An epic journey in free vocal improvised music from the trio of vocalist Anna Gadt with Zbigniew Chojnacki on accordion & live electronics and Krzysztof Gradziuk on drums, performing live in the studio in Nieport, Poland, with arrangements, deconstructions and original music by Anna Gadt, along with the theme from "Monumentum pro Gesualdo" by Igor Stravinski.

A series of real-time improvised performances from Athens, Georgia guitarist Killick Hinds, made with strings and occasional computer augmentation, an album he describes as to date his fullest expression of the Appalachian Trance Metal/Piedmont Shaman Rock concept that he has been developing for years, these works inspired by Zaila Avant-garde, Paolo Angeli and Bali.

Using piano, synthesizer, electronic feedback, field recordings and amplified objects, sound artist Andrea Parkins' long-cycle installation composition explores time and space in an 8-channel, multi-room work designed so that adjacent acoustical spaces respond to each other, creating shifting and unexpected sonic juxtapositions; CD package include a link to "The Third Room".

The collaboration of saxophonist Yedo Gibson and Vasco Trilla, heard as a duo on Multikulti Project and together in projects released on Emanem, NoBusiness and Creative Sources, are heard in this second Fish Wool trio album with trumpeter Susana Santos Silva, a uniquely voiced band of two horns and versatile percussion, captured live at the 24th Jazz Cerkno in 2018.

Captured at the 2015 Lublin Jazz Festival, the collective trio of Gerard Lebik on tenor saxophone, John Edwards on double bass and Paul Lovens on drums performed a seamless extended improvisation that was divided by index in post-production as parts A through D, but which should be listened to in a single sitting to appreciate their sublime interplay.

Meeting regularly since 2018, these three Luzern, Switzerland improvisers have developed a shared language of collective creative improv, the best known of the three being drummer & percussionist Gerry Hemingway working with two younger generation musicians, acoustic & electric guitarist Florestan Berset and vocalist Vera Baumann, here in their first wonderfully paced album.

With a history of both improvisation and rock, NY saxophonist and sound artist (Creature Automatic, Love As Laughter) concentrates on the sopranino saxophone in this solo album, performing acoustic feats of impressive technical skill, and on many tracks performing with tuning forks and live electronics, sequenced in a compelling journey of contrasts and wonder.

A joint release between Astral Spirts and Relative Pitch, guitarist Ava Mendoza conjures five assertive and rugged "spells" performed on solo electric guitar, passionate works of raw technical skill and bold power as she improvises over two songs composed by herself, alongside pieces written for her from Devin Hoff, Trevor Dunn and John Dikeman.

Chicago spiritual jazz shaman, drummer/percussionist Kahil El'Zabar, leads a quartet of younger generation musicians--Corey Wilkes (trumpet), Justin Dillard (keyboards), Isaiah Collier (saxophone)--through a set of seven original compositions, plus Coltrane's "Resolution"; warmly soulful grooves intended as the healing force so needed in the context of this album's era.

Chaos Magick, composer John Zorn's quartet with Brian Marsella on Fender Rhodes, piano & Mellotron, John Medeski on organ, Kenny Grohowski on drums and Matt Hollenberg on guitar, merge contemporary classical with jazz, funk, rock, blues, film soundtrack, and noise improvisation on a journey of 9 compositional Cantos into Orpheus' ninth concentric Circle of Hell.

This year's An Ayler Xmas is the 5th in the series from saxophonist Mars Williams, mashing holiday classics with works by saxophonist Albert Ayler, with the amazing sextet of Josh Berman on cornet, Jim Baker on piano, viola & Arp Synth, Brian Sandstrom on bass, guitar & trumpet, Steve Hunt on drums, Peter Maunu on violin and Kent Kessler or Krzysztof Pabian on bass.

Each track named for the instruments used (aquaspring, overtone triangles, metronome & blowing tube, &c.) and inspired by a book from Elias Canetti, Spanish percussionist Vasco Trilla's creative improvisations reflect on the phrase: "every completely unknown language is a kind of acoustic mask; as soon as one learns it, it becomes a face, understandable and soon familiar."

