A unique document of Don Brown and Dan Reynolds' unconventional compositional practice, recorded live to tape in 2008 with an 8-piece ensemble performing four decades-spanning works at Multnomah Grange #71, this unauthorized cassette release captures a pivotal moment in Portland's experimental scene, offering singular music with deep references and no clear precedent.

Recorded live at the 2023 Music Unlimited Festival in Wels, Austria, this powerhouse quartet of Joe McPhee, Susanna Gartmayer, John Edwards, and Maria Portugal delivers an electrifying set of spontaneous composition, blending fierce improvisation, commanding technique, and bold interplay in a dynamic performance brimming with vitality and creative approaches to improv.

An explosive and intricately balanced trio performance dedicated to the late bassist Hans Schneider from sopranino and alto saxophonist Stefan Keune, guitarist Sandy Ewen, and bassist Damon Smith, recorded live at the Moers Festival, where jagged breathwork, meticulous micro-noise, and deep-string abstraction collide in a fiercely expressive set of free improvisation.

The second duo release from pianist Izumi Kimura and drummer/percussionist Gerry Hemingway —also known for their powerful trio collaborations with bassist Barry Guy —furthers their exploration of structured improvisation through patient, intricately shaped performances, including an evocative reimagining of Blind Willie Johnson's "Dark Was the Night", blending lyrical depth with dynamic sonic experimentation.

Recorded solo in Hangzhou, China, saxophonist and suona player Lao Dan merges Chinese folk motifs with the raw energy of punk, the spontaneity of free jazz, and the abrasiveness of noise and rock forms, creating a fiercely expressive and unpredictable improvisational landscape driven by aesthetic tension and fearless experimentation.

Recorded in Switzerland in 2021, Argentinian cellist and interdisciplinary artist Paula Sanchez pushes the cello to its sonic limits through six radical performances that merge acoustic and processed sound, combining cello, cellophane, and ring modulation to evoke a visceral, poetic, and at times merciless exploration of embodied sound and ephemeral transformation.

Portuguese saxophonist Ravenna Escaleira's rugged and deeply personal solo album layers saxophone, electric bass, and piano into four urgent, uncompromising pieces shaped by her wandering relationship with Lisbon, blending raw noise, deep lyricism, and powerful emotional intensity as she transforms personal history and urban experience into vivid, layered sound.

A wild solo performance recorded at GOKsound in Tokyo by Japanese alto saxophonist Makoto Kawashima, whose intense and introspective improvisations balance fierce tonal expression with fragile silences, drawing from the lineage of Abe and Shiraishi while establishing his own haunting and highly individual voice in the realm of free improvisation.

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A richly textured exploration of acoustic and electronic soundscapes, fully displaying Philip Gayle's multi-instrumental prowess alongside contributions from Japanese vocalists and woodwind artist Shogo Oshima, at times with a number of improvising vocalists, culminating in a collaborative work that blurs the lines between folk, avant-garde, and ambient music.

A tour de force third release from pianist-composer Satoko Fujii's trio This Is It!, recorded in Tokyo with long-time collaborator Natsuki Tamura on trumpet and kinetic percussionist Takashi Itani, blending angular composition, fierce improvisation, and creatively spirited interplay into inventive, high-energy, and emotionally rich performances.

The second set of compositions from Christopher Fox emulating the Subharchord's sonic architecture through acoustic means, performed by Dominic Lash on double bass, Elisabeth Flunger on bass drum, and Kathryn Williams on bass flute, drawing deep resonance from extended techniques and elemental gestures in a richly textural exploration of dissent, descent, and transformation.

Restoring and remastering three key sessions documenting the evolving creative relationship between Thelonious Monk and Sonny Rollins, alongside artists including Julius Watkins, Ernie Henry, Oscar Pettiford, and Max Roach, in a vital revisitation of formative collaborations that highlight Monk's unique brilliance and Rollins' early improvisational voice within shifting post-bop ensembles.

An assertive Japanese punk-noise duo from Tokyo, VIDDEKAZZ2 delivers a volatile fusion of syncopated drumming, abrasive guitar textures, and unexpectedly serene vocals, channeling the disjointed energy of early noise rock with subtle pop inflections and a raw, Load Records-era aesthetic.

The first solo album from West Coast violist Amy Cimini, blending amplified distortion, percussive textures, and spacious effects into a deeply personal and genre-blurring performance that channels experimental noise, tuneful abstraction, and the spirit of feminist rock and protest music into a resonant and evocative sonic journey.

