Jim Black is at the forefront of a new generation of musicians bringing jazz into the 21st century. In addition to being one of the most influential drummers of our time, he is also the leader of one of the world's most forward-thinking bands, AlasNoAxis, featuring his longtime collaborators Chris Speed, Hilmar Jensson and Skúli Sverrisson. Based on the foundation of his virtuosic but highly personal approach to jazz drumming, Black's aesthetic has expanded to include Balkan rhythms, rock songcraft and laptop soundscapes. Though he is revered worldwide for his limitless technique and futuristic concepts, what many listeners treasure in most Jim Black's work is the relentless feeling of joy and invention he brings to his performances. Jim Black's smiling, kinetic, unpredictable presence has enthralled and inspired audiences worldwide for over twenty-five years.

Since the mid-90's, Black has played a major role in the incorporation of new sounds and techniques into the jazz/creative music context. As a member of the collective group Pachora (with Speed, Sverrisson, and guitarist Brad Shepik) Black was one of the leaders in the study and adaptation of Balkan music into jazz-based music. His advanced techniques abstracted the odd time signatures of the Balkans into a new polyrhythmic language equally informed by modern jazz, drum&bass and the dumbeks of the Balkans. Black has also been an innovator in the use of electronics in improvisation, bridging the gap between electro-acoustic improv and more jazz-based traditions. Today, Black's performances are just as likely to feature his laptop-based electronic textures as his drumming.

Born in 1967, Jim Black grew up in Seattle alongside future colleagues Chris Speed, Andrew D'Angelo and Cuong Vu. After cementing their personal and artistic relationships in Seattle's various youth jazz ensembles, in 1985 they moved to Boston, where Black entered the Berklee School of Music. In Boston, Black, Speed and D'Angelo formed Human Feel with guitarist Kurt Rosenwinkel, which rapidly attracted the attention of the jazz cognoscenti in Boston, New York and beyond.

By 1991, Black and the other members of Human Feel had moved to New York City, where they electrified the Downtown music scene then centered around the Knitting Factory and rapidly became among the city's busiest sidemen. Black's early years in New York saw him take featured roles in some of the most critically acclaimed bands of the time, like Tim Berne's Bloodcount, Ellery Eskelin's trio, and Dave Douglas's Tiny Bell Trio. Thus began fifteen years of near-constant touring and recording, with the above bands as well as artists like Uri Caine, Dave Liebman, Nels Cline, Steve Coleman, Tomasz Stanko, and Laurie Anderson.

"Elias Stemeseder: Born in Salzburg, Austria in 1990, Elias lived in Berlin from 2010 and moved to New York in 2015. Besides his main instrument, the acoustic piano, he also plays synthesizers. He performs in a variety of musical idioms ranging from the song-oriented music of Jim Black's trio to contemporary classical pieces by John Zorn to the electric music of Eyebone.

Current projects include collaborations with John Zorn (John Zorn's Bagatelles), the Greg Cohen Quintet, Philipp Gropper's "Philm", Jim Black's "Malamute" Anna Webber's "Percussive Mechanics", Robert Landfermann Quintet and "OTIS+WEDDING".

Elias Stemeseder has performed solo concerts at the Nuoro Jazz Festival (IT), Haus Der Berliner Festspiele (DE), 12points Festival Dublin (IRL) and Südtirol Jazzfestival (IT). He leads a Berlin - based quartet with Eldar Tsalikov, Igor Spallati and Ugo Alunni and co-leads the bands Jagged Spheres (with Anna Webber and Devin Gray) and Eyebone (with Nels Cline and Jim Black).

Since 2008 Elias has been working extensively with the American drummer Jim Black. The Jim Black trio (with Thomas Morgan on double bass) has released the critically acclaimed recordings Somatic and Actuality on the German label Winter&Winter Recordings and The Constant on the Swiss label Intakt Records. In 2013, Elias formed the collective trio "Eyebone" with Jim Black and guitarist Nels Cline, in which he plays the Wurlitzer piano and bass synthesizers.

Elias has received scholarships and grants from SKE/austro mechana and BKA Österreich Kunst und Kultur."

"Thomas Morgan (born 14 August 1981 in Hayward, California) is an American jazz musician (upright bass, cello) in contemporary jazz.

Morgan began playing the cello 7 years of age, before switching to upright-bass at 14. In 2003 he received his bachelor's degree in Music from the Manhattan School of Music, where he studied with Harvie Swartz and Garry Diall. He also took lessons with Ray Brown and Peter Herbert. Morgan worked with David Binney, Steve Coleman, Joey Baron, Josh Roseman, Brad Shepik, Steve Cardenas, Timu�in ahin, Kenny Wollesen, Gerald Cleaver, Adam Rogers and Kenny Werner throughout his career. He is also cooperating with Jakob Bro, Dan Tepfer, Jim Black, John Abercrombie, Masabumi Kikuchi and the Sylvie Courvoisier-Mark Feldman Quartet. Morgan lead his own trio."