Live recordings from the Dom Cultural Center in Moscow by the trio of Norbert Moslang on cracked everyday-electronics, Ilia Belorukov on sax, electronics & laptop, and Kurt Liedwart on analog synthesizer, electronics, ppooll, superb ea-improv balancing reserve and cracked power.

A concept record from Gaudenz Badrutt (electronics & synth) and Christian Muller (electronics & contrabass clarinet), starting with an improvised piece which is then resampled live into 6 new pieces, changing the character with each pass, and presented in reverse order.

An absorbing album of solo drum work from French drummer/percussionist Antonin Gerbal, recording in the studio and demonstrating his profound sonic and technical approaches to the drums, isolated from projects like Peeping Tom, Bertrand Denzler/ONCEIM or Zoor.

Saxophonist Pierre-Antoine Badaroux and double bassist Sebastien Beliah formed Ensemble Hodos in 2008 to perform the music of composers who wrote scores that include freedom and/or improvisation for the players, here performing the music of Philip Corner.

Cologne pianist and composer Simon Russell wrote these compositions, melding jazz, classical, electronic, even tango music into lyrical and joyfully quirky works, performed by his ensemble with Goerg Wissel, Matthias Muche, Udo Moll, Carl Ludwig Hubsch, &c.

Since 2012 the free improvising duo of vocalist Geraldine Eguiluz and double bassist Stephane Diamantakiou have worked together, taking themes from the jazz songbook as a starting point for free form improvisations of a fragile and unpredictable nature.

Live at the LOFT in Cologne, Germany, the trio of German-based Russian pianist Simon Nabatov with NY Downtown double bassist Mark Dresser and relative newcomer Dominik Manhig on drums, expressive collective improvisation using edgy techniques in impressive dialog.

Italian soprano saxophonist Gianni Mimmo meets Boston guitarist Garrison Fewell for 10 freely improvised duets of strong dialog balancing technical and lyrical skills with an ebullient intensity and warm spirit, engaging the listener in their joyful dialog.

Violinist Emanuele Parrini leads his quartet with Dimitiri Grechi Espinoz on alto sax, Giovanni Maier on double bass, and Andrea Melani on drums, performing Parrini's 3 part "The Blessed Prince", and original compositions from bassist Maier; lyrical and innovative modern jazz.

Long time collaborators, Italian saxophonist Daniele Cavallanti and drummer Tiziano Tononi, travelled to NYC to record with friends new and old, the results of which are this dynamic free jazz album recorded with Steve Swell (trombone), Herb Robertson (cornet) and Joe Fonda (bass).

The 2nd LP from Polish multi-wind & reedist Mat Walerian, his 2nd with NY pianist Matthew Shipp, and the 2nd recorded within the live Okuden Concert Series, adding drummer Hamid Drake for an excellent album of free improvisation that flows beautifully from track to track.

A pop-infused psychedelic trip featuring Cyro with a huge lineup of superb musicians, lyrical improvisation with latin and world influences, with Baptista taking vocals over his eclectic and melodically embraceable music; a beautiful album to return to frequently.

Crossing heavy improv with jazz, classical, world music and more, Zorn's latest compositions are handled by the ensemble of John Medeski (organ), Ches Smith (congas, Voudun drums), Kenny Wollesen (vibes), Kenny Grohowski (drums), and Matt Hollenberg (guitar).

Portuguese trumpeter Luis Vicente in a quartet with Amsterdam-based improvisers John Dikeman (sax), Wilbert De Joode (bass) and Onno Govaert (drums), captured during an energetic live performance at zaal 100 in Amsterdam in 2015 for superb free jazz.

Jazz Passengers leader and saxophonist Roy Nathanson in an album of duos recorded live during a series of concerts at The Stone in NY, with collaborators including Marc Ribot, Curtis Fowlkes, Anthony Coleman, Arturo O'Farrill, Myra Melford, and Lucy Hollier.

Scandinavian and American musicians join together to form this quartet, with Kristoffer Berre Alberts on saxes, Jamie Saft on organ and keys, Ingebrigt Haker-Flaten on electric bass, and Gard Nilssen on drums & electronics, for an album of spacey and groove oriented jazz.