Drawing on deep collaborative history and shared risk-taking instincts, the trio of alto saxophonist Signe Emmeluth, bassist Ingebrigt Håker Flaten, and drummer Axel Filip deliver a debut of fierce, textural improvisation, recorded in Trondheim and shaped by dynamic interplay, shifting atmospheres, and a fearless drive to chart new sonic terrain.

A powerful and ritualistic session from South Korea's free improvisation scene, with tenor and soprano saxophones (Jung-Jae Kim & Sunjae Lee) and dual drum kits (Junyoung Song & Sunki Kim) channeling ancestral Korean shamanic ceremony through raw, primal energy, breath-driven phrasing, and a spiritual aesthetic that bridges indigenous tradition and contemporary free jazz expression.

Recorded live in Berlin, the debut from Camila Nebbia's working trio with Kit Downes and Andrew Lisle captures six dynamic, unrestrained pieces that navigate shifting textures and rhythms, fractured lyricism, and tightly woven interplay, avoiding individual soloing as the group explores contrast and transformation through raw energy, deep listening, and collective momentum.

A vital and inventive meeting between NY guitarist Elliott Sharp and Chicago guitarist Scott Fields, two visionary electric guitarists whose longstanding collaboration finds them weaving complex textures, sharp counterpoint, and dynamic interplay into a seamless blend of free improvisation, experimental composition, and nuanced sonic dialogue.

A first-time meeting in the studio for alto saxophonists Tim Berne and Masayo Koketsu with percussionist Nava Dunkelman, captured in a dynamic session of collective free improvisation where contrasting approaches — Berne's grounded tone, Koketsu's extended techniques, and Dunkelman's textural percussion — intertwine with clarity and spontaneous expression.

A solo saxophone album from legendary free improviser Paul Flaherty, recorded at Pete's Basement Studio in Massachusetts in 2021, presenting a deeply personal and expressive journey through alto and tenor saxophone explorations that juxtapose raw turbulence and lyrical beauty, continuing Flaherty's legacy of shaping sound into emotionally resonant sonic narratives

An unconventional Australian trio exploring breath, vibration, and material resonance, as flutist Jim Denley, airdrum inventor Dale Gorfinkel, and sonic sculptor Peter Farrar create a richly textured world of wind, water, and pressure in two improvised pieces of organic, immersive sound, recorded in Sydney and shaped by the physical vitality of their experimental instruments.

An uncompromising and electrifying studio set from father-daughter duo Don and Camille Dietrich, whose ferocious blend of distorted tenor saxophone and overdriven cello pushes sonic boundaries through four intense improvisations, merging free jazz, noise, and amplified effects into a blistering, high-voltage assault of raw energy and experimental fire.

Recorded live at Instants Chavires in France, pianist Sophie Agnel's third solo album transforms the prepared piano with Cage influenced techniques and preparations, crafting seven poetic and dramatic movements that challenge preconceptions of the instrument, weaving abstract, lyrical, and sensual sonic textures into a vivid and captivating hyper-pianistic masterpiece.

Exploring free improvisation with a fierce political undertone, the Copenhagen-based trio Bloomers — trumpeter Anne Efternøler and reedists Maria Dybbroe and Carolyn Goodwin — are captured live in fifteen distinct locations around the globe, engaging in dynamic, textural dialogs that honor historic milestones in women's liberation through a poignant series of sonic vignettes blending abstraction, dissonance, and innate lyricism.

A first-time meeting of four free jazz luminaries — pianist Alexander von Schlippenbach, bassist Joe Fonda, drummer Barry Altschul, and bass clarinetist Rudi Mahall — captured live in Vienna, delivering a vibrant and exploratory double CD of spontaneous interplay, deep lyricism, and uncompromising freedom from a quartet of master improvisers united in real-time invention.

Pianist Simon Nabatov leads three shifting ensembles through eight distinct compositions in this richly orchestrated and stylistically diverse studio recording, blending chamber elements and jazz improvisation with musicians including Angelika Niescier, Shannon Barnett, Pascal Klewer, and Roger Kintopf, as Nabatov explores contrasting textures, political undercurrents, and tonal interplay.

A powerful live performance recorded at Barcelona's L'Auditori in tribute to the late patron of free improvisation, Marianne Brull, capturing the first meeting of soprano saxophonist Michel Doneda, percussionist Lê Quan Ninh, and Barcelona-based improviser Núria Andorrà in a set of radical listening and deep interaction exploring spontaneous collective expression.

Formed from a transatlantic friendship and deep musical rapport, the trio of clarinetist Christophe Rocher, bassist Joe Fonda, and drummer Harvey Sorgen create an inspired and richly expressive set of improvisations, balancing melodic clarity and spontaneous invention in a lyrical program that reflects themes of presence, connection, and creative renewal.

