The Squid's Ear Magazine


Strom (Gaudenz Badrutt / Christian Muller): X (Mikroton Recordings)

A concept record from Gaudenz Badrutt (electronics & synth) and Christian Muller (electronics & contrabass clarinet), starting with an improvised piece which is then resampled live into 6 new pieces, changing the character with each pass, and presented in reverse order.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Gaudenz Badrutt-electronics, sunthesizer

Christian Muller-electronics, contrabass clarinet


Click an artist name above to see in-stock items for that artist.




Label: Mikroton Recordings
Catalog ID: cd 48
Squidco Product Code: 21974

Format: CD
Condition: New
Released: 2016
Country: Russia
Packaging: Cardboard Gatefold
Recorded in Biel/ Bienne Switzerland in 2014 and 2015 by the artists.

Descriptions, Reviews, &c.

"X as the unknown, X as a reference to time. X as a definite position between possibility and contingency. The album X by the Swiss band Strøm works with remix as a method, explores the potential of the origin. Or the result's? The work on the concept album started with an improvised piece by Gaudenz Badrutt (analog synthesizer) and Christian Müller (contra bass clarinet and live effects). In a process of intense live sampling by Badrutt and Müller the starting material was used again, was turned, played, twisted, cut. The result were two different pieces which were respectively remixed twice. One original, six times reworked in layers. What unfolds on the album X is the excitement of the beginning, of exploring the traces, of returning to the unknown. Its structure reflects the process of thinking forwards and backwards at the same time: it starts with the last remixes and ends with the first piece.

X frames different levels of abstraction, of focus, of examining the duo's wide range of musical languages - noise, drone, deconstruction, analog electronics and digital potential, acoustic and processed sound material. Despite the conceptual rigor, X is a playful and improvised, light and subtle re-interpretation and re-flection of the band's musical universe. With their 11th album, the two musicians behind Strøm propose their very own axis to map the possibilities of immediate play and the consistency of instant composing.

In 2016, Gaudenz Badrutt and Christian Müller are working together as Strøm for 15 years. Founded in 2001, the band has played numerous concerts all over Europe and realized many musical and interdisciplinary projects."-Mikroton



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Gaudenz Badrutt: (livesampling - electronics & computer)

He began as a pianist in the field of contemporary classic music and works since 20 years as an electronics musician in the field of improvised electroacoustic music.He is best known in current times as an improvising electronics musician using computers (sampling) and various other electronic apparatus such as usual distortion devices, no-input-mixing or modular-synthesizer. Filigree, minimal noises, drones and dense structures are key characteristics of his music. Central to Badrutt's activities are collaborations such as the duo with Jonas Kocher (accordion), the duo with Hans Koch (clarinet, sopranosaxophone), and the trio with Koch and Kocher as well as the working-band duo strøm with Christian Müller (electronics). In the last few years, solo-performances became important too. He is further occupied in the fields of electronic composition, sound & video installation and videos (like 'magma' and 'Quiet Novosibirsk').

Gaudenz Badrutt has collaborated with Christof Kurzmann, Kai Fagaschinski, Ilia Belorukov, Phil Durrant, Tasos Stamou, Morishige Yasumune, Michael Thieke, Alexander Markvart, Strotter Inst., Michael Vorfeld, Bryan Eubanks, Stephan Thut, Toshimaru Nakamura, Diatribes et al. with concerts at home and abroad, including at the Festivals RingRing Belgrad 2019, Jauna Musika Vilnius 2019, Music Unlimited Wels 2018, Le Bruit de la Musique in Saint-Silvain-sous-Toulx 2018, Outernational Festival Bukarest 2017, Sound around Kaliningrad 2017, Sanatorium of Sound Sokolowsko/Poland 2016, Sound Reasons 2015 in Dehli/Goa/Bangalore India, Musikfestival Bern 2015, Vertical Collisions and Irtijal Beirut 2015, Croisements Kagoshima 2014, Airegin/Improfestival Yokohama 2013, SwissMusicDays Belgrade 2013, Zwei Tage Zeit Zürich 2012, Terrains Basel 2011, Influx Toulouse 2011, Transmediale Berlin 2009, Zoom in Bern 2008, Rue du Nord Lausanne 2008, Norberg Festival (Sweden) 2006, Taktlos/Tonart Bern 2006. His videoworks has been played at the Transmediale 09 Berlin, Festival Zwei Tage Zeit Zürich 2012, Spinafest St.Petersburg.Gaudenz Badrutt lives in Biel (Switzerland).