New York bassist Eric Revis' Trio with Kris Davis on piano and Gerald Cleaver taking over the drum position in an album that crosses the traditional piano trio concept with modern free parlance, for both lyrical and unconventionally creative moments.

Established players on the London and European Free Jazz scene from two generations, saxophonist Evan Parker and pianist Alexander Hawkins come together for a duo of remarkable insight, technical skill, and inventive dialog from two masterful players.

Alto saxophonist Julie Kjaer, a Denmark native living in the UK and active on the London Improv scene, in a trio with two of the most active London players - Steve Noble on drums and John Edwards on bass - for a live album at Vortex Jazz Club in 2015.

Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.

The 27th volume in John Zorn's Book of Angels series, presenting his Masada compositions interpreted by superlative groups, here in a piano trio of lyrical and technical power: Craig Taborn (piano), Christian McBride (bass), and Tyshawn Sorey (drums).

An eponymous and formidable release by saxophonist Ingrid Laubrock's newest quintet, featuring a handpicked group of musicians including alto saxophonist Tim Berne, trombonist Ben Gerstein, tuba player Dan Peck, and drummer Tom Rainey performing original Laubrock compositions.

NY guitarist Mary Halvorson's solo album, worked out after a tour opening for King Buzzo, has her performing creative interpretations of works from modern composers like Roscoe Mitchell, Ornette Coleman, Oliver Nelson, & Tomas Fujiwara, back to Duke Ellington's "Solitude".

Two works from composer Frey performed by Montreal's string ensemble Quatuor Bozzini: "String Quartet No. 3", a minimal work of colors, sensations, shadows, durations; and "Unhorbare Zeit" exploring durations without sound, or empty volumes, to achieve lucidity and transparency.

Christian Wolff initiated his "Microexercises" series when the Miniaturist Ensemble asked for a piece with no more than 100 notes in it; he went on to create 21 more pieces, 13 of which are performed here by the South African duo of Beat Keller & Reza Khota on electric guitar.

Pianist Samuel Vriezen performs Tom Johnson's work presenting what Johnson describes as a natural phenomenon within a musical scale: progressions in 1 to 5 voices of all possible combinations of notes with each voice being limited to 3 steps, a perfect 4th or a perfect 5th.

John Cage's "Empty Words" (1974) is drawn from the Journals of Henry David Thoreau, written in four parts: Part I omits sentences, Part II omits phrases, and Part III omits words. Part IV, which omits syllables, leaves us nothing but a virtual lullaby of letters and sounds.

The duo Contour of Stephen Altoff (trumpet) & Lee Forrest Ferguson (percussion) perform Antoine Beuger's "dedekind duos" dedicated to mathematician Julius Wilhelm Richard Dedekind; and Jurg Frey's "22 Sachelchen" or "small things", 22 focused miniature compositions.

Jurg Frey on clarinet and Irene Kurka on soprano vocals perform Wandelweiser composer Antoine Beuger's extended composition "Two"; then the duo of Rhodri Davies on harp and Ko Ishikawa on sho are layered on the first recording, creating a refreshingly new take on the piece.

John McAlpine performs composer Tom Johnson's beautiful piano cycle "Counting Keys", using mathematical progressions to create the structure of its 5 movements; plus 8 parts from his "Organ and Silence for Piano"; and two other compositions using mathematical processes.

Early compositions from John Cage performed on accordion by Edwin Alexander Buchholz and violin by Joanna Becker, presenting "Dream" (1948); "In a Landscape" (1948); "Six Melodies" (1950); and "Souvenir" (1983).

Burkhard Schlothauer presents two works by John Cage written for septet, using indeterminacy in a score where each instrumental part is given twenty time brackets, allowing overlapping sounds which will be shaped depending on choices from each performer.

Composer Jurg Frey's 1988 work "String Quartet" realized by Nadia Francavilla, Clemens Merkel, Stephanie Bozzini and Isabelle Bozzini, exploring ideas of audibility: the moment when sound waves move in space and the air touches the body.

Fritz Welch and Guido Hennebohl present a strange and discomforting album of electronic madness, as they "rattle them pots and pans, slap-the-cheek slurps and stick sharp elbows into a web of goof-off electronics" as they pursue the message of freedom.

