The Squid's Ear Magazine


Camoes, Joao / Jean-Marc Foussat: A La Face du Ciel (Shhpuma)

Portugese violist Joao Camoes, living in Paris, in a duo with Jean-Marc Foussat on electronics and voice, which he approaches like those of the acoustic improvised music and free jazz; the two present two long works where Foussat processes and extends Camoes' sound.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:




product information:

Personnel:



Joao Camoes-Viola

Jean-Marc Foussat-Electronic devices and voice


Click an artist name above to see in-stock items for that artist.




UPC: 5609063000227

Label: Shhpuma
Catalog ID: SHH022
Squidco Product Code: 21886

Format: CD
Condition: New
Released: 2016
Country: Portugal
Packaging: Cardstock Gatefold Sleeve
Recorded in 01.12.2014 at Studio Pyjama (La Garenne-Colombes, France) by Jean-Marc Foussat. Mixed and mastered by Jean-Marc Foussat. Produced by João Camões and Jean-Marc Foussat.

Descriptions, Reviews, &c.

"The staying in Paris, for some years, of the young violist João Camões may have put him away from the Portuguese improv scene, but sure is it enabled him to enter in the French one. This is his second edition with one of the musicians with whom he started to work in the City of Lights, Jean-Marc Foussat, now in duo after the trio with Claude Parle heard in "Bien Mental". What we find in this new "À la face du ciel" is somewhat different from that other recording, and if it would be natural to have more intimate and introspective results, considering the one-to-one dialogue, we get the opposite: the music is even more intense, visceral and dynamic. In electro-acoustic territory, that's not an established procedure. When there's a computer involved, the tendency is for (non-)developments in the form of drones and for ethereal soundscapings.

There's a particular circumstance: Foussat doesn't use the concepts defining the present day electronica, but those of the acoustic improvised music and free jazz, established through multiple partnerships with Jac Berrocal, Daunik Lazro, Sophie Agnel, Jerôme Bourdellon and Makoto Sato, among others. Unquiet, acting by impulse and always with new ideas, in the two long pieces of the CD he covers several kinds of approaches, the two main ones being the live processing of the signals coming from his partner and the elaboration of synthesis. Confronted with this constant challenge, Camões tries do go beyond his own limits and to get out from comfort zones, doing it superbly and not fearing the fact that he's playing with a veteran. The language used by this member of the Portuguese bands Open Field Trio and Earnear contain, mostly, elements from contemporary classical music, this way introducing a rather curious logic of contrasts. It's a joy to listen."-Shhpuma


Artist Biographies

"João Camões was born in Coimbra, Portugal, in 1983.

Classically trained, he studied viola in Conservatory of Music of Coimbra, under the guidance of João Ventura. After completing his studies in Civil Engineering, he moved to Lisbon where he discovered the creative and improvised music bustling local scene. There, he started to develop a set of extensive techniques that he mixes with classical ones, in a very physical approach to his instrument. Active in miscellaneous ensembles, his personal projects include: "Open Field string trio", with Marcelo dos Reis (guitar) and José Miguel Pereira (double-bass), "earnear", with Rodrigo Pinheiro (piano) and Miguel Mira (cello), João Camões & Kátia Sá, a duo with visual artist Kátia Sá and Nuova Camerata, with Carlos "Zíngaro" (violin), Ulrich Mitzlaff (cello), Miguel Leiria Pereira (double-bass) and Pedro Carneiro (marimba). Lately, together with his beloved wife, Joana Gomes, he started to compose and interpret music for theatre plays.

In addition to his regular projects he has also worked, in concert or workshop context, alongside some generous artists that helped him to continuously wonder, such as Bertrand Denzler, Bruno Parrinha, Burton Greene, Elliott Sharp, Ernesto Rodrigues, Evan Parker, Frédéric Blondy, Jean-Marc Foussat, João Apolinário, João Lucas, João Parrinha, João Paulo Esteves da Silva, João Viegas, Manuel Ara, Miguel Martins and Samuel Barsegian."

