The Suspensao octet are heard in this live performance at SMUP, in Parede, Portugal in 2023, blending primarily acoustic instruments with electric guitar and analog synth, using a reductionist approach to highly concentrative and suspenseful free improvisation, their long-running collective history allowing an impressive level of articulation and control through the integration of diverse voices.

A string quartet of doubled cello and viola, recording in the studio in Berlin in 2018, as free improving innovators, Creative Sources cellist and violist Guilherme Rodrigues and Ernesto Rodrigues, meet contemporary compositional and improvising cellist and violist Hui-Chu Lin and Marie Takahashi, their complementary approaches bringing unique voices to a captivating encounter.

Six "Segments" A to F of powerful restraint and extended technique, recorded at Ausland in Berlin, Germany from the free improvising quartet of Quentin Tolimieri on piano, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Fyodor Stepanov on double bass, the close associations between the Rodrigues' and Tolimieri & Stepanov evident through their shared aesthetic.

The duo of Carlos Santos and Jorge Valente developed this project around the metallics of a cymbal, recording it and digitally manipulating and transforming it into a musical structure using the maxmsp programming; this recording was captured live at the Hertzoscopio Festival in Fabrica da Polvora, Barcarena, Portugal in 2004.

"The opening moments of "Stream of Consciousness"are disorienting. Awash in reverb, as in an empty warehouse or a bounded public square, Maria Radich's vocals mingle with those of an audience of unknown size. Camera shutters click, men ...

"As always, the geometry is of the n-dimensional sort. The number of dimensions that vary is impressive: membership, instrumentation, location, duration, and so on. Certainly, the overall shape of each VGO performance is highly variable...

A dynamic and exciting concert captured during the 2018 CreativeFest XII of a conduction by Ernesto Rodrigues leading an ensemble of 28 free improvisors performing on a mix of traditional acoustic & modern electronic instruments, plus a toy piano, with powerful wind & string sections, as Rodrigues directs the musicians into both passionate and peaceful sections.

A 46-member orchestra of electroacoustic improvisers performing live at St. George's Church in Lisbon in 2015, for an extended and dynamic tapestry of sound conducted by leader Ernesto Rodrigues, with an impressive list of artists familiar to those following the CS label.

Buenos Aires double bassist Pablo Vazquez presents nine solo improvisations using an impressive and diverse set of approaches to the instrument, utilizing every inch of the bass to evoke the supernatural beings of Argentine popular culture, in an imaginative approach to sonic narrative that demonstrates powerful control and masterful technique.

Thirteen emphatic "rituals" from the Argentinian duo of saxophonist Hernan Sama, recording in the studio as they employ an array of techniques including extended bowing and plucking approaches, saxophone smears, growls, vocal utterances, odd reed techniques, &c, to engage their listener's ears as they unfold dialog that merges jazz forms and fully free improvisation.

"The jazz is not always subject to their premises. Even the breaks in their future creative. The jazz in the present century, taking the legacy of its past vanguard�stico, welcomes new resources, other parameters as technical and musica...

The Virtual Balboa trio of Philadelphia improvisers Zachary Darrup on guitar, Evan Lipson on double bass and Ben Bennett on percussion, all performers associated with Spring Garden Music & saxophonist Jack Wright, are joined by open-form trumpeter Greg Kelley for this wonderfully scrabbly and tenacious live set captured at Vermillion in Seattle in 2019.

Four voices--Norbert Zajac, Brigitte Kupper, Gala Hummel, Iouri Grankin--sing and speak over the piano work of Russian improviser Andrei Razin in a moody and often startling album that set tonal environments or disorient the listener through constrasting layers of vocalization, as Razin darts among them or sets an atmosphere of lingering tones; often curious, frequently stunning.

Violinist, improviser, songwriter and composer from Thessaloniki, Greece, Dimos Vryzas creates a virtual electroacoustic ensemble using violin, voice and effects, contrasting acoustic and electronic sounds in the search for music expression, his studies with Fred Frith and Alfred Zimmerlin a good indicator of the kind of sound approach Vryzas employs.

The long-standing duo of trumpeter Birgit Uhler, also on radio, speaker & objects, and free improvising vocalist Ute Wasserman, in an album of 8 unbelievable improvisations of a unique and sometimes bizarre character, holding one's attention from its outlandish nature--superb!

