A 12-hour collection over 12 CDs of composer Anthony Braxton's Ghost Trance Music (GTM), a compositional system he developed with his superlative Tri-Centric Vocal Ensemble, GTM allowing the ensemble to generate a performance in real time in a mix of sung, spoken, and non-verbal utterances, with unpredictable and surprising results that reveal fascinating layers with each listen.

Newly Distributed in 2021: A multimedia box set of Anthony Braxton's opera work "Trillium J", containing live performance video on Blu-ray disc of a 2014 performance at Roulette in NY, and studio recording on 4-CD set, with 12 vocalists, 12 instrumental soloists and a full orchestra.

A multimedia box set of Anthony Braxton's opera work "Trillium J", containing live performance video on Blu-ray disc of a 2014 performance at Roulette in NY, and studio recording on 4-CD set, with 12 vocalists, 12 instrumental soloists and a full orchestra.

Three drummer/percussionists and bass make up vibraphonist, marimbist, improviser and composer Patricia Brennan's sophomore album, reimagining the percussion quartet through jazz, new music and latin influences including Mexican folkloric roots, working with deceptively relaxed, highly interactive grooves that turn angular melodies into warmly irresistible music.

Expanding the collaboration between guitarist, saxophonist and electronic artist Elliott Sharp and electric & acoustic harpist Helene Breschand, in a quartet with Zafer Tawil performing on oud, violin & percussion and Floy Krouchi on electric bass, for an exotic, globe-embracing, groove-oriented album of unusual and often ecstatic acoustic and electric orchestration.

A Canadian quintet led by double bassist Bret Higgins (Zebrina) merging latin, R&B, soul, film soundtracks, jazz and more into moody and infectious grooves, lyrical and upbeat music that borrows freely from a variety of world and folk styles in exuberant ways.

Unreleased material from legendary European players Peter Brotzmann (sax), Fred Van Hove (piano) and Han Bennink (drums), captured live in 1971 for intensely heavy playing at the 2nd Internationales New Jazz Meeting Auf Burg Altena, and in detailed studio work at Radio Bremen.

Multi-reedist Peter Brotzmann and drummer/percussionist Hamid Drake met in the studio in New York City, April 2010, to record this double album of fiercely intense and beautiful improvised music.

While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.

A rare recording for Milford Graves in 2002 and a spectacular meeting between three free jazz legends--Peter Brotzmann on sax and clarinet, William Parker on bass and Doussn'Gouni, and Graves on drums and voice--recording in the front room of CBGBs for four magnificent and passionate improvisations, a wild affair captured by the Eremite Mobile Unit and finally released as a double LP.

Recorded during the 2002 studio sessions that yielded the albums A Short Visit to Nowhere and Broken English, this unreleased recording of a Mars Williams composition is issued as a 1-sided LP with the stellar lineup of Brötzmann with Williams, Ken Vandermark, Jeb Bishop, Fred Lonberg-Holm, Kent Kessler, Michael Zerang, Hamid Drake, Mats Gustafsson and Joe McPhee.

A beautiful 228 page limited edition hardcover book chronicling the last decade of artwork by saxophonist Peter Brotzmann, created spontaneously while on the road or between tours using materials at hand; featuring essays by Brotzmann, Thomas Milroth, John Corbett, Markus Muller, Sotiris Kontos, Stephen O'Malley, Heather Leigh and Karl Lippegaus.

Frequent William Parker sideman alto saxophonist Rob Brown on his 1st Aum Fidelity solo record, studio recordings of the ensemble he put together for the 2006 Vision Festival.

A fascinating 2-CD retrospective of the solo piano and computer work from 1990 to 2016 of San Francisco Bay Area experimental composer Chris Brown, whose work focuses on evolving paradigms of human-machine interaction through live signal processing, generative polyrhythmic textures, and a cohabitation of both formal control and indeterminacy.

The title gives a sense of the unusual acoustic improvisation this West Coast collective perform, along with their description "prickles and bleats, an abrasive delicacy; fricative rasp and withheld breath seethe together in a discomfiting cuddle" — from Kyle Bruckmann on oboe & English horn, Tom Djll on trumpet, Jacob Felix Heule on floor tom, and Kanoko Nishi-Smith on koto.

A 4-part suite from oboe/english hornist Kyle Bruckman based on Thomas Pynchon's early novels, exhilarating jazz performed with Jason Stein (bass clarinet), Darren Johnston (trumpet), Jeb Bishop (trombone), Tim Daisy (drums), Jen Paulson (viola) and Anton Hatwich (bass).

