Recorded during Ken Vandermark's residency titled "The Unexpectable", in Krakow in 2017 at Klub Alchemia, plus concerts at Hevre and Black Box in Germany, with duos, trios and quartets in a variety of configurations with artists including Ken Vandermark, Nate Wooley, Ikue Mori, John Butcher, Kent Kessler, Steve Noble, Mette Rasmussen, Eddie Prevost, Joe McPhee &c.

The 1st of two volumes from the quartet of Jeb Bishop on trombone & electronics, Jaap Blonk on voice & electronics, Weasel Walter on percussion, and Damon Smith on double bass, each player an innovator and leader on their own, together bringing unique elements of virtuoso quirk and passionate mastery, merging voice, electronics and acoustics in profoundly unusual ways.

Derek Bailey's impressive guests for his July 1982 "Company" concert at London's Institute of Contemporary Arts were pianist Ursula Oppens, singer Julie Tippetts and pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

The 2nd of 2 albums from Derek Bailey's July 1982 "Company" concert at London's Institute of Contemporary Arts with pianist Ursula Oppens, singer Julie Tippetts and pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

FEN (Far East Network) is comprised of improvisers from Singapore (Yuen Chee Wai), Japan (Otomo Yoshihide), China (Yan Jun), and Korea (Ryu Hankil), using electroacoustic instrumentation to create a unique merging of cultural and personal aesthetic, in their 1st album recorded in NYC using electronic feedback, computer noises and guitar; intriguing and unconventional.

Two astounding and wide-ranging electroacoustic improvisations from 5 prominent musicians on the Swiss experimental scene--Joke Lanz (turntables), Jason Kahn (synth, radio, mixer), Norbert Moslang (cracked everyday electronics), Gunter Muller (ipods & electronics), and Christian Weber (bass, revolver)--captured live at the 2018 Mikroton Mikroten Festival in Kaliningrad and Moscow.

Lapsteel guitarist and electronic artist Mike Cooper and percussionist Mark Wastell, employing a paiste 32" tam tam and a shruti box, pay homage to the large acoustic sound mirrors used in Britain from 1916 to 1930 as an early form or radar, each of their detailed improvisation referencing one of the locations on the British south and northeast coasts.

Recorded during two nights at Underflow Records and Art Gallery in Athens, Greece in 2019, The Underflow trio of Mats Gustafsson (reeds, fluteophone, electronics) from Sweden, with Chicago-based Rob Mazurek (trumpet, electronics), and David Grubbs (electric guitar) present an album of wide-ranging, powerful, often explosively eccentric, and always informed improvisation.

A unique album blurring acoustic recordings from saxophonist Mats Gustafsson with the electronic machinations and rhythms of Wendy Gondeln, aka Albert Oehlen, a German experimental electronic artist, the two inviting Martin Siewert for additional guitar on two tracks, and Wolfgang Voight to remix two tracks; funky, unpredictable, amusing, and seductively tantalizing.

The trio of Renato Grieco on bass, Francesco Gregoretti on drums, Carl Ludwig Hubsch on tuba in a studio album of dense, deep improvisation, using amplification and feedback with extreme technique and meticulously controlled playing to create slowly evolving sonic environments of profound depth and mystery, a shadowy and fascinating album fraught with suspense.

Unusual "broken jazz" and ea-improvisation with strange interventions from the European trio of Jaka Berger (prepared drums), Jure Borsic (reeds) and Colin Petit (tape & electronics), with a sly sense of humor through track names like "Miles DeVice" and "Or Not Coleman" as they deconstruct free jazz with aberrantly excellent intentions; obscure great fun.

Rob Burke composed the first seven pieces for this experimental NY quartet, the multi-reedist joined by guitarist Ben Monder, drummer Tom Rainey, and Ben Grayson on electronics, the last "Discordat" a collective improvisation in 4 parts, as the band investigates emotional approaches to playing, using subtle distortion and Grayson's post-editing sonic additions.