A live recording without an audience and the start of the Welcome To Silkeborg project between Lisbon improvisers Tiago Varela (Equinox Quartet, Isotope Ensemble) on melodicas & voice, and Monsieur Trinité (Equinox Quartet, IKB, Potlatch, Variable Geometry Orchestra) on percussive objects, their first encounter finding the two in a relaxed dialog of creative conversation.

With "fragments of alien melodies, bizarre call-and-response activities, boiling liquids, airy perturbations, clusters", the electroacoustic improvising quartet of Markus Eichenberger on clarinet, Carl Ludwig Hubsch on tuba, Etienne Nillesen on extended snare drum and Philip Zoubek on synthesizer, focus their listeners on their remarkably turbulent and rich interactions.

An exceptional quartet of electroacoustic improvisers captured in concert at MUG Einstein Kultur in Munich, organized by the non-profit Offene Haken e.V. - Freunde der improvisierten Musik (Friends of improvised music), from Markus Eichenberger on clarinet, Carl Ludwig Hubsch on tuba, Philip Zoubek on synthesizer and Etienne Nillesen on extended snare drum.

Guitarist Ed Williams, active in the experimental music scene of Marseille, France, is heard here in two concerts presenting a triptych of solo performances on bowed classical and electric guitar, improvised with no effects, with two parts on electric guitar recorded at the concert series "Aux Soirs Du Chercheur De Noises", the 2nd, "Spectrum, NY" on classical guitar.

Swiss voice artist Isa Wiss with Marc Unternahrer on tuba in a surreal set of alphabetized improvisations in a Minton-esque mode with Unternahrer taking the tuba into untold territory.

"Minneapolis-born Hong Kong raised and Berlin-based guitar performer Eric Wong is the author of this amazing release on Portuguese label Creative Sources, named after the initial of each of the five pieces he collected here. Since the o...

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German vocalist Birgit Wunsch leads this improvising trio with Edith Steyer on clarinet & saxophone and Alberto Cavenati on guitar, using abstract and atonal melodies in a chamber improvised setting for freely improvised voice, text and sound, crossing a sense of pop music with non-idiomatic improvisation of great technical and creative intent.

"5th January, 12th January, 19th January, 4th February of the year 2015 have a thin red line (or I'd rather say a black line, considering their color on a calendar). They occurred on Monday, the first five Mondays of that year to be pre...

Italian jazz trumpeter Flavio Zanuttini (Abbey Town Jazz Orchestra) in a solo album exploring the relationship between the primordial sensoriality and vision of the Underworld, conceived and presented through extended techniques and often peculiar approaches to the trumpet as he tells his unusual tale of epic times.

Croatian guitarist and electroacoustic musician Ame Zek in an album of electroacoustic improvisation using prepared guitars, acoustic percussions, self made objects, contact microphones, analog modular synthesizer, amplified feedback speakers, magnetic field microphones and digital midi machines; an album of raw, raspy, dark and dissonant sound.

An impressive highly interactive and extended improvisation focused mostly on strings, with label leader Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, plus Red Trio's Hernani Fasutino on double bass and legendary Portuguese violinist Carlo Zingaro, with Jose Oliveira adding active percussive interaction, captured live at the CreativeFest XIII in 2019.

Recorded live at Zaal 100 in Amsterdam in 2017, the quintet Zwerv — Raoul van der Weide, George Hadow, Henk Zwerver, Ziv Taubenfeld, and Luis Vicente — deliver five dynamic free improv explorations, balancing percussive guitar textures, driving rhythm section interplay, and vivid horn lines that channel both the European free improv tradition and the spirited edge of Dolphy-inspired jazz.

The debut for this acoustic free improvising Amsterdam trio of Ziv Taubenfeld on bass clarinet, Henk Zwerver on guitar, and Maya Felixbrodt on viola, in a set of abstract improvisations of an active nature using unorthodox and extended techniques, with an upbeat sense of excitement and enthusiasm that allows for solo forays amongst great collective discourse.

Cellist Khabat Abas and violist Ivor Kallin engage in a taut, exploratory duo dialogue built from extended techniques, fractured vocalizations, and deliberate use of space, where cantankerous textures, unconventional pacing, and carefully placed silences shape a curiously absorbing improvisation that balances raw intensity with focused restraint.

