Free improvisation recorded in Nova Scotia from the trio of Arthur Bull on electric guitar, John Heward on drums, and Adam Linson on bass, inspired by the beauty of the day and the substantial house in which they recorded to create these four impressive instant compositions.

"Although some improvisers deny that one of the main parameters that they deal in their projects is the language, this almost always ends (I would say until always) to happen. The interest of the music that results depends on what they ...

A collection of experimental, electroacoustic, and comprovized works from composer, sound artist, performer, and improviser Arturas Bumsteinas, inspired by Central European cultural landscape, including a radio play commisioned by Bolt Records.

Live concert DVD from Bunda Love (id & Mike) with Jamie Saft, filmed at Strange Maine in Portland, Maine; sheer communications in wierdness of doom metal meeting schizoid noise.

Tin Hat Trio founder Burger in an eclectic and wonderfully informed set of film cues, with help from Marc Ribot, Eyvind Kang, Carla Kihlstedt, Kenny Wollesen, &c.

A meeting in NY's Lower East Village between four improvisors--Robert Burke on saxes, George Lewis on trombone & electronics, Paul Grabowsky on piano & snare drum, and Mark Helias on acoustic bass--playing a pre-composed work, blending 21st century composition with modern jazz sensibility, enhanced by Lewis' computer-based "shapeshifts".

A concert featuring exceptional unaccompanied solo improvisations by John Russell (guitar), Phil Minton (voice), John Edwards (double bass), Lol Coxhill (saxophone) and Chris Burn (piano, percussion) followed by an impromptu performance as a quintet.

Unconvention improvisation fueled by the influence of contempary compositions from bassist Simon H. Fell, pianist Philip Thomas, and prepared pianist Chris Burn.

Beautifully slow drifting compositions for clarinet, ARP 2600, piano and prepared piano from the duo of Anthony Burr and Anthony Pateras, drawing on Cage and Feldman in these expansive and tranquil works that create beautiful and quietly exotic sound environments.

Frequent collaborators, pianist Dave Burrell and tuba player Bob Stewart take on the early jazz music of Jelly Roll Morton alongside original compositions from Burrell, performed live at the Kolner Stadtgarten in Cologne, Germany in 1994 for a joyful look forward and back.

"This set by longtime collaborators Dave Burrell and David Murray (playing exclusively tenor sax here) was recorded at the Victoriaville Festival in Quebec in 1991. The live sound is good, the performances exceptional (even by their sta...

The 3rd in a series of 5 suites from pianist Dave Burrell commemorating the people and events of the American Civil War, a mature and passionate work performed in a duo with NY trombonist Steve Swell, performed live at the Rosenbach Museum and Library in Philadelphia.

Burro is the Calgary improvising trio of Whitney Ota (electric guitar), Stew Elton (bass) and Andrew Hume (drums), in a studio release of their intense and hard rock-oriented playing.

The Norwegian trio of guitarist Even Helte Hermansen, drummer Gard Nilssen, and bassist Rune Nergaard in their 8th Bushman's Revenge album, bridging free improvisation and 70s style prog-oriented rock, non-histrionic, outstanding instrumental music with great depth.

This duo arose from the meeting between two violists avid to confront with their instrumental double to create a common sound universe from the same instrument played by two different personalities.

Drummer/percussionist Tony Buck and saxophonist John Butcher are the common elements in these two trios, one with guitarist Burkhard Stangl, and one with pianist Magda Mayas, using imaginative and unusual approaches to improvisation.

Live recordings of this incredible improvising trio as influenced by a 'tempestuous' storm buffeting & rattling the windows of the church in which the performance took place.

Percussionist Hemingway with John Butcher on tenor and soprano sax performing live in 2005, demonstrating their extended language in a brilliant and eccentric dialog.

British saxophone phenomenon John Butcher meets Vancouver's premiere bassist Torsten Müller and drummer Dylan van der Schyff for an amazing live set at the Western Front.

The second volume of Eddie Prevost's 2011 series of concerts at Network Theatre, Waterloo, London meeting with remarkable saxophonists, here with John Butcher on tenor & soprano, with Guillaume Viltard on double bass.

Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.

A studio album between three UK master improvisers -- John Butcher on sax, John Edwards on double bass, and Mark Sanders on drums -- the trio pushing the envelope in technique and dialog in nearly telepathic playing that transports the listener into their environment, as the music builds and releases in effortless ways that are stunning and exulant; highly recommended.