Bringing together two innovative improvising percussionists--Eddie Prevost of AMM fame, and Stale Liavik Solberg (VCDC, John Butcher)--for a studio album of wide-ranging and sometimes hair-raising electroacoustic improvisation, recorded live and unedited with Olie Brice on double bass, Tony Hardie-Bick on piano & tapes, Ed Pettersen on lap steel, and NO Moore on guitar.

Sound and visual artist Gen Ken Montgomery released this album on cassette on the Directions Music label in 1990, here reissued in 2020; the two side-long pieces were performed live and then remixed, creating a fascinating and elaborate tapestry of tapes, concrete and mechanical sounds alongside instrumentation of percussion, violin, voice, &c.

The first recording of the playfully detailed improvisation of two NY collaborators with nearly two decades of work together--Andrea Parkins on accordion, objects & electronics, and Matthew Ostrowski on electronics--improvising in the studio for eight explorative works that seamlessly mesh acoustic and electronics, seemingly forward and backward at the same time!

A constantly evolving electro-acoustic composition for percussion and microphones from the Swiss-based duo of Vincent Glanzmann and Gerry Hemingway, using cymbals, floor tom & percussion, directed by both graphic and collective compositional approaches while applying carefully controlled amplification to prodigious extended techniques on their instruments.

Recalling their brokenresearch LP from 2007, trumpeter Nate Wooley and drummer/percussionist Paul Lytton focus on unusual techniques and approaches to their instruments, using amplifiers and electronics to investigate new frontiers in interactive improvisation, each creating inexplicably interesting, masterfully interwoven sonic material.

A unique sextet of European improvisers active since 2015, comprised of two soprano saxophones, violin, piano, turntables and quarter tone accordion, in their second album of wide-ranging collective improvisation, their orchestration allowing moments of jazz, classical and electroacoustic improvisation to interweave and surprise their listeners; fascinating.

Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion & electronics, Juan Garcia on double bass, and Ignaz Schick on turntables & electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion.

Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion & electronics, Juan Garcia on double bass, and Ignaz Schick on turntables & electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion.

Recorded live at Temescal Art Center in Oakland, CA as part of their Babylon 2018 evening, the quartet of Gino Robair (electronics), Phillip Greenlief (tenor sax and clarinet), Mike Khoury (viola) and Dominic Cramp, aka Lord Tang (lyra) improvise in 2 short and 2 extended electroacoustic conversations of detailed restraint, unique pointillism and unforseen atmospheres.

The large IKB electroacoustic ensemble of diverse orchestration led by violist Ernesto Rodrigues, where each release is characterized by an animal, here with the long-snouted seahorse in an extended improvisation recorded at CreativeFest XIII at O'Culto da Ajuda, Lisbon, 2019, building to undulating cycles of intense interaction of absolutely precise control.

Filled with mystery and innuendo, the duo of French pianist and keyboardist Loris Binot, performing on prepared piano, prepared Fender Rhodes, Moog & electronics, and French-based accordionist Emilie Skrijelj, also on samples & electronics, are heard in a recording at the performing arts theater at CCAM in Vandoeuvre-les-Nancy for two extended and superbly intriguing improvisations.

The long-running duo of saxophonist Urs Leimgruber and guitarist Andreas Willers are joined by percussionist Fabrizio Spera (Ossatura) and Alvin Curran (MEV) for a live performance at Casa del Jazz in Rome, merging avant jazz approaches with ea-improv through guitar effects and sampling, finding passion in explorative and unpredictable music of superb skill and intent.

Portugal's Lisbon String Trio of saxophonist Nuno Torres, electric guitarist Abdul Moimeme and violist Ernesto Rodrigues, are joined by Red Trio/ Rodrigo Amado Motion Trio drummer Gabriel Ferrandini for this concert performance at O'Culto da Ajuda, in Lisbon, Portugal as part of the CreativeFest XIII, finding inspired balance in introspective sections and periods of exciting activity.

A trio of legendary Canterbury, avant improvisation and contemporary compositional players come together for an album recorded live in the studio over two days, from Alex Maguire on piano and Hammond organ, Martin Pyne on vibraphone, drums, percussion & electronics, and Mark Hewins on guitars & electronics; inventive, sophisticated, hallucinatory & virtuosic work.

The "AXIS" of UK saxophonist Ron Caines and multi-reedist Martin Archer, also on organ and electronics, in a subtle septet with outstanding players including Laura Cole on piano and Johnny Hunter on drums, in a set of dream-like and lyrically beautiful improvisations, merging electronics and horns over a powerfully solid rhythm section that create warm textural cycles.

The collaboration of Quebec bassist Eric Normand and Australian saxophonist Jim Denley, both dedicated experimenters, in their third duo album under the Plant name, here recording live at the 2019 Syndey, Australia NowNow Festival, with Denley also playing bass flute, fruits and objects, and Normand using objects and playing the bass amp itself.

Two Norwegians and a Geordie (ie, NE Englander), from drummer Stale Birkeland, saxophonist Petter Frost Fadnes, and guitarist Chris Sharkey, since 2007 creating epic works of rich electroacoustic improvisation, recording their third album after extensive touring through Europe and Japan, using the the natural resonance of the Chapel FM, in Leeds to enrich their sound.

Recording in Chile at the University Austral in 2018, trumpeter Benjamin Vergara and guitarist Fred Frith take us on two extended journeys through free electroacoustic improvisation, Frith's providing diverse and intense sonic environments over which Vergara's virtuosic and intuitive approach to the trumpet soars; impressive, creative, cathartic.

A set of beautiful electro-acoustic compositions, dream-like and rich in details using sources of acoustic instruments, field recordings, guitar, electronics and voice, organized into hazy and beautiful reflections, with contributions from Margaret Hermant on xylophone & violin, Jeremy Young on electronics, and Lee Ranaldo providing field recordings and voice.

Bringing together NY drummer/percussionist John Hollenbeck, also on prepared piano, with Berlin bassist Bernhard Meyer for an album that blends textural rock, electronic and jazz approaches in 9 elusively calm yet structurally turbulent pieces, using complex systems of cross rhythms against atmospheric immersion, occasionally disruptive but generally eccentrically controlled and exploratory.

Schizophrenically skronky improv of ea-cutups and semi-maniacal segments that resolve to near-stillness from the West Coast TONED trio of Nathan Corder on electronics, Leo Suarez on drums, and Tom Weeks on sax, using a nonlinear and nonhierarchical organizational process and multiple layers of compositional feedback loops to create unpredictably bizarre and overtly fun music.

The third volume of NY bassist, composer, and electronic/computer musician Carl Testa's amazing Sway project, giving an interactive electronic processor its own voice interfacing with any size ensemble, here with two new works--one for quintet among a set of Chicago improvisers, the other in Portland, Maine with a sextet--each uniquely voiced and excitingly unpredictable.

Returning to their duo work together 17 years after their erstwhile records eh, guitarist Burkhard Stangl and turntablist Dieb13 explore and expand the sonic properties of their work in this new "Garden Of Noises", using electronics and recordings of soundscapes from Paris and Montreuil, recorded live at Instants Chavires in France, 2019.

Mattin takes 5 spontaneous 5-minute songs from 5 musicians, and a 25 minute concert structured by 5 instructions based on those song titles, then records vocals for the 5 songs as a singing lecture, then superimposes all 3 to create the five 5-minutes songs on this album.

The duo of saxophonist Boris Hauf and pianist D Bayne team up with guitarist Martin Siewert in this collection of tracks inspired by different U.S. national parks and their representation in iconic posters.

"Distant Radio Transmission" was originally recorded as an improvisation by Roscoe Mitchell, Craig Taborn, and Kikanju Baku in 2013, then transcribed by Stephen P. Harvey in 2016, extended for strings by John Ivers in 2017, and then fully orchestrated by Roscoe Mitchell himself in 2017; the album also includes "Noonah Trio", "Cutouts for Woodwind Quintet" and "8/8/88".

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Four rich and soulful pieces of electric jazz with an often Mwandishi-feel, from bassist Bill Laswell in a 9-piece ensemble of outstanding improvisers: Pharoah Sanders on sax, Peter Apfelbaum on sax, flute & keyboards, Herbie Hancock on electric piano, and 5 drummer/percussionsts--Jerry Marotta, Chad Smith, Hideo Yamaki, Satoyasu Shomura and, Adam Rudolph.

The 13-piece Krakow Improvisers Orchestra approaches their music through conduction and improvisation, founder Paulina Owczarek leading the ensemble in an impressive 3-part work recorded in the studio, an exciting and quirky set using mostly acoustic instrumentation through reeds, brass and two drummer/percussionist, 2 bass players, free vocal improv, synth & guitar.

With origins in Switzerland in the Recall Pollock duo of trombonist Roland Dahinden and pianist Hildegard Kleep, this trio with UK electronics artist based in South Africa Cameron Harris has its origin in the quartet CubeZ with visual artist Charbel Ackermann, here focused on their unusual language through acoustic improv altered and complemented by interactive electronics.

Extremely patient compositions for electronics, cello, guitar and tenor sax from French sound and visual artist Pierre Gerard: "Air" using recordings from his duo partner of tenor saxophonist Bertrand De Lamalle with long sections of silence; "Cavity" employs previously recorded guitar improvisations that interact with Gerard's live electronic improvisations.

Belgian composer Pierre Gerard presents a work that examines what we see around us, and what sometimes remains invisible, in three dramatic minimal works of powerful tones and tension, silence and motion: the first is 'the mechanics', the second 'the structure of a rock on a high mountain', the third 'the distance between the elements in a small forest area'.

Based on a series of improvisations on a very hands-on hardware setup, with an old tone generator, effects pedals, dictaphones, contact mics, &c., Machinefabriek (Rutger Zuydervelt) took these recordings into the studio to compose these four works, 2 brief pieces and the 2-part, intricate "Amalgaam", in an absorbing album of dramatic texture & sound.

While developing a soundtrack with violinist and violist Anne Bakker, Rutger Zuydervelt aka Machinefabriek, began editing a series of Bakker's improvisations, creating new works from those recordings by layering them into succinct short works or "scenes"--twenty of them in the end--that he sequenced into this album of confidently dramatic and delicately beautiful episodes.

Matthew Shipp (piano), John Butcher (saxophones) and Thomas Lehn (electronics) in a studio album recorded in France in 2017, a uniquely voiced collective trio of transformative improvisation, Lehn's additions and modifications blending perfectly with Shipp's solid foundations and Butcher's advanced technical expression, for an engrossing and expressive set of recordings.

The cooperative quartet Kaze of Satoko Fujii on piano, Peter Orins on drums, Christian Pruvost on trumpet, Natsuki Tamura on trumpet, joins with elextroacoustic improviser Ikue Mori for seven exploratory pieces recorded in the studio after a one-week tour in Austria, France, and Russia, their enthusiasm for their extraordinarily unique group sound clearly evident.

Taking their lead from John Cage's 1956 Radio Music, the Opening Performance Orchestra in collaboration with the radio & a/v device archive at the Tesla Museum in Trest, present this 72-minute piece from a private live performance in July 2018, the 7 members of the Orchestra plus 2 guest operating 13 historical radio sets, dating from between 1935 and 1961.

UK-based violinist Phillip Wachsmann, an essential player bringing contemporary approaches of indeterminacy, conceptualism and electroacoustics to the early community of improvisers and experimentalists, in a reissue of his 1984 Bead Records album, presenting his astute and sophisticated live solo performance for violin and electronics at the Actual Festival in July 1984, London.