-Joao Camoes Website (http://www.cipsela-records.com/jo%C3%A3o-cam%C3%B5es.php)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jean-Marc Foussat (born March 19, 1955 in Oran ) is a French composer and improvisational musician ( guitar, piano, live electronics ).

Since the mid-1970s, Foussat had belonged to groups such as Lézard Marçio, in which he contributed the sounds of concrete music with magnetic tapes. In 1981, he finished his first solo album, Abattage, which was released in 1983. In the ensemble Marteau Rouge (with the guitarist Jean-François Pauvros and the drummer Makoto Sato), he also collaborated with Evan Parker. Together with the saxophonist Sylvain Guérineau, he formed the duo Aliquid, which also appeared with Joe McPhee ( Quod, 2014). In addition to soloprograms, he also starred with Noël Akchoté / Roger Turner, Samuel Blaser, Émilie Lesbros, Jean-Luc Cappozzo, Sophie Agnel, Daunik Lazro and numerous other musicians, as well as the Fortuna 21 Octet of Raymond Boni and the department of education psychique on."

-Wikipedia translated by Google (https://translate.google.com/translate?hl=en&sl=de&u=https://de.wikipedia.org/wiki/Jean-Marc_Foussat&prev=search)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Suite Pour la Troisieme Oreille 22:38

2. Mecaniqu Verte 23:24

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Duo Recordings
Clean Feed

Search for other titles on the label:
Shhpuma.


