Experimental composer and feedback artist David Lee Myers (Arcane Device) ventures into literary territory with a limited-edition book of fifty "Plunder-Lit" poetic pieces, complemented by fifteen spoken-word audio readings set to experimental soundscapes, evoking Tristan Tzara's work, William S. Burroughs' cutups, and the sensibilities of Captain Beefheart.

Under his Arcane Device moniker, David Lee Myers revisits an unrealized collaboration with Tod Dockstader, deconstructing well-known classical works — primarily those of Bach — through sampling, stretching, looping, and computer-based processing, transforming familiar motifs into playful, shimmering, and immersive soundscapes inspired by Lucas Foss's Baroque Variations.

A double CD of rich ambient work from New York City-based sound artist David Lee Myers, presenting four expansive compositions that blend electronics, lamellophone, feedback matrices, and hardware and software processing, evoking the ocular opening of the eye and architectural forms through immersive soundscapes that explore the interplay between organic and electronic elements.

Referring to the music on this album from New York feedback and electronic pioneer David Lee Myers as "firmly rooted in the electronic music of the 1950s-1960s", over nine tracks we are taken on an otherworldly journey of detailed particulate electronic adventures, sometimes swooping, vertiginous, monstrous and unpredictable, each track captured live in Myer's Pulsewidth studio.

A journey through an uncharted jungle island from NY electronic composer David Lee Myers, aka Arcane Device, using field recordings in rhythmic environments with synthetic sounds buzzing and whirling around and electronic tones and textures rising and falling, composing detailed song structures that are embraceable and awe-inspiring at the same time.

Sonic explorer and feedback pioneer David Lee Myers in a collection of eight pensive electronic ambience works recorded at Pulsewidth in the spring of 2022, meditating on the mysteries of time and eternity through Apophis, a demon serpent of darkness whom Ra, as sun god, destroys every morning at dawn.

The second of NY electronic explorer David Lee Myers', aka Arcane Device, N28 series, an album of excited electronics, field recordings, inexplicable sound and rotating, splintering and otherwise lovingly mangled sound, not so much a noise collection as instead a controlled chaos with moments of cavernous beauty in a journey of mercurial rummaging.

A live set of electronic recordings from New York sound explorer David Lee Myers, aka Arcane Device, using modular synths under masterful control to create coherent excursions into territories both terrestrial and cosmic, each piece carefully evolving without histrionics or overt noise through warmly vivid and uniquely diverse works of sound.

Referring to the music on this album from New York feedback and electronic pioneer David Lee Myers as "firmly rooted in the electronic music of the 1950s-1960s", over nine tracks we are taken on an otherworldly journey of detailed particulate electronic adventures, sometimes swooping, vertiginous, monstrous and unpredictable, each track captured live in Myer's Pulsewidth studio.

A perfect example of the radiant electronics David Lee Myers, aka Arcane Device, has developed over decades, in nine shimmering works of clear tones, controlled feedback and electronic errata, each piece transitioning in sublime ways as Myers evolves luminescent stories in glowing atmospheric sound, a richly lustered album of sound sculpting.

Xenography is the ability to write in a language which the individual has not learned, an apt description of the rich dialects sculpted from feedback sources and expertly routed through circular circuits of sound processors by New York sound artist David Lee Myers, AKA Arcane Device, captured and layered into these astounding electronic compositions.

Like passages through an electronic corridor, New York electronic artist David Lee Myers (Arcane Device) presents a series of "interludes"--long passages of rich electronic sound--and "intervals" of punctuated rhythms, described by Myers as: "In-between spaces for catching one's breath amid frigid landscapes, existential pauses, and mercurial pools of aboriginal pleadings."

An apt title for the creatively mechanistic rhythms and electronic machinations of David Lee Myers' long-running project Arcane Device, in an album of ten succinct tracks of distinct cadence, pulse and encompassing electronics, described by Myers as "Analog rhythms, microtonal swarms, and feedback tonalities for pagan rituals on Monster Island."

Using a combination of controlled feedback, samples, computer processing and Eurorack electronics, Arcane Device aka David Lee Myers continues his long exploration of electronic music, focusing here on evolving and complex patterns complemented by beautiful tones and occasional rhythmic foundations, a great collection of elegant electronics.

A series of "Rooms" and related electronic environments from New York sound artist David Lee Myers, whose long running Arcane Device project runs parallel to these nearly ambient works that Myers intimates are for intimate environments, developed through deft use of Eurorack electronics, feedback, sampling and other elegant electronic processes.

Using electronic and digital tools similar to those that fuel his Arcane Device project, New York sound artist David Lee Myers presents an accessibly engaging set of compositions using modular electronics, feedback matrices, guitar textures, voices, and frogs in 11 polyrhythmic adventures; quirky yet non-chaotic, sublime experimental works of tone and texture.