Frank Gratkowski's reeds, Sebi Tramontana's trombone and Steve Beresford's piano meet in freely improvised music built on decades of individual experience and mutual trust, moving between playful exchange, dissonance, lyricism and near-organization in a Köln studio session that reveals three instantly recognizable voices continually reshaping their collective language.
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Sample The Album:
Frank Gratkowski-alto saxophone, clarinet, bass clarinet, contrabass clarinet, flute
Sebi Tramontana-trombone
Steve Beresford-piano
Click an artist name above to see in-stock items for that artist.
UPC: 5903878255143
Label: Fundacja Sluchaj!
Catalog ID: FSR 11|2026
Squidco Product Code: 37726
Format: CD
Condition: New
Released: 2026
Country: Poland
Packaging: Cardboard Gatefold
Recorded at Loft, in Koln, Germany, on June 4th, 2024, by Christian Heck.
"There is a familiar species of experience. I believe it is nearly universal. Here's the brief: we have not seen a person in a long time, someone with whom we were once close. For no good reason - no falling out, no unpleasantries at all - our paths have not crossed.
Then, in an instant, we are together, thrown or brought or drawn. Circumstance has landed us proximate and here we are, face to face. Within seconds, we recognize the person. I mean really recognize them. Not just their external appearance - indeed, maybe time has rendered that a little less than obvious, our mutual graying and balding and stooping and wrinkling - but their persona, how they act and interact, how they present themselves, their gestures, the way they defer or interrupt, their gait, their eyes, their smile.
If we have loved them, we immediately love them again. They can't help it. Neither can we.
It is also like this with music. The nuances give away the player, and if we have not heard them for a spell, maybe even a lengthy period, but we have spent lots of time listening to them, recognition takes no time at all. Even if they're doing something quite new, playing in a fresh configuration, perhaps with other such long-ago friends with whom we have too rarely communed.
Hearing my friends Sebi Tramontana, Steve Beresford, and Frank Gratkowski makes me think of this phenomenon of instant recognition. At a time when we were all more globally mobile, a couple decades and more ago, the four of us were fortunate to have spent enough time together that, for me, they remain now fully present as themselves, behaving as they did and as they continue to behave, even as they have grown and transformed.
Initially, I knew each of them independently, Sebi by way of Mario Schiano, Frank through his long association with Georg Grawe, Steve in the context of his singular contribution to freely improvised music. Here they are, a congregation of separate worlds, come together for something quite new, but also a bridge to these pasts. In a world of perpetual change, I find this continuity reassuring.
Many of those same points of recognition, the personal inclinations that make up someone's identity, are audible in how they improvise. The actions and interactions, for instance, that constitute the most substantial part of spontaneous music, are immediately distinguishable here, not as signature moves, but in the ways that Sebi, Steve, and Frank work together. Their "weave," if you will.
I hear a playful quality, a warmth, in the give and take, as well as risky moments that pay off, the "almost organized" passages, their "minor adjustments to reality" - fundamentals of adventurous improvisation that require trust built on mutual experience. There's a willingness to be arch or dissonant, as well as harmonious and tuneful. It's all audible in the gestures, the deference and interruption inherent in the way each one improvises.
When I hear the collective result, I can see the players, my pals, clear as day. In my mind's eye, I imagine their individual gaits as they walk down the street, the gleam in their eyes while sipping an espresso, working on a whiskey, or eating a bagel. Their very different smiles - wry, generous, cunning. (You'll need to place each smile on its smiler.)