Recommended & Related Releases:
Foussat / Parrenin / Rollet
Haut-Coeur
(Fou Records)
Emphasizing the electronic aspect of ea-improv, the trio of Jean-Marc Foussat on Synthi AKS, voice & toys, Emmanuelle Parrenin on hurdy-gurdy & voice and Quentin Rollet on alto and sopranino saxophones & small electronics, are heard in an immersive performance at Allumes du Jazz, in Le Mans, France in 2023, for a superb concert of unrestricted free improvisation.
Foussat, Jean-Marc / Urs Leimgruber / Carlos "Zingaro"
L'Aile D'Icare
(Fou Records)
A remarkable journey in free improvisation and free form electroacoustic improv from the trio of Jean-Marc Foussat on synth & effected voice, Urs Leimgruber on soprano & tenor saxophones and Carlos Zingaro on violin, three masterful improvisers who employ unusual sonic palettes and remarkable technique in a carefully controlled conversation drawing on diverse styles.
Foussat / Parrenin / Rollet
Haut-Coeur
(Fou Records)
Emphasizing the electronic aspect of ea-improv, the trio of Jean-Marc Foussat on Synthi AKS, voice & toys, Emmanuelle Parrenin on hurdy-gurdy & voice and Quentin Rollet on alto and sopranino saxophones & small electronics, are heard in an immersive performance at Allumes du Jazz, in Le Mans, France in 2023, for a superb concert of unrestricted free improvisation.
Marteau Rouge / Keiji Haino
Concert 2009
(Fou Records)
An extraordinary and powerful concert at the 2009 Jazz in Luz Festival recorded at Marquee of Luz-Saint-Sauveur when Japanese improvising guitarist and vocalist Keiji Haino joined the electroacoustic improvising trio Marteau Rouge of Jean-Francois Pauvros on electric guitar, Makoto Sato on drums and Jean-Marc Foussat on analog synthesizer & voice.
Fousatt, Jean-Marc
Les Vraies Richesses [VINYL + DVD]
(Fou Records)
Two concerts by improvising keyboardist and vocalist Jean-Marc Foussat, on the LP a recording at the Tout Rennes S'Emmerde event organized by From Town to Town, Capital Taboule, Consternation, L'Effroyable Association Western Soviets Satanist and Dream'in Noise, the 2nd a DVD of Foussat performing live on the beach as part of the 13th Farniente Festival.
Fousatt, Jean-Marc
Nouvelles [VINYL 2 LPs + DVD]
(Fou Records)
A vinyl reissue of improvising synth, vocalist and multi-instrumentalist Jean-Marc Foussat's 2001 Potlatch album, originally released as a CD-ROM and here with an accompanying DVD titled "Hope for Happiness" including 3 silent films, two of which relate to the album; performed with Pascal Bouscailloux, Jac Berrocal, Jean-Francois Pauvros, Roger Turner, &c.
Bopp, Christiane / Jean-Marc Foussat / Emmanuelle Parrenin
Nature Still
(Fou Records)
An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.
Foussat, Jean-Marc / Daunik Lazro / Evan Parker
Cafe OTO 2020 [2 CDs]
(Fou Records)
A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.
Luo, Bao / Jean-Marc Foussat
Surface Calme
(Fou Records)
A 5-part work of improvisations on keyboards, voice, guzheng and flute from French improviser Jean-Marc Foussat and Bao Luo (Beijing Talking), a mysterious album of nocturnal sounds, grand expressions, furtive language, and rich textures and timbres, as Bao Luo provides a guiding voice in song and speach to their beguiling dialog; an exotic and expressive album.
Rollet, Quentin / Jean-Marc Foussat / Christian Rollet
Entree Des Puys De Grele
(Fou Records)
The french electroacoustic improvising trio of synth player and engineer Jean-Marc Foussat (Fou Records) with the father/son pair of saxophonist Quentin Rollet (Workshop De Lyon) and drummer/percussionist Christian Rollet (Rectangle Records, Bisou), in a rich, intensifying and often enthusiastically exploding set of extended and masterful improvisations.
Camoes, Joao / Jean-Luc Cappozzo / Jean-Marc Foussat
Autres Paysages
(Clean Feed)
"Autres Paysages" or "Other Landscapes" pins the description on the rich, turbulent, and mesmerizing music this trio creates, with French violist Joao Camoes and Jean-Marc Foussat on the EMS Synthi AKS collaborating for their 3rd album, joined by trumpeter Jean-Luc Cappozzo, as acoustics and electronics subsume and survive seamlessly in an inspired set of recordings.
Muira, Yoko / Jean Michel Van Schouwburg
On The Shore Of Dreams
(FMR)
The peforming duo of Tokyo pianist Yoko Miura on conventional piano, toy piano and melodica, and free improvising vocalist Jean-Michel Van Schouwburg are recorded in the studio for 14 succinct and unusual improvisations, Fou Records leader Jean-Marc Foussat recording the affair and providing electronics on one track; wonderfully weird and informed.
Foussat, Jean-Marc / Jamal Moss / Jean-Francois Pauvros
plays Tristan Tzara : L'homme Approximatif [VINYL]
(Fou Records)
An album of spoken word and sound, Jean-Francois Pauvros reads from Tristan Tzara's "L'homme Approximatif" (The Approximate Man) over flutes from Chicago producer and flautist Jamal Moss, AKA Hieroglyphic Being, and Jean-Marc Foussat on synth and voice, a mysterious album of subtle insinuation with an intriguing underpinning of electroacoustic sound.