A live recording at the Jazzfest Trondheim, Trondelag Senter for Samtidskunst, in May 2015 from the freely improvising duo of John Butcher and contrabassist Michael Duch, a superb extended concert of incredible reed technique and concept anchored by Duch's flexible bass work.

1999 release of the trio of John Butcher on soprano & tenor sax, Phil Durrant on violin, and John Russell on guitar, meticulous improvisation using outrageous technique, "unorthodox thematic development and off-center interplay which at times is odd and surreal".

British free improvising legend John Butcher met Scandinavian drummer Stale Liavik Solberg at Cafe Oto to record these intensely detailed yet sublimely reserved duos, three pieces segmenting the album title, an intimate and never extravagent dialog of great technical depth.

Percussionist Mark Sanders and saxophonist John Butcher in recordings from two concerts: the 2010 Freedom of the City festival in London, and a year later at Southampton University; exceptionally expressive and technically unique playing.

UK saxophone phenomenon John Butcher in 10 live solo recordings using the unique sonic environments of Richmond Hall, a Houston art gallery that has been compared to a bowling alley, and Issue Project Room's high-ceilinged marble room in Brooklyn, NY.

Extreme acoustic space recordings from saxophonist John Butcher, part of Arika's Resonant Spaces event, with performances from resonant and remote corners of Scotland.

Sonic experiments and solo improvisations on tenor and soprano with 2 pieces using amplified feedback, and 1 piece dedicated to Derek Bailey.

Composer Gregory Buttner captured recordings from the 19th century French Performance Arts Forum in St. Erme, Picardy in 2011, using the house as a sound generator, resonant space and instrument, organizing the recordings into this excursive and exploratory composition.

The first recording of Ho Bynum's new sextet, with guitarist Mary Halvorson and drummer Tomas Fujiwara, augmented by bassist Ken Filiano, saxophonist Jim Hobbs, and tubist/bass trombonist Bill Lowe, in a 4-part suite.

Bynum's trio with bassist John Hebert and drummer Gerald Cleaver, explorative and informed recordings from Firehouse 12, music on the forefront of modern improvisation.

Cornetist Taylor Ho Bynum draws on a variety of techniques from improvised conduction to big band orchestration to deconstructed fanfares, with a large 15 member ensemble of impressive improvisers embodying a diversity of generations, backgrounds, ethnicities, and gender, presenting three large scale compositions that are ambitious and wonderfully accomplished.

Collective improvisation from Ho Bynum's Book of Three with bassist John Hebert & drummer Gerald Cleaver, following their RogueArt CD with this exceptional album of original compositions plus works from Bobby Bradford, Salim Washington, and Jim Hobbs.

The 2nd recording from cornetist Bynum's improvising chamber ensemble SpiderMonkey Strings in a narrative coming of age work using Bynum arrangements of Ornette, Sun Ra, & Elligton.

Taylor Ho Bynum with NY players Matt Bauder, Mary Halvorson, Jessica Pavone, &c. documenting live & studio performances recorded at The Rotunda in Philadelphia and New Haven's Firehouse 12.

The 2nd of 3 releases documenting composer/cornetist Taylor Ho Bynums' Navigation project, in 2 LPs of studio recordings with his Sextet: Jim Hobbs on saxophone, Bill Lowe on trombone & tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums & vibraphone.

The 1st of 3 releases documenting composer/cornetist Taylor Ho Bynums' Navigation project, in 2 CDS of studio recordings with his Sextet: Jim Hobbs on saxophone, Bill Lowe on trombone & tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums & vibraphone.

Reissue of Italian improvising rock band of Jacopo Andreini (sax), Pino Montecalvo (bass), Carlo Lupori (drums), Efisio Biancofiore (guitar), Edi Leo (trumpet), active from 1993 to 2005, in their first demo tape recorded live in studio in 1994 plus two 7" split with NO and God Is My Co-Pilot.

Frode Gjerstad leads a trio with Roger Turn on drums and Borre Molstad on tuba, performing live at Cafe MIR in Oslo as part of the Blow Out Festival in 2013, in a single extended improvisation of energetic playing underpinned by the atypical tuba and drums rhythm section.

Live recordings from LOFT in Cologne, 2007 of this quartet of collective improvisers including Brazilian saxophonist Yedo Gibson and pianist Veryan Weston.

