Alto saxophonist and flutist Chad Fowler joins pianist Eri Yamamoto for an intimate duo session balancing composed material with spontaneous song forms, moving between grief, memory, tenderness and celebration through deeply lyrical improvisation, including Fowler's elegiac "Ash" and the standard "Polkadots and Moonbeams," recorded by Jim Clouse at Park West Studios.
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Chad Fowler-alto saxophone, flute
Eri Yamamoto-piano
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UPC: 195269424923
Label: Mahakala Music
Catalog ID: MAHA-101
Squidco Product Code: 37567
Format: CD
Condition: New
Released: 2026
Country: USA
Packaging: Jewel Case
Recorded at West Park Studios, in Brooklyn, New York, on December 20th, 2024, by Jim Clouse.
"Some records arrive with a plan. This one arrived as a conversation in the car on the way to Jim Clouse's Park West Studio in Brooklyn.
Eri Yamamoto and I first met recording Sparks with William Parker and Steve Hirsh. Somewhere in those sessions I suggested we try spontaneously composing folk songs. Looking back, that idea revealed something we already shared. We kept playing together over the years in different settings, including Eri's Quadraphonic ensemble. This album extends that first conversation.
The music moves between grief and joy, memory and celebration. "Ash" was written in the days after my father died, after I brought his ashes home. At the other end is "Polkadots and Moonbeams," the song played at my wedding nearly thirty years ago, the song whose opening bars are tattooed on my arm.
Everything in between was improvised.
These pieces were never discussed, rehearsed, or arranged. Yet they arrived with the shape of songs that had been waiting for us all along. Nothing was planned. Very little feels accidental. Even the moments of struggle seem to belong exactly where they are.
The cover was created by my wife, Kelly Jeanne. After hearing the finished album, she responded with the embroidered image that accompanies it. To me, it is not an illustration of the title so much as an expression of what Polkadots and Moonbeams has come to mean in our lives: wonder, tenderness, beauty, love, and the strange passage of time.
These pieces travel from a son's farewell to a wedding song, with a great deal of life in between. Some were written before they were played. Most were written while they were being played."-Chad Fowler
Artist Biographies
• Show Bio for Chad Fowler "I'm Chad Fowler. I write books, write and play music, write software, lead organizations (currently for Microsoft, in Berlin), invest in startups, speak at conferences, teach, learn, organize conferences, etc. I started and co-organized a couple of Ruby-related conferences including The International Ruby Conference and RailsConf." ^ Hide Bio for Chad Fowler • Show Bio for Eri Yamamoto Eri Yamamoto Pianist/ Composer Since moving to the United States in 1995, Eri Yamamoto has established herself as one of jazz's most original and compelling pianists and composers. Jazz legend Herbie Hancock has said, "My hat's off to her... already she's found her own voice." The Eri Yamamoto Trio has developed a unique sound and repertoire, and has built a strong following in New York and abroad. They have recently toured the U. S., Canada, Europe, and Japan, with appearances at major festivals in Jazz en Raffale, Canada; Cheltenham, England; Terrassa, Spain; Bray/Derry, Ireland; Time Zones in Bari, Italy; and Shiga, Japan. Eri has also been collaborating with such creative and celebrated musicians as William Parker, Daniel Carter, Hamid Drake, Federico Ughi, and Yves Léveillé. In 2009, Eri composed trio music to accompany the 1932 silent film by the master director, Yasujiro Ozu, I Was Born But... This music was premiered in a festival in Munich, Germany, and five of the songs appear on her CD, In Each Day, Something Good. In 2012 release, her latest trio CD, The Next Page on AUM Fidelity Label is her eighth CD as a leader. Her ten new compositions evoke a wide range of images and moods, inspired by moments of grace in her daily life, and her encounters of natural beauty at home and throughout her travels. Eri has also developed a personal voice as a solo pianist, and has moved audiences with her renditions of her own compositions and her spontaneous improvisations. In 2008, she gave a nine-concert solo tour of Italy to popular and critical acclaim. She has also given solo concerts in Japan and the United States. Since 2009, Eri has had a special collaboration with French-Canadian pianist Yves Léveillé, performing at several concerts and clubs throughout Canada. In 2010, they released a CD, Pianos, that features 10 of their original compositions in duo and solo settings. They added multi-reed virtuoso Paul McCandless to their ensemble, and recently toured Canada, where they deeply moved audiences with their lyrical and compelling music. Eri was born in Osaka, Japan, and began playing classical piano at age three. She started composing when only eight years old, and studied voice, viola, and composition through her high school and college years. In 1995, she visited New York for the first time, and by chance heard Tommy Flanagan performing. She was so inspired by her first experience of a jazz piano trio that she decided on the spot to move to New York and dedicate herself to learning jazz. Later that year, Eri entered the New School University's prestigious jazz program, where she studied with Reggie Workman, Junior Mance, and LeeAnn Ledgerwood. In 1999, while still in school, she started playing regularly at the Avenue B Social Club, a popular spot among jazz musicians in the East Village. There she developed a musical friendship with fellow pianist Matthew Shipp. Since 2000, Eri's trio has been appearing regularly at Arthur's Tavern, a historic jazz club in New York's Greenwich Village. In addition to her European performances, she has performed at the Hartford International Jazz Festival, An Die Musik in Baltimore, and Lincoln Center Summer Festival in New York City. Eri has appeared on two William Parker recordings, Luc' s Lantern and Corn Meal Dance, and has performed in Italy, Holland, Norway, Tunisia and Portugal with his trio and sextet. She has also worked with such musical luminaries as Ron McClure, Andy McKee, Lewis Barns, Rob Brown, Leena Conquest, Butch Morris, Arthur Kell, Kevin Tkacs, and Whit Dickey. Finally, Eri is a gifted educator. She received her master of music in education and composition from Shiga University, Japan. She has taught private lessons and workshops to jazz musicians of all instruments from the U. S., Japan, Europe, and North Africa. www.eriyamamoto.com [email protected] Eri Yamamoto bio, p. 2 ^ Hide Bio for Eri Yamamoto
9/4/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
9/4/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Ash 5:33
2. Midnight Mourning Morning Mirth 3:08
3. When You Die You Become Sentient Energy 5:42
4. Russian Dragon 4:47
5. The Things We'll Miss 6:56
6. He Always Knew He'd Be A Preacher 8:01
7. We Can't Dance, Can We? 4:33
8. Polkadots & Moonbeams 4:59
September 2026
Improvised Music
Jazz
Melodic and Lyrical Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Piano & Keyboards
Recordings by or featuring Reed & Wind Players
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