Current projects:

Solo (analog effects, objects, livesampling)

Trio Koch, Kocher & Badrutt

Duo Jonas Kocher & Gaudenz Badrutt

strøm (with Christian Müller, electronics)

Trio Jean-Luc Guionnet - Frantz Loriot - Gaudenz Badrutt

Baldrian Quartet (Christof Kurzmann - Kai Fagaschinski - Jonas Kocher - Gaudenz Badrutt)

Quintett Jacques Demierre - Urs Leimgruber - Daniel Studer - Alfred Zimmerlin - Gaudenz Badrutt

Duo Hans Koch & Gaudenz Badrutt (also known as Social Insects)"

-Gaudenz Badrutt Website (http://www.gaudenzbadrutt.ch/about/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Christian Müller, born in 1971 near Basel, Switzerland, is clarinettist and electronic-musician. He completed his classical studies at the Conservatory for Music & Theater Berne in 1996 with a teacher's diploma and in 1998 with a Reifediplom (Master).

During the last fifteen years Christian Müller worked mainly as improvising electronic-musician, electro-acoustic bass-clarinettist and composer with a conceptual approach. He realized numerous works with the duo strøm (with Gaudenz Badrutt, electronics, since 2000) and also in national and international projects. As member of strøm and as a solo musician he created several sound installations and audiovisual pieces and also worked in multimedia-based contexts with dancers and performers. Since 2010 he works with the writer Regina Dürig as Butterland, an interdisciplinary project that combines text and sound. Furthermore he works continously in various contexts and in various bands like DEER, IMO, Convulsif or Infest.

He collaborates and has collaborated in diverse constallations for concerts and multimedia-based works, a. o. with the musicians Martin Schütz, Hans Koch, Tomas Korber, Diatribes, Jonas Kocher, Burkhard Beins, Clayton Thomas, Oren Ambarchi, Bertrand Gauguet, Michel Doneda, Flo Götte, Norbert Möslang, Günter Müller, FM Einheit, toktek, Simon Berz, Nicole Johänntgen, Peter Conradin Zumthor, Lionel Friedli, Lê Ninh Quan, Mitsuaki Matsumoto, Strotter Inst., dieb13, Susanna Gartmayer, Patricia Bosshard, Loïc Grobéty, Yan Jun, Yan Yulong, Cristián Alvear, Sergio Merce, Loenel Kaplan, Federico Barabino, Fernando Perales...

Solo and as member of Strøm, DEER and Convulsif he toured through northern, central and Eastern Europe, China, Chile and Argentina.

He was invited to play at serveral festivals a.o. at Spinafest St.Petersburg 2016, Festival Les Nuits du Beau Tas Bruxelles 2016, Zasavje Noisefest International Trbovlje 2016, "Drei Tage Strom" (IGNM & Musikpodium) Zürich 2015, IOIC-MARATHON 2015, Neue Musik Markt Bern 2015, Akouphène Genf 2014, Sonic Mountains - Swiss Noise & Sound Culture Bern 2014, Noches de los Muertos Wien 2012, Remake Belgrad 2012, "Zwei Tage Zeit" (IGNM ZH, WIM & Musikpodium) Zürich 2012, IOIC-MARATHON 2012, 'Lange Nacht der elektronischen Musik' (Dampfzentrale Bern) 2011, Transmediale Berlin 2009, Zoom-In Bern 2008, Rue du Nord Lausanne 2008, Schweizer Tonkünstlerfest Zürich 2007, Taktlos/Tonart Bern 2006, Norberg Festival (Schweden) 2006, Ear We Are Biel 1999 & 2001.

As Member of the IOIC-Impro-Collective he was 2012 on tour in China and 2013 guest in the supporting program of Art Basel, Hongkong.

Since 2002 he composes regularly music for theater/dance productions a. o. for the Vienna based compagnie NadaProductions ("WAR" & "Dance & Resistance") and in the team of the director Barbara-David Brüesch at Staatstheater Stuttgart (D), Schauspielhaus Wien (A), Staatsschauspiel Dresden (D), Staatstheater Mainz (D), Schauspielhaus Graz (A), Stadttheater Bern (CH), Basler Theater (CH), Theaterhaus Gessnerallee Zürich (CH).

