Meeting at GOK Sound studio in Kichijoji, Japan in front of a small audience, Swedish baritone saxophonist Mats Gustafsson (The Thing, Fire!) also performing on flutephone and live electronics, and Otomo Yoshihide (Ground-Zero, Regenorchester) performing on guitar, turntable and banjo, recorded these eight amazing improvisations of unusual and unique attitudes and timing.
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Mats Gustafsson-baritone saxophone, flutephone, electronics
Otomo Yoshihide-turntabels, guitar, banjo
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Includes a 16 page booklet with essays by Gustafsson, Yoshihide, Manabu Yuasa and Jun Numata, plus color images.
UPC: 4571222591721
Label: Doubtmusic
Catalog ID: dmf-172
Squidco Product Code: 31001
Format: CD
Condition: New
Released: 2021
Country: Japan
Packaging: Cardboard Gatefold 3 Panels w/ booklet
Recorded at GOK Sound, in Kichijoji, Japan, on June 4th, 2018, by Yoshiaki Kondoh.
It was a one-shot recording, no editting, no overdubbing. An intense duo from two frequent collaborators, open-recorded at GOK Sound, Kichijoji on 2018 in front of a small audience. The duo intertwine Gustafsson' baritone saxophone--his self-made instrument the "flutephone", a reed with flute and electronics--and Yoshihide's turntables, guitar & banjo. Gustafsson titled the CD "Timing", explaining that timing is the very thing need for music, record collecting and cooking.
Includes a 16 page booklet with essays by Gustafsson, Yoshihide, Manabu Yuasa and Jun Numata, plus color images.
The Squid's Ear!
Artist Biographies
• Show Bio for Mats Gustafsson ^ Hide Bio for Mats Gustafsson • Show Bio for Otomo Yoshihide Otomo Yoshihide - born in 1959 in Yokohama, Japan. As a teenager, he spent time in Fukushima. Staying independent, he has consistently composed a wide range of music from improvisation to noise music and pop, and his music talent has spread all over the world. He has a successful career as a film score composer and has produced more than 70 movie soundtracks. In recent years, he has produced special type of concerts and musical works in collaboration with other various artists under the name of "ensembles". In addition, one of his priorities is,producing musical workshop projects involving handicapped children. In 2011, after the Great East Japan Earthquake , he started "PROJECT FUKUSHIMA!" along with people in various sectors. He has been active beyond the music scene and this is the reason that he has attracted a great deal of attention. In 2012, he received the Minister of Education Award for Fine Arts in the category of Promotion for "PROJECT FUKUSHIMA!". In 2013, he received various prizes including the Japan Record Award for his accomplishments, such as composing the theme music for the TV drama "Amachan". "I use my real name "Otomo Yoshihide" as my stage name. When you write your Japanese name in English alphabet, many people often write their given names first, then their family names, following in the Western traditional culture. But originally, some Asian countries, including Japan, write their family names first, and then their given names follow after that. In my opinion, there is not only one standard for people's names and we should respect the values each person attaches to their name. Calling someone by his first name is a wonderful custom in Western culture to express familiarity with each other but that custom is not necessary in Japan because nobody has ever called me by my first name. It does not mean that people are unlikely to become close friends with me. It is just that calling me "Otomo" seems easier. There are some places with such customs in the world; where people friendlily call you by your family name. I am definitely not a nationalist but I have a feeling that something is wrong with those people who do not only disregard the tradition I am familiar with, but would rather follow Western standards. For this reason, I would like to continue using the notation "Otomo Yoshihide" as before. When you call me, please call me "Otomo" as before. This will not cause any problems in its use. Until now, many people have written my name "Yoshihide Ōtomo" or "Yoshihide Otomo" but please understand those notations are not my intention. I am sincerely grateful for your consideration." ^ Hide Bio for Otomo Yoshihide
5/15/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
5/15/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. 429 4:29
2. 709 7:10
3. 533 5:33
4. 516 5:16
5. 544 5:44
6. 531 5:32
7. 930 9:29
8. 511 5:11
Improvised Music
Free Improvisation
European Improvisation, Composition and Experimental Forms
Yoshihide, Otomo
Mats Gustafsson
Recordings by or featuring Reed & Wind Players
Stringed Instruments
Duo Recordings
Doubtmusic
Search for other titles on the label:
Doubtmusic.