Steve Beresford on prepared piano, electronics, & objects joins Pierpaolo Martino on double bass & electronics and Mark Sanders on drums for a fiercely interactive trio set of elastic rhythms and textured harmony, balancing grounded resonance with agile percussion and playful disruption, recorded at the 2024 Bari in Jazz Festival in sharply conversational, risk-embracing improvisation.

Active in various formats since 2005 when The London Musicians' Collective commissioned the ensemble from electric harpist Rhodri Davies, this album with John Butcher (sax & amplifier) and Lee Patterson on amplified devices is surprisingly their first release.

Improvisations recorded at various locations in Manchester between 2022 and 2023 bring together Francis Comyn's texturally driven percussion and Adam Fairhall's prepared electric and toy pianos in nine alloy-titled pieces that explore resonance, metallic timbre, and shifting rhythmic tension, resulting in a concise yet richly detailed dialog of tactile free improvisation balancing restraint, density, and finely tuned sonic interaction.

+DOG+ constructs sprawling, immersive noise landscapes across four extended pieces that juxtapose dense textural layering, dynamic distortion, and live improvisational intensity with shifting durations and visceral energy, capturing both studio-crafted depth and raw performance as the MA experimental project expands the boundaries of glitch-inflected sonic exploration and immersive audiovisual abstraction.

Uniting pianist Agustí Fernández, cornetist Artur Majewski, saxophonist Albert Cirera and drummer Ramon Prats, this fully free studio session unfolds across ten connected improvisations, weaving piano, brass, reeds and percussion into a responsive dialogue of shifting textures and momentum, from deep-listening introspection to ecstatic interaction, balancing risk and cohesion as compelling spontaneous composition.

The Berlin trio of Miako Klein (recorders), Magda Mayas (piano), and Biliana Voutchkova (violin, voice) further refine their fully improvised approach into an immersive sonic practice, where sustained textures, extended techniques, and collective restraint blur individual voices into a cohesive, ever-shifting sound world, captured at the Studio for Electroacoustic Music at the Akademie der Kunst in Berlin.

Operating under the Jaw Surgery moniker, Filipino noise artist Chester Masangya constructs a ritualized power-electronics work driven by distortion, breath, and deliberate restraint, where extended techniques, hostile pressure, and ceremonial pacing collide in a stark, uncompromising exploration of spiritual collapse, sonic violence, and meditative endurance at the outer limits of noise.

The third release from the trio of John Butcher, John Edwards and Mark Sanders captures a live performance in Lublin that unfolds across four extended improvisations, balancing explosive collective energy and deep listening restraint as saxophones, bass and percussion interweave in a fluid, highly responsive dialogue shaped by decades of shared experience within the UK and European free improv community.

Recorded live at BOTA in Lisbon, José Lencastre (alto and tenor saxophones), João Hasselberg (double bass, electronics), and Kresten Osgood (drums, voice) deliver an intensely interactive trio performance where volatile free-jazz momentum, sudden textural shifts, and Osgood's striking vocal presence fuel a restless, sharply focused improvisation built on risk and collective responsiveness.

Recorded live at the Alchemia Club in Krakow, Joe McPhee (reeds) and Steve Swell (trombone) join Mark Tokar (bass) and Klaus Kugel (drums) for a sharply interactive quartet session that moves from tight, prickling exchanges to wide-open collective surges, anchored by the twenty-eight-minute "Joy And Imagination Are Uncontainable."

Led by cellist Tomeka Reid, this longstanding quartet with Mary Halvorson on guitar, Jason Roebke on bass, and Tomas Fujiwara on drums delivers a rhythmically propulsive and structurally nimble set that balances grounded low-end drive with agile drumming, incisive guitar textures, and Reid's expressive counterpoint, channeling echoes of 1960s jazz while asserting an exuberant, and yes — danceable — release!

The 2nd REMEDY release unites the core trio of Thomas Heberer, Joe Fonda and Joe Hertenstein with trailblazing pianist Aki Takase in a quartet session balancing composed frameworks and collective improv, weaving trumpet, piano, bass, flute & percussion into a fluid, conversational interplay that blends structural clarity with spontaneity shaped by the shared history of Berlin's experimental jazz community.

Eleven detailed improvised conversations between Portuguese cellist living in Berlin Guilherme Rodrigues and Belgian guitarist Dirk Serries, employing powerful and unusual techniques on their instruments in dialogs that run the gamut from quiet or abstract interaction to rapid outbursts of challenging intercourse that mesh and diverge in unexpected ways.

