense horn front line with an expansive rhythm section, navigating a broad palette of textures through constant instrument shifts, where reeds, brass, electronics, and an array of percussion converge in a richly varied and continuously transforming program of ensemble-driven free improv. | |||
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| Vicens, Gabriel: Niebla (Clepsydra) Blending Afro-Puerto Rican rhythms with modern jazz and exploratory improvisation, guitarist Gabriel Vicens leads a sextet of guitar, saxophone, piano, bass, drums, and percussion — performing lyrical and sophisticated compositions that move through propulsive, textural, and meditative passages, balancing ancestral pulse, temporal reflection, and avant-garde expression. | |||
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| Books & Magazines | ||||
| Musicworks: #153 Winter 25/Spring 26 [MAGAZINE + CD] (Musicworks) A compelling issue of Musicworks spotlights Montreal artist Quinton Barnes and his hybrid of free jazz, drone, and experimental R&B, alongside features on composer Corie Rose Soumah and writer/musician DeForrest Brown, Jr., with additional artist profiles, festival coverage, and reviews of contemporary experimental music. | |||
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Squid Note Records is our in-house label created to support adventurous new recordings. We launched Squid Note Records to release music we believe in — directly, carefully, and fairly. But we didn't set out with a formal plan to start a label. Squid Note grew from conversations with artists who trusted us and asked for a way to release work that might not otherwise find its audience.
So this isn't simply "our" label. It's something we are building together with the musicians themselves. The direction is shaped as much by the artists as by us — a collaborative effort grounded in mutual respect and shared commitment; each release is an equal partnership.
| Blending classical cello lineage with fearless experimentalism, Daniel Levin presents a solo performance recorded at Dropa House in Antwerp, exploring the instrument's full expressive range through extended techniques, resonant bow work, and theatrical gestures using paper, chair, and stage, creating a fluid dialogue between structured tone, abstract texture, and the physical presence of sound. Prefer the Squidco product page? View on Squidco |
| Bringing together drummer Steve Hirsh, guitarist Matt Hollenberg, and baritone saxophonist Dave Sewelson, this trio threads avant-rock intensity, spacious free-jazz phrasing, and the instinctual push-and-pull of three musicians who trust the moment more than any stylistic boundary. The project began in New York, gained new momentum through Minnesota performances supported by the Minnesota State Arts Board, and arrives here with focused, exploratory studio energy. Prefer the Squidco product page? View on Squidco |
Joel Futterman — Absorb |
Joel Futterman — Reflective |
Barry Chabala & Clara Byom — Bella's Ghost |
Ivo Perelman & Damon Smith — Duologue: Core of Existence |
The Squid's Ear is Squidco's companion online magazine,
featuring reviews of Squidco items from independent writers.
We're never quite caught up with new releases that constantly come in our door, and we don't like to rush a release to our homepage. That said, the following releases have already been stocked at Squidco, and are able to be ordered. In most cases we have images, often have samples, and some basic description of each release.
• You can see the newest additions to our catalog in our
Just In Stock Section.
• You can see the latest fully cataloged items in our store by using our
New Releases section.
• You can see Recently Restocked items on this page.
• You can ask to have us email you when Upcoming Releases are in stock.
Squidco has been in business as a mail-order store since 2003. In 2010, we moved to Wilmington, NC, providing regional and visiting customers access to our catalog of over 9,000 items, including hundreds of discounted, used, and promotional items not listed on our website. We're open for visits by appointment during weekday afternoons, so if you're in the North Carolina coastal region, please email us to set up a time — we'd love to play some music for you!
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