Recalling their brokenresearch LP from 2007, trumpeter Nate Wooley and drummer/percussionist Paul Lytton focus on unusual techniques and approaches to their instruments, using amplifiers and electronics to investigate new frontiers in interactive improvisation, each creating inexplicably interesting, masterfully interwoven sonic material.
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Paul Lytton-percussion, electronics
Nate Wooley-trumpet, electronics
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UPC: 5905279364615
Label: Listen! Foundation (Fundacja Sluchaj!)
Catalog ID: FSR 02 | 2020
Squidco Product Code: 28480
Format: CD
Condition: New
Released: 2020
Country: Poland
Packaging: Cardboard Gatefold
Recorded in Dusseldorf, Germany, in January, 2018, by Bojan Vuletic.
"It had been awhile since we'd made a real studio recording in which I could play the amplifier and Paul could get out from behind the drum set and work with smaller percussion and electronics. As in every other recording we've done, the music turned out to be as close to alien as I've ever heard. This one, especially, pushes the boundaries in every possible way and I'm really incredibly proud of it."-Nate Wooley
The Squid's Ear!
Artist Biographies
• Show Bio for Paul Lytton "Paul Lytton (born 8 March 1947, London) is an English free jazz percussionist. Lytton began on drums at age 16. He played jazz in London in the late 1960s while taking lessons on the tabla from P.R. Desai. In 1969 he began experimenting with free improvisational music, working in a duo with saxophonist Evan Parker. After adding bassist Barry Guy, the ensemble became the Evan Parker Trio. He and Parker continued to work together into the 2000s; more recent releases include trio releases with Marilyn Crispell in 1996 (Natives and Aliens) and 1999 (After Appleby). A founding member of the London Musicians Collective, Lytton worked extensively on the London free improvisation scene in the 1970s, and aided Paul Lovens in the foundation of the Aachen Musicians' Cooperative in 1976. Lytton has toured North America and Japan both solo and with improvisational ensembles. In 1999, he toured with Ken Vandermark and Kent Kessler, and recorded with Vandermark on English Suites. Lytton also collaborated with Jeffrey Morgan (alto & tenor saxophone), with whom he recorded the CD "Terra Incognita" Live in Cologne, Germany. He played also on White Noise's pioneer electronic pop music album An Electric Storm in 1969." ^ Hide Bio for Paul Lytton • Show Bio for Nate Wooley "Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances. Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson. Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile". In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist. Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums." ^ Hide Bio for Nate Wooley
11/8/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/8/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Known 33:52
2. Unknown 32:39
3. Untitled 10:58
Improvised Music
Jazz
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Collective Free Improvsation
NY Downtown & Metropolitan Jazz/Improv
London & UK Improv & Related Scenes
Recordings featuring brass instruments - trumpets, trombones, tubas, other horns
Percussion & Drums
Duo Recordings
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Nate Wooley
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Listen! Foundation (Fundacja Sluchaj!).