I am grateful for this extraordinary music. Because it's not only a portrait of these wonderful people, alte Freunde. It's also a shared experience, a unique document of the trio making something that is at once all of them and none of them. Something ultra-familiar but also unrecognizable."-John Corbett, Chicago, May 2026
Artist Biographies
• Show Bio for Frank Gratkowski "Frank Gratkowski, saxophone. Born in Hamburg, 1963. Started playing the saxophone at 16 and, following a period at the Hamburg Conservatory (Hamburger Musikhochschule), moved in 1985 to study at the Cologne Conservatory of Music with Heiner Wiberny, graduating in 1990. Further studies with Charlie Mariano, Sal Nistico and Steve Lacy. Frank Gratkowski has been working as a soloist in various international formations (Grubenklang Orchester, Klaus Koenig Orchester, Musikfabrik NRW, Tony Oxley Celebration Orchestra, Bentje Braam, BikBentBraam, All Ears, Zeitkratzer, WDR Big band, etc.). Since 1990 he has been giving solo performances throughout Europe, Canada and USA. With his first solo program, he was a 1991 prizewinner in the Musik Kreativ contest. The release of the solo CD "Artikulationen" followed the same year and a new one "Artikulationen II" in 2002. Since 1992 he has been working in a duo with the pianist Georg Graewe (CD "VicissEtudes"). The duo is often extended through the participation of different additional musicians, such as drummer Paul Lovens (CD "Quicksand") and bassist John Lindberg (CD "Arrears"). In 1995 he founded the "Frank Gratkowski Trio" with Dieter Manderscheid (Germany), bass, and Gerry Hemingway (USA), drums, (CDs "Gestalten" and "The Flume Factor" ). In 2000 the trio has been extended to a quartet by Dutch trombonist Wolter Wierbos (CDs "Kollaps", "Spectral Reflections", "Facio" and "Le Vent et la Gorge"). Since 2003 also appearing as a Double Quartet plus Tobias Delius, Herb Robertson, Wilbert DeJoode and Michael Vatcher. In 2005 he got the SWR Jazzprize. In 1999 the duo with the Italian trombonist Sebastiano Tramontana has been formed and since 2001 Frank Gratkowski has been performing with a trio including Wilbert De Jode (NL) on bass and Achim Kaufmann (D) on piano (CDs "Kwast" and "Unearth"). Since 2006 he's working with the Trio Gratkowski / Brown / Winant (CDs "Wake" and "Vermilion Traces/Donaueschingen 2009"). He is also a co-leader / composer of the Multiple Joy[ce] Orchestra and got a commission to compose for the ensemble Apartment House by "November Music " (Den Bosch NL) and the "Huddersfield Comtemporary Music Fesitival" (England) in 2009. Further actual projects are Fo[u]r Alto, a saxophone ensemble dedicated to microtonal music and "Artikulationen E" a solo program for saxophone with 8 channel live electronic. Frank Gratkowski played on nearly every German and on numerous international Jazz and contemporary music Festivals including Vancouver, Toronto, Chicago, New York, Seattle, Quebec, Les Mans, Muelhuus, Groeningen, Nickelsdorf, Barcelona, Lithuania, Warsaw, Zagreb, Prague, Bratislava, Sofia, Bucharest, Odessa and Roma, Huddersfield, London. He has been teaching saxophone and ensembles at the Cologne, Berlin and Arnhem Conservatory of Music and is giving workshops all around the world. Furthermore he has performed with Robert Dick, Phil Wachsmann, Radu Malfatti, Herb Robertson, Marcio Mattos, Eugenio Colombo, Peter Kowald, Ray Anderson, Michael Moore, Ken Vandermark, Greg Osby, Kenny Wheeler, Louis Sclavis, John Betsch, Jane Ira Bloom, Connie and Hannes Bauer, Xu Fengxia, James Newton, Muhal Richard Abrams, John Lindberg, Michael Formaneck, Ernst Reijseger, Fred van Hove, Theo Jörgensmann, Phil Minton, Peter Brötzmann, Mark Dresser, Mark Feldman, Hamid Drake, Michiel Braam, Han Bennink, Mal Waldron, Misha Mengelberg a.m.o." ^ Hide Bio for Frank Gratkowski • Show Bio for Sebi Tramontana "Sebi Tramontana (born December 12, 1960) is a jazz trombonist most often associated with avant-garde jazz and free improvisation music. A member of the Italian Instabile Orchestra, Tramontana has also recorded with such musical artists as Jeb Bishop, Joëlle Léandre, Mario Schiano, and Carlos Zingaro." "Born 12 December 1960 in Rosolini, Sicily; trombone. Sebi Tramontana started playing guitar as a child and then moved to the soprano saxophone in the late 1970s. He switched to trombone in 1982 and during a radio production with Bruno Tommaso met Giancarlo Schiaffini, who convinced him to move to Rome and study with him at A. Casella Conservatorio in L'Aquila. In Rome he calloborated with Martin Joseph, Eugenio Colombio and Mario Schiano and in 1986 was a member of the New Talents Orchestra, performing at the Rocella Jonica Festival. He guested with Gruppo Romano Free Jazz for their 30th anniversary in 1996. In 1987 he started a trio with Daniel Studer and Roberto Altamura which played at the Contraindicazione Festival in Rome and subsequently performed with Paul Rutherford, Barry Guy, Gerard Siracusa, Eugenio Colombo, Co Streiff and Martin Mayes. Tramontana was invited by Mario Schiano in 1988 to take part in the recording of Red and blue with Vladimir Tarasov and Vladimir Chekasin. In 1990 he completed his studies at A. Casella Conservatorio and joined the Italian Instabile Orchestra. His first solo performance was in Rome in 1992 and this has been followed by performances in Zürich, Mulhouse, Clusone, Köln, Ruvo Di Puglia, Roccella, Jonica and Göttingen. In 1994 he was invited by Georg Gräwe to "Two Nights Of Random Acoustics" in Köln, subsequently joining the Georg Graewe Quintet and touring Europe. In 1998, he recorded a duo with Graewe for the Italian Splasc(h) label and in July 2003 became a member of the Georg Graewe new quintet, with Tobias Delius, Kent Kessler and Michael Vatcher. In 1996 Tramontana performed at the festival di Roccella Jonica with Barre Phillips, Michel Doneda and two dancers and then at the Victoriaville festival with Mario Schiano, Evan Parker, Paul Lovens and Barry Guy. He also appeared at the Empty Bottle in Chiacgo with Hamid Drake, Kent Kessler, Ken Vandermark and Mars Williams. In 1997 he performed the 'Art Of Dialogue' in Munich with Joëlle Léandre. In 1999 he received a scholarship from the City of Munich for 6 week residence in the US and as a result visited Chicago (playing at the Empty Bottle festival and recording with Jim Baker, Fred Lonberg Holm, Michael Zerang, Lou Mallozi, Jeb Bishop, Ken Vandermark and Kent Kessler), San Francisco and New York. From 1999 to 2002 he was Artistic Director (with Ch.Hofig department of Culture of the City of Munich) of the festival "Come Sunday" and during this period he also founded the group XAXA with Phil Wachsmann, Mats Gustafsson and Paul Lovens. In 2001 Tramontana undertook concerts and recordings in Chicago with the "Night People" project (a homage to Dickie Wells), a string quartet with Guiellermo Gregorio on clarinet and in duo with Jeb Bishop (Chicago defenders). He also began to play in duo with Paul Lovens (with the Buster Keaton The General project), performing in Munich, Ljubljana, Graz, Cologne, Regensburg, Rome, Maribor, Kassel and Göttingen. In 2002-03 he was a member of the Mats Gustafsson's Nu Ensemble. In 2003 he appeared at the Banlieues Bleu Festival in Paris and Ghent (Belgium) with Joëlle Léandre's European Quartett featuring Carlos Zingaro Paul Lovens and special guest Irène Schweizer. He played a duo with Léandre at the Ulrichsberg Kaleidophon and also performed in the Trombone Trio - in Ljubljana and Maribor - with Vinko Globokar and Johannes Bauer. Since 1999 Sebi Tramontana has toured Germany and Austria with TV and movie actor Udo Wachtveitl and, since 2001, been a musician and actor with the Dance Company En Knap of Iztok Kovac from Ljubljana. He appeared in the film of Under my skin, directed by Saso Podgorsek, in 2004. 2004 also saw a collaboration with the electronic 48 nord group in Munich. In November 2004 he will exhibit his paintings in an exhibition in Chicago entitled Stop, Look & Listen: Artwork by Musicians alongside works by Pee Wee Russel, Hal Rammel, Han Bennink, Peter Brötzmann and others. In April 2005 he will tour with Joëlle Léandre and Paul Lovens and will be in Chicago to perform with a new project of Lou Mallozzi." ^ Hide Bio for Sebi Tramontana • Show Bio for Steve Beresford "Steve Beresford (born 1950) is a British musician who graduated from the University of York. He has played a variety of instruments, including piano, electronics, trumpet, euphonium, bass guitar and a wide variety of toy instruments, such as the toy piano. He has also played a wide range of music. He is probably best known for free improvisation, but has also written music for film and television and has been involved with a number of pop music groups. Beresford played in Derek Bailey's Company events and in the groups Alterations with David Toop, Terry Day and Peter Cusack, and the Three Pullovers with Nigel Coombes and Roger Smith. He was also a member with Gavin Bryars and Brian Eno of the Portsmouth Sinfonia. Beresford has continued to play free improvisation with a number of prominent musicians, including Evan Parker, Lol Coxhill, John Zorn, and Han Bennink. He has collaborated extensively with Swiss-American artist/musician Christian Marclay and is an active member of the long-standing London Improvisers Orchestra. From 2010 he performed various pieces by John Cage, including Indeterminacy with Tania Chen and comedian Stewart Lee, and a performance with Ilan Volkov at The BBC Proms 2012 at The Royal Albert Hall in London. He has also worked with a number of popular musicians, including Ray Davis, The Slits, Frank Chickens, Ted Milton and The Flying Lizards. In 2015 he performed a duoproject with the upcoming Norwegian singer Natalie Sandtorv at the Blow Out! festival in Oslo, Norway. He was awarded a Paul Hamlyn Award for Artists in 2012. He is a senior lecturer on the Commercial Music course at University of Westminster. Beresford's music and his teachings have inspired the musical community in the UK for over a decade. British songwriter and performer Katy Carr cites Steve Beresford's lectures on musical themes associated with Free improvisation, Experimental music, John Cage, musique concrète, Diamanda Galás and The Slits as a source of initial inspiration with regards to the creation of her debut album, Screwing Lies released in 2001." ^ Hide Bio for Steve Beresford
8/17/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
8/17/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
8/17/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. This Seemed Like a Good Idea 11:17
2. Minor Adjustments to Reality 05:54
3. Almost Organized 08:14
4. Density, Then Air 05:45
5. Residual Motion 10:26
6. Between Instructions 11:15
7. Listening to the Gap 04:13
August 2026
Improvised Music
Jazz
Free Improvisation
Collective & Free Improvsation
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