Improvising over the abyss, Texas drummer Lisa Cameron (Roky Erickson, ST 37) and violinist Alex Cunningham (Sandy Ewen, Damon Smith, Claire Rousay) present three extended interactions using conventional instrumentation in unconventional ways, augmented by feedback, bowed cymbals, electronics and objects, under the control of exceptional technique.
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Lisa Cameron-drums, percussion, feedback, bowed cymbals, electronics
Alex Cunningham-violin, objects
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Label: Waveform Alphabet
Catalog ID: wa007
Squidco Product Code: 34396
Format: CD
Condition: New
Released: 2023
Country: USA
Packaging: Cardboard Gatefold
Recorded by Ryan Wasoba. Mastered by Andrew Weathers
Improvising over the abyss, Texas drummer Lisa Cameron (Roky Erickson, ST 37) and violinist Alex Cunningham (Sandy Ewen, Damon Smith, Claire Rousay) present three extended interactions using conventional instrumentation in unconventional ways, augmented by feedback, bowed cymbals, electronics and objects, under the control of exceptional technique.
Artist Biographies
• Show Bio for Lisa Cameron "Lisa Cameron is an Austin, Texas drummer. She was originally born as Dave Cameron, hence the Alias. She is also known as Venison Whirled. She is know for her work with groups Sacrum, Sky City, Squat Thrust, & ST 37." ^ Hide Bio for Lisa Cameron • Show Bio for Alex Cunningham "Alex Cunningham is a violinist, improviser, and visual artist based in St. Louis, MO. His work explores free improvisation, drone, noise, and minimalist composition. Cunningham has recently performed with Mark Shippy, Sandy Ewen, Damon Smith, Stefan Gonzalez, and Lisa Cameron and has ongoing collaborations with Chris Trull (under the Apathist! moniker), Kevin Harris, and Claire Rousay. Past collaborations include the groups Vernacular String Trio, Hess/Cunningham Duo, and Hardbody. Cunningham has released music on Close/Far Recordings, Personal Archives, Already Dead Tapes and Records, Fort Evil Fruit, and Astral Spirits. Cunningham's collage work has appeared on various album covers and concert posters. He was named St. Louis' "Best Concert Poster Designer" by the Riverfront Times in 2015. His visual work has shown at Hoffman LaChance Contemporary, Resident Arts, Blank Space, and the Thomas Dunn Learning Center and has been featured on bus stops in St. Louis as part of St. Louis Metro's "Arts in Transit" initiative. " ^ Hide Bio for Alex Cunningham
4/24/2024
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4/24/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. First Chasm 4:42
2. Third Chasm 14:16
3. Second Chasm 8:50
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Percussion & Drums
Stringed Instruments
Objects and Home-made Instruments
Duo Recordings
West Coast/Pacific US Jazz
New in Improvised Music
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Waveform Alphabet.
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 | Chansons du Crepuscule (Helene Breschand / Elliott Sharp) L'Apres-Midi d'un Bot (zOaR Records) |
| A collection of original songs recorded in NY & Paris from vocalist Hélène Breschand, also performing on acoustic and electric harp, in a duo with Elliott Sharp, who creates grooves and instrumental environments on guitar, analog synth, bass, toy piano and drum programming; unusually structured and richly detailed, from idiosyncratic to sensuous. | |
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| Giving homage to creative musicians before them, the Berlin quintet of Koen Nutters (upright bas), Heather Frasch (flute), Carina Khorkhordina (trumpet), Han-earl Park (electric guitar) and Quentin Tolimieri (bass & soprano melodica)--explore the notion of integrating open improvisations around melody and modal harmonies into a post-musical, conceptual, and social framework. | |
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| A student of Steve Lacy & Anthony Braxton and active from NYC to the San Francisco Bay Area, soprano saxophonist Andrew Raffo Dewar is heard in these studio recordings with bassist John Hughes and drummer/vibraphonist Chad Popple, a follow-up to the 2018 trio album Reflejos on pfMENTUM, presenting a series of compositions based on reflection/refraction-based compositional forms. | |
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| The final collaboration of innovative electronic artist J.A. Deane, working remotely with violinist Jason Kao Hwang who sent Deane improvised solo acoustic violin recordings that Deane edited into 57 gestures, mapping them to a keyboard and creating six tracks of morphed electronics which Hwang improvised over with an electric violin to complete this unique and fascinating album. | |
 | Cameron / Smith / Cunningham Time Without Hours [CASSETTE w/ DOWNLOAD] (Storm Cellar) |
| The of trio of Lisa Cameron on percussion, Damon Smith on double bass and Alex Cunningham on violin, continue their work after 2020's Dawn Throws Its First Knife with this cassette and download releases of five collective improvisations, using extended techniques amidst cogent conversation, from assertively exciting to darkly moody atmospheric interplay. | |
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| The first recorded collaboration between guitarist Mark Shippy (U.S. Maple) and improvising violinist Alex Cunningham (Apathist!, Claire Rousay, Cunningham/Cameron/Smith), together taking their instruments into strangely tumultuous and often quickly shifting territory; sometimes ethereal, sometimes cantankerous, always captivating. | |
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| UK sound artist Fermata Ark, aka Harry Smith, composed this work from improvisations recorded by Mark Wastell performing on cello, double bass and harmonium, and Spencer Grady performing on 5-string banjo, ebow, violin bow and brass slide, creating an extended work of immersive and mesmerizing textures and tones, sounds rising and falling in sublime and passionate ways. | |
 | Lubelski, Samara / Bill Nace S/T (Relative Pitch) |
| Issuing on CD the duo album of violinist Samara Lubelski and guitarist Bill Nace, originally released on Nace's Open Mouth label early in 2018, presenting a series of psychedelic textural works, Lubelski creating vibrant and reiterating structures that Nace uses as a foundation for swells and expressive emanations; hypnotic and mesmerizing. | |
 | Onodera, Yui / Stephen Vitiello Quiver (Mikroton Recordings) |
| Tokyo-based electronic composer Yui Onondera (critical-path) and New York experimenter Stephen Vitiello use a variety of sound sources--electric violin, electric & acoustic guitars, field recordings, found objects, modular synthesizer, toy piano, &c--to create a set of 8 "Quivers" from trembling agitation to exquisite atmospheric repositories of sound. | |
