Two like-minded electronic sound & feedback artists, David Lee Myers, aka Arcane Device from NYC and Toshimaru Nakamura from Japan, use feedback matrices & modular electronicsÊ(Myers) and No-input Mixing Board (Nakamura) in a remote collaboration of alien overlays, sonic extensions and disruptive digressions through 12 complex and varying compositions.
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David Lee Myers-feedback matrices, modular electronics
Toshimaru Nakamura-no input mixing board
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Label: Surface World
Catalog ID: SW005
Squidco Product Code: 33937
Format: CD
Condition: New
Released: 2023
Country: USA
Packaging: Digipack
"David Lee Myers (aka Arcane Device) and Toshimaru Nakamura's Elements, a remote collection written and assembled in tandem at the suggestion of the label. Sharing an idiosyncratic approach to feedback-based sound generation and a commitment to their signature instruments (respectively, the Feedback Machine and the No-Input Mixing Board), the pairing lands during an especially fruitful period in their individual discographies. Harmonically dense, energetic and colorfully unpredictable, Elements' levity never compromises a hypnotic momentum and focus."-Surface World
Artist Biographies
• Show Bio for David Lee Myers "David Lee Myers is a sound and visual artist who has lived and worked in New York City since 1977. Pulsewidth serves as the platform for his activities in the arts, particularly sound projects, a number of which have been released under the Pulsewidth record label. From 1987 through 1993, sound projects were developed under the name Arcane Device. With the development of new devices in 2014, it seems fitting for the moniker to be revived. Myers work stems from an enthusiasm for electronics and the world of electrons as it relates to the realm of vibration and sound. After a fine arts education and many years in music, in 1987 Myers' accidental discovery of "Feedback Music" led to a new appreciation of the unseen forces underlying audible electronics." ^ Hide Bio for David Lee Myers • Show Bio for Toshimaru Nakamura "Toshimaru Nakamura is a Japanese musician, active in free improvisation and Japanese onkyo. He began his career playing rock and roll guitar, but gradually explored other types of music, even abandoning guitar, and started working on circuit bending. He uses a mixing console as a live, interactive musical instrument: "Nakamura plays the 'no-input mixing board', connecting the input of the board to the output, then manipulating the resultant audio feedback." Nakamura's music has been described as "sounds ranging from piercing high tones and shimmering whistles to galumphing, crackle-spattered bass patterns." Nakamura founded the ensemble A Paragon of Beauty in 1992. He has recorded solo albums, worked as a session musician, and collaborated with artists including Sachiko M ("a kindred spirit"), Otomo Yoshihide, Keith Rowe, John Butcher, Nicholas Bussmann, Taku Sugimoto, Tetuzi Akiyama, dancer Kim Ito, and drummer Jason Kahn." ^ Hide Bio for Toshimaru Nakamura
4/24/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
4/24/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Thorax 3:46
2. Cantor 6:34
3. Servo 3:50
4. Lipids 8:06
5. Tarmac 7:37
6. Geophyte 6:33
7. Tentacle 3:55
8. Sibilant 6:51
9. Cantilever 6:28
10. Aureole 5:29
11. Belfry 3:32
12. Umbra 1:10
Electro-Acoustic
Organized Sound and Sample Based Music
Electroacoustic Composition
Electronic Forms
NY Downtown & Metropolitan Jazz/Improv
Japanese & Asian Improv/Rock
Duo Recordings
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Search for other titles on the label:
Surface World.
