2000 studio and live release from Tim Berne with a big band grouping of the Copenhagen Art Ensemble including trumpeter Herb Robertson and guitarist Marc Ducret.

Saxophonist Tim Berne in his 3rd ECM album, leading his NY band Snakeoil, now a quintet with guitarist Ryan Ferreira joining pianist Matt Mitchell, clarinetist Oscar Noriega, and percussionist Ches Smith, for intricate, dynamic and sophisticated modern jazz.

Steven Bernstein's fourth installment in his Diaspora series, exploring Jewish tradition through original compositions performed with Ben Goldberg, Peter Apfelbaum, &c.

The trio of Antoine Berthiaume (guitar, percussion), Quentin SirJacq (piano, percussion) and Norman Teale (electronics) mix jazz, contemporary, and rock in an improvisational context.

Two guitarists from New York's Downtown and Montreal's Actuelle scenes in 11 guitar improvisations, experimental sounds constructed and deconstructed.

Antoine Berthiaume (guitar, effects) and MaryClare Brzytwa (flute, laptop, electronics) in twelve pieces of intriguing improvisation.

Guitarist Antoine Berthiaume leads the trio of Michel Donato (bass) and Pierre Tanguay (drums) in this lively album of eleven original compositions.

Guitarist Berthiaume steps away from composition and jazz to record an album of intricate instrumental guitar songs with folk influences, playing solo and in small ensembles.

Two instruments - Bertoncini on violin; Lehn on analogue synth - with totally different histories come together and look for a connection across two great sets from 2006 & 2010.

Bete Tete's first album, "Ji Mo De" was recorded in Jiangxi, Ganzhou, China during the winter of 2006, designed as a play on verbal structure developed in mandarin.

Wandelweiser composer Antoine Beuger presents 25 of the 50 pages of his "Ockeghem Octets", each piece dedicated to one of Beuger's heroes, performed by an octet comprised of melodica, concertina, harmonium, e-bow zither, cello, flute, accordion and alto flute, each player provided notes and a playing methodology to create these gorgeous soundscape.

Antoine Beuger's minimalist work for American painter Marcia Hafif, known for her monochrome paintings, in 24 tonal works each 3 minutes long using stationary waves of eight frequencies from a different octave and punctuated by silence.

Jurg Frey on clarinet and Irene Kurka on soprano vocals perform Wandelweiser composer Antoine Beuger's extended composition "Two"; then the duo of Rhodri Davies on harp and Ko Ishikawa on sho are layered on the first recording, creating a refreshingly new take on the piece.

An extended work from Antoine Beuger and Michael Pisaro-Liu, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle realized in tone and voice.

Ben Owen (electronics), Barry Chabala (guitar) and Dominic Lash premier Wandelweiser founder Antoine Beuger's work "s'approcher s'eloigner s'absenter" recorded at erstwhile's AMPLIFY 2011 at The Stone, NYC.

Tony Bianco (drums) in a trio with Dave Liebman (saxophones, flute, piano) and Tony Marino (double bass) playing fiery jazz compositions as well as a few short improvisations.

Two energetic, extended improvisations led by drummer Tony Bianco, one with Paul Dunmall (saxophones) and Marcio Mattos (double bass), the other with Dunmall (saxophone) and Paul Rogers (bass).

Borrowing from Elvin Jones' concepts, drummer Bianco's band uses 2 saxophones (Mike Fletcher and Mark Hanslip), bass (Colin Somervell) and drums, for energetic and ecstatic jazz compositions creating a continual pulse with long lines and looped synchronicity.

With a 20 year history, double bassist Carlos Bica's trio Azul with Frank Mobus and Jim Black have developed a romantic, lyrical style that balances unusual textures and agressive playing with melodic style in wonderfully natural ways, here in their 6th alluring album.

Double bassist and composer Carlos Bica's Azul with guitarist Frank Mobus and drummer Jim Black in their 5th album, bringing jazz and elements of rock together into a lyrical and alluring set of recordings.