 | Yoshihide, Otomo Hummingbird and Four Flowers: Turntable and Harmonium Solo Live (Hitorri) |
| Part of a concert to mark the 10th anniversary of the opening of Ftarri's physical store in Suidobashi, Tokyo, drawing on performers from the Improvised Music From Japan imprint, turntable and sonic legend Otomo Yoshihide performed this solo concert in two sets, first using a turntable and the Ftarri store's harmonium (pump organ), and then on the turntable alone. | |
 | Gush (Gustafsson / Sandell / Strid) Afro Blue (Trost Records) |
| Recorded in 1998 but sounding absolutely modern, exuberant and often explosively inspired, this live recording at Jazzclub Fasching in Stockholm brings the then 10-year collaboration of drummer Raymond Strid, pianist Sten Sandel and saxophonist Mats Gustafsson to ecstatic heights, bridging free jazz forms and rendering Coltranes "Afro Blues" with intense passion. | |
 | Gustafsson, Mats Hidros 9 Mirrors (Trost Records) |
| Forming his NU Ensemble in 1997 to merge free-jazz, improv, noise and contemporary forms, Mats Gustafsson presented Hidros One for 9 improvisers, tape & conductor that same year, progressing over 25 years to this 9th conduction of the Hidros concept in his largest ensemble yet: 25 musicians in two 9-piece ensembles plus soloists, captured live at the 2022 Avant Art Festival in Warsaw, Poland. | |
 | Gustafsson, Mats / Ensemble E EE Opus One (Trost Records) |
| Merging contemporary and traditional instruments, including the spilapipa (a fipple flute), hardanger fiddle, the Bilgoraj suka (a vertical fiddle), alongside prepared piano, organ, trumpet, tuba, baritone sax & voice, Mats Gustafsson's ensemble merges folk, experimental forms, improv & free jazz in a conduction shaped by the participants; absolutely unique & fascinating. | |
 | Cutler, Chris Compositions And Collaborations 1972-2022: In A Box [10 CD / DVD / BOOKLET BOX SET] (Recommended Records) |
| An amazing collection and reflection on the work of percussionist, composer and connector Chris Cutler of Henry Cow fame and founder of the highly influential Recommended Records label and distribution service, through 10 CDs, 1 DVD and two books of documentation, artwork, photographs, published and unpublished texts in a sturdy box, with over five hours of unreleased materials. | |
 | Hirose, Junji / Otomo Yoshihide DUO-1 (Ftarri) |
| Three decades after their 1989 album on the Tanga-Tanga label, Silanganan Ingay, turntablist Otomo Yoshihide reunites with improviser Junji Hirose, who more typically performs on saxophone, but in this duo uses his self-made sound instruments created by combining a variety of devices and everyday objects, recording these three "Scenes" live at Pool, in Tokyo. | |
 | End, The (Jernberg / Moster / Gustafsson / Hana / Fjordheim) Why Do You Mourn [VINYL] (Trost Records) |
| The third album from the genre-merging quintet The End of of Sofia Jernberg (vocals), Kjetil Moster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Borge Fjordheim (drums), an experimental song-based project influenced by avant rock, jazz and soundscape in seven nuanced pieces. | |
 | End, The (Jernberg / Moster / Gustafsson / Hana / Fjordheim) Why Do You Mourn (Trost Records) |
| The third album from the genre-merging quintet The End of of Sofia Jernberg (vocals), Kjetil Moster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Borge Fjordheim (drums), an experimental song-based project influenced by avant rock, jazz and soundscape in seven nuanced pieces. | |
 | Gustafsson, Mats / Joachim Nordwall Their Power Reached Across Space And Time-To Defy Them Was Death-Or Worse [JADE VINYL + DOWNLOAD] (Thrill Jockey) |
| Jade Vinyl - Expanding on their decade-long collaboration with albums on Astral Spirits, Bocian and Confront (Ensemble Var), and both members of Fire! Orchestra, sound artist Joachim Nordwall on analog synth and tapes and reed & wind player Mats Gustafsson use extended approaches to their instruments through effects and close mic-ing to create powerful and hallucinatory sound worlds. | |