Four works interpreted for accordion performed by Edwin Alexander Buchhol, including John Cage's "Cheap Imitation"; Michael Pisaro-Liu's "Here (2)"; Jurg Frey's "Sam Lazaro Bros." and Antoine Beuger's "die geschichte des sandkorns".

The Ensemble Daswirdas performs John Cage's "Branches" composition, which is based on a previous work, "Child of Tree", but here each performer plays an 8 minute variation of that work, which is performed on amplified pods, cacti, and other plant materials.

A 2003 recording from The Ensemble Daswirdas performing John Cage's 1960 composition "Cartridge Music", described as: "For amplified small sounds; also amplified piano or cymbal; any number of players and loudspeakers; parts to be prepared from score by performers."

John Cage's 1957 composition in a visceral realisation for four pianos, played by John Tilbury, Philip Thomas, Mark Knoop and Catherine Laws, using chance procedures to assign each of the pianist's five of the twenty pages of the score, the pianists agreeing on an overall duration of 40 minutes and preparing their parts independently, performed without rehearsal.

Early compositions from John Cage performed on accordion by Edwin Alexander Buchholz and violin by Joanna Becker, presenting "Dream" (1948); "In a Landscape" (1948); "Six Melodies" (1950); and "Souvenir" (1983).

Edwin Alexander Buchholz performs this beautiful work by John Cage on accordion, originally written for the Japanese sho, where sounds are single tones and chords, up to six part harmonies, or as Cage wrote, "sounds brushed into existence as in oriental calligraphy".

Burkhard Schlothauer presents two works by John Cage written for septet, using indeterminacy in a score where each instrumental part is given twenty time brackets, allowing overlapping sounds which will be shaped depending on choices from each performer.

Guitarist Adam Caine's trio with bassist Tom Blancarte and drummer John Wagner in studio recordings of eight original Caine compositions, great driven modern jazz.

Bridging contemporary and improvised music, Montreal double bassist Nicolas Caloia wrote these pieces for textured and impossible rhythms; blending pieces by Nancarrow and Grand Master Flash; and manipulating poems by Genevieve Letarte; with supporting improv from Jean Derome & Lori Freedman.

Matching two distinct keyboards--Xavier Camarasa's piano with Jean-Marc Foussat's synthi AKS--two improvisers present two extended works roughly translating to "The Immensity of The Instincts" and "There, or all is water ...", contrasting between melodic and otherworldly sounds, a complex tapestry that guides and excites the listener in an unusual convergence.

Belgian pianist based in Oslo, Jonas Cambien's Trio with Andre Roligheten on reeds and Andreas Wildhagen on drums, in an album of unique compositions using simple ideas yielding complex improvisation & dialog, named for the Dougal Dixons book "After Man: A Zoology of the Future".

The trio of Jean-Marc Foussat on synthesizer, Claude Parle on accordion, and Joao Camoe on alto violin in three electroacoustic improvisations in a dialog of unusual approach balancing serious performance skills with quirky humor, "well mental" music indeed.

Portugese violist Joao Camoes, living in Paris, in a duo with Jean-Marc Foussat on electronics and voice, which he approaches like those of the acoustic improvised music and free jazz; the two present two long works where Foussat processes and extends Camoes' sound.

Amplified objects artist Lee Patterson and reed player Lucio Capece, also on the sruti box, in 8 rich and slowly paced "empty" works that create mysterious timbral environments.

The first meeting on disc of two of the finest and most innovative electroacoustic instrumentalists in Germany, performing on reeds, trumpets, radio, speakers, and preparations.

With soprano saxophone and bass clarinet, Sruti box, electronics, preparations and applied objects, Lucio Cape releases this suite consisting of six structured pieces exploring the possibilities of those reed instruments.

Drummer Cappozzo and trumpeter Perraud met at Tours "La Chapelle at St. Anne" in 2009 to record this strong album of extended improvisation merging conventional and extended techniques.

The duo of Jean-Luc Cappozzo on trumpet, horns and objects, and Geraldine Keller on voice flute & objects in an album of tones and tongues, an unusual set of adventurous free improvisation.

A live recording at POP in Berlin between synth and electronics player Jean-Marc Foussat and vocalist and electronicist Maria Luisa Capurso, subverting the voice through electronics and effects to create wildly encompassing sound environments that contrast Foussat's synthetics with the organic quality of the human voice; rich, hallucinatory, wonderful.