 | Nakamura, Toshimaru / Tetuzi Akiyama Idiomatic Expressionism (Ftarri) |
| A singularly beautiful and quirky album of electroacoustic improvisation from long-time collaborators and organizers of Japan's "Meeting at Off Site", Tetuzi Akiyama on acoustic guitar and Toshimaru Nakamura on no-input mixing board, their second duo album since 2009's Semi-Impressionism on the Spekk label, here recording in the studio for five dialogs of lovely eccentricity. | |
 | Sakata, Akira / Toshimaru Nakamura / Raiga Hayashi Kinjo no Tabibito (Meenna) |
| A wild live improvisation at Apollo, in Shimokitazawa, Tokyo from legendary Japanese reedist Akira Sakata on alto sax and clarinet, Raiga Hayashi on drums, and Toshimaru Nakamura on no-input mixing board, the latter adding unusual electronic elements to otherwise characteristically energetic free jazz from the Tokyo scene, making this a wonderfully unique album. | |
 | Myers, David Lee Partikelrauschen (pulsewidth) |
| Referring to the music on this album from New York feedback and electronic pioneer David Lee Myers as "firmly rooted in the electronic music of the 1950s-1960s", over nine tracks we are taken on an otherworldly journey of detailed particulate electronic adventures, sometimes swooping, vertiginous, monstrous and unpredictable, each track captured live in Myer's Pulsewidth studio. | |
 | Myers, David Lee Xenography (pulsewidth) |
| Xenography is the ability to write in a language which the individual has not learned, an apt description of the rich dialects sculpted from feedback sources and expertly routed through circular circuits of sound processors by New York sound artist David Lee Myers, AKA Arcane Device, captured and layered into these astounding electronic compositions. | |
 | Myers, David Lee Ceremonial Fires (pulsewidth) |
| A journey through an uncharted jungle island from NY electronic composer David Lee Myers, aka Arcane Device, using field recordings in rhythmic environments with synthetic sounds buzzing and whirling around and electronic tones and textures rising and falling, composing detailed song structures that are embraceable and awe-inspiring at the same time. | |
 | Myers, David Lee Frontier (pulsewidth) |
| A live set of electronic recordings from New York sound explorer David Lee Myers, aka Arcane Device, using modular synths under masterful control to create coherent excursions into territories both terrestrial and cosmic, each piece carefully evolving without histrionics or overt noise through warmly vivid and uniquely diverse works of sound. | |
 | Myers, David Lee Lustre (pulsewidth) |
| A perfect example of the radiant electronics David Lee Myers, aka Arcane Device, has developed over decades, in nine shimmering works of clear tones, controlled feedback and electronic errata, each piece transitioning in sublime ways as Myers evolves luminescent stories in glowing atmospheric sound, a richly lustered album of sound sculpting. | |
| Myers, David Lee Xenography (pulsewidth) |
| Xenography is the ability to write in a language which the individual has not learned, an apt description of the rich dialects sculpted from feedback sources and expertly routed through circular circuits of sound processors by New York sound artist David Lee Myers, AKA Arcane Device, captured and layered into these astounding electronic compositions. | |
 | Myers, David Lee Intervals / Interludes (pulsewidth) |
| Like passages through an electronic corridor, New York electronic artist David Lee Myers (Arcane Device) presents a series of "interludes"--long passages of rich electronic sound--and "intervals" of punctuated rhythms, described by Myers as: "In-between spaces for catching one's breath amid frigid landscapes, existential pauses, and mercurial pools of aboriginal pleadings." | |
 | Arcane Device Circuit Dreams (pulsewidth) |
| Using a combination of controlled feedback, samples, computer processing and Eurorack electronics, Arcane Device aka David Lee Myers continues his long exploration of electronic music, focusing here on evolving and complex patterns complemented by beautiful tones and occasional rhythmic foundations, a great collection of elegant electronics. | |
 | Myers, David Lee Reduced to a Geometrical Point (Cronica) |
| Using feedback matrices, oscillator banks and multi-processing, NYC sound and feedback artist David Lee Myers, A.K.A. Arcane Device, references the quote from metaphysics scholar Frithjof Schuon--"You must detach your life from an awareness of the multiple and reduce it to a geometrical point before God"--which he manifests in four focused works of rich, slowly evolving sound. | |
 | Granberg, Magnus (w/ Miki Maruta / Ko Ishikawa / Toshimaru Nakamura) Come Down to Earth Where Sorrow Dwelleth (Meenna) |
| Stockholm composer Magnus Granberg's first visit to Japan was to perform at the 2019 Ftarri Festival, adapting his extended and subtle work "Come Down to Earth Where Sorrow Dwelleth", originally composed for the Boston ensemble Ordinary Affects, here reworked for sho, koto, prepared piano and electronics performed by Ko Ishikawa, Miki Maruta and Toshimaru Nakamura. | |
 | Myers, David Lee That Which Is It (pulsewidth) |
| Using electronic and digital tools similar to those that fuel his Arcane Device project, New York sound artist David Lee Myers presents an accessibly engaging set of compositions using modular electronics, feedback matrices, guitar textures, voices, and frogs in 11 polyrhythmic adventures; quirky yet non-chaotic, sublime experimental works of tone and texture. | |
 | Myers, David Lee Prototype Of The Veil (pulsewidth) |
| David Lee Myers began creating feedback music in 1989, originally under the name Arcane Device, developing unique approaches to harnessing feedback between audio devices in ways their manufactures did not intend; since 2014 he has used a set of new devices that allow intense control and beauty through vibrational interactions, as heard in this, his 18th solo album of feedback music. | |
 | Dahl, Anders & Skogen Rows (Another Timbre) |
| Sweden's Skogen returns with a beautiful work for chamber ensemble with Magnus Granberg, Angharad Davies, Toshimaru Nakamura, Ko Ishikawa, Anna Lindal, Henrik Olsson, Petter wastberg and Erik Carlsson, interpreting a piece by Anders Dahl using a 12 tone system. | |
 | Granberg, Magnus (w/ Miki Maruta / Ko Ishikawa / Toshimaru Nakamura) Come Down To Earth Where Sorrow Dwelleth -- Revised Version For Sho, Koto, Prepared Piano And Electronic (Meenna) |
| Nakamura, Toshimaru / Tetuzi Akiyama Idiomatic Expressionism (Ftarri) |
| A singularly beautiful and quirky album of electroacoustic improvisation from long-time collaborators and organizers of Japan's "Meeting at Off Site", Tetuzi Akiyama on acoustic guitar and Toshimaru Nakamura on no-input mixing board, their second duo album since 2009's Semi-Impressionism on the Spekk label, here recording in the studio for five dialogs of lovely eccentricity. | |
 | Nakamura, Toshimaru No Input Mixing Board 11 - Live In Tokyo (Input Error) |
| Four live recordings from Tokyo performances during 2021 & 2022 by No-Input Mixing Board performer Toshimaru Nakamura, the 11th in his series of albums featuring his unique approach to cross-wiring a mixer to harness the unexpected (and manufacturer's ill-advised) sounds of feedback & distortion, structuring the results into surprising and riveting sonic soundscapes. | |
 | Myers, David Lee Logos in Aeon (pulsewidth) |
| Sonic explorer and feedback pioneer David Lee Myers in a collection of eight pensive electronic ambience works recorded at Pulsewidth in the spring of 2022, meditating on the mysteries of time and eternity through Apophis, a demon serpent of darkness whom Ra, as sun god, destroys every morning at dawn. | |
 | Arcane Device N28: Ohmniscient (pulsewidth) |
| The second of NY electronic explorer David Lee Myers', aka Arcane Device, N28 series, an album of excited electronics, field recordings, inexplicable sound and rotating, splintering and otherwise lovingly mangled sound, not so much a noise collection as instead a controlled chaos with moments of cavernous beauty in a journey of mercurial rummaging. | |
| Myers, David Lee Partikelrauschen (pulsewidth) |
| Referring to the music on this album from New York feedback and electronic pioneer David Lee Myers as "firmly rooted in the electronic music of the 1950s-1960s", over nine tracks we are taken on an otherworldly journey of detailed particulate electronic adventures, sometimes swooping, vertiginous, monstrous and unpredictable, each track captured live in Myer's Pulsewidth studio. | |
 | Merzbow / Arcane Device Merzbow & Arcane Device (Important Records) |
| Two innovative sonic luminaries--Japan's Masami Akita, aka Merzbow, and New York City's David Lee Myers, aka Arcane Device--remix each other's work, bringing Myer's unique approach to feedback and ethereal electronics to harness Akita's agressive sounds, and in reverse, Akita's sense of disruptive sonics explode Myer's more contemplative feedback music. | |
 | Arcane Device Mechanismos (pulsewidth) |
| An apt title for the creatively mechanistic rhythms and electronic machinations of David Lee Myers' long-running project Arcane Device, in an album of ten succinct tracks of distinct cadence, pulse and encompassing electronics, described by Myers as "Analog rhythms, microtonal swarms, and feedback tonalities for pagan rituals on Monster Island." | |
 | Myers, David Lee Room In A Moon House (pulsewidth) |
| A series of "Rooms" and related electronic environments from New York sound artist David Lee Myers, whose long running Arcane Device project runs parallel to these nearly ambient works that Myers intimates are for intimate environments, developed through deft use of Eurorack electronics, feedback, sampling and other elegant electronic processes. | |
 | Hirose, Junji / mizutama / Kayu Nakada / Toshimaru Nakamura / Daysuke Takaoka / Yuma Takeshita / Tadashi Yonago See You at Ftarri (Ftarri / Meenna) |
| Three days of improvisations from the the 2019 meeting of Osaka-based musicians mizutama, Tadashi Yonago and Kayu Nakada, plus Tokyo residents Junji Hirose, Toshimaru Nakamura, Daysuke Takaoka and Yuma Takeshita in duos and trios, all using original sound-producing devices or creating sound by repurposing instruments or electronic devices in unique ways. | |
 | Granberg, Magnus / Skogen Let Pass My Weary Guiltless Ghost (Another Timbre) |
| First performed in November 2019 at the Huddersfield Contemporary Music Festival and then at the Splitter Orchester festival in Berlin, this studio recording of Magnus Granberg's delicately complex and exquisitely dream-like composition features his Skogen ensemble, including Granberg, Rhodri Davies, Toshimaru Nakamura, Erik Carlsson, Petter Wastberg, &c. | |