Gelber Lilac, or Yellow Lilac, is the electro-acoustic trio trio of Yves Arques (Tricentric) on objects & electronics, Joao Camoes (Open Field String Trio) on viola, and Luise Volkmann (Autochrom) on saxophone, presenting a romantic still life in improvisational colors and extended techniques, recorded live at La Petite Maison, in Paris in 2016.

Two sets of profound composure and restraint, captured at a concert in Munich in May 2019 by Berlin improvising instrumentalists -- Werner Dafeldecker (double bass) and Lucio Capece (bass clarinet, slide saxophone, feedback and room amplification) -- invoking moods of Polwechsel through focused structures of intense precision of dense interaction.

The 4th of Karl Records' collaboration series brings Turkish free improvising group Konstrukt together with Japanese experimental improviser Otomo Yoshihide, recording at the Tusk Festival in 2018, Konstrukt configured as a quintet with two drummers, winds, guitar, synth and bass, Otomo adding guitar and turntables to create a dense, exultant and exotic brew of electrified improvisation.

A fascinating 2-CD retrospective of the solo piano and computer work from 1990 to 2016 of San Francisco Bay Area experimental composer Chris Brown, whose work focuses on evolving paradigms of human-machine interaction through live signal processing, generative polyrhythmic textures, and a cohabitation of both formal control and indeterminacy.

Six works by iconic composer Ellen Fullman in a duo with David Gamper, an original member of Pauline Oliveros' Deep Listening Band — ecstatic and mesmerizing improvisations recorded in the resonant space of the Headlands Center for the Arts in Marin, CA — plus 2 tracks of a duo between Ellen Fullman and Deep Listening Band founding member Stuart Dempster on trombone & didjeridu.

A rare and exuberant exchange of sonic discourse between Chinese and American improvisers recorded in the Yunnan Province of China at the Lijiang Studio artist residency, in a uniquely voiced quintet with Theresa Wong on cello & voice, Lao Dan on saxophone & bamboo instruments, John McCowen on clarinet & recorder, Li Xing on electric & acoustic guitars, and Deng Boyu on percussion & found objects.

Keyboardist Annie Lewandowski (London Improvisers Orchestra, Fred Frith, Samech) composed this song cycle about ancient Greek figures in collaboration with David Yearsley, Theresa Wong and Russell Greenberg, poetic pieces contrasting traditional use of instruments with subtle experimental approaches in a unique and fascinating set of compositional strategies.

Frequent collaborators, Canadian drummer and experimentalist Eric Hamelin joins Chris Dadge, who more typically performs as a drummer/percussionist, in a duo with Dadge on violin, as the two create wonderfully active environments of sound that follow conceptual paths embracing electroacoustic methodology through two pieces performed live in the studio.

A beautifully subtle and strange twisting of tones, timbres and strings from the duo of Ernesto Rodrigues on violin & viola and Carlos Santos on electronics, recorded live in 2018 at O'Culto da Ajuda, in Lisbon, creating mysterious environments that metamorphose between sections through string interjections, each segment creating a new, mesmerizing environment.

The concept of a spiegel, or mirror, is explored by this perceptively patient electroacoustic octet led by violist Ernesto Rodrigues, each of the 3 tracks an evolution of the first recorded improvisation, the 2nd "Spiegel" layering and reacting to the first recording, and the 3rd to the previous two, ultimately reflecting a conversation of 24 virtual musicians.

A studio recording from the electroacoustic sextet of saxophonist & cornetist Patrick Brennan, Red Trio bassist Hernani Faustino, and Creative Sources collaborators Maria do Mar on violin, Ernesto Rodrigues on viola, Miguel Mira on cello, and Abdul Moimeme on electric guitars & objects, in a spirited set of concise and open-minded free improvisations.

A live performances at CreativeFest 2018 in Lisbon from the electroacoustic quartet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Fred Marty on double bass, and Carlos Santos on electronics, the title translating to "On our footsteps in the light of day" as the improvisers merge strings and electronics through spirited and radiant playing.

Extremely active from 1972-82, then reformed in 2008, and now entering a new phase of their improvisational journey, the OM quartet of Urs Leimgruber on saxophones, Christy Doran on electric guitar, Bobby Burri on double bass, and Fredy Studer on drums & percussion extend their transformative approach to free improv through what they refer to as "ElectroAcoustiCore".

The 2nd orchestral album from saxophonist Ingrid Laubrock, two very different but complementary sets of compositions using electronics in mostly acoustic settings: the 1st with the larger EOS Chamber Orchestra and guests including Cory Smythe, Tom Rainey, & Sam Pluta; the 2nd a smaller group of Laubrock, Smythe & Pluta + guests Adam Motlock, Josh Modney, and Zeena Parkins.

Pianist & improviser Steve Beresford performing on prepared piano, toys & electronic, percussionist Valentina Magaletti and bass player Pierpaolo Martino are heard in this cataclysmically interesting album based around Beresford's compositions, each piece a vignette that merges elements of free improv, rock, sound & avant structures in inventive and compelling ways.

After twenty years playing together, the Sealed Knot trio of Burkhard Beins on amplified percussion, Rhodri Davies on amplified lap harp, and Mark Wastell on dual 32 past tam tams, gongs & nepalese singing bowls, performed live at Cafe OTO to record this beautifully captured, contemplative concert of tone, texture and ringing sound, like a 20-year dream reflected.

Two extremely compatible guitarists are heard in two live recordings in Tokyo, Japan, at OTOOTO and at Permian, in 2017 & 2018, using unusual tunings, extended techniques and a patient sense of space and momentum that allows each of their contributions to resonate distinctively while maintaining a confident dialog of connected abstraction and exploration.

Restricted by pandemic, bassist John Edwards took compositions for Remote Viewers written by Dave Petts along with recordings from himself and saxophonists Caroline Kraabel, Sue Lynch, Adrian Northover & David Petts, using digital compositional methods to maintain Petts' concepts while manipulating and inverting each piece in wonderfully riotous and unexpected ways.

An immersive record of free improvisation from the French trio of analog synth player Jean-Marc Foussat, trombonist Christiane Bopp, and vocalist Emmanuelle Parrenin, 4 works inspired by a still life painting by Duane Keiser, each an impressive evolution and transmutation of sound in dream-like environments that envelop then surprise its listeners.

Bass clarinetist Chris Cundy, uses the studio as a performance tool for accompaniment along with pre-recorded tapes, as he contrasts two different composers--Cornelius Cardew & Ton de Leeuw and their compositions titled "Mountains", alongside a Cardew graphic score piece, and 2 work for 5 bass clarinets, from Thanos Chrysakis and John Cage, the latter from his Numbers series.

A set of informed avant/abstract acoustic and electroacoustic improvisations recorded in the studio in Austria in 2019, from the transatlantic trio of Euro free jazz legend, trombonist Matthias Muller, Quebec bassist Eric Normand on electric bass, and innovative trumpeter Petr Vrba also deploying electronics, the trio's interaction focused on patient and inspired sonic detail.

A series of ominous duos on the dark side from NY improviser Jeremiah Cymerman on clarinets & pedals, and Charlie Looker (Extra Life, Psalm Zero) on guitars & piano, each of the five pieces exploring murky caverns of warmly bleak environments rendered through Looker's deep piano & guitar work, perforated by cracks of light through Cymerman's riffs & exclamations.

A series of ominous duos on the dark side from NY improviser Jeremiah Cymerman on clarinets & pedals, and Charlie Looker (Extra Life, Psalm Zero) on guitars & piano, each of the five pieces exploring murky caverns of warmly bleak environments rendered through Looker's deep piano & guitar work, perforated by cracks of light through Cymerman's riffs & exclamations.