Carl Ludwig Hubsch (tuba); Ole Schmidt (bass clarinet); Chris Weinheimer (bass flute); Robert Schleisiek (piano); and Tom Lorenz (vibraphone) interpret Christian Wolff's composition based on "Union Maid", a song from the 1920's, transforming the work through temporal expansion.

Edwin Alexander Buchholz performs this beautiful work by John Cage on accordion, originally written for the Japanese sho, where sounds are single tones and chords, up to six part harmonies, or as Cage wrote, "sounds brushed into existence as in oriental calligraphy".

Antoine Beuger's minimalist work for American painter Marcia Hafif, known for her monochrome paintings, in 24 tonal works each 3 minutes long using stationary waves of eight frequencies from a different octave and punctuated by silence.

One composition each from Antoine Beuger and John Cage performed on the oboe by Kathryn Gleasman Pisaro; Beuger's work presents tones in regular intervals offset by silence; Cage's piece uses pitch and tone color with microtonal inflections, mutes and harmonic fingerings.

Antoine Beuger, Burkhard Schlothauer, Chico Mello, Jurg Frey, Kunsu Shim, Michael Pisaro-Liu, and Thomas Stiegler participate in this realization of Christian Wolff's compositions to make sounds or draw sounds out of stones, alone or with other surfaces, acoustically or amplified.

Henry Threadgill's tribute to friend, composer-conductor Lawrence D. Butch Morris, in a detailed 4-part work with an excellent set of improvisers: Henry Threadgill, Jose Davila, Jason Moran, Christopher Hoffman, David Virelles, Roman Filiu, Curtis Macdonald, and Craig Weinrib.

The follow-up to drummer/composer Dan Weiss's release "Fourteen" presents a larger ensemble taking on jazz, world music, prog rock, contemporary classical music and more in compositions named for drummers, with a diverse orchestration of acoustic and unconventional instruments.

This progressive/folk/jazz/improv/experimental/psych quartet from Norway covers a diverse set of approaches to improvisation, from textural, minimalistic and radically abstract, like something AMM would play, using graphic and written notation.

An inventive and lyrical set of duos between Chicago tenor saxophonist and bass clarinetist Keefe Jackson and vibraphonist Jason Adasiewicz, nine concise pieces that blend free improvisation with compositions seamlessly in a really delightful duo.

The trio of Achim Kaufmann on piano, Frank Gratkowski on sax and clarinets, and Wilbert de Joode on bass, has performed together since the mid-80s, developing a unique language of dynamic, texture and rhythmic complexity that puts them at the forefront of European collective improv.

Freely improvised collective with an electroacoustic inclination and chamber music reserve from the quintet of Dre Hoceva (drums), Bran De Looze (piano), Lester St. Louis (cello), Chris Pitsiokos (sax) and Philip White (electronics & signal processing).

New York drummer Harris Eisenstadt revives his trio with trombonist Jeb Bishop and bassist Jason Roebke, adding tenor saxophonist Tony Malaby, recording in the studio after two concerts at John Zorn's venue The Stone in 2015, heard in here in momentous and heartfelt jazz.

Hard driving free jazz and hard bop from the German trio of Chris Pitsioko on alto sax, Noah Punkt on electric bass, and Philipp Scholz on drums and percussion, referencing the past with their foot clearly in the present through propulsive and creatively heavy playing.

Bay Area trumpeter Darren Johnston meets improvising guitar legend Fred Frith for an incredibly well-paced series of duos, remarkable improv that uses space, skill, extended techniques and unexpected approaches to both instruments in vivid and beautiful discourse.

A live recording at Greenwich House Music School in New York City in 2014, and the 3rd album from the Renku trio of Michael Attias on alto sax, John Hebert on double bass, and Satoshi Takeishi on drums, lyrical and intimate trio work from three masterful players.

After performing at Jean-Herve Peron's 2010 Avant Garde Festival, Yumi Hara (keys, violin & voice), Geoff Leigh (winds & electronics), John Greaves (bass & piano) and Chris Cutler (drums & percussion) present their first studio album mixing open-minded composed and improvised music.