Active since 2013, this ever-changing band was formed by multi-reedist Joachim Badenhorst, blending jazz, post-rock, noise, lo- fi, psychedelica, and ambient music into a potent brew, as heard here in this septet rendering performing live at the 2015 Ljubljana Jazz Festival.

The debut album of Rudiger Carl is an assertive studio session of brilliant free jazz from 1972, with Carl on tenor saxophone, Gunter Christmann on trombone, and Detlef Schonenberg on drums, presenting a great example of early European Free Improv, remastered from the original tapes and issued on CD for the first time, with a 2nd CD of previously unreleased bonus tracks.

Swedish percussionist Erik Carlsson in a solo work using multi-tracking to create a set of composition ranging from ominous environments to quirky abstractions, an excellent collection of modern percussion pieces.

A joyfully engaged example of this sax/drum/piano trio's Melodic Improv Music performing live in St. Petersburg Russia, part of an intense and inspired tour of Russia in 2010.

Canadian alto saxophonist Francois Carrier's 3rd FMR release, with long-time companion Michel Lambert (drums) plus flautist Neil Metcalfe, guitarist Daniel Thompson and bassist Guilaume Viltard, recording in the beautiful acoustics of St leonards Church, London.

During their 2014 tour, Canadian saxophonist Francois Carrier and long-time partner, percussionist Michel Lambert, went into the Experimental Sound Gallery [ESG 21] in St. Petersburg, Russia with pianist Alexey Lapin to record these superb free improvisations.

The first of two volumes documenting Canadian alto saxophonist Francois Carrier and the trio of Michel Lambert on drums and Alexy Lapin on piano in their 2010 tour of Russia, here performing at DOM Cultural Center and Nikitskaya Jewish Cultural Center.

The second of two volumes documenting Canadian alto saxophonist Francois Carrier and the trio of Michel Lambert (drums) and Alexy Lapin (piano) in their 2010 tour of Russia, performing at Nikitskaya Jewish Cultural Center, ESG-21, and JFC Jazz Club.

The well-traveled working group of Francois Carrier (alto saxophone, Chinese oboe), Michel Lambert (drums) and Rafal Mazur (acoustic bass guitar) performing live at Alchemia Club in Krakow, Poland in 2015 for an excellent example of collective free improvisation with distinctive and unconventional approaches to their dialog.

Live recordings from Alchemia Jazz Klub in Krakow, Poland in 2015 of the freely improvising trio of Francois Carrier on sax and Chinese oboe, Michel Lambert on drums, and Rafal Mazur on acoustic bass guitar, uniquely intertwining interchanges of joyful dialog.

After their "Live in Russia" volumes, eloquent French Canadian saxophonist and creative drummer Michel Lambert present 9 new improvisations recorded at Resonance studios in their home town of Montreal, a tremendous dialog between these two free yet lyrical players.

Originally intended as a trio recording, when the 3rd player missed the Nepal Jazzmandu Jazz Festival, saxophonist Francois Carrier and drummer Michael Lambert carried on as a duo, these recordings from two sets displaying their impressive "freely melodic" approach to improvised music.

Freely improvised music from the masterful duo of Canadian saxophonist Fracois Carrier and drummer/percussionist Michel Lambert, performing live at Ryan's Bar in Stoke Newington, London in 2015, seven tracks showing the depth of discussion between these two long collaborating musicians, supporting and pushing each other to great heights.

The inimitable trio of saxophonist Francois Carrier (also on Chinese oboe), drummer Michel Lambert and bassist John Edwards, joined by pianist Steve Beresford for a European tour, here recorded at London's Vortex Club for a powerful and diverse album of creative free improv.

Canadian saxophonist Francois Carrier in a trio with bassist Pierre Cote and drummer Michel Lambert, plus pianist Bobo Stenson performing live at the 2002 Vancouver Jazz Festival.

Carta reminds of Low to Six by Seven, Plumerai, Charles Atlas &c. in the tradition of mid-1990s moody pop/slowcore/indie rock/post rock bands.

Kent Carter (double bass) leads a string trio comprised of Albert Maurer (violin) and Katrin Mickiewicz (viola) in an enchanting set of recordings made in Koln, Sers, and Bonn during 2004.

Kent Carter (double bass) leads Carl Zingaro (violin) and Francois Dreno (viola) in a string trio with touches of classical chamber, jazz, and European folk music. Albrecht Maurer (violin) and Emmanuelle Roch (viola) later join Carter in two pieces.