Performing on oboe, English horn and live electronics, West Coast double-reedist Kyle Bruckmann presents three extended solo works of deep electroacoustic binding, each dedicated to a writer, artist or musician: "A Spurious Autobiography for John Barth (2015)"; "An Extruded Introversion for Blixa Bargeld (2016)"; and "A Fuzzy Monolith for James Turrell (2015)".

A ridiculously spirited, lovingly raucous tribute to Merle Haggard from saxophonist Bryan Murray's eccentric band with Jon Irabagon (sax), Jon Lundbom (guitar), Moppa Elliott (bass) and Danny Fischer (drums), with Doc Chadbourne on vocals, banjo and dobro.

New York's most decorated avant-country instrumental Merle Haggard cover band featuring Bryan Murray and Jon lrabagon on sax, Jon Lundbom on guitar, Moppa Elliott on bass and Danny Flscher on drums.

Jazz, country and western music converge in unexpected ways in the 2nd release from the quintet of saxophonists Bryan Murray & Jon Irabagon, guitarist Jon Lundbom, bassist Moppa Elliott, and drummer Danny Fischer.

From the late 1990s to the early 2000s, drummer Jerome Bryterton & double bassist Damon Smith toured & recorded with legendary German multi-reedist Wolfgang Fuchs, who was a great influence on both musicians, here presenting a tribute to the late improviser through 11 recordings titled with quotes from Fuchs, and released with a bookmark from an improvisation workshop in Oakland.

Using a wide assortment of guitars (electric, baritone, arch top acoustic, bass) + monochord, waterphone & zulu bells, Necks drummer and multi-instrumentalist Tony Buck joins with percussionist Mark Nauseef performing on bells and gongs for seven exotic improvisations rich in overtones, microtonal movement, ringing harmonics and hybrid motion.

Live concert DVD from Bunda Love (id & Mike) with Jamie Saft, filmed at Strange Maine in Portland, Maine; sheer communications in wierdness of doom metal meeting schizoid noise.

Tin Hat Trio founder Burger in an eclectic and wonderfully informed set of film cues, with help from Marc Ribot, Eyvind Kang, Carla Kihlstedt, Kenny Wollesen, &c.

Known for his ensemble The Big Machine with Peter Evans, Carlos Homs, &c., NYC saxophonist Aaron Burnett steps out for a solo album of intense improvisatory exploration, demonstrating his background in classical saxophone studies that fuels an ardent intensity in personal expression, a tremendous balance between technique and passion.

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Burning Ghost is the West Coast rock influenced improvising quartet of Daniel Rosenboom on trumpet, guitarist Jake Vossler, Richard Giddens on double bass, and Aaron McLendon on drums, in a fiery album of heavy playing that borrows from jazz and metal rock forms, with ominious political overtones in their titles while showing articulate and impressive playing skill.

Percussionist Hemingway with John Butcher on tenor and soprano sax performing live in 2005, demonstrating their extended language in a brilliant and eccentric dialog.

A studio album between three UK master improvisers -- John Butcher on sax, John Edwards on double bass, and Mark Sanders on drums -- the trio pushing the envelope in technique and dialog in nearly telepathic playing that transports the listener into their environment, as the music builds and releases in effortless ways that are stunning and exulant; highly recommended.

The debut for UK saxophonist John Butcher on 577 Records is this exemplary 2021 live recording at Cafe OTO in London by the quartet of Butcher on tenor and soprano saxophones, Pat Thomas on piano, Dominic Lash on double bass and Steve Noble on drums, four of the UK's leading free improvisers demonstrating their prodigious abilities in concentrated conversation.

The debut for UK saxophonist John Butcher on 577 Records is this exemplary 2021 live recording at Cafe OTO in London by the quartet of Butcher on tenor and soprano saxophones, Pat Thomas on piano, Dominic Lash on double bass and Steve Noble on drums, four of the UK's leading free improvisers demonstrating their prodigious abilities in concentrated conversation.

UK saxophone phenomenon John Butcher in 10 live solo recordings using the unique sonic environments of Richmond Hall, a Houston art gallery that has been compared to a bowling alley, and Issue Project Room's high-ceilinged marble room in Brooklyn, NY.

The first recording of Ho Bynum's new sextet, with guitarist Mary Halvorson and drummer Tomas Fujiwara, augmented by bassist Ken Filiano, saxophonist Jim Hobbs, and tubist/bass trombonist Bill Lowe, in a 4-part suite.

The 2nd recording from cornetist Bynum's improvising chamber ensemble SpiderMonkey Strings in a narrative coming of age work using Bynum arrangements of Ornette, Sun Ra, & Elligton.

Collective improvisation from Ho Bynum's Book of Three with bassist John Hebert & drummer Gerald Cleaver, following their RogueArt CD with this exceptional album of original compositions plus works from Bobby Bradford, Salim Washington, and Jim Hobbs.

Grown from a sextet to this 9-tette, cornetist/composer Taylor Ho Bynum's ensemble brings together some of the finest improvisers from the Boston and New York scenes for compositions that merge orchestration and allow flexibility in interpretation, as heard in these 7 lyrical pieces, the last 3 turning the first 3 on their heads in reworked, expanded versions.

Grown from a sextet to this 9-tette, cornetist/composer Taylor Ho Bynum's ensemble brings together some of the finest improvisers from the Boston and New York scenes for compositions that merge orchestration and allow flexibility in interpretation, as heard in these 7 lyrical pieces, the last 3 turning the first 3 on their heads in reworked, expanded versions.

Cornetist Taylor Ho Bynum draws on a variety of techniques from improvised conduction to big band orchestration to deconstructed fanfares, with a large 15 member ensemble of impressive improvisers embodying a diversity of generations, backgrounds, ethnicities, and gender, presenting three large scale compositions that are ambitious and wonderfully accomplished.

Cornetist Taylor Ho Bynum draws on a variety of techniques from improvised conduction to big band orchestration to deconstructed fanfares, with a large 15 member ensemble of impressive improvisers embodying a diversity of generations, backgrounds, ethnicities, and gender, presenting three large scale compositions that are ambitious and wonderfully accomplished.

Taylor Ho Bynum with NY players Matt Bauder, Mary Halvorson, Jessica Pavone, &c. documenting live & studio performances recorded at The Rotunda in Philadelphia and New Haven's Firehouse 12.

The 2nd of 3 releases documenting composer/cornetist Taylor Ho Bynums' Navigation project, in 2 LPs of studio recordings with his Sextet: Jim Hobbs on saxophone, Bill Lowe on trombone & tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums & vibraphone.

The 1st of 3 releases documenting composer/cornetist Taylor Ho Bynums' Navigation project, in 2 CDS of studio recordings with his Sextet: Jim Hobbs on saxophone, Bill Lowe on trombone & tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums & vibraphone.

New Weird American Movement/Freak Folk singer/songwriter Raymond Byron Magic Raposa (Castanets, Raymond Byron and the White Freighter) writes in both an Americana style, and also in idiosyncratic, imaginative and unusual terms, using strong and unlikely images around ambiguous subjects that make his songs curiously repeatable, here in 20 succinct songs.

A thoroughly modern and bizarre two-act opera about three struggling roommates in Brooklyn performed with Jason Cady, Mary Halvorson, Tomas Fujiwara, Jessica Pavone, Tim Dahl, Ben Holmes, Katie Young, &c.

Electroacoustic composer Robert Cahen studied at ORTF and CNSM in Paris under Pierre Shaeffer, turning to video work in the 1970s and applying musique concrete concepts to moving image, these compositions recorded at the GRM studios between 1971 and 1974 show his mastery over sound and his expressive ability to morph transitions through rich sonic detail.

A trio of improvisers recorded live at Exploratorium in Berlin, 2018, from Zemun prepared pianist Dusica Cajlan-Wissel, European percussionist Etienne Nillesen on extended snare drum, and improviser/sculptur Georg Wissel on prepared alto saxophone, through extended technique and preparations creating unusual sonic interactions of detail and restrained idiosyncratic discourse.

The of trio of Lisa Cameron on percussion, Damon Smith on double bass and Alex Cunningham on violin, continue their work after 2020's Dawn Throws Its First Knife with this cassette and download releases of five collective improvisations, using extended techniques amidst cogent conversation, from assertively exciting to darkly moody atmospheric interplay.

Improvising over the abyss, Texas drummer Lisa Cameron (Roky Erickson, ST 37) and violinist Alex Cunningham (Sandy Ewen, Damon Smith, Claire Rousay) present three extended interactions using conventional instrumentation in unconventional ways, augmented by feedback, bowed cymbals, electronics and objects, under the control of exceptional technique.