New perspectives in Portuguese jazz, a remarkable balance between folk elements and a unique vision for modern jazz, in eight original songs and two covers including one from Marc Ribot.

Pianist Claudia Binder presents 3 concepts for solo piano - the introspective "Room for a Sound" and it's dramatic inverse, "Sound for a Room"; "Polyphony" in 3 parts using piano preparation, one part playful, one part serious, one part peculiar; and an inexplicable "It Takes Two to Tango"--in performances revealing a curious mind and tremendous skill.

Exhiliarating melodic free jazz from the trio of Biondini (accordion), Godard (tuba & serpent) and Niggli (drums & percussion) in an album referencing the clear blue color of earth as seen from space.

Incredibly crafted sonic worlds from the Biota collective, and indescribable orchestration of electric & acoustic guitars, clavioline, trumpet, organ, micromoog, biolmellodrone, voice, electric & acoustic violins, bass, percussion, &c.

The eclectic, transformative and fascinating Biota (Mnemonists) in their 6th ReR CD of freeform sound, with video files and 13 images of paintings, drawing and woodcuts.

Trombonist Jeb Bishop and North Carolina-based Out & Gone Collective member, violist Dan Ruccia, after touring and performing with Eugene Chadbourne, Dan Lilley, and David Menestres, found their sound so compatible that they recorded this duo album using the languages of free jazz, chamber music, and extended improvisations to create something unexpected and rare.

Chronicling 30+ years of New York bassist Michael Bisio's life as a composer in song form and otherwise, in a quartet with Art Bailey on accordion, Kirk Knuffke on cornet, and Michael Wimberly on drums, balancing freedom and swing in a euphorically compelling album.

New York bassist Michael Bisio pays tribute to his teacher William O. Smith in this tremendous duo with cornetist Kirk Knuffke, in a beautiful mix of lyrical playing and heavy technical skills made to sound remarkably simply; a joyful and profound jazz album.

NY bassist Michael Bisio and pianist Matthew Shipp continue their collaborations from their trio work with Whit Dickey in this duo release recorded in the studio, beautiful and amazing telepathic communication.

EVIYAN is Iva Bittova, Gyan Riley & Evan Ziporyn - 3 unique composer/performers merging into a singular sound, an intimate, acoustic blend of world roots, post-minimalism, jazz, rock, and cabaret.

Drummer Gerald Cleaver leads this New York quintet through eight original compositions that fuse improvisation with modern jazz, post-punk, and electrified noise.

A beautiful example of the modern piano trio, led by in-demand drummer, Jim Black, with Elias Stemeseder the pianist and Thomas Morgan on bass, in a lyrical album that uses Black's compelling and elusive drumming on 9 original Black compositions and one unexpected standard, as all three deliver complex playing that sounds accessible and engaging, a true achievement.

Brooklyn trombonist Dan Blacksberg's and the powerful rhythm section of bassist Matt Engle (Shot X Shot) & drummer Mike Szekely (Anthony Braxton Quartet) in their 2nd NoBusiness release, performing compositions pushing the limits of the trombone while adhering to jazz roots.

An eclectic assortment of old-fashioned entertainment, pre-harmonic bop, and Canada's new wave of avant garde mariachi from Jean Martin, Nick Fraser, Justin Haynes, &c..

A set of saxophone & drums duo from Ex-Loung Lizard Blake and Copenhagen/NY drummer Osgood, free and melodic music with great rhythmic and harmonic diversity.

Newcomer vocalist Sara Serpa is accompanied by her mentor, pianist Ran Blake, for a set of wide-ranging jazz songs that are unconventionally and emotionally performed.

In 1988, on the spur of the moment, Blake and Braxton met to record this set of 8 standards, including pieces by Monk, Parker, Gillespie, Miles Davis, Mal Waldron, &c.

A vinyl-only limited edition album of Ran Blake's live performance on December 10, 2010 at St. Catherine's Church, performing mostly solo, and in duos with guitarist David "Knife" Fabris.