 | Gustafsson, Mats / Joachim Nordwall Their Power Reached Across Space And Time-To Defy Them Was Death-Or Worse [VINYL + DOWNLOAD] (Thrill Jockey) |
| Black Vinyl - Expanding on their decade-long collaboration with albums on Astral Spirits, Bocian and Confront (Ensemble Var), and both members of Fire! Orchestra, sound artist Joachim Nordwall on analog synth and tapes and reed & wind player Mats Gustafsson use extended approaches to their instruments through effects and close mic-ing to create powerful and hallucinatory sound worlds. | |
 | Gustafsson, Mats / Joachim Nordwall Their Power Reached Across Space And Time-To Defy Them Was Death-Or Worse (Thrill Jockey) |
| Expanding on their decade-long collaboration with albums on Astral Spirits, Bocian and Confront (Ensemble Var), and both members of Fire! Orchestra, sound artist Joachim Nordwall on analog synth and tapes and reed & wind player Mats Gustafsson use extended approaches to their instruments through effects and close mic-ing to create powerful and hallucinatory sound worlds. | |
 | Guy, Barry and Friends Krakow 2018 [5 CD BOX SET] (Not Two) |
| Two days of concerts in 2018 at Alchemia Club, in Krakow, Poland and a recording at Radio Krakow the next day from English composer, band leader and a bass player Barry Guy, in varying configurations at Alchemia of duos & trios with some of Europe & The UK's leading improvisers, culminating in an 11-piece ensemble at Radio Krakow performing the large work "For To End Yet Again". | |
 | Gustafsson, Mats Naja (Black Cross Solo Sessions 5) (Corbett vs. Dempsey) |
| For three days in his own Discaholic Studios in Nickelsdorf, saxophonist Mats Gustafsson recorded the playing-card pieces of Peter Brötzmann--compositional prompts intended for a large group or for solo playing--performing on a cross-section of the saxophone family from sopranino to bass, and also one piece for saxophone mouthpiece, creating a set of stunning improvisations. | |
 | Fire! w/ Stephen O'Malley / David Sandstrom Requies [VINYL 1-SIDED EP w/ SCREEN PRINT on B-SIDE] (Rune Grammofon) |
| A one-side EP with a screen print on the B-Side, of a raucous, dark and incredibly epic journey in heavy electric jazz from Fire! configured as the quintet of Mats Gustafsson on bass saxophone, organ & live electronics, Johan Berthling on electric bass, Andreas Werliin on drums, Stephen O'Malley on guitar and David Sandstrom on drums; awe inspiring! | |
 | Ensemble Var (Gustafsson / Lindal / Lindstrom / Nordwall) VAR (Confront) |
| A fully free improvisation of subtly disruptive, extended electroacoustic mastery, recorded during the Svensk Musikvår Festival at Aliasteatern, Stockholm in 2021, in a piece conceived by Mats Gustafsson who performs on saxophone & flute, with Anna Lindal on violin, Mats Lindstrom on electronics, effects & sampler and Joachim Nordwall on analog synths, effects & tapes. | |
 | Brotzmann, Peter Chicago Tentet Ultraman vs. Alien Metron [SINGLE SIDED VINYL] (Corbett vs. Dempsey) |
| Recorded during the 2002 studio sessions that yielded the albums A Short Visit to Nowhere and Broken English, this unreleased recording of a Mars Williams composition is issued as a 1-sided LP with the stellar lineup of Brötzmann with Williams, Ken Vandermark, Jeb Bishop, Fred Lonberg-Holm, Kent Kessler, Michael Zerang, Hamid Drake, Mats Gustafsson and Joe McPhee. | |
 | Fire! Defeat [VINYL] (Rune Grammofon) |
| An optimistic definition of "Defeat" through the exultantly dark and expressive work of Fire!, here as the quintet of Mats Gustafsson on flute, baritone sax & live electronics, Johan Berthling on electric bass, Andreas Werliin on drums, Goran Kajfes on quartertone trumpet and Mats Aleklint on trombone & sousaphone, in five works of richly creative and modern improv. | |
 | Underflow, The (Gustafsson / Grubbs / Mazurek) Instant Opaque Evening [VINYL 2 LPs] (Blue Chopsticks) |
| The followup to their 2019 Corbett vs. Dempsey album and formalizing their trio name as "The Underflow", is an epic double LP of diverse and inspired free-ea from the trio of Mats Gustafsson on flute, fluteophone, baritone saxophone & live electronics, David Grubbs on electric guiar & voice, and Rob Mazurek on piccolo trumpet, wooden flute, electronics, percussion & voice. | |
 | DUX Orchestra (Dave Sewelson / Mats Gustafsson / Susie Ibarra / Will Connell Jr. / Dave Hofstra / Walter "Sweet" Perkins / JC Morrison) Duck Walks Dog (With Mixed Results) [VINYL] (NoBusiness) |
| Two thirds of the free jazz group "Boom Box"--saxophonist Thomas Borgmann and drummer Willi Kellers--and referencing that band's 2011 album titled Jazz, Keys & Screws is rounded out as a trio with double bassist Jan Roder, following the format of Jazz with compositions from each player following head/solo format, fueled by each player's extensive experience. | |
 | Fire! Orchestra / Krzysztof Penderecki Actions [VINYL] (Rune Grammofon) |
| "Actions For Free Jazz Orchestra" was originally written by Polish composer Krzysztof Penderecki for the New Eternal Rhythm Orchestra, assembled by Don Cherry for the occasion and conducted by composer himself; this new extended reading and conduction of the score from 2018 was originated and directed by Mats Gustafsson, a powerful update and expansion of the original work. | |
 | Grubbs, David / Mats Gustafsson / Rob Mazurek The Underflow (Corbett vs. Dempsey) |
| Recorded during two nights at Underflow Records and Art Gallery in Athens, Greece in 2019, The Underflow trio of Mats Gustafsson (reeds, fluteophone, electronics) from Sweden, with Chicago-based Rob Mazurek (trumpet, electronics), and David Grubbs (electric guitar) present an album of wide-ranging, powerful, often explosively eccentric, and always informed improvisation. | |
 | Satoh, Masahiko / Otomo Yoshihide / Roger Turner Sea (Relative Pitch) |
| After their Doubtmusic CD "Live at Hall Egg Farm", capturing the trio of Masahiko Satoh on piano, Otomo Yoshihide on electric guitar & whistle, and Roger Turner on drums & percussion in Fukaya City, this new chapter in the trio's activities finds them live at Shinjuku Pit Inn, in Tokyo the following year, for two energetically active and captivating conversations. | |
 | Gianfratti, Antonio Panda / Marco Scarassatti / Otomo Yoshihide / Paulo Hartmann Psychogeography, an Improvisational Derive (Not Two) |
| Recorded at the 2017 Improfest (Festival Internacional de Improvisacao e Arte Sonora) in Sao Paulo, the quartet of Marco Scarassatti, Antonio Panda Gianfratti, Paulo Hartmann, & Otomo Yoshide bring viola de cocho, percussion, self-made instruments, turntable, guitar, and prepared chiquita to a superb concert of wide-ranging improvisations named by geographical location. | |
 | McPhee, Joe / Mats Gustafsson Brace For Impact (Corbett vs. Dempsey) |
| Drawing on many collaborations, from Peter Brotzmann's large groups to Gustafsson's The Thing, this duo album recorded in 2008 is finally issued to unleash 1 blistering album of saxophone duos, Joe McPhee on altos sax, alto clarinet, pocket trumpet and voice, with Gustafsson on baritone and slide saxophone, alto fluteophone and live electronics; brace yourself! | |
 | Various Artists Asian Meeting Recordings #1 (Doubtmusic) |
| Otomo Yoshihide started The Asian Meeting Festival in 2005 to foster creative interaction between Japanese and other Asian musicians, since 2014 curated by DJ Sniff, and here in the 2017 edition at GOK Sound, in Tokyo, Japan with a who's-who of players including Yoshihide, Ryoko Ono, Ko Ishikawa, Son X, KEITO, Yuji Ishihara, Yuen Chee Wai, &c. &c. | |
 | Turner, Roger / Otomo Yoshihide The Last Train (Fataka) |
| UK free improvising drummer Roger Turner meets Japanese guitarist Otomo Yoshihide at the Hara Museum, Tokyo in the winter of 2013 for a performance that balances introspective improvisation with assertive and authoritative playing for a captivating and dynamic album. | |
