Two large works of improvisation using electric guitar, synth and alto saxophone from the trio of Augustin Brousseloux, Jean-Marc Foussat, and Quentin Rollet, complex and evolving works with a psychedelic edge, blending experimental, rock and jazz into something truly unique.

Pianist Simon Nabatov plays the music of Thelonious Monk in a live concert from 1995, alternating those recordings with a 2013 concert of solo electroacoustic work, an unusual approach that focuses the melodic aspects of Monk while highlighting his eccentricity and intrepidity.

Synth improviser Jean-Marc Foussat and double bassist Fred Marty join their names and playing together for an absolutely impressive album of exploratory improv, Foussat taking their music into hallucinatory territories while Marty provides both a solid anchor and flights of textural nuance; supberb.

Mir 8 brings electroacoustic artists Andrea Belfi (drums/percussion), Werner Dafeldecker (electroncis, bass), Hilary Jeffrey (trombone) and Tim Wright (computer & electronics) together for their debut album of four cinematic tracks following an abstract narrative through panoramic landscapes.

A darkly ritualistic, scrabbly album of darkly ritualistic improvisation from the Portuguese trio of saxophonist Mestre Andre, also on electronics, percussion, mbira and voice, double bassist Bernardo Alvares and drummer/percussionist Raphael Soares.

With members of Sao Paulo Underground, Pharoah and The Underground, and Chicago Underground, cornetist/electroacoustic artist Rob Mazurek leads a quintet with Mauricio Takara (drums), Thomas Rohrer (winds), Philip Somervell (piano) and Guilherme Granado (keys) through a unexpected confluence of styles to create an otherworldly blend of spiritual music.

Norway's unconventional improvising quartet SPUNK with Maja S. K. Ratkje, Hild Sofie Tafjord, Lene Grenager and Kristin Andersen are heard live at Nasjonal Jazzscene in Oslo, Norway in 2015, capturing these two sets of uniquely unexpected and jaw-dropping recordings from a band on the cutting edge of avant improvisation.

An album of unusual reed improvisations using extended and unusual acoustic techniques and further extended with electronics, field recordings, and samples, from the Swiss duo of Kobi Christian on soprano sax and Christian Muller on bass clarinet, sampler & electronics.

French alto saxophonist Bertrand Gauguet uses acoustic techniques and microtonal approaches to the reed instrument, presenting 4 tracks of acoustic-only playing, and 4 with amplifiers and guitar feedback, creating cogitative sonic environments of remarkable patience and pure and intersection tonal and timbral harmonics; remarkable work.

The free improvising trio of Makoto Sato on drums, Jean-Francois Pauvros on guitar and Jean-Marc Foussat on synthesizer & voice in a studio album of unique electro-acoustic dialog recorded in Paris in 2013.

Ensemble leader and tuba player Carl Ludwig Hubsch created this musical concept inspired by the guitar player Keith Rowe, exploring one static sound in the ensemble, maintaining it and in the same time interacting with utmost care and openness for any necessary change, in a 22-piece ensemble of exceptional players.

Two live recordings at Theatre au Clain, in Poitiers, France and at le Bistrot, in Bayonne, from the free improvising quartet of Christiane Bopp on trombone, Jean-Marc Foussat on synth & voice, Jean-Luc Petit on bass clarinet and sopranino sax, and Makoto Sato on drums, for submersive interchanges blending electronics and acoustics in remarkable ways.

The Danish/Norwegian trio of Thomas Eiler on drums, Niklas Adam on electronics & guitar, and Danielle Dahl on sax and electronic wind instrument draw inspiration from early electronic minimalism, punk rock, noise and free jazz in the full-length debut, surprising the listener as the music shifts from abstract reductionism to full-on assault.

A collaboration between American sound artist Jeph Jerman and Italian percussionists Paolo Sanna and Giacomo Salis, twelve intriguing short improvisations using extended techniques and lowercase approaches that include minimal textures, field recordings, abstract atmospheres and organic sounds.

A meeting in NY's Lower East Village between four improvisors--Robert Burke on saxes, George Lewis on trombone & electronics, Paul Grabowsky on piano & snare drum, and Mark Helias on acoustic bass--playing a pre-composed work, blending 21st century composition with modern jazz sensibility, enhanced by Lewis' computer-based "shapeshifts".

The Portugese quintet of Angelica V. Salvi on harp, Miguel Carvalhais on computer, Nuno Torres on alto saxophone, Marcello doe Reis on electric guitar, and Joao Pais Filipe on drums & percussion in a live concert in Brazil at Salao for a far-ranging album of electroacoustic free improvisation, beautifully building to frenetic, collective dialog.

Bizarre, disruptive, aberrant sound from twisted experts in the field Lambs Gamble, comprised of George Cremaschi on bass & electronics, Fritz Welch on drums, percussion and voice, and Eric Boros (Vialka) on electronics and voice, recording in Switzerland for a fantastic album of intelligent abnormality.

Two CDs representing two extended improvisations of the IKB Ensemble with slightly different personnel, with each ensemble slowly unfolding an amazingly textured work of acoustics and electronics with strong intent and incredible technique, balanced by close listening and attention to detail; an excellent 21st century improvisation orchestra captured live.

The trio of bassist Achim Tang, prepared pianist Philip Zoubek, and trombonist Matthias Muche extended with Sven Hahne on computer and Christian Thome on drums and electronics in a freely improvised electroacoustic album of subtle pacing and diverse approaches, with many of the rhythmic elements imparting a gamelan feeling.

Following double bassist Mike Majkowski's Astral Spirts cassette "Neighbouring Objects", this vinyl release is Majkowski's 7th solo album, here using analog synthesizer, percussion, piano, vibraphone, samples, and field recordings to create an amazing sonic universe through sound, tone, timbre, deep cogitation and mutant interjections.

A great collection of short film soundtracks and pieces that appeared on compilation albums and out-of-print CDRs, including the "Nerf" EP, the tracks for the book "Things That A Mutant Needs To Know" by Reinaldo Laddaga, and 3 soundtracks of which two are for a short movie and one for a video installation, alongside tracks from other compilations.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Live recordings at Exploratorium, in Berlin, Geremany in 2010 from the quartet of Klaus Kurvers on double bass, Andrea Sanz Vela and Ernesto Rodrigues on violin, and Micha Rabuske on dlute, bass clarinet, and soprano sax, collective improvisation with complex interplay and a bright spirit as the group follows their instincts in interesting dialog.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

An extended improvisation (the title meaning "film in your head") from Berlin drummer Yorgos Dimitriadis, a founding member of GRIX, GLUE and FABRIC trio, here in his first solo release, driving a small drum kit played conventionally and a hand-held microphone into remarkable sonic territory, in both meditative and rapidly rhythmic sections.

The duo of Dimitra Lazaridou-Chatzigoga on zither and Mark Wastell on his electronics set including bowls and shruti box, formed for the release concert for Angharad Davies' "Six Studies" in 2014, recording this excellent improvised dialog of rich and unusual sound.

Live concert DVD from Bunda Love (id & Mike) with Jamie Saft, filmed at Strange Maine in Portland, Maine; sheer communications in wierdness of doom metal meeting schizoid noise.

A plethora of objects being struck and stroked from the meeting of drummers Cote (Bruire, Klaxon Gueule) and Ceccarelli, complex interactions of percussion, feedback and electronics.

Three extended improvisations documenting the first meeting of an exciting and unexpected electro-acoustic quartet with a unique sound and instrumentation.

Violinist Guido Del Fabbro in a 5-piece work with violin, voice, electronics and synthesizer, blending compositional and electroacoustic principles for an unusual, rich, and thoroughly modern album.

A unique realisation of John Cage's 'Four6', plus two improvisations by Stephen Cornford (amplified piano), Patrick Farmer (turntable & electronics), Sarah Hughes (chorded zither), and Kostis Kilymis (electronics).

24 miniature works from the fantastic and intense improvising trio of Joane Hetu, Diane Labrosse and Danielle Palardy Roger, inspired by the eternal revival of the legendary Phoenix.

California saxophonist Adnan Marquez-Borbon exploring improvisation and electro-acoustic manipulation in solo works with a divserse set of influences.

Saxophonist Rives with Wade Matthews on software synthesis and manipulated field recordings in a piece inspired by the story of Arethusa, a servant of the Greek goddess Artemis.

A four part suite bridging compositional and improvisational music from Portugese pocket trumpeter Sei Miguel in a quintet including Rafael Toral on modulated electronics.

Four extended electroacoustic works from Berlin's inside pianist and mixing board artist Andrea Neumann and Baltimore's Bonnie Jones on electronics, minimal and edgy pieces of unusual and absorbing character.

British saxophonist Simon Rose uses extended and evocative techniques in this exceptional set of duos with Paul Stapleton, who plays a Bonsai Sound Sculpture, an assemblage of unusual electronic and acoustic components allowing a wide range of expression.

The Rova Saxophone Quartet performing compositions by Lindsay Cooper, Fred Frith, Barry Guy, and Larry Ochs, live in the studio in 1996.

Montreal/Actuelle turntablist Martin Tetreault and Berlin turntablist Ignaz Shcick in two sets of recordings from two encounters in Belgium and Switzerland, 2006.

Five unique pieces from improvisers Birgit Ulher (trumpet, radio, speaker, objects) and Christoph Schiller (spinet, preperations) recorded in Hamburg with no post-production work.

Two live conducted improvisations percussion for large group recorded at the Oakland Box Theater, presenting the 6 part Piece No.11: Two Orchestras in Separate Rooms.

Minimal improvisation using a meditative set of instruments including stone flute, small stones, and a "silent toy", from David Toop recording with Akio Suzuki on a rare trip to the UK.

Solos for triggered guitar from midi and effects guitarist Jorgen Teller, 15 complex and conceptual works that balance clean and noisy guitar work in perplexing ways.

Rafael Toral's Space Program, post-free jazz electronic music, is made manifest in this duo between the electronicist and drummer Davu Seru, performing live in Minneapolis during Toral's 2011 tour of the US.

Trio Sowari's second recording, subtle interactions using a wide palette of sound and approaches, mixing electronics and acoustics in amazing improvisation.

A reference to rays of sunlight that appear to radiate from a single point in the sky around dusk or dawn, as heard through a combination of acoustic guitar, objects and no-input mixing board.

Lokomotive's "Labyrinths" with bassist Baretto at the top of his game in playing and scoring this driving and unorthodox set of pieces, performed with two of Portugal's most in-demand players.

The entire Bimhuis concert from 2002 as well as two studio tracks from 2000 by the improvising quartet of Gail Brand (trombone), Phil Durrant (electronics, violin), Pat Thomas (electronics, piano) and Mark Sanders (percussion).

A collaboration between composer Michael Pisaro-Liu and AMM guitarist/improviser Keith Rowe, with each bringing scores which they improvised over, creating 13 discrete sections including samples from Shostakovich's 13th String Quartet, balancing activity, space and silence in patient ways that only two such experienced composer/improvisers could.

Montreal Musique Actuelle turntablist Martin Tetreault and sound artist Erick d' Orion created this project as a tribute to the original explorers of electronic music and musique concrete -- GRM, Stockhausen, Henry, Oram, Schaeffer, &c. -- using historic sound recordings and new sources, presenting this incredible concert live at Au Mois in Quebec.

Confront initiates their new Core Series with the text piece "There Is No Love" with David Sylvian on voice, vocal treatments and electronics, Rhodri Davies on harp, vibraphone and radio, and Mark Wastel on tam tam and percussion, a sophisticated spoken word piece of shadowy atmosphere and innuendo, leveraging approaches from experimental, improvised and composed music.

Virtuosic French-based trombonist Mathias Forge and Brussels-based electroacoustic composer-turned improviser Olivier Toulemonde recording live in Sheffield, 2010.

The trio of Jim Hobbs, Timo Shanko and Django Carranza in a studio release of original upbeat and amazing riff based compositions, along with a nifty skate video.

Beautiful, mysterious improvised compositions with spoken interludes, recorded live in March 2003 at the first Montréal/Nouvelles Musiques (MNM) festival.

Three foreboding tracks of aggressive and open improvisation from long-time collaborators Lebanese trumpet player Mazen Kerbaj and guitarist Sharif Sehnaoui in a quintet with Creative Sources labelmates Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and Carlos Santos on electronics; a confrontational, at times frightening world of sound; gripping.

A rich and building improvisation from this French 10 piece ensemble, using 4 reeds, piano, zither, gangsa gantung, Indian harmonium, harmonium, mixing desk, contact microphones, banjo, objects, electric & acoustic guitars, effects, gong and drums to create a expansive audio universe that owes its sound to free improvisation and Ligeti.

The 20th volume of the Book of Angels series is led by virtuoso guitarist Pet Metheny as he creatively plays John Zorn's compositions with a large assortment of instruments and electronics.

Two releases in one, Otherways was a 2nd generation free improvising group from London performing in '73; and Free Space was a group assembled in '73 by John Stevens with Trevor Watts, John Russell, &c.

A superb example of contemporary collective improvisation crossing from acoustic improvisation into electroacoustic material from the quartet of Joachim Badenhorst on clarinets, Susana Santos Silva on trumpet, Goncalo Almeida on double bass, keyboards & effects, and Greg Smith on drums & laptop, performing live at Jazzcase series Dommelhof, 2016.

Luis Jose Martins uses classical guitar, prepared guitar, electronics, and percussion in a solo album of incredible detail and lyrical, beautiful playing of original compositions that blend his playing with modern techniques and electronics into melodic masterpieces, performed in the natural resonance of the church of the convent of S. Bento in Avis.

Percussionist Isaiah Ceccarelli's work for percussion, two voices, two bass clarinets and viola da gamba, woven from the delicate fabric of the tension between darkness and light.

A collection of guitar, electronic and voice pieces from Anne-James Chaton and Andy Moor, originally released as a series of four seven inch singles here combined into a single CD with 3 bonus tracks.

A split CD presenting contrasting aspects of 'Berlin reductionism': "Roananax 1999" - from the quartet of Axel Dorner, Robin Hayward, Annette Krebs and Andrea Neumann; and "Obliq 2014" from the current Berlin group of Pierre Borel, Hannes Lingens and Derek Shirley.

The Paw Music trio bring together electronics and free improvisation in powerful electroacoustic spaces of transformative sound that embraces and resists chaotic variability.

A supergroup of the AM collective with Derome, Hetu, Labrosse, Roger, Tanguay and Tetrault, in adventurous and far-reaching improvisation that have to be heard to be believed!

An experimental sound and voice duet featuring eRikm and Natacha Muslera: extreme, convulsive and immersive sounds that alternately surprises and seduces in brutal and beautiful ways.

A surreal and sophisticated work with a 9 piece electroacoustic ensemble composed by sampling and computer artist Roberto Fega, with audio interludes and vocal aberrations, plus text by Jennifer Scappettone.

The first meetings of Jason Kahn (analog electronic) and Tim Olive (one-string magnetic pickup device) recording in a studio session in Kyoto, 2012 for four eventful and intricately structured works with a distinct developmental momentum.

The Second in a series of split discs highlighting the experimental music scene in Berlin, presenting a solo work by Annette Krebs, and a powerful duo for voice and electronics by Christian Kesten and Mark Trayle."

Sparse but detailed improvisational journeys from the long-running duo of saxophonist Philippe Lauzier and bassist/electronic artist Pierre-Yves Martel.

Saxophonist Marc Baron & bassist Loic Blairon recorded 6 improvisations and then recomposed and organized them into these two 30 minute works, one acoustic and one digital.

Captured during a Japan tour by the duo of Tim Olive (one-string electric guitar) and Alfredo Costa Monteiro (electro-acoustic devices), this live studio recording showcases the duo's attunement and dramatic sense of structure.

Three strange and wonderful sound pieces from the Chicago-based duo of Noe Cuellar and Joseph Clayton Mills, commissioned to make music from objects found in the basement of a local thrift store, evoking a sense of the lives embedded in those objects.

A polyphonic approach to noise using open improv and graphic scores from this Portugese quartet performing on sax, cello, percussion, amplified objects, circuit bending and analog electronics.

AMM percussionist Eddie Prevost has presented weekly Workshop Concerts since 1999, here recording live at London's Cafe Oto in May, 2012 with a sextet of acoustic and electronic performers on violin, cello, theremin, zither, electronics, and percussion.

The intense lowercase trio of Creative Source label leader Ernesto Rodrigues on viola, percussionist Christian Wolfarth on cymbals, and Ricardo Guerreiro on interactive computer performing the 6 part "All About Mimi" in the studio.

"Alba" (Portugese for "white") presents 4 improvisations by Ernesto Rodrigues on viola, Louis Laurain on trumpet, Guilherme Rodrigues on cello and Ricardo Guerreiro on computer, slowly building subliminal works of subtle dialog using extended techniques and white noise.

Performing on solo electric & acoustic guitars, oud, charango and synthesizer, NYC guitarist Ken Silverman dedicates this album to musicians such as T-Bone Walker, Hamza El Din, Jimmy Page, Robert Fripp, &c.

This laptop trio create a dense and scurrying sound world of a surprising freeform nature that avoids cliches by combining sound-generation tools for ever-shifting results.

Two enounters between UK electroacoustic composer and performer Lawrence Casserly on his Signal Processing Instrument and American free jazz alto saxophonist Jefrrey Morgan, recording both in the studio in Cologne, Germany in 2016, and in concert at The Loft; a rich, subtle, and detailed astronomical encounter blending stellar electronics and responsive extended playing.

Two improvising duos that share one person and joined as a trio -- Berlin musician Miako Klein on recorders -- Warble being Klein and NY/Berlin trumpeter Brad Henkel, the two exploring their instruments through close amplification; Mduo is Klein & NY/Berlin percussionist Michael Weilacher using extended techniques and strange actions.

Using an alto saxophone where the original mechanisms have been replaced with water, gas & compressed air taps, saxophonist Sergio Merce can microtonally move the tuning of any note and create multiphonics, allowing him to play several sonic layers while using circular breathing.

"Fracture Mechanics" is the scientific study of cracks in any material, an apt title from these European experimental innovators--Burkhard Beins, Lucio Capece, Martin Kuchen, and Paul Vogel--pulling back the curtain on process and creating an impressive album crossing acoustic and electronic improv, organized sound, and inexplicable interaction; recommended.