Composer, violist, and vocal innovator Charlotte Hug presents her fourth solo album in a stunning multidimensional performance blending voice, viola, and spatial resonance, emphasizing her expanded vocal range across a set of immersive, sonically rich works drawn from her 2022 Ruhrtriennale commission and captured in vivid spatial detail at La Prairie in Switzerland.

The debut of guitarist Ava Mendoza, violinist Gabby Fluke-Mogul, and drummer Carolina Perez as a power trio, invoking the Inca moon goddess Mama Killa through eight electrifying tracks that fuse free improvisation with the raw energy of doom, death, and black metal, channeling country, blues, and psychedelia into a ferocious and feedback-laden sonic onslaught.

Adapting to last-minute lineup changes, this Metal Chaos Ensemble session trades its typical sextet rock-influenced edge for a more textural, electroacoustic chamber approach, as PEK, Michael Caglianone, Bob Moores, Gabe Boyarin, and Mike Gruen conjure a richly layered sonic tapestry of winds, guitars, electronics, metal percussion, and narration within their aesthetic of spacey, chaotic improvisation.

A seven-piece ensemble rich with seasoned Evil Clown regulars, this expansive session brings clarinetist David Peck and cellist Glynis Lomon together with horns, percussion, bass, and Jiaxin Wan's evocative guzheng, weaving long-form improvisation through shifting timbral landscapes, dynamic interplay, and a wildly imaginative palette of traditional, experimental, and eccentric instruments.

A richly orchestrated sextet from the core Leap of Faith ensemble, this session features PEK and Glynis Lomon joined by seasoned Evil Clown collaborators — including four horns, electronics, and an extensive array of percussion — for an immersive, evolving work of free improvisation, blending intricate textures and vibrant sonorities in a seamless, dynamic concert-length performance.

Four master improvisers (Mats Gustafsson, Ken Vandermark, Tomeka Reid, Chad Taylor) from overlapping creative circles engage in a set of powerful interactions, where dense low-end reeds, lyrical cello, and rhythmic elasticity create shifting terrain; through deep listening and long-forged connections, they navigate spontaneous form with urgency, restraint, and a shared sense of sonic purpose.

Spanning 14 compact improvisations drawn from nine shifting ensembles within the modular Evil Clown collective, this volume distills the creativity of PEK's longform sessions into concise sonic snapshots — each "Shortie" capturing a distinct moment from the various ensembles as a focused sampler of the label's wide-ranging free improvisation ethos.

A spontaneous quartet improvisation navigating unexpected lineup shifts, this Expanse session brings together David Peck, Jonathan LaMaster, Michael Knoblach, and newcomer Cyrus Shauoul in a richly layered journey of electronic textures, percussive chaos, and unconventional instrumentation, blending horns, strings, and noise into an unpredictable and engaging sonic experience.

An octet of seasoned Evil Clown improvisers — led by multi-instrumentalist PEK — delivers a sprawling, electrified 70-minute session of free jazz intensity and ceaseless sonic transformation, with constant instrumental shifts and a broad palette of horns, percussion, electronics, and found objects creating a dynamic series of vividly contrasting textural episodes.

A sextet edition of Evil Clown's flagship ensemble Leap of Faith, this session features core members David Peck and Glynis Lomon joined by regular collaborators John Fugarino, Michael Caglianone, Scott Samenfeld, and percussionist Michael Knoblach in a vividly textural improvisation, merging winds, strings, electronics, and an arsenal of unique instruments into a richly layered, evolving sonic tapestry.

A transitional yet quintessential Metal Chaos Ensemble set, this septet blends horns, Chapman Stick, electronics, guitar, drums, and an arsenal of metallic percussion with spoken word, creating dense free improvisation that balances spacey electronics, chaotic interplay, and shifting sonic textures within the group's evolving aesthetic.

A powerhouse configuration of Evil Clown's Expanse Percussion Edition, balancing horns, electronics, and an extraordinary array of metallic and membrane percussion, as David Peck, John Fugarino, Hilary Noble, and a team of improvisers — including percussionists Michael Knoblach and Sergio Bellotti — shape a dynamic, textural journey of shifting grooves, chaotic interplay, and expansive sonorities.

An expansive octet of seasoned improvisers from the Evil Clown collective — including PEK (David Peck), Glynis Lomon, Michael Caglianone, and Albey onBass — navigate pure improvisation through a sprawling live session of rich, shifting textures, contrasts, and unexpected sonic juxtapositions, ranging from subtle ea-improv to full-out ensemble peaks across a transforming soundscape.