Bringing to life the story of an event that changed the course of Finland's 1918 civil war, taking listeners on a narrative journey of haunting beauty and power presented through a layering of chamber composition and improvisation, from the duo of Pepa Paivinen performing on flutes, woodwinds & Seagull Merlin dulcimer and drummer/percussionist Jussi Miettola.

Given the chance to perform in the dark fresco-covered room of the Emmanuel Vigeland Mausoleum and museum in Oslo, Norway, guitarist Ed Petterson brought his 8-string Weissenborn guitar, various keyboards and a modular synth, using the pensive atmosphere of the location to trace spacious and exploratory works through 15 varied and succinct improvisations.

The core quartet of Gulfh of Berlin — Gebhard Ullmann on tenor saxophone & bass clarinet, Gerhard Gschlossl on trombone & sousaphone, Johannes Fink on double bass & cello and Jan Leipnitz on drums & objects — are heard in the studio with guest Michael Haves providing live sound processing, expanding the sound of Gulfh's innovative sound-sculpting avant jazz

The first installment in a new series from Alva Noto, aka Carsten Nicola, bringing together heterogeneous composition methods that aim to merge astrophysics phenomena, fiction, and performance movements, inspired by cinematic visual techniques and static images portraying scientific events; includes graphic inserts of notations informed by the album's sonic and acoustic code.

The sophomore release from this Norwegian instrumental rock band, with all members of the quartet coming from an improvisation/jazz background that fuels their diverse interests in the rock format, from blistering runs, dark blues grooves and even a nod to Swedish folk jazz; a dynamic album of great technical playing but more importantly, a strong commitment to rock.

A tribute to legendary audio engineer George Belle (1948-2019) who worked with a who's who including Horace Tapscott, Jimmy Smith, Gene Rodenberry, &c., in a set of compositions from Mal Waldron, Albert Heath, Herbie Nichols plus original work from leader James Bennigton, saxophonist Dustin Laurenzi, saxophonist James Cook, and group improvisations.

Chicago drummer and composer Jimmy Bennington is heard live at Andy's Jazz Club in 2018 in a solid straight-ahead set with his Colour and Sound sextet of Fred Jackson, Jr. on alto & soprano saxophones, Artie Black on tenor saxophone, Dustin Laurenzi on tenor saxophone, Dan Pierson on piano, Mike Harmon on bass, with compositions from band members and arrangments from Bennington.

Thematic improvisations pairing synthetic sounds and effects with acoustic bass, sax and drums, recorded in the studio by the Chicago quartet of Jimmy Bennington on drums & percussion, Phil Hunger on synth, guitar & effects, Dvi Priest on acoustic bass & effects, Brian Seyler on tenor saxophone, augmented by field recording from a Syrian marketplace, Jackals and Hyenas.

Wandelweiser composer and performer Antoine Beuger reflects, or more correctly, laments, in nine solo vocal works of profound emotional depth, utterances first on the dearth of time and the vicissitudes and intersections we face; then on mourning and grief, a requiem that extolls the listener to use our voice to confront sadness that we may gain strength from it.

Excerpting part of an eight-hour performance recorded over an amplified live environment of a text score for two pianists using one piano, each positioned at the opposite registers of the piano, one player creating a block of note phrases using intervals of a 2nd or 3rd with each note allowed to decay before the next, repeated by the other player following a set of rules.

The second of two volumes from legendary Downtown NY pianist Cooper-Moore and saxophonist Stephen Gauci, recorded after a seven-month residency at Happylucky No. 1 Gallery in Brooklyn, allowing the two players to develop a natural dialog of unique and idiosyncratic approaches to their instruments, resulting in these seven solid recordings freely improvised in the studio.

Variations of a score incorporated within a choreographic performance presented at the Archeological Museum of Thessaloniki in 2019 from the Greek experimental band Eventless Plot, the core trio of Vasilis Liolios (psaltery & bow), Yiannis Tsirikoglou (electronics) and Aris Giatas (analog synth) extended with Chris Cundy (bass clarinet), Nefeli Sani (piano) and Eva Matsigou (flute).

"Trios" refers to the relationship of two keyboards and the pedals of an organ, as performed by accomplished American composer Carson Cooman as he patiently unfolds Eva-Maria Houben's three minimal compositions exploring the relationships between three melodic lines or three-tone chords, presented on the Organ Probsteikirche St. Ludgerus, in Billerbeck, Germany.

A series of eight "voices" for piano, extended minimal works slowly unfolding in the performance of composer Carlo Inderhees' "8 stimmen" composition for solo piano, expressed by Guy Vandromme as the piece answers the questions "what is music made of?" with the word "voices: a sequence of sounds and silences, with its own consistency".

Four compositions for strings from German composer Hannes Lingens, including the three-part "Triptych" work performed by the Ensemble CoÔ, a septet directed by bassist Félicie Bazelair that emphasizes bowed strings; and two solo works performed by Bazelair: "Methods and Materials" & "Solo for String Instruments" employing advanced approaches to the double bass.

Since 2017 the father/son duo of double bassist Michael Formanek and woodwind player Peter Formanek have performed, recorded and toured together, here recording in the studio in 2019 with the wind player on tenor saxophone and clarinet, the familial history and life of collaboration showing in the warmth and easy discourse between the two, heard in 13 succinct improvisations.

Two renditions of two sound works from Massachusetts composer currently based in NYC, Eli Neuman-Hammond, both pieces using slide whistles in scores for multiple performers, captured in the open air in Ridgewood, NY, Washington Square Park, and in Marblehead, MA, each performance a minimal configuration that varies the fingerings or breathwork of the performers.

Norwegian composer Fredrik Rasten, a guitarist who himself has recorded pieces by pianist/composer Johan Lindvall, sees Lindvall beautifully perform 15 of his works for solo equal tempered piano, minimal pieces developed under the influence of Debussy and Bartok's Mikrokosmos compositions along with adaptations of his own microtonal/just intonation work.

A collaboration with German soprano vocalist Irene Kurka from London-born composer currently working in China, Toby Charles Roundell, seven works for unaccompanied solo voice, who have worked for several years exploring psalms, antiphons and books from the minor prophets, in seven contemplative works of spiritual, resonant vocal progressions.

The third solo saxophone record from Brooklyn improviser Josh Sinton, and his first recorded solely on the baritone saxophone, an instrument for which Sinton explains he has dedicated half his life, heard in this remarkably diverse set on the lower horn that he approaches lyrically, technically, emotionally and with startling singularity.

Concentrating on the lower reeds, baritone saxophone and bass clarinetist Josh Sinton's Predicate Trio brings the best of New York's Downtown improv scene through drummer Tom Rainey and cellist Christopher Hoffman, the album opening with a submerged baritone solo leading to seven original Sinton compositions and two uniquely mischievous and informed collective improvisations.

Originally recorded in 2005 for a small 100-copy release, the single extended track on Mahogany Rain offers an hour of mesmerizing improvisational sound, sparsely composed and deeply experimental and performed by Keith Tippett on piano & percussion, Julie Tippetts on xylophone & voice, Philip Gibbs on guitars, and Paul Dunmall on soprano & tenor saxophones.

Four unique interpretations of David Henri Thoreau's essay "Walking", "a transcendental essay that analyzes the relationship between man and nature, trying to find a balance between society and our raw animal nature." (Wikipedia), performed by Antoine Beuger, Marianne Schuppe, Stefan Thut, Sylvia Alexandra Schimag and Marie-Cecile Reber.

Using a metasynth, a software instrument that allows the user to draw or paint music, and a photograph of a small tree observed at a former train station in the German town of Kranenbur, composer Florian Wittenburg generates complex sound structures from the simple structures of the tree's branches used as a template for four rich sonic sketches.

Four mysteriously untitled and extended works of electronics subtitled Impressions From the Next Era, using feedback, aberrant sound, glitch, rich synthetics, bi-directional sound and indescribable sonic sources to fuel David Lee Myer's latest in his long-running and essential listening project Arcane Device; shimmering, inscrutable, and awe-inspiring.

Dovetailing and combining the rich harmonics of Michel Doneda's soprano and sopranino saxophone with Pascal Battus' rotating surfaces--mechanisms from small consumer electronics and their like put in motion and in contact with resonators and vibrators--this French improvising duo create fascinatingly shifting, unusual textures and sonic environments.

An overlooked chapter in Ornette Coleman's recording career, these two Blue Note albums recorded in NY in 1968 and issued in '68 & '71 feature the innovative alto saxophonist joined by West Coast tenor saxophonist recently moved to NYC, Dewey Redman, and Coltrane sidemen, drummer Elvin Jones & bassist Jimmy Garrison, for two sessions of inventive and accomplished free jazz.

An extraordinary solo double bass set recorded at Saint-Jacques church of Cales, Lot, France in 2021 as part of the Souillac en Jazz festival from Joëlle Léandre, reaching into the depths for an incomparable and intensely concentrated display of technical skill and passion on the deep strings; captivating, visceral and cathartic.

The darker side of David Lee Myer's Arcane Device project, six lettered works from his Noisewall Sessions 2020-2021, using feedback and controlled glitch, delicate noise and drone in long-form extended improvisations; six incredible sonic journeys, each copy of the 2-CD album a in an individual and numbered monoprint package, each copy unique from the other.

Originally released in 1964 on The Sonet label as Volumes 1 & 2, this CD remasters this exceptional 1963 concert of original material and pieces by Ornette & Monk, complete in sequence as performed at Jazzhaus Montmarte in Copenhagen with Archie Shepp on tenor saxophone, Don Cherry on cornet, John Tchicai on alto saxophone, Don Moore on double bass and J.C. Moses on drums.

An intense concert of collective European Free Jazz in two extended improvisations recorded at naTo in Leipzig, German in 2019 from the quintet of Peter Brotzmann on tenor saxophone, clarinet & tarogato, Oliver Schwerdt on grand piano, percussion & little instruments, John Edwards and John Eckhardt on double bass, and Christian Lillinger on drums & percussion.

Alarmed by the warning signs of social deterioration, political overreach and planetary damage warning of an imminent need for revolutionary change, composer and sound artist Michael Pisaro-Liu sought and plundered references in sound from historic and current sources, producing 53 tracks that are arranged to tell a story in a mosaic form; an incredible achievement.

Three distinct compositions from the collaborative work of sound artists Vanessa Rossetto and Lionel Marchetti, the first a wonderfully complex work of musique concrète and acousmatic sources guided by the composers' instincts; "The Tower" expands their concepts through the addition of 18 voices, while the final track features the violin of Anouck Genthon.

The second collaboration between pianist Sylvie Courvoisier and guitarist Mary Halvorson, six years after Crop Circles and a product of their tours together and the result of their both writing compositions specifically for their duo project, showing a level of communication that allows incredible inventiveness and moments of poignant exchange; exceptional.

Essentially a piano trio, Portuguese pianist and composer Leo Genovese leads his trio with Demian Cabaud on bass and renowned drummer Jeff Williams (Lookout Farm, Dave Liebman), also joined by Argentinian vocalist Nadia Larcheron for four pieces, Genovese's compositions using interesting structures that balance warmly lyrical and experimental approaches to modern jazz.

A document of bassoonist Sara Shoenbeck's collaborations recorded between 2019-2021 in recording studios across North America, showing the inspired curiosity she brings to improvisation through a diverse set of duos performed with Harris Eisenstadt, Nicole Mitchell, Nels Cline, Roscoe Mitchell, Matt Mitchell, Mark Dresser, Wayne Horvitz, Peggy Lee and Robin Holcomb.

Drummer and composer Chess Smith in a 2-CD set of pieces merging jazz and traditional vodou rhythms, the band featuring Matt Mitchell (piano), Miguel Zenón (saxophone), Nick Dunston (bass), Sirene Dantor Rene (lead vocals), with Daniel Brevil, Markus Schwartz and Fanfan Jean-Guy Rene all on Haitian tanbou drums & vocals, released in a hardshell box with booklets.

A 2nd season from composer, improviser & bassist William Parker, after his 2000 Thirsty Ear release Painter's Spring, this new trio album with drummer Hamid Drake, wind player Daniel Carter performing on trumpet, flute and reeds, and Parker himself on bass, trombonium & shakuhachi, paint the season with sound as they celebrate the winter through visionary jazz music.

New York free jazz master bassist and composer in his first electric guitar trio album as a leader, performed with the innovatively inventive and solid rhythms of Gerald Cleaver on drums and the blazing deep blues work Ava Mendoza on electric guitar, presented as part of Parker's Tone World chronicle of instrumental suites, here following Sun Ra's Space Way.

Named after an Ornette Coleman composition from his album of the same name, alto saxophonist Tim Berne leads his duel-saxophone quartet with Chris Speed on tenor saxophone and the rhythm section from The Bad Plus, drummer Dave King and bassist Reid Anderson, through twelve melodic free jazz works honoring the legacy of Coleman, Redman, Haden & Hemphill.

An exemplary collective piano trio from Stephan Crump on acoustic bass, Kris Davis on piano and Eric McPherson on drums, their 2nd album as Borderlands Trio, recording in the studio for four exceptional, extended improvisations with an innate sense of lyricism and free flowing exchange of confident interaction, developing elegantly warm grooves and melodic progressions; beautiful.

The 4th album from saxophonist & bass clarinetist Silke Ebherard with her long-running powerhouse trio of Jan Roder on bass and Kay Lübke on drums, presenting all Eberhard compositions showing her strong writing voice under the influence of jazz greats like Dolphy, Mingus and Coleman, through nine well-balanced pieces from bluesy introspection to burning freedom.

Two decades after his last solo album, Michael Formanek returned to the studio to record these nine solo bass improvisations, each a profound spontaneous composition realizing structures and melodic development that incorporate journeys from abstraction into logical narrative territory as we follow the muse of a one of modern jazz' greatest bassists.

Taking his Bay Area trio with bassist Jason Hoopes and drummer Jordan Glenn on the "Road", guitarist and improviser Fred Frith first presents the trio itself in a wonderfully diverse extended set at the Week-End Fest in Koln, Germany; then invites trumpeter Susana Santos Silva at Old Cabell Hall in University of Virginia; and then saxophonist Lotte Anker at Altes Kino in Ebersberg, Germany.

With a clarity in both improvising and in composing, NY tenor saxophonist James Brandon Lewis' second album with the rock solid quartet of Aruan Ortiz on piano, Brad Jones on bass and Chad Taylor on drums further explores his concepts of Molecular systematic music through powerfully solid compositions that lead to both lyrical and ardent soloing; exceptional.

This 1995 double CD presents the London Jazz Composer's Orchestra 1987 performances at Rote Fabrik, in Zurich, Switzerland and at the 1988 Taktlos-Festival, in a large ensemble that included Barre Philips, Dave Holland, Paul Lytton, Tony Oxley, Howard Riley, Evan Parker, Paul Dunmall, Trevor Watts, Paul Rutherford, Radu Malfatti, Jon Corbett, Phillip Wachsmann, &c.

After a series of performances in Europe in 2020, the duo of German saxophonist Angelika Niescier (Angelika Niescier sublim) and British pianist Alexander Hawkins recorded this passionately charged and intimate duo at the Loft in Koln, Germany, finding the two in a high-speed dance of weaving notes and ardent expression, a brilliant set from two virtuoso players.

Perhaps one of the most complex piano trios active, Punkt.vrt.Plastik--Kaja Draksler on two different upright pianos, Petter Eldh on bass and Christian Lillinger on drums--explore unusual rhythmic approaches to jazz in exciting exchanges that fracture melody with rapidly veering impulse, always pulling back to reveal the mastery of their inventive playing.

A collection of jazz standards performed with a modern approach to free playing, updating these essential melodies for the 21st century while adhering to their original warmth, from drummer Tom Rainey's exceptional New York Obligatto band of Ingrid Laubrock on saxophones, Ralph Alessi on trumpet, Drew Gress on bass, and Jacob Sacks on piano.

Having performed together a number of times in festivals both in Europe and Chicago, the duo of drummer Hamid Drake and pianist Irene Schweizer reveals the familiarity and confidence their history brings to their improvisations, both in intense exchanges and playful melodic passages, as heard in this exemplary 2019 concert at Jazzgallery, in Nickelsdorf, Austria.

An absolutely impressive album of solo clarinet improvisations from reedist Chris Speed, known well for his saxophone work, here he displays inventive and implicitly lyrical approaches to this challenging reed instrument through great discipline, tone & technical skill as he presents succinct works inspired by John Coltrane, Julius Hemphill, Eric Dolphy and Paul Motion, &c.

Informed by the traditions of creative jazz; an interest in unusual time signatures; the music of Hinudstani and Brazil; through drummer Dan Weiss the influence of Indian Classical music; through Steve Coleman and Five Element compatriot, guitarist Miles Ozaki, an urban electric edge; making for an album both technically interesting and musically absolutely rewarding.

As part of NY composer, guitarist, bassist, saxophonist and electroacoustic artist Elliott Sharp's 70th birthday observation he performed a series of concerts under the moniker "E#@70", initiating the series with this remarkable concert at Roulette, premiering 4 new works performed by his SysOrk ensemble, dedicated to performing Sharp's algorithmic scores, graphic notation and conductions.

Featuring two pianists--Judith Wegmann and Marlies Debacker--and two percussionists--Lukas Briner and Nicolas Wolf (a duo who play concerts in the dark under the name of Night Shadow Noise)--in collective improvisations of two pianists or as a quartet of duel pianists and drummers, for seven exciting and sophisticated recordings of instant composition.

Never-before released recordings of tenor saxophonist Albert Ayler's 1966 band recording in his home town of Cleveland at club La Cave, recorded over two nights in a superb sextet with brother Donald on trumpet, Frank Wright on tenor sax, Michel Samson on violin, Clyde Shy on double bass and Ronald Shannon Jackson on drums, performing Ayler's compositions and Don Cherry's "D.C.".

Recorded in 2021, one of late New York bassist Mario Pavone's final studio albums sees the composer extending his Direct Trio of pianist Matt Mitchell and drummer Tyshawn Sorey with trumpeter Dave Ballou, a longtime collaborator who brings an additional level of lyrical excitement and sophistication to the group's work, in 9 substantial compositions and collective works.

An upbeat and energetic album of modern creative jazz compositions from Cuban-American saxophonist, woodwind player, and composer/improviser David Leon, leading his Aire De Agua with Sonya Belaya on piano, Florian Herzog on bass and Stephen Boegehold on drums, performing Leon's intricate compositions that elucidate each player's voice and great skill.

In a study of memory and the way we alter or prioritize what we remember, NY guitarist Wendy Eisenberg composed this intimately personal long form text score in four movements to be memorized and then performed using the nonlinear randomness of recollection, recorded in two performances at Firehouse 12 in 2019, once on acoustic guitar and once on banjo.

As on their prior album Q, the Nordic Krokofant free improvising jazz/rock trio of Axel Skalstad on drums & vibes, Tom Hasslan on guitar and Jorgen Mathisen on saxophone are joined by bassist Ingebrigt Haker-Flaten (The Thing) and Stale Storlokken (Elephant9, Supersilent), cementing their lineup as they forge adventurous and spectacular playing on this Fifth album.

Recorded on the 7th of 8 concerts in a tour with the electroacoustic-improvising trio of Jason Kahn on percussion & electronics, Greg Davis on percussion & electronics and Jon Mueller on percussion & tape, an exemplary performance of close listening, highly textured and evolving ea-improv, each motion subtle and contributing to a richly diverse journey.

Known for his ensemble The Big Machine with Peter Evans, Carlos Homs, &c., NYC saxophonist Aaron Burnett steps out for a solo album of intense improvisatory exploration, demonstrating his background in classical saxophone studies that fuels an ardent intensity in personal expression, a tremendous balance between technique and passion.

Extending her interest in new forms for the solo viola, augmented by effects and voice, New York composer and improviser Jessica Pavone's fourth solo album of composed viola pieces is the result of years of concentrated long tone practice and an interest in repetition, song form and sympathetic vibration, a uniquely, sometimes quirky, and compelling album.

The second release from the New York-based OGJB Quartet of Oliver Lake on alto saxophone, Graham Haynes on cornet & electronics, Joe Fonda on double bass and Barry Altschul on drums & percussion, an exceptional band of masterful and legendary improvisers each contributing compositions for the album along with two collective improvisations; solid and superb.

Focusing on two collective improvisations for pianist Cecil Taylor, three renowned improvisers who worked with Taylor in his groups and ensembles--drummer Andrew Cyrille, double bassist William Parker and flugelhornist Enrico Rava--each bring original compositions alongside one jazz standard to this well-balanced album of consummate, creative jazz.

The first of two planned volumes from the quartet of John Dikeman on tenor saxophone, Pat Thomas on piano, John Edwards on bass and Steve Noble on drums, bringing the American saxophonist working throughout Europe together with this nearly telepathic collaborative grouping of UK frequent collaborators, captured in concert at Cafe OTO in 2019 for two absorbing improvisations.

Solo bass from acoustic and electroacoustic artist JC Jones, a distillation of his language in free improvised music incorporating electronic sound and noise.

Solo saxophone recordings from Israeli artists Ariel Shibolet, performing at Berlins Total Music Meeting in 2007, joyful and complex work in the vein of Evan Parker.

A series of duo improvisation between long-time Downtown NY collaborators, alto saxophonist John Zorn and electric bassist Bill Laswell, recorded in the studio during pandemic lockdown and the first return for Zorn to the saxophone after 15 months, in a uniquely thoughtful set of recordings named for artists including Brion Gysin, W.S. Burroughs, Alejandro Jodorowsky, &c.

John Zorn remakes his Masada Quartet with the new quartet of Kenny Wollesen on drums, Julian Lage on guitar, Jorge Roeder on bass, and the leader and composer himself on alto saxophone, the band having honed the elements of the Masada Songbook through live performance in NYC since 2019, here captured in Bill Laswell's studio in 2021 for 8 lyrically ecstatic recordings.

Dedicated to Chicago trumpeter Rob Mazurek's late father Henry Mazurek Sr., this is the second outing for Mazurek's outstanding quartet with Kris Davis on piano, Ingebrigt Haker Flaten on double bass and Chad Taylor on drums, Mazurek also on bells & electronics, the compositions presented as a suite in a moving tribute to the strengths and attributes his father passed on.

Analogized to a form of poetry known as the Projective Verse, Chicago trumpeter Rob Mazurek propels clarion exclamation and contemplation on the piccolo trumpet through eleven improvisations utilizing the natural resonance of each room that he performs in, captured in True Stereo through dual microphones resulting in this remarkable solo album.

Driven by a passionate intensity, this first meeting of drummer Tatsuya Yoshida (Ruins, Korekyojinn, Koenji Hyakkei, &c) and pianist Dario Suga at 7th Floor in Shibuya, Japan begins at high speed, the sheer technical brilliance of both players dazzling, their unbridled energy eventually yielding to passages of introspection that recur to fervor and fraternity; exceptional!

Borbetomagus's screaming 1986 live recording from Allentown, PA, revived from its cassette only obscurity, adding the entire second set, never previously released.