Ensemble MIA
Live 2016
(Creative Sources)
Foussat, Jean-Marc
L'oiseau [VINYL]
(Fou Records)
An amazing album of electronic experimentation from multi-instrumentalist Jean-Marc Foussat, dedicating the album to the late painter and son Victor Foussat, through two extended and far-ranging works that blends concrete sounds with intense playing and sonic environments.
Earnear
earNear
(Tour de Bras)
Intricate interactions in free improv from the Portugese trio of violist Joao Camoes, cellist Miguel Mira (Open Field String Trio, Nuovo Camerata), and pianist Rodrigo Pinheiro (Red Trio), focused on the balance between contrasting counterpoint, polyrhythms and fluid soundscapes.
Akchote / Foussat / Turner
Acid Rain
(Ayler)
A burning release mixing free improv and ea forms from the trio of Jean-Marc Foussat (analog Synth), Noel Akchote (guitar) and Roger Turner (drums), recorded in Poitiers at Le Confort Moderne during a recent European tour.
Other Recommended Releases:
Foussat, Jean-Marc / Guy-Frank Pellerin
Les Beaux Jours
(Fou Records)
The title translating to The Good Days, Fou label leader and synth player Jean-Marc Foussat joins with soprano & tenor saxophonist Guy-Frank Pellerin (Dieci Ensemble) for three extended electroacoustic improvisations and a shorter coda, employing piano, toys, field recordings, a whispered poem from Tristan Tzara, and a sense of limitless creativity and imagination.
Foussat, Jean-Marc / Leo Remke-Rochard
jouent pour Stephane Guillaumon qui danse sans faire de bruit
(Fou Records)
An immersive collection of electroacoustic improvisation from the French duo of Jean-Marc Foussat performing on synth, piano, toys and voice, and Léo Remke-Rochard (Riverdog/Skuury) on electronics and ethnic instruments, in a mix of engulfing abstractions and fragmented narrative elements, six works of remarkable soundscape and inspired alien interaction.
Foussat, Jean-Marc / Sylvain Guerineau
Rustiques
(Fou Records)
A study of contrasts as French improvising synth player Jean-Marc Foussat joins with legendary saxophonist & bass clarinetist Sylvain Guerineau, whose work in both jazz tradition and free playing finds him a lyrical and expressive player, bringing flexibility in combination with a seemingly disparate foil in Foussat, heard in six succint dialogs of unconventional compatibility.
Padang Food Tigers (Stephen Lewis / Spencer Grady)
God's Plenty
(Shhpuma)
Blurring abstract electronics with folk improvisation in gently evolving music with an experimental edge, the London Panang Food Tigers duo of Stephen Lewis and Spencer Grady use keyboards, guitars, dobro, charango, field recordings and electronic sources to create contemplative atmospheres, a sort of ambient-folk music drawing out forgotten daydreams and moods; beautiful.
Foussat, Jean-Marc / Thomas Lehn
Spielgelungen
(Fou Records)
The EMS Synthi AKS was introduced in 1972 as a portable analog synthesizer, used in many avant rock & electronic settings; on Spielgelungen both Jean-Marc Foussat and Thomas Lehn perform on the Synthi, their adept skills and experience with the instrument in free improv highlight both their incredible creative drive and the flexibility of the AKS.
Meyer, Bedrnhard / John Hollenbeck
Grids
(Shhpuma)
Bringing together NY drummer/percussionist John Hollenbeck, also on prepared piano, with Berlin bassist Bernhard Meyer for an album that blends textural rock, electronic and jazz approaches in 9 elusively calm yet structurally turbulent pieces, using complex systems of cross rhythms against atmospheric immersion, occasionally disruptive but generally eccentrically controlled and exploratory.
Gelber Flieder
Olbaumgewachse
(Creative Sources)
Gelber Lilac, or Yellow Lilac, is the electro-acoustic trio trio of Yves Arques (Tricentric) on objects & electronics, Joao Camoes (Open Field String Trio) on viola, and Luise Volkmann (Autochrom) on saxophone, presenting a romantic still life in improvisational colors and extended techniques, recorded live at La Petite Maison, in Paris in 2016.
Oddly Imploded (Gregoretti / Argenziano)
They Just Sit About
(Shhpuma)
Italian sonic explorer Francesco Gregoretti uses his drumkit like a lead instrument, amplifying and modifying its sound through effects, as he pursues his varied "Imploded" bands (Strongly Imploded, Grizzly Imploded) fueled by the mathematics of Chaos Theory, here with guitarist Maurizio Argenziano in an album of dense sound, from near-minimal to highly interactive.
Leimgruber, Urs / Jean-Marc Foussat
Face to Face [2 CDS]
(Fou Records)
The perfect foils for each other, German saxophonist Urs Leimgruber and French AKS sysnthesist Jean-Marc Foussat are heard in two complete concerts, one at the WIM in Zurich and one at the Kunsthalle in Lucerne, both exploring sound, timbre, momentum and atmosphere through extended techniques and extreme playing, and an amazing display of soundscape and sonic force.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC