"It should be no secret that I have been a big fan of David Lee Myers's work since I first heard his music. Back then, as Arcane Device, a moniker he left behind years ago. Maybe I even started a review of his work before with pretty much the exact words? But stating the obvious again is never a problem for me. These days he releases his works, digitally and physically, and no longer, so it seems, on other labels. [...]

Partikelrauschen is a title that made me think of Asmus Tietchens and means 'particle noise'. Here, Myers gives his machines an entirely different spin. Myers calls the '1950s style electronic music. We no longer have the sustaining, minimalist soundscapes but small particles flying in, out, under and over your head. Bursting, scratching, peeping, welcome to what seems to be the sound of instability. I am not all too sure about the modus operandi from mister Myers. For instance, I can imagine that some of this was recorded live without too much editing, but I might be wrong. In fact, I always believed that much of Arcane Device/David Lee Myers was 'live in studio recordings. Of the two new releases by Myers, I find this the one with more difficult music. There is a similar form of sound treatment going on, of small sounds bending and reshaping, looping around and such, which at a certain point became a bit too much. At sixty-seven minutes, this is quite a lengthy album. Myers captures the feeling of 50s electronic music quite well here, and while not exactly Planet Of The Apes, I see flickering black and white images of some fifties-styled homemade science fiction 8mm film. For such a thing, this is the perfect soundtrack."-Frans de Waard, Vital Weekly