The trio of Frank Gratkowski on clarinets and alto sax, Michael Vorfeld on percussion, and Richard Scott on modular synthesizer, also known as Spectre, freely improvising in dramatic and generally reserved ways, intently focusing on sound and interchange.

A specially priced box set bringing together all three CDs from Joane Hetu of music about the winter: Musique d'hiver, Nouvelle musique d'hiver and Recits de neige.

The trio of Roberto Fega (electronics), Elio Martusciello (guitar, electronics) and Graziano Lella (laptop) in a series of compositions and improvisations that explore the syncretism between different musical codes.

Two albums together. "Carrousel": The Paris based Theo Ceccaldi Trio crosses improv with chamber music in a string trio of lyrical, subtle and advanced improvisation. "Can You Smile": Ceccarelli expands his trio with bassist/free vocalist Joelle Leandre for rich, interactive improvisation.

Drummer Harris Eisenstadt's beautiful nonet album contemplates Japanese woodbock print art through captivating compositions in a "Birth of the Cool" mode.

A work resulting from Ullmann's reflections about the relationships between music and language: language as sound and language as text, and the numerous relationships between texts of different cultural and religious traditions.

Wild free jazz grooves, another monster of an album from the trio of reedist Mats Gustafsson, bassist Ingebrigt Haker Flaten and drummer Paal Nilssen-Love with guests Anna Hogberg on alto sax and Goran Kajfes on cornet; intense, passionate, and precise.

Hard driving free jazz and hard bop from the German trio of Chris Pitsioko on alto sax, Noah Punkt on electric bass, and Philipp Scholz on drums and percussion, referencing the past with their foot clearly in the present through propulsive and creatively heavy playing.

A live recording at Greenwich House Music School in New York City in 2014, and the 3rd album from the Renku trio of Michael Attias on alto sax, John Hebert on double bass, and Satoshi Takeishi on drums, lyrical and intimate trio work from three masterful players.

Tin Hat Trio founder Burger in an eclectic and wonderfully informed set of film cues, with help from Marc Ribot, Eyvind Kang, Carla Kihlstedt, Kenny Wollesen, &c.

Composer Ernstalbrecht Stiebler presents three solo pieces, one for accordion (Teodoro Anzellotti) one for piano (Marianne Schroeder) and the third for organ (Huub Ten Hacken).

The trio of Antoine Berthiaume (guitar, percussion), Quentin SirJacq (piano, percussion) and Norman Teale (electronics) mix jazz, contemporary, and rock in an improvisational context.

Guitarist Antoine Berthiaume leads the trio of Michel Donato (bass) and Pierre Tanguay (drums) in this lively album of eleven original compositions.

Having worked together in many projects for many years, this is the 1st trio record from Montreal improvisers Jean Derome, Malcolm Goldstein & Rainer Wiens, six free studio improvisations showing the subtle and sophisticated dialog that such long association yields.

Compositions for synthesizers, electric harp, tabletop guitar, accordion, alto saxophone, percussion and voices performed by Joane Hetu, Diane Labrosse, Zeena PArkins, Danielle Palardy Roger, and Tenko.

Geographic improvisations from this trio of string and percussion players, with each track named by location and distance between Montreal and Chelsea, Ontario.

The sixth studio album from the trio of Mats Gustafsson (saxophones), Ingebrigt Haker Flaten (electric bass), and Paal Nilssen-Love (drums), the first release on their own label, a record that transforms rock, noise, and improv in intense and exultant ways.

Two monster proponents of noise esthetics, representing two continents whose cultures have often been described as incompatible, meet in the celebration of noise.

Trio 3 - Oliver Lake (sax), Reggie Workman (bass) & Andrew Cyrille (drums) - in their 5th release, adding guest pianist Jason Moran, who acts as a catalyst to push the group into far-reaching modern territory, including a rhythmic narrative work from Oliver Lake.

Recorded live at the New York Tenor Sax Festival 2015 in Ibeam, Brooklyn, the German trio of saxophonist Thomas Borgmann, bassist Max Johnson and drummer Willi Kellers perform the two part "One for Cisco", a soulful work with an open free-bop attitude of modern creative language.

The 7th CD for the sophisticated Circuit electroacoustic improvising ensemble, whose personnel shifts with each release; here Paul Dunmall plays sax, flute, and wind controller, alongside Phillip Gibbs on electric guitar and Trevor Taylor on acoustic & electric percussion.

Live recordings from the 2013 Edgefest by the trio of Canadian pianist Marilyn Lerner, NY bassist Ken Filiano, and drummer Lou Grassi, a freely flowing session that combines profound technical skills with innate lyrical sensibility.

Recorded at drummer Vladimir Tarasov's home studio, saxophonist Liudas Mockunas stands out in superb solos on soprano & tenor saxes, clarinet and bass clarinet, while Kanevicisu & Tarasov support on bass and an array of percussive devices including cimbalom and hunting horn.

Alto saxophonist Julie Kjaer, a Denmark native living in the UK and active on the London Improv scene, in a trio with two of the most active London players - Steve Noble on drums and John Edwards on bass - for a live album at Vortex Jazz Club in 2015.

New York bassist Eric Revis' Trio with Kris Davis on piano and Gerald Cleaver taking over the drum position in an album that crosses the traditional piano trio concept with modern free parlance, for both lyrical and unconventionally creative moments.

Reedist Louis Sclavis' new cooperative trio with keyboardist Craig Taborn and drummer Tom Rainey in a mix of studio and live recordings from Casa da Musica, Porto.

Portuguese trumpeter Luis Vicente in a quartet with Amsterdam-based improvisers John Dikeman (sax), Wilbert De Joode (bass) and Onno Govaert (drums), captured during an energetic live performance at zaal 100 in Amsterdam in 2015 for superb free jazz.

The 27th volume in John Zorn's Book of Angels series, presenting his Masada compositions interpreted by superlative groups, here in a piano trio of lyrical and technical power: Craig Taborn (piano), Christian McBride (bass), and Tyshawn Sorey (drums).

Jurg Frey on clarinet and Irene Kurka on soprano vocals perform Wandelweiser composer Antoine Beuger's extended composition "Two"; then the duo of Rhodri Davies on harp and Ko Ishikawa on sho are layered on the first recording, creating a refreshingly new take on the piece.

The first release from the NY/West Coast trio of Tomas Fujiwara on drums, Ben Goldberg on clarinet, and Mary Halvorson on guitar, a collaborative improv of lyrical and nuanced improv, using great skill and sophistication in dialog that takes unexpected twists and turns.

Serbian violist Szilard Mezei trio with double bassist Ervin Malina and drummer/percussionist Istvan Csik, in two extended works that blend seemingly chaotic approaches to improvisation with subtle and spacious playing, a tremendous achievement.

Extended Pianos employ stochastic improvisations, live analogue processing, feedback experiments, atmospheric tape composition, and ultra-physical episodic structures to manipulate prepared piano performances in real time, creating an exceptional and engrossing work.

The trio of Chris Caldwell on reeds, Susie Hodder Williams on flute, and Trevor Taylor on percussion and electronics in a set combining free improvisation with written pieces using stochastic & graphic processes, plus a work by Stockhausen, "Aus Den Seien Tagen" and one dedicated to John Mayer.

A forgotten concert from 1977 of the trio of Steve Lacy (soprano saxophone), Kent Carter (double bass) and Andrea Centazzo (drums & percussion), somewhat lo fi yet an excellent of Lacy's compositions from this period.

Using bass, drums, steelpan, electronics and programming, the trio of Tatsu, Norihide Saji and Amorfon label leader Yoshio Machida create a "pulse dub" album of polyrhythms and phase, producing warm, complex and embraceable music that includes a cover of Bjork's "Hyperballad".

The alternative dub steelpan trio of Yoshio Machida (steeldrums, voice, percussion, electronics), Tatus (bass, voice & electronics) and Norihide Saji (drums, laptop & electronics) for 10 tracks of embraceable tunes including a cover of Miles Davis "All Blues".

Live recordings of the trio of Yoshio Machida on steelpans and gamelan, Hiroki Chiba on double bass and electronics, and Jorge Queijo on drums & percussion, performing live at Foxhole and Apollo in Tokyo, 2015, free improvisation with Eastern attitudes and European propulsion.

The 2nd LP from Polish multi-wind & reedist Mat Walerian, his 2nd with NY pianist Matthew Shipp, and the 2nd recorded within the live Okuden Concert Series, adding drummer Hamid Drake for an excellent album of free improvisation that flows beautifully from track to track.

A moody album of minimal improv, using space, innuendo, breath and a wonderful sense of darkness from the trio of Radu Malfatti (trombone), Kevin Drum (electronics) and Lucio Capece (bass clarinet & preparations), performing live at Q-O2 in Brussel, Belgium.

Three impressive works of electroacoustic improv from the trio of Serge Baghdassarians (mixer, delays, electric guitar), Boris Baltschun (computer, sampler) and Burkhard Beins (percussion and zither), brooding and concentrative sound that unfolds slowly in detail and color.

Live recordings from the Dom Cultural Center in Moscow by the trio of Norbert Moslang on cracked everyday-electronics, Ilia Belorukov on sax, electronics & laptop, and Kurt Liedwart on analog synthesizer, electronics, ppooll, superb ea-improv balancing reserve and cracked power.

Belgian pianist based in Oslo, Jonas Cambien's Trio with Andre Roligheten on reeds and Andreas Wildhagen on drums, in an album of unique compositions using simple ideas yielding complex improvisation & dialog, named for the Dougal Dixons book "After Man: A Zoology of the Future".

A dark and gritty album of experimental improvisation from the Portuguese trio of Jose Bruno Parrinha on reeds, Luis Lopes on electric guitar, and Ricard Jacinto on cello and electronics, dense yet restrained playing that occasionally emerges to moments of beauty.

The second collaboration between the Portugese Red Trio of Rodrigo Pinheiro (piano), Hernani Faustino (double bass) and Gabriel Ferrandini (drums) with UK saxophonist John Butcher, performing live at Jazz em Agosto Festival in 2015, revealing new aspects to their project.

Reissuing and re-mixing New York saxophonist Steve Lehman's 2004 album with his previous Camouflage Trio of Mark Dress on double bass and Pheeroan Aklaff on drums, perfoming a stupendous set of original compositions live at Teatro Academica Gil Vicente in Coimbra, Portugal.

"Tournesol", or "Sunflower" in French, is the trio of Benjamin Duboc (double bass), Julien Loutelier (percussion) and Julien Desprez (electric guitar), freely improvising in four tracks that use unusual techniques to create massively dark and riveting sound environments.

The long-running trio of Paul Hubweber on trombone, Paul Lovens on drums, and John Edwards on double bass in an album releasing a radio concert from Croatia in 2003, and another from Klangbrucke in 2009; highly attuned free improv with near-telepathic dialog from three masters.

Citing their influences as Bill Frisell, Paul Motian, John Zorn, and Steve Lacy, the Brussels-based bassless jazz trio of Quentin Stokart (guitar), Mathieu Robert (sax), and Nicolas Chkifi (drums) play lyrical and intelligently restrained music.

Saxophonist Paulo Alexandre Jorge leads his Improbable Trio with Tom Wheatley on double bass and AMM/Matchless legendary percussionist Eddie Prevost in a six part album of ardent free improvisation on titles about Sex, Love, Death, Friendship, Art Beauty, Power Law, &c.

The trio of Richard Scott on modular synths, Emilio Gordoa on vibraphone & percussion, and Ute Wasserman on voice, in uniquely orchestrated free improvisations that focuses on sound interaction with detail and restraint, while still bringing a sense of wonder and exuberation.

An excellent jazz album using diverse styles bridging free and lyrical playing from the trio of Sergio Tavares (bass), Fabio Almeida (sax) and Joao Martins (drums), playing in and out of the jazz idiom and augmenting Almeida's sax with electronics in compelling ways.

An extended and far-ranging acoustic free improvisation from the trio of Ernesto Rodrigues on viola, Phillip Greenlief on tenor sax, and Tom Wafford on violin, recorded live at the Gallery 1412 during the Seattle Improvised Music Festival of 2006.

A 5-part introspective improvisation from the trio of Creative Sources leader Ernesto Rodrigues on violin, viola, and electronics; Guilherme Rodrigues on cello, pocket trumpet, and radio; and Jassem Hindi on clarinet; subtle work with extended techniques and unexpected punctuation.

Strings and small percussion imbue this darkly beautiful set of extended improvisations from the Portugese trio of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and Monsieur Trinite on small percussion; creative richly open soundscapes with intriguing interventions.

Remarkably detailed, slowly moving improvisation from the trio of Katsura Yamauchi on alto sax, Carlos Santos on electronics, and Ernesto Rodrigues on viola, harp and objects, a beautiful balance of acoustic and electronic sound in intensely concentrated music.

Exploratory free improvisation with an emphasis on strings from the trio of Ernesto Rodrigues on viola, Biliana Voutchkova on violin, and Micha Rabuske on flutes & sax, collective conversation with scraping and overblowing mutating their sound in interesting and curious ways.

A direct translation of this band's name is "unemployed shaman", the trio of Leo Ratherius (guitar), Marc-Antonie Moercant (drums) and Thomas Cockerel (bass) use trance-like rhythms to build sonic progressions like cathartic rituals, alongside open-minded improvisations.

The debut album of this focused and intrepid Chicago trio led by saxophonist Dave Rempis with young stalwarts Ryan Packard on percussion and electronics, and Netherlands transplant Albert Wildeman, for three extended improvisations recorded live and in the studio.

The French experimental jazz trio of Theo Ceccaldi (violin), Valentin Ceccaldi (cello) and Sylvain Darrifourcq (drums, percussuions, zither) in a playful release of quick paced, creative improvisations in an album of exciting and somewhat off-kilter music; superbe!

During multi-reedist Frode Gjerstad's tour of South America in 2015 he met with pianist Fabiana Galante and fellow reedist Luis Conde to record these excellent improvisations, all three using unusual and extended techniques to create these 8 captivating dialogs.

Live recordings from the trio of Paul Dunmall on soprano and tenor sax, Philip Gibbs on guitar, and Ashley John Young on double bass, performing at Cardiff University School of Music Concert Hall in 2016, a great example of concentrative, complex and lively interplay.

Multi-reedist Peter Kuhn's 1st release as a leader in over 30 years, picking up from the NY loft scene after years of struggle, here in a collective free improv album with Kyle Motl on bass and Nathan Hubbard on drums, promoting spiritual values through creative music.

A limited edition release of guitarist Joe Morri's new NY-area aggressive improvising trio with younger players Dave Parmelle on drums and Chris Cretella on electric bass, shredding with awesome technical skill and intense harmonic and melodic force, really powerful stuff!

A most unusual trio: actually a quartet, this Polish/Ukraine group has three strings (violin, cello, contrabass) with modular synth and electronics reinforcing their sound, less EA than chamber jazz with fascinating orchestration and wonderful harmonic and melodic invention.

A dark set of heavy improvisations from bassist Goncalo Almeida's project with drummer Jorg A. Schneider, with guests Susana Santos Silva on trumpet and Colin Webster on baritone sax; references to Bill Laswell, Zu, and Napalm Death are a good indication.

John Zorn's Gnostic Trio of Bill Frisell on guitar, Carol Emanuel on harp and Kenny Wollesen on vibes and chimes, perform Zorn's compositions inspired by the classic novel "To Kill a Mockingbird" in lyrical chamber jazz of great depth and nuance.

A live recording at Belfast's Sonic Arts Research Centre during the Translating Improvisation: Beyond Disciplines Beyond Borders colloquium, from the intrepid improvising trio of Matthew Bourne (piano), Steve Davis (drums) and Dave Kane (double bass).

The Japanese trio of Hirose Junji on tenor saxophone, Innocence label founder Uchihashi Kazuhisa on guitar, and Yoshida Tatsuya on drums, initiating Magaibutsu's "Improv Session Series" with this on-fire album of controlled chaos, recorded live at Foxhole in Kichijoji.

Drawing from Xenakian architextures, Carterian set theory, Carnatic music, sharp-edged pointillism & orchestrational symbiosis, pianist Anthony Pateras steps back from electronic music for chamber-oriented improvisations with trumpeter Scott Tinkler & voilinist Erkki Veltheim.

The Japanese improvising rock trio of Kazuto Shimizu on keyboards, Nasyuno Mitsuru on bass, and Yoshida Tatsuya on drums performing live at Club Goodman in Akihabara, Japan, 2016 for technically superb, fast paced, turn-on-a-dime, joyful prog-oriented playing.

The results of years of collaboration between the Cremaster electroacoustic improvising duo of Ferran Fages and Alfredo Costa Monteiro with pianist Sophie Agnel, in a remarkable album of fragile yet rich tones and tonal punctuations, a feast of timbral possibilities.

The debut album by the British Improvised Music trio Bay's Leap of clarinetist Noel Taylor, pianist Clare Simmonds and cellist James Barralet, presenting 11 spontaneously improvised compositions that bridge avant jazz and contemporary classical chamber music.

A live recording from the Casa Del Popolo club in Montreal, Canada, named because Gjerstad was upset that Air Canada had messed up his sax in transit, which he played regardless; his frustration pushed him into an overwhelmingly amazing set of smoking free jazz!

Japanese Koto virtuoso Michiyo Yagi joins the longstanding duo of drummer Paal-Nilssen-Love and electronics wizard Lasse Marhaug for a session of extended improvisations, driving the traditional Japanese instruments into non-idiomatic and percussive extremes.

Zorn's Book of Angels series presenting the Masada composition books performed by a wide variety of groups, here with AutorYno, a wild power trio of three Paris avant rockers, taking Masada into heavy rock territory blanding Metal, Punk, Thrash, Dub and Surf rock.

A superb program of string trios from minimalist composers Beat Keller, Tom Johnson, and Joseph Kudirka, from cinematic to spacious sound work, as realized by the trio of Julia Schwob on violin, David Schnee on viola, and Nicola Romano on cello.

Pushing the envelope on minimalism, Manfred Werder's 3 scores for "2003" present just 6 tones, the instructions telling 3, 2 or 1 performers to play a pitch or sound for 3-7 seconds twice during the performance; realized by Erik Carlson, Stephanie Richards, and D. Edward Davis.

A beautifully dramatic album from the trio of electronic artist Rutger Zydervelt (Machinefabriek), violinist Anne Bakker, and vocalist Edita Karkoschka, a sculpted work full of dramatic turns, immersive drones, glitchy electronics and intimate gestures.

Having performed in duos previously, this trio came together at Festival Noise No. 5, at Theatre Le Ring, in Toulouse, the sound of the group is a "malleable space in which the musicians generate small or bigger shapes, simple and complex sounds, irregular and mechanical rhythms."

Contrabassist Hideo Ikegami organized this trio with frequent collaborator, guitarist Tetuzi Akiyama, and Sho master Ko Ishikawa, performing at the Tokyo cafe Kissa Sakaiki, presenting two sets of extended free improvisation with a unique sense of space and sound.

The debut release of trombonist Johannes Bauer, Australian violinist Jon Rose and analog synth player Thomas Lehn, mutated improvisation for a Futched world.

A vigorous performance by Charles Gayle (saxophone, clarinet, voice), Michael Bisio (bass) and Michael Wimberly (drums) that was recorded live in 1994 and features lively gospel music.

Chicago-based pianist Paul Giallorenzo trio with fellow Chicago drummer Tim Daisy and Norwegian bassist Ingebrigt Haker Flaten performing a set of Giallorenzo compositions that balance melodic and free moments with authoritative playing.

Using extended saxophone (Guionnet), microphones, prepared recordings & laptop (La Casa) and electronics, field recordings & laptop (Samartzis) this release comprises various live recordings made in 2007 while on tour in France, Germany and Italy.