Trombonist Samuel Blaser leads a trio of Benoit Delbecqu (piano & keys) and Gerry Hemingway (drums & percussion) through 11 tracks that merge modern improvisation with conceptual compositional elements creating intense, introspective & intelligent music.

Swiss trombonist Samuel Blaser pays tribute to clarinetist and composer Jimmy Giuffre, in a quartet with Russ Lossing on piano & keys, Drew Gress on double bass, and Gerald Cleaver on drums, merging Giuffre's lyrical forms to create new and innovative compositions.

Blast's 2nd release on the ReR label, compositional rock that incorporates complex compositions with improvisation sections in seamless and breathtaking ways.

The Norwegian free-improvising trio of prepared pianist Dag-Filip Roaldsnes, alto saxophonist Kim-Erik Pedersen, and percussionist Tore Sandbakken in 14 darkly graceful and succinct works.

Recorded at Herbal International headquarters, Finders Art Space in Kuala Lumpur, Tim Bleichman and label founder Goh Lee Kwang reunite for this album of no-input mixer and laptop, an extended work of powerful sound, glitch, and indescribeable sonic environments.

Sound explorer Olivia Block reflects upon human "webs of significance" and the way electronic communication and recording technologies both improve and complicate those webs, in a remarkably detailed set of layered recordings contrasting clear and fragmented sound.

Composer Per Bloland blends custom built electronics with instrumental textures to create unique soundscapes, presenting 5 works performed by Ecce Ensemble Chamber Industrial in a release of vigorous electroacoustic and instrumental compositions.

Mauricio Kagel's 1970s avant cinema film "Ludwig Van" about Beethoven's music, is reinterpreted by pianist Frederic Blondy and turntablist DJ Lenar, improvising at Zacheta National Gallery of Art, in Warsaw, Poland, 2011, and assembled in studio.

Dutch vocalist and electronic artist Jaap Blonk takes on insomnia in 13 short works celebrating sleeplessness, including one piece for Dada sound poet Raoul Hausmann, and other "songs" using effective electronics and bizarre vocal utterances to accompany your own sleepless nights.

Eight meditations on just intonations from electroacoustic artist and vocalist Jaap Blonk, here focusing on instrumental aspects while creating beautiful environments of serene and shimmering sound.

Legendary improvising vocalist Jaap Blonk in a solo work, a mesmerizing and hallucinating piece of electronic music presenting myriads of voices and melodies that never repeat themselves.

Sound poet Jaap Blonk extended the International Phonetic Alphabet (IPA) into BLIPAX (Blonk's IPA Extended), developing scores as drawing which are converted into electronic sound through audio software and then back to text through OCR to create these unusual spoken audio pieces.

The second album from the quintet of Martin Blume (percussion), Jim Denley (flutes, saxophone), Axel Dorner (trumpet), Marcio Mattos (cello, electronics) and Philipp Wachsmann (violin, electronics).

The 19th volume in the Book of Angels series is led by gimbri player Shanir Ezra Blumenkranz in a primal reading of Zorn's music with Eyal Maoz & Aram Bajakian (guitars) and Kenny Grohowski (drums).

A solid solo outing from Zurich-based double bassist Friodlin, presenting his 4-part "Camping; Cafe Bar" work, blending the jazz idiom with discursive asides and unusual techniques, plus a lovely and appropriately titled work "But Beautiful".

Rosco Blur's groove-based jazz album with a great set of players including Paul Plimey (piano), Dylan van der Schyff (drums), spirited music with the occasional sung-spoken lyric, an album that harkens to the world of Roland Kirk with a modern edge.

Dutch improvisers cornetist Eric Boeren, saxophonist Michael Moore, bassist Wilbert de Joode with drummer Paul Lovens performing live in 2004 at Concertgebouw, Brugge.

The duo of Liz Allbee on trumpet and Anthea Caddy on cello in beautifully paced, mysterious improvisations using a minimal approach of extended and often disconcerting techniques augmented with subtle electroacoustic touches.