He has collaborated with non-musical-artists (performancers, dancers, authors, visual artists) like Daniel Zimmermann, Amanda Piña, Alexandra Mabes, Nicolás Spencer, Haus am Gern, Verena Lafargue, Katharina Vogel, Heike Fiedler, Philipp Boë ...

Several grants, residencies & prices, a.o. 2015 a residency for composition by STV/ASM in Casa Pantrova Carona, 2015 residency with Butterland in Halka Art Projekt Istanbul, 2016 & 2013 residency with Butterland in herhusid in Siglufjördur Iceland, 2014 "Childhood Stories" by Butterland wins the prize of the jury for the best experimental piece at sonOhr Hörfestival, 2010 commission for composition "Musik & Tanz" by Pro Helvetia, 2009 grant for composition by SSA, 2006 residency with Strøm on Lofoten Islands, 2004 with Strøm first price at the concours de reding by STV, 2002 reward 'coup de coeur' by the committee for music of the kanton bern.

Several substantial financial supports by the city of biel and the kanton of bern for works by as solo musician, by Strøm and by Butterland. Several financial supports by Pro Helvetia for tours and concerts as solo musician, the duo Btterland and for his bands Strøm, DEER and Convulsif.

Additionally to his music, Christian Müller regularly organizes concerts and festivals, among them the festival Ear We Are, an international festival for improvised music in Biel, Switzerland. He also curates the label deszpot, a place for outer limits and experimental works.

Christian Müller lives as a freelance musician in Biel, Switzerland."

-Christian Muller Website (http://www.christianmueller.me/biography.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Rimese 10:16

2. Erisem 5:33

3. Merise 11:42

4. Iserme 6:54

5. Xermi 3:38

6. Emries 6:14

7. Semeri 5:50

Related Categories of Interest:


Improvised Music
Electro-Acoustic
Electro-Acoustic Improv
Organized Sound and Sample Based Music
New in Experimental & Electronic Music

Search for other titles on the label:
Mikroton Recordings.


Recommended & Related Releases:
Gorlinsky / Sysoev / Muller
Universal Vitamin
(Creative Sources)
An extended improvisation for acoustic instrumentation and voice using unusual and extended techniques, from the Russian trio of Alexey Sysoev on piano, Vladimir Gorlinsky on guitar & voice, and Christian Müller on clarinet, recorded at the Cultural Centre DOM in Moscow in 2019, cycling patiently from quietly expressive sections to chamber-oriented brightly active moments.
Periferiya (Kobi / Korber / Liedwart / Muller / Myasoedov / Shershenkov)
Boundary Scan [VINYL 2 LPs]
(Mikroton Recordings)
A Russian-Swiss collaboration between Boris Shershenkov (St. Petersburg), Kurt Liedwart and Mikhail Myasoedov (Moscow), Thomas Korber (Zurich), Christian Kobi (Berne) and Christian Muller (Biel), recording in the remote Vallée de Joux, on the border between Switzerland & France, leveraging diverse approaches to sound to create these six detailed electroacoustic improvisations.
Other Recommended Releases:
Kobi, Christian / Christian Muller
A Second Day
(Herbal International)
An album of unusual reed improvisations using extended and unusual acoustic techniques and further extended with electronics, field recordings, and samples, from the Swiss duo of Kobi Christian on soprano sax and Christian Muller on bass clarinet, sampler & electronics.
Ease: Klaus Filip / Noid
No No No, No
(Mikroton Recordings)
An anniversary release for the 10 year collaboration of Ease, the duo of Klaus Filip and Noid, using Filip's ppooll software (formerly lloopp) to tailor both pure electronic sound and modified field recordings into subtle and mysterious sound environments.
Baghdassarians, Serge / Boris Baltschun / Burkhard Beins
Future Perfect
(Mikroton Recordings)
Three impressive works of electroacoustic improv from the trio of Serge Baghdassarians (mixer, delays, electric guitar), Boris Baltschun (computer, sampler) and Burkhard Beins (percussion and zither), brooding and concentrative sound that unfolds slowly in detail and color.
Liedwart, Kurt / Phil Raymond
Rim
(Mikroton Recordings)
Moscow sound experimenter Phil Raymond, recording with computers and percussions, is resampled live by Moscow musician Kurt Liedwart on lloopp, electronics & percussion, to create these 5 darkly ambient tracks merging organized and improvised approaches.
SQID (Castello / Stangl / de Vega / Faravelli)
SQID [2 CDs]
(Mikroton Recordings)
An international quartet of electroacoustic improvisers, SQID (Angelica Castello, Mario de Vega, Attila Faravelli and Burkhard Stangl) formed in 2011, using field recordings of sound instruments and objects which they use in live performance to make remarkable audio environments.
Thieke, Michael Unununium
Nachtlieder
(Mikroton Recordings)
A diverse and fascinating release from clarinetist Michael Thieke, also on zither and providing field recordings, with guitarist Martin Siewert, accordionist Luca Venitucci, and two bassists--Christian Weber & Derek Shirley, and two drummers--Steve Heather and Eric Schaefer.