The fourth album in 20 years from the Schnee duo of guitarist Burkhard Stangl (efzeg, Polwechsel) and Christof Kurzmann performing on lloop, voice and "ruber bands", creating music for films that have not yet been created through intensely moody electroacoustic environments, Kurzmann's voice sometimes guiding the narrative of their visionary sound.

Founded in 1967 by pianist Misha Mengelberg, drummer Han Bennink, and saxophonist & clarinetist Willem Breuker, this double CD documents the earliest years of the ICP collective through live & studio recordings from 1966-71, with an impressive cast of jazz and contemporary compositional players creating a delightfully diverse set of approaches to improvisation.

Extending their previous collaborations during the time of pandemic, NY electronic improviser Ikue Mori and Japanese improvisers Natsuki Tamura on trumpet and Satoko Fujii on piano developed this extraordinary ea-improv album via file exchange, starting with Fujii's piano improvisations to which Mori & Tamura added their layers, with Mori mixing the final, startling results.

Perhaps one of the quirkiest releases from the Klaxon Gueule trio of Michel F Côté, Bernard Falaise and Alexandre St-Onge, performing respectively on drums, guitar and bass, and all on synthesizers and computer, recalling early electronic albums while adding a whimsical and alluring edge to their often darker and more experimental prior releases.

A duo improvisation recorded at Shichoshitsu Jinbo-cho, in Tokyo, Japan between no-input mixing electracoustic improviser Toshimaru Nakamura and Doubtmusic label leader and member of mn and MNK, Jun Numata on guitar, oscilator, radio, in a varied and turbulent affair of extreme electronics, sound and noise that takes the listener on a wild ride.

Having worked together for 40 years starting in the 80's in the Downtown NY scene, guitarist Fred Frith and electronic artist Ikue Mori recorded this album in Germany, using studio time left after recording the music for a radio play by Werner Penzel, using that work as an influence for these exceptional improvisations on home made instruments, toys and electronics.

Pianist Alexander Hawkins' six movement composition is realized by the UK Riot Ensemble, known primarily for their work with notated contemporary music, adding Evan Parker's incredible soprano sax soloing, and filtered through Matthew Wright's live electronic processing, resulting in this amazing hybrid masterwork that bridges modern 21st Century forms.

Dark and beautiful improvisation from saxophonist and electronics artist John Butcher and harpist Rhodri Davies, an incredible display of timbre, technique, and pacing.

Meeting in sound artist and vocalist Yan Jun's studio in Berlin in 2017, trumpeter Axel Dörner and no-input mixer artist Toshimaru Nakamura recorded these four active and bristling improvisations, Dörner using every inch of his instrument and treating it with electronics to create the controlled chaos and richly jarring recordings that make up this, their 2nd album together.

With "fragments of alien melodies, bizarre call-and-response activities, boiling liquids, airy perturbations, clusters", the electroacoustic improvising quartet of Markus Eichenberger on clarinet, Carl Ludwig Hubsch on tuba, Etienne Nillesen on extended snare drum and Philip Zoubek on synthesizer, focus their listeners on their remarkably turbulent and rich interactions.

From the depths of the deepest electroacoustic sea, the duo of Lisa Cameron on berimbauophone, percussion & devices and Sandy Ewen on guitar & devices release the second of their "Sea Creatures" series: two cassettes of dark aquatic audio, one recorded in the studio and the other during their 2019 Texas tour celebrating the release of the first album.

The electroacoustic improv trio of flutist Paolo Pascolo and electronics guru Alberto Novello (JesterN') on modular synthesizer, and Slovenian drummer Vid Drašler, for seven haunting improvisations of unfaltering patience, electronic tones commingling with atmospheric flutes and subtle percussive intervention, creating rich sonic environments or quirky conversation.