Compact yet unpredictable electronic sound worlds that unfold through shifting textures, rhythmic abstraction, and dynamic synthesis, inviting listeners to embrace chance by playing the album on shuffle and discovering new interplay between evolving motifs, tactile synthesis, and subtle sonic gestures that balance thoughtful design with an open, exploratory spirit.

Experimental guitarist Fetusk and synthesist Steven Davis collaborate on a brooding electronic work where drones, processed guitars, beats, and field recordings merge into slowly evolving soundscapes, balancing industrial grit, ambient suspension, and textural density in a restrained, immersive exploration of atmosphere and transformation.

Vocalist and composer Anna Gadt joins the Warsaw Cello Quartet in a carefully balanced encounter between composed structure and improvisational expression, where layered cellos and an extended vocal presence explore contrast and convergence through restraint, silence, and a continuously shifting dialogue between sound and abstraction, captured live at Hashtag Lab, in Warszawa.

The duo of improvisers Stuart Wilding and Mike Adcock transform an array of percussion, prepared objects, piano and unconventional instruments into a playful yet deeply attentive dialogue of texture, shaped by the natural resonance of Whiteshill Village Hall, balancing spontaneity, humor and focused listening in an intimate exploration of improvised sound.

Recorded while double bassist Brandon Lopez was in Chicago, frequent collaborators from two generations--keyboardist Jim Baker on piano and Arp Synth and drummer/percussionist Bill Harris--joined together to record this live-in-the-studio album of highly interactive, explorative, propulsive and often cathartic free improvisation.

Expanding his In Cahoots quartet into a quintet with Ingrid Laubrock on tenor & soprano sax, composer Frank Gratkowski joins Philip Zoubek on piano & synthesizer, Robert Landfermann on bass, and Dominik Mahnig on drums to perform his fluid compositions that blur the line between writing and improvisation, weaving microtonal nuance, extended techniques with interactive interplay in an important contemporary jazz statement.

French trumpeter and flugelhornist Aymeric Avice joins D.C./NY/Chicago artists Luke Stewart on double bass & mbira and Chad Taylor on drums & mbira for a richly conversational trio session that moves from delicately textured mbira duets to expansive improvisations rooted in the evolving language of jazz, spontaneously blending lyrical elements into a deeply interactive and forward-looking album.

Inspired by Franklin D. Roosevelt's 1941 Four Freedoms speech, trumpeter Dave Douglas shapes a dynamic quartet with pianist Marta Warelis, bassist Nick Dunston, and drummer Joey Baron into a vivid exploration of democratic interplay, where bold themes, elastic swing, and sharply responsive improvisation reflect four independent voices negotiating space, tension, and joy in real time.

Bringing together the Rova Saxophone Group and the William Winant Percussion Group, Zorn's 1978 game piece Curling is realized in two Bay Area interpretations focused on sustained tones, restrained interaction, and subtle sonic collisions, transforming long-form minimalist gestures into hypnotic collective improvisations that explore the quietly unpredictable edges of his early compositional language.

Interpreting selections from John Zorn's expansive Bagatelles cycle, this quartet led by pianist Kris Davis brings together guitarist Mary Halvorson, bassist Drew Gress and drummer Kenny Wollesen in a fluid, richly expressive reading of Zorn�s compositions, balancing intricate written forms with lyrical improvisation while weaving delicate ensemble interplay and adventurous harmonic motion.

Marking a pivotal artistic evolution for saxophonist John O'Gallagher, this session draws on his deep study of John Coltrane and recent personal transitions to unite guitarist Ben Monder with master drummers Andrew Cyrille and Billy Hart in a fluid program of mostly first-take performances that balance composed structures and open improvisation through an organic, system-aware approach to free jazz expression.

Composed and led by cellist Ishmael Ali, this wide-ranging studio set moves between raw solo explorations, collaborative improvisations and groove-driven ensemble pieces, blending cello, voice and electronics with a multi-generational Chicago lineup to create an eclectic yet cohesive sound world that balances experimental risk, melodic intimacy and playful collective interaction.

Recorded live at Elastic Arts in Chicago, Double Helix Quartet finds Fred Jackson Jr., Ishmael Ali, Bill Harris and Avreeayl Ra in compact, highly responsive conversation, as alto saxophone, cello, drums and flute intersect in rhythmic propulsion, textural depth and incisive group invention, yielding a vivid, incisive document of Chicago-led collective improvisation.

Blurring genre boundaries with stream-of-consciousness spontaneity, vocalist Carol Genetti and string player Peter Maunu shape a richly textured, improvised duo of deconstructed voice, electronics and processed strings, as violin, guitar and mandolin intertwine with haunting vocal abstractions in cinematic, quick-shifting explorations that move from delicate sound studies to deranged noise gestures.

Fred Jackson, Edward Wilkerson Jr., Ishmael Ali, Jim Baker and Avreeayl Ra forge a dynamic quintet statement balancing methodical melody, relentless woodwind energy, subversive piano turns, resonant cello textures and inescapable rhythmic drive in a vivid document of Chicago collective improvisation, captured live at Chicago's Hungry Brain in 2022.

Emerging from a first-time meeting at the 2023 Catalytic Sound Festival in Chicago, pianist Erez Dessel convenes Ben Hall, Fred Jackson Jr., Mai Sugimoto and poet Marvin Tate for a volatile, story-driven set where probing vocals, twin woodwinds, driving drums and insistent piano collide in sharp-edged, quick-turn improvisations that balance chaos, lyricism and collective intensity in a gripping live debut.

Whisker — the Chicago duo of modular synthesist Ben Baker Billington and bassist Andrew Scott Young — expand their psychedelic, noise-forged language through collaborations with Chris Corsano, Lia Kohl and Norman W. Long, blending polyrhythmic free jazz propulsion, ambient cello-inflected drift and drum-machine-driven electronic abstraction into three high-voltage sessions.

Composed and conducted by Tyshawn Sorey, this expansive work presents a luminous, long-form meditation inspired by Morton Feldman's Rothko Chapel, blending voice, strings, keyboards and percussion into a deeply contemplative soundscape of spiritual fragments, sustained tonal color and quiet emotional intensity, realized by soloists Davóne Tines, Kim Kashkashian, Sarah Rothenberg, Steven Schick and the Houston Chamber Choir.

Classically trained yet bound by neither jazz nor tradition, Lao Dan joins master percussionist Vasco Trilla at Old Heaven Books in Shenzhen, China for a fiercely attuned duo where tenor saxophone, DIY and Chinese flutes meet textured drums and percussion in seven spontaneous explorations that shift from meditative restraint to high energy abstraction in a uniquely expressive statement of free improvisation.

Drawing from recordings made between 2000 and 2025 across Lithuania and Latvia, percussionist Arkady Gotesman assembles collaborators including Nate Wooley, Charles Gayle, Mark Sanders, Liudas Mockūnas, Martin Küchen and Ned Rothenberg for a focused set of duos, trios and solo works that trace three decades of chamber-improvised music shaped by fascinating structurs and a deep connection to Vilnius.

Recorded during the mid-1970s loft-jazz flowering at Studio Rivbea in New York City, this live session finds Oliver Lake leading a volatile ensemble with Baikida Carroll, Michael Gregory Jackson, Fred Hopkins, and drummers Phillip Wilson and Jerome Cooper, blending post-BAG urgency, searching improvisation, and sharp ensemble interplay into a raw, idealistic document of creative rebirth.

Balancing clarity with a free-thinking spirit, vibraphonist Bobby Naughton leads his trio with bassist Joe Fonda and drummer Randy Kaye through original works alongside compositions by Anthony Braxton and Carla Bley, captured live at Charlie's Tap in Cambridge, MA in 1985, where lucid melodies, bowed bass lyricism and pointed drumming converge in a poised set that affirms Naughton's singular voice.

Bringing together Ziv Taubenfeld on bass clarinet and gongs, Helena Espvall on cello, and João Sousa on drums, this trio release weaves restless plucked figures, plaintive bowing, and propulsive percussion into searching improvisations that move from hushed lyricism to surging intensity, evoking dreamlike visions, winged melodies, and the fragile beauty of a song discovered in the act of becoming.

Rooted in Afro-Caribbean rhythmic traditions yet intent on dismantling them, Tony Lugano and Frank Rosaly engage drums and electronics in a dense, dialogic exploration where traditional Caribbean patterns are fragmented into indiscernible matrices and charged sonic fields, transforming percussion into an act of cultural remembrance, resistance and deeply physical free improvisation.

The boisterous and wonderfully controlled Downtown NY trio of