Customers Who Bought This Item Also Bought:
Shelton, Skeeter / Hamid Drake
Sclupperbep
(Two Rooms Records)
After meeting in Detroit when tenor saxophonist & flutist Skeeter Shelton subbed for a sick player in a duo concert with drummer/percussionist Hamid Drake, the two found a bond through Shelton's father, Ajaramu Shelton, who had been one of Drake's mentor at Chicago's AACM; the concert was so successful that this recording was immediately planned, based around many of Shelton's themes.
Bruckmann / Djll / Heule / Nishi-Smith
Brittle Feebling
(Humbler)
The title gives a sense of the unusual acoustic improvisation this West Coast collective perform, along with their description "prickles and bleats, an abrasive delicacy; fricative rasp and withheld breath seethe together in a discomfiting cuddle" — from Kyle Bruckmann on oboe & English horn, Tom Djll on trumpet, Jacob Felix Heule on floor tom, and Kanoko Nishi-Smith on koto.
Charles, Xavier / Bertrand Gauguet
Spectre
(Akousis Records)
Using the interference points of closely pitched sound, long-time collaborators Xavier Charles and Bertrand Gauguet use acoustic and amplified clarinets and saxophones to create frequency landscapes that change slowly, ringing with harmonics while finding unison and conflict in their tones, creating meditative aural environments of great beauty and reflection.
Branche, Sebastien
Lignes de Fuite [CASSETTE]
(Mappa)
Sebastien Branche (Insub Meta Orchestra, Miguel A. Garcia) uses the tenor saxophone as a sound source, meticulously applying extended techniques, circular breathing and the resonance of the saxophone itself during improvisation, using Supercollider software in a two-way collaboration where the instrument also transforms the sounds provided by the computer.
Olencki, Weston
Solo Works
(Creative Sources)
New York City-based trombonist/composer Weston Olencki, specializing in the performance and production of experimental music & art, presents four compositions for brass instruments exploring a sound-based and psychoacoustic approach to solo performance, applying extended instrument preparations and fundamental principles of sound synthesis to this acoustic medium.
Thomson, Scott
Murray - Trombone Solos
(Tour de Bras)
Trombonist Scott Murray (Monicker, AIMToronto) performed this installment of his "Trombone Solos at Odd Hours" series by paying homage after the passing of his friend, painter and drummer John Heward, recording this concert at Heward's studio in his home on Murray Street in Montreal, in a far-ranging and emotional solo performance of fascinating technique and expression.
Gabriel, Julius
Geminga
(Creative Sources)
Using the natural resonance of the chapel of Oficinas do Convento, in Montemor-o-Novo, Portugal, saxophonist Julius Gabriel recorded these ten diverse solo improvisations, performing on soprano, tenor & baritone saxophones, applying unusual and extended techniques to his playing in a mixture of technical prowess and implicit wit & melodicism.
Hanslip, Mark / Emil Karlsen
Planish
(Noumenon)
Saxophonist Mark Hanslip and drummer Emil Karlsen, two active figures on the UK free improv and jazz scene, in a sax & drum duo fueled by live performances, here in their first album of informed and exploratory dialog, five works that run the gamut from textural open playing to fiery free jazz, a solid first endeavor and addition to Karlsen's Noumenon label.
Mazurek, Rob
Psychotropic Electric Eel Dreams IV
(Astral Spirits)
Recordings from the 4-channel sound composition for the ESS Florasonic installation series at Lincoln Park Conservatory in Chicago, of Rob Mazurek's work using recordings of electric eels from National Institute of Research and Technology in Manaus, Brazil, combined with analog/digital synthesis to create environments of beautiful undulating and radiant sonic textures.
Mazurek, Rob
Love Waves Ecstatic Charge