French composer Herve Boghossian pays hommage to electronic composer Eliane Radigue while asserting his own approach to continuous electronic sound in textures and pulsations, using a laptop recording feedback, plus harmonicas, drums, brooms, tuner and voice.

Recorded on various floors and in different rooms at the music school Bochum in Germany in 2014, the duo of reedists Katharina Bohlen and Claudius Reimann add spring drums, gongs, cymbals, tubular bells, and sound plates to their understated and moody improvisations.

Extending the realm of reeds in improvisation, the trio of three clarinetists--Katharina Bohlen, Reinald Noisten, and Claudius Reimann--perform on clarinet and bass clarinet with a diverse set of approaches, opening their 12 movement work with a trio of bass clarinets, and then permuting bass, b-flat clarinets and sax with remarkable technique.

Pianist Bolleter has 5 "ruined" (abandoned & unpredictable) pianos set up in his kitchen so that he can play them simultaneously, as he does on these 14 night-time recordings.

Ross Bolleter improvises on pianos that have been "abandoned to all weathers and has become a decaying box of unpredictable dongs, clicks and dedoomps" around Australia between 2001 and 2005.

The Boston-based BOLT quartet of Jorrit Dijkstra (sax), Eric Hofbauer (guitar), Junko Fujiwara (cello), Eric Rosenthal (drums) chose the 19 pieces on this release from 36 improvised pieces, ranging from "energy-orgies of free jazz [to] sparse electronic soundscapes".

Young Italian artist Piero Bittolo Bon (saxophones) with his new band, the Original Pigneto Stompers (Massaron, Sorrentini, Scettri) and special guest Jamaaladeen Tacuma (electric bass) in a powerful improvised session.

Extended improvisations using a mix of acoustic and electric instruments from the sextet of Ernesto Rodrigues, d'incise, Cyril Bondi, Abdul Moiemem, Eduardo Chagas, and Nuno Torres.

Since 2012 the improvising trio of saxophonist Ntshuks Bonga, bassist Andy Champion and Corey Mwamba have met to perform at concerts and festivals, here captured in the studio in a dynamic dialog balancing fervent and contemplative playing with commanding skill.

Three beautifully delicate works for Jurg Frey's clarinet, composed by the Amsterdam-based Wandelweiser composer/pianist Dante Boon, who has collaborated with Frey for several years and who accompanies Jurg on two of the pieces.

A uniquely voiced dialog between two skilled improvisers -- Christiane Bopp on trombone and Jean-Luc Petit on bass clarinet & soprano sax -- bringing experience and technique to improvisations that push their instruments into extreme territory yielding fantastic and original language while keeps their listeners on the edge of their seats.

Two monster proponents of noise esthetics, representing two continents whose cultures have often been described as incompatible, meet in the celebration of noise.

Extreme blasts of improvisation from the dual saxophones of Jim Sauter & Don Dietrich, and guitarist Donald Miller, performing live at Pezner in France, 1998.

The first feature documentary of the Borbetomagus free improvising noise trio of Don Dietrich, Jim Sauter and Donald Miller, alongside a live concert at Instants Chavires, Montreuil in 2009; documentary interviews and footage include Byron Coley, drummer Chris Corsano, guitarist Thurston Moore, Japanese noise unit Hijokaidan, and Switzerland's Voice Crack.

The Borbetomagus trio of Jim Sauter (sax), Don Dietrich (reeds) and Donald Miller (guitar) in a 1982 release on their own Agaric label, high volume jazz compiled from concerts in 1979 and 1981.

The unique voice of the Borbetomagus quartet recording in NYC in 1987, dark and beautiful improvisation that takes freedom to a unique level of squealing skronky feverish overtones and exhilaration.

Live recordings from Instants Chavires in Montreuil, France as the final concert of the Borbetomagus 2009 tour, a blistering 46 minute improvisation celebrating 30 years of this groundbreaking noise jazz trio's work.