Composer Eva-Maria Houben in a collaborative work with bass flutist Rebecca Lane and bass clarinetist Samuel Dunscomb, the composer performing on piano and orgran, for two renderings of "Observing Objects", a patient work of long notes and tones interspersed with silence, lower registers in the winds balanced by the piano or organ's upper register.

Composer Michael Winter uses the "maximally complex, incomputable number" known as Chaitin's Constant, plus text adapted from Gregory Chaitin's 1994 book "The Limits Of Mathematics", samples from 36 creative musicians, the voice of Muirgen Eleonore Gourgues, plus cello from Judith Hamann and piano from Winters, to create this curious and compelling narrative work.

A surprising joining of improvisers and composers from Japanese acoustic guitarist Tetuzi Akiyama playing with Swedish composers and performers, Magnus Granberg on clarinet and Henrik Olsson on percussion and electronics, the latter two part of the chamber ensemble Skogen, for five works of profound calm and center through slow harmonics weaving beautiful aural statements.

The genre-defying trio Fire! with Mats Gustafsson on saxophones & electronics, Andreas Werliin on drums, percussion and effects, and Johan Berthling on upright and electric bass, blend heavy and dark elements of free improvisation, free rock, free blues, sound and noise, and sampled overlays in their latest, cultured and crude album of brooding and gripping music.

As part of "The Horse Improvised Music Club" concert series organized by London Improvised Music Scene members Adam Bohman, Sue Lynch and Hutch Demouilpied, the trio of drummer Steve Noble, saxophonist Adrian Northover and acoustic guitarist Daniel Thompson recorded these open-minded improvisations of strong communication and extended technique in 2017 at IKLECTIK in London, England.

The classic collective improvisation trio of Alexander von Schlippenbach, Evan Parker and Paul Lovens playing in the auditorium that Bauhaus founder Walter Gropius inscribed.

The french electroacoustic improvising trio of synth player and engineer Jean-Marc Foussat (Fou Records) with the father/son pair of saxophonist Quentin Rollet (Workshop De Lyon) and drummer/percussionist Christian Rollet (Rectangle Records, Bisou), in a rich, intensifying and often enthusiastically exploding set of extended and masterful improvisations.

The debut solo CD from in-demand pianist Kris Davis (Paradoxical Frog, Novela, Good Citizen, Anti-House), an absorbing and innovative album of original numbers and standards played inside and out of the piano.

Deux Maisons (Two Houses) is a chamber jazz quartet bringing together French and Portuguese players of the current generation: from France, 2 brothers, Theo & Valentin Ceccaldi (violin and cello); from Portugal, Luis Vicente (trumpet) & Marco Franco (drums).

A beguiling and atmospheric work of overtones, harmonics, tonal and microtonal progressions from a trio of clarinetists (Hans Koch, Michael Thieke, and Paed Conca) with Japanese vocalist Maki Hachiya, an immaculately paced and exotic work of sound.

An exciting and forceful album of free jazz from the trio of pianist Simon Nabatov, bassist Max Johnson and drummer Michael Sarin, recording in the studio in New York City with each player propelling themselves in dynamic, inventive collective free playing with an experimental bent, but never departing from the traditions of identifiable jazz music; recommended!

A rare live album from Brazilian-born/NY-based saxophonist Ivo Perelman, performing live at An Die Musik in Baltimore in 2017 in a trio with pianist Matthew Shipp and new drummer Jeff Cosgrove, for a single epic improvisation that takes the listener on an adventure from lyrical to energetic free jazz, all three players unhurried and absolutely focused.

Scalene describes a triangle having sides unequal in length, but there's nothing uneven in the back and forth from the NY trio of tenor saxophonist Ivo Perelman, pianist Matthew Shipp, and new to Perelman & Shipp's many collaborations, drummer Joe Herteinstein, in a 10-part studio recording of energetic spontaneous improvisation with a strong lyrical center.

The indefatigable Norwegian saxophonist Frode Gjerstad invites trombonist Steve Swell, with whom he collaborated in 2011 on the live album "At Constellation", to join his trio with Jon Rune Strom on double bass and drummer Paal Nilssen-Love, at Cleveland's Bop stop during their 2017 tour, recording this impressive concert of exemplary collective free jazz.

Lisbon, Portugal native, singer and composer Sara Serpa in a trio with saxophonist Ingrid Laubrock and cellist Erik Friedlander, recording live at Pete's House, in Brooklyn, for an album of unusual and creative vocals inspired by experimentation and changing identities, bringing a unique approach to improvised voice, here in the company of accomplished players.

Hailing from Atlanta, GA, guitarist Tyler Higgins is also a multi-instrumentalist and composer who merges genres of moody, cinematic music based around folk, blues, jazz and twisted with unusual approaches, aided in his endeavors by drummer Paul Steven and wordless vocalist Ellen Higgins, producing a alluring set of musical narratives.

The Italian Acre trio of Ermanno Baron on drums & objects, Ginomaria Boschi on guitar & effects, and Marco 'uBiK' Bonini on laptop, tapes, theremin, in a five-part improvised work using a "free game" methodology to promote new modulations and configurations in organic and synthetic sounds and timbre, make each player subsume into their collective sound.

Three versatile improvisers with pedigrees including Christian Weber, Christian Wolfarth, Objets Trouves, Big Bold Back Bone, &c, the Swiss trio of Roberto Domeniconi on piano, Jan Schlegel on electric bass, and Sheldon Suter on drums use unusual and extended techniques integrated within free improv in this coproduction with RSI Rete Due Radiotelevision, Switzerland.

A fascinating work of spoken word and free improvisation from writer Claudia La Rocco and the duo of Phillip Greenlief on sax and Wobbly (aka Jon Leidecker) on electronics and live sampling, La Rocco's unexpected text of the mundane and the fantastic repeated, manipulated and mangled, bringing the words in and out of focus as the music and sonic environment.

A concert of sophisticated and introspective improvisation from the long-running duo of multi-reedist Ab Baars performing on tenor sax, clarinet & shakuhacih, and viola player Ig Henneman, who invited NY pianist Dave Burrell to join them at a concert at the Bimhuis, Amsterdam for a sublime series of unhurried, delicate and reflective improvisations.

NY drummer Tom Rainey's Trio with guitarist Mary Halvorson and saxophonist Ingrid Laubrock in an album of informed free improvisation, powerful yet persuasively alluring playing from some of NY's finest.

Trio 3 (Reggie Workman, Andrew Cyrille, and Oliver Lake in the next Trio 3 + release, here with pianist Geri Allen, amazing interplay from four statesmen of modern jazz.

Bringing together two live shows from 2017 of the trio of Chicago luminaries, Dave Rempis on saxophones, Tim Daisy on drums, and Matt Piet on piano, in an exhilarating album of free jazz that shows the excitement of all three in what are only their 3rd and 4th live gigs together, each driving the other to enthusiastic heights amidst contemplative and playful moments.

An album of intense and passionate free jazz from the Netherlands trio of John Dikeman on sax, George Hadow on drums and Goncalo Almeida on bass, captured live at Zeal 100 in Amsterdam for four romps in creative conversation, balancing technical playing with enthusiastic joy and wild energy, an unusual but very welcome album in the Creative Sources catalog.

American ex-pat and Philippines-based alto saxophonist Rick Countryman joins with Philippines bassist Simon Tan and visiting Swiss drummer Christian Bucher to capture this live concert in that starts by paying homage to Eric Dolphy, amongst a strong set of jazz and blues influenced numbers and the two part building and flowing "Tributary".

A live recording of two extended improvisations at Audio Rebel's Quintavant in Rio de Janeiro, Brazil from the quartet of Arthur Lacerda on guitar and electronics, electric bassist Felipe Zenicola, guitarist Eduardo Manso, and drummer/percussionist Paal Nilssen-Love.

A wild dialog between Swiss trumpeter Marco von Orelli and saxophonist Udo Schindler, recording live at the 58th SALON for Klang+Kunst in Krailing/Munich in 2015, using an insanely advanced set of techniques and approaches to their horns for intense and exultant effect.

This laptop trio create a dense and scurrying sound world of a surprising freeform nature that avoids cliches by combining sound-generation tools for ever-shifting results.

The duo of Paul Abbot on drum kits, percussion & computer, and Seymour Wright on alto saxophone and feedback, in a massive edge-of-your seat live recording from London's Cafe Oto in 2015, a mix of brutal and beautiful playing with unexpected and surprising twists.

Pianist Espen Eriksen's Trio with bassist Lars Tormod Jenset and drummer Andreas Bye in their third album of melodic and inventive creative jazz, here with 8 new lyrical pieces informed by their extensive touring, and charged by the addition of legendary UK saxophonist Andy Sheppard, for whom Eriksen wrote a set of tunes tailored to his playing.

A trio of well-versed Swedish free improvisers--Martin Kuchen on soprano & sopranino saxophones, Raymond Strid on drums, and Anders Lijndsjo on guitar--in 8 studio improvisations of unusual and highly rhythmic and upbeat interplay, titled with happy adjectives, an apt description of the joy these three find in unconventional approaches to improvisation.

Part of pianist Satoko Fujii's "Kanreki" (60th Birthday) tour and monthly album release, the "This Is It!" Trio with trumpeter Natsuki Tamura and drummer/percussionist Takashi Itani is heard at Koendori Classics, in Tokyo, Japan, in January 2018, for an incredible album of Fujii's compositions that include quirky asides in coherent and effusive playing.

Three performances from London and Glasgow from New York saxophonists Jim Sauter and Don Dietrich, and guitarist Donald Miller, playing through pedals and distortion devices in unique and irascible free improvisations.

The DNMF collaboration of Netherland's sonic experimenter Machinefabriek (Rutger Zuydervelt) and the Dead Neanderthals duo of saxophonist Otto Kokke and drummer Rene Aquarius, in their second album of heavy, droning style, reveling in a resonant, high-volume, long-form work of hypnotic sound merging metal, drone and dark ambience.

The DNMF collaboration of Netherland's sonic experimenter Machinefabriek (Rutger Zuydervelt) and the Dead Neanderthals duo of saxophonist Otto Kokke and drummer Rene Aquarius, in their second album of heavy, droning style, reveling in a resonant, high-volume, long-form work of hypnotic sound merging metal, drone and dark ambience.

An album recorded on the 59th birthday of pianist-composer Satoko Fujii, the second recorded with bassist Joe Fonda on the Long Song imprint, this time in a trio with soprano saxophonist Gianni Mimmo, the focus of the album the 42 minute monumental improvisation "Birthday Girl", a sophisticated and engaging dialog of lyrical playing and great beauty.

With a history of playing together in the Andrew Hill Sextet, Marty Ehrlich immediately chose bassist John Hebert and drummer Nasheet Waits to join Ehrlich in his new trio endeavor, the multi-wind & reed player on alto sax, clarinet, bass clarinet and wooden flutes as they perform 9 lyrical and sophisticated Ehrlich compositions, plus one by Andrew Hill.

Composer, engineer and electronic artist Rafael Toral has completed his Space Program series and now launches his "Space Quartet" with double bassist Hugo Antunes, drummer/percussionist Joao Pais Filipe, synth player Ricardo Webbens, and Toral himself on modular feedback, blending solid acoustic rhythms with interstellar and abstract sound; singular.

Martin Kuchen's Angles band changes shape constantly, originally a trio and expanding as large as Angles 10, but this album, recorded live at SMUP, Parede, Portugal in 2016, returns the band to the original trio of Kuchen on sax, Ingebrigt Haker-Flaten on double bass, and Kjell Nordeson on drums & percussion, reworking Angles compositions to their essence.

In the Downtown NY tradition of blurring rock and improvisation, the trio of Marc Ribot on guitar and voice, Shahzad Ismaily on bass, Moog, percussion and voice, and Ches Smith on drums, percussion and electronics, answer their own question 'why are you still here' through 11 genre-crossing songs of turmoil and inquisitiveness, perfect for the polarities of the time.

A beautiful 3-CD set with a hardcover book presenting 3 full concerts from 2015 & 2016 of the AMM trio configuration of John Tilbury (piano), Keith Rowe (guitar) and Eddie Prevost (percussion). The 70 page book, dedicated to saxophonist Lou Gare, includes an AMM discography, plus photos, and essays by Paige Mitchell and Allen Fisher; Keith Rowe; Eddie Prevost; and Seymour Wright.

An incredible concert at Sugar Maple in Milwaukee from the Chicago trio of Hamid Drake on drums, Kent Kessler on bass, and Ken Vandermark on reeds, a working trio of intense free jazz that formed in the 90s and has developed an almost telepathic rapport through energetic and cathartic collective playing, one of the exceptional examples of Chicago jazz.

The Thing "again" as Gustafsson on saxophones, Haker Flaten on electric and acoustic bass, and Nilssen-Love on drums & percussion present 3 extended blues-based, Ayler-inflected free jazz pieces, with Gustafsson's powerfully emotional playing over Haker-Flaten and Nilssen-Love's powerful polyrhythmic foundations; Joe McPhee joins for one track taking on a Frank Lowe piece.

4 essential albums from the trio of Frode Gjerstad on saxophones and reeds, William Parker on double bass, and Hamid Drake on drums; CD 1 presents "Ultima" originally released in 1997 on Cadence Jazz; CD 2 presents "Remember To Forget" from 1998 on Circulasione Totale; CD 3 "The Other Side" from 2006 on Ayler Records; and CD 4 "On Reade Street" from 2008 on FMR.

A thorough overview of bassist and vocalist Joelle Leandre's recent work in a boxed set of 8 CDs and a 16 page booklet of essays, photos and credits, each CD bringing a unique grouping from Les Diaboliques to duos with Mat Maneri, Fred Frith, Lauren Newton, & Jean-Luc Cappozzo, plus one solo disc and a quartet with Zlatko Kaucic, Evan Parker and Augusti Fernandez; magnificent.

A significant release from the history of the Detail trio of Frode Gjerstad on reeds, John Stevens on drums, and Johnny Dyani on bass, recorded at the Red Seahouses in Norway in 1938 during Detail's first trio tour, a smoking set of free jazz showing the power of these innovative players around the time of their first album, "Backwards and Forwards".

A beautiful trio album bringing together New York saxophonist Tony Malaby and Australian saxophonist Robert Burke with NY bassist Mark Helias for sophisticated and organic collective improvisations with a chamber jazz sensibility, which the musicians describe as an immersive journey bringing together each player's experiences, expertise and egos.

A live performance at O'Culto da Ajuda in Lisbon from the Lisbon String Trio of Ernesto Rodrigues on viola, Miguel Mira on cello, and Alvaro Rosso on contrabass, joined in this concert by Creative Sources frequenct collaborator Eduardo Chagas (Variable Geometry Orchestra, IKB, Suspensao, &c), a large work of microscopically detailed and concentrative acoustic improv.

Dynamic and compelling improvisations from the Oslo-based international guitar trio of Brinicle, an improvising trio comprised of Norwegian Hakon Norby Bjorgo on upright bass, Canadian Mike McCormick on electric guitar and Michaela Antalova on drum kit, who met in 2015 to join their interestes in the intersection of avant improvisation and post-rock.

The New York free improvising jazz trio Thumbscrew with long-time collaborators guitarist Mary Halvorson, double bassist Michael Formanek and drummer Tomas Fujiwara in the 1st of 2 albums on the reborn Cuneiform label, here presenting creative original compositions from each of the three musicians in 9 virtuosic, sometimes quirky, and always warmly adventurous tunes.

The second of two albums from the reborn Cuneiform label by New York free improvising jazz trio Thumbscrew with long-time collaborators guitarist Mary Halvorson, double bassist Michael Formanek and drummer Tomas Fujiwara, here presenting compositions from jazz greats Benny Golson, Wayne Shorter, Herbie Nichols, Stanley Cowell, Misha Mengelberg, &c.

It would be an understatement to call the Canadian trio of Francois Carrier (alto saxophone), Michel Lambert (drums) and Rafal Mazur (acoustic bass guitar) a working trio, as the band seems constantly on the go, performing their complex avant jazz live in Romania in 2016 at Aethernativ, for four extended, intricate and cathartic free dialogs.

A West Coast trio of electric and acoustic jazz from Patrick Shiroishi on alto & soprano saxophones, Dylan Fujioka on drums, and Paco Casanova on keyboards and electric piano, performing live at The Museum of Contemporary Art in LA in 2017 for an extended journey, at times psychedelic and others contemporary but always serious, revelatory and commanding.

Seeking to extend the guitar trio into new and unique territory, the Quebec trio of Eric Normand on electric bass, Louis Beaudoin-de-la-Sablonniere on electric guitar, and Louis-Vincent Hamel on drums, reference performers like Jim Hall, Sonny Sharrock, John Abercrombie, & Bill Frisell while focusing on harmolodic force and unusual melodic lines.

An unusual mix of instruments from the Montreal trio of percussionist Michel Bonneau on congas & balafon, John Heward on drums, and Scott Thomson on trombone, all members of Ratchet Orchestra and Heward's Murray Street Band, in an album of active and uniquely layered confident rhythmic floors over which Thomson freely plays with remarkable technique.

Referencing geothermal physics in the titles of their improvisations, these three Spanish improvisers create a riveting and radical set of experimental works, with Irene Aranda working inside and out of the piano, Johannes Nastejo extending and adapting his double bass, and percussionist Nuria Andorra using an arsenal of metallic and percussive objects.

The NY improvising trio of Mary Halvorson (guitar), Michael Formanek (double bass) and Tomas Fujiwara (drums) follow their "Thumbscrew" album with this impressive release of avant jazz, balancing melodic and technical playing with beautiful pacing and insightful interaction.

Translating to "Gold", the trio of Kurt Liedwart on modular synthesizer abd cracked everyday homemade electronics, Julien Ottavi on computer, and Keith Rowe on guitar & electronics recorded this album during Poland's Sanatorium Of Sound 2017 festival, bridging EA Improv, noise, minimal electronics and contemporary music in two large works.

Since 1971 the trio of Norbert Moslang on cracked everyday electronics, Jason Kahn on analog synthesizer & radio, and Gunter Muller on ipods & electronics, aka MKM, have convened for free improvisations of rhythmic noise, samples and fractured electronics, here in three concert recordings, two from Russia at DOM Cultural Center and one at Art Space Teplo.

Three masters of ea-improv with a wealth of history and experience--Gunter Muller on iPods, electronics, Kurt Liedwart on electronics, and Norbert Moslang on cracked everyday electronics-- performing at Ground Hodynka Gallery in Moscow during the 2017 Swiss Noise Festival, resulting in two dense, mysterious and information-packed electronic improvisations.

Only their 3rd album since 2005, the trio of Phil Durrant (modular and software synthesizers), Bertrand Denzler (tenor saxophone) and Burkhard Beins (percussion and objects) went into the studio in Berlin to record four tracks that bring the distinct skills of each player into focus while accentuating the tremendous concentration and interplay each brings, a real achievement.

Agrakal is the trio of Marco Colonna (clarinet), Augusti Fernandez (piano), and Zlatko Kaucic (percussions), three musicians able to cross cultures and attitudes and develop a new language of abstract collective jazz, Fernandez being the pivot point between the trio, having previously recorded and toured as a duo with both Colonna and Kaucic.

Spanish drummer residing in France, Ramon Lopez leads this trio with British trumpeter Percy Pursglove and Polish bassist Rafal Mazur for an album alternating compositions from Lopez with collective improvisations, the trio patiently unfolding their conversations with a strong melodic bias that balances introspective playing with fiery technique.

Recorded at Metallurgov House Of Culture in the Ukraine as the 2nd concert of their tour, the trio of Joe McPhee (trumpet, alto saxophone), John Edwards (double bass), and Klaus Kugel (drums) present a masterful concert that includes a 29-minute "Re-Hairing In Zaporozhye" a 19-minute "To Rush At The Wind", and a wonderfully unconventional tribute to Cecil Taylor.

For their 7th album after 20 years of collaboration, double bassist Carlos Bica's trio Azul with Frank Mobus on guitar and Jim Black on drums presents this exemplary live album recorded at the 2015 Ljubljana Jazz Festival in Lsovenia, clearly illustrating their characteristic clean and lyrically melodic sound through beautiful textural and energetic playing.

Expanding the long-running Celano/Baggiani Group of guitarist Guillermo Celano and drummer Marcos Baggiani with clarinetist and saxophonist Joachim Badenhorst, this trio works to re-imagine the boundaries between composition and improvisation, between conventional harmony and abstract sound explorations through melody, groove and texture.

The Scandinavian trio led by saxophonist Mia Dyberg with Asger Thomsen on double bass and Dag Magnus Narvesen on drums take a divserse set of approaches to improvisation, pursuing melody, texture and timbre in upbeat and concise compositions, primarily written by Dyberg with 3 from Thomsen, imparting playfulness and experimentation to an open interpretation of creative jazz.

For their first album together the trio of Bryan Qu on alto saxophone & objects, Quincy Mayes on piano & objects, and Mark Ballyk on percussion, voice & objects, resolved to live together for three months, achieving through intense effort the synthesis of different approaches to improvisation to create this large and encompassing "imaginary film".

An album of accelerated bebop from the perspective of the original intention of the form, performed live in Berlin from the trio of Pierre Borel on saxophone, Antonio Borghini on bass, and Christian Lillinger on drums, their goal to investigate speed, stasis and trance and play jazz "on its verge, at high speed, where body memory, intuition and the unconscious are essentials".

An eclectic guitar trio album from Dave Gisler and his trio of Raffaele Bossard on bass and Lionel Friedli on drums, an impressive display of skill and style from languorous ECM-dreaming lyricism to hard driving and gritty electric hard bop, a collection characterized by its determination in a variety of settings and approaches to improvisation.

NY bassist and saxophonist Elliott Sharp's Carbon project in a trio album with electric harpist Zeena Parkins and drummer Bobby Previte for what Sharp describes as "part cosmic turbulence and part roiling soundscape... the musicians building their activities on and against shifting electro-acoustic drones and matrices of rhythm, unisons splitting and refracting."

Musaeum Clausum is a French-German trio that features Louis Laurain on cornet (Die Hochstapler, Umlaut Big band, ONCEIM), Hannes Lingens on drums (Obliq, Konzert Minimal) and Sebastien Beliah on bass.(Un Poco Loco, Ensemble Hodos, Umlaut Big Band), in an album of patiently developing improvisation giving each player freedom and flexibility within a composed framework.

Adventurous double bassist Pascal Niggenkemper was artist in residence at Wuppertal in the fall of 2017, presenting concerts with a diverse set of masterful improvisers from Europe and the US, excerpts of which are meticulously programmed in this 2-CD collection, organized by artistic endeavor and intent, from the spacious/introspective to wildly lively encounters; recommended.

Formed in 2002 as a quartet, then in 2005 as the trio of Chris Dadge (percussion, trumpet, bass), David Laing (bass & trombone), and Scott Munro (sax, melodica, &c), then as the duo of Dadge & Monro in 2008; 2016 found the trio together again in Calgary for the closing of the Emmedia performance space, their entire set of unique collective improv captured for this CD.

During guitarist Joe Morris' stay as a visiting scholar at University of Calgary, Morris joined the Chris Dadge / Jonathon Wilkes duo, first on stage and then in the studio to record this first-rate album of collective improvisation, merging idiosyncratic percussive activity, abstract and lyrical sax declarations, and profound and pointillistic guitar work.

The French trio of Louis-Michel Marion on double bass, Jacques Didonato on clarinet, and Philippe Berger on viola are heard in a live recording at Radio France, on June 12th, 2017, freely improvising in understated and rich layers of harmonics and tone, actively subdued interactions in an extended excursion of introspective chamber-oriented improvisation.

With two members from Rotterdam's Albatre band--alto saxophonist Hugo Costa and drummer Philipp Ernsting--plus Mexican guitarist residing in Rotterdamn Josue Amador, this free jazz trio uses a diverse set of approaches that is more reflective and experimental than the jazz/punk of Albatre, yet still balances introspection and experimenation with assertive playing.

Electric guitarist Olaf Rupp joins the father son/duo of violist Ernesto Rodrigues and cellist Guilherme cello, in studio recordings from Berlin in 2017, as three disparate strings intertwine in acoustics and electronics for an intensely evolving two part work, a textured tapestry of slow bowing, sustaining tones, unusual progressions, and odd percussive invention.

Based in Lisbon but formed of Spanish, Portuguese, and Uruguayan players, Dissection Room performs abstract experimental improvisation using saxophone (Cirera), electric guitar and objects (Moimeme) and double bass (Rosso), presenting an extended live performance at O'Culto da Ajuda in Lisbon in 2017, mysterious and dark sound and music of impressive skill and intent.

Combining free improvisation, free jazz, rock, and electronic/EA-improv, the trio of Eddie Prevost (drums), NO Moore (guitarist), and bassist John Edwards are caught live at IKLECTIK in London, 2017, for a concert that changes pace from vigorous riffs to unconventional introspection, with masterful playing and profound technique, an exceptional performance.

Paying attention to tone, tension, space and silence, the trio of Carlo Costa on percussion, Joe Moffett on trumpet, and Dan Peck on tuba use extended and unusual techniques in a meditative and highly concentrative album of free improvisation, the first album from this trio whose attentive approach to improvisation rewards in unique sonic environments.

Debut album as a leader from drummer and pianist Flin van Hemmen, an evocative album of original compositions and improvisations recorded in a trio with Eyvind Opsvik on double bass and Todd Neufeld on acoustic guitar, with Tony Malaby on alto and soprano sax on one track; a beautifully cinematic and poetic album that allows for space and reflection.

The second album from this NY trio, titled for the state it was recorded in, as the trio of Joe Moffett (trumpet) and Dan Peck (tuba), both playing cassette players, and percussionist Carlo Costa, slowly develop this long-form 2-part work from minimal interactions of objects, extended techniques, and abstract recordings, building to a tightly controlled ferocity.

The trio of Frantz Loriot (violin), Sean Ali (contrabassist) and Carlo Costa (percussion), a grouping named for still life paintings that concentrate on composition and color, presenting three extended compositions of rich acoustic sound, extending their instruments through masterful technique to create exquisitely detailed and compellingly self-controlled conversation.