(Astral Spirits)
One of three releases in Rob Mazurek's Marfa Trio, recorded in Marfa, TX, using 106 distorted still images and fragmented skipping sound from video shot at Abbaye Royal de Fontevraud, France in 2005, repurposed for this intense and wild sound work which processes the images through modular synth and computer, shaped by Mazurek's unique approach to sound.
Somersaults (Olie Brice / Tobias Delius / Mark Sanders)
Numerology of Birdsong
(West Hill Records)
Having supported Paul Dunmall, Evan Parker, Mikolaj Trzaska, Ken Vandermark, &c., the UK rhythm section of Olie Brice on double bass and Mark Sanders on drums joined forces for their own Somersaults trio with tenor saxophonist Tobias Delius (ICP), this second album an example of their buoyant, optimistically playful and melodically charged free improvisation.
Hatcher, Gerrit
Burnt Pan Rolling Boil
(Kettle Hole Records)
Chicago saxophonist Gerrit Hatcher sees his solo saxophone performances as a format that can be both charismatic and alienating in to the listener, as he uses extreme technique and powerful streams of emotional playing in a set of improvisations: "Salt Dome" parts 1-3, and "Cooking Fuel", each wrought with frailty and bluster; impressive work.
Brown, Marion
Capricorn Moon To Juba Lee (remastered)
(ezz-thetics by Hat Hut Records Ltd)
Merging and remastering two essential albums from free jazz saxophonist Marion Brown: his 1966 ESP album "Marion Brown Quartet" with trumpeter Alan Shorter, bassist Reggie Johnson and percussionist Rahied Ali; and his 1967 Fontana album "Juba-Lee" in a septet with Reggie Johnson, drummer Beaver Harris, pianist Dave Burrell, trombonist Grachan Moncur III & saxophonist Bennie Maupin.
Ayler, Albert Quartets
Spirits To Ghosts Revisited (remastered)
(ezz-thetics by Hat Hut Records Ltd)
Three variations of quartet settings from iconoclastic free jazz saxophonist Albert Ayler, remastering and combining two Debut Records albums, "Spirits" from 1964 with Norman Howard (trumpet), Sunny Murray (drums), and alternating bass between Henry Grimes & Earle Henderson; and 1965's "Ghosts" on Debut Records with Don Cherry (trumpet), Gary Peacock (bass), and Sunny Murray.
Orins, Peter
Happened By Accident
(Tour de Bras)
Two works for solo percussion from French drummer Peter Orins, a member of the Circum collective and Circum Grand Orchestra, and peer of Jean-Luc Guionnet, Satoko Fujii, &c.: the 6 part "Happened by Accident", a work of subtle, building percussive work using unusual techniques and sources; and James Tenney's "Having Never Written A Note For Percussion".
Eclectic Maybe Band
Reflections In A Moebius Ring Mirror
(Discus)
The second album of this Guy Segers (Univers Zero) project in an eclectic ensemble of improvisers, rock musicians and experimenters, a genre-defying project of primarily instrumental work with interventions of song, merging acoustic & electric instruments with electronics, live improvisation with studio manipulation, to find new forms of mesmerizing music.
Bopp, Christiane
Noyau de Lune
(Fou Records)
A tour-de-force of solo improvisation from French trombonist Christiane Bopp, flawlessly captured by sound engineer Jean Marc Foussat, as Bopp transforms her instrument through technical skill, lyrical ability, and unusual technique, creating virtual duets, furtive expression, and thundering emotion, an absolutely impressive example of modern trombone language.
Freedman, Lori
Solor
(Ambiances Magnetiques)
The counterpart to Montreal bass clarinetist Lori Freedman's album "Excess" of recordings from her 11-city North American solo tour "The Virtuosity of Excess", this CD "Solor" was developed after that tour allowing Freedman to focus on her past and current creative work, presenting 5 of her solo compositions, 3 of which were written for the album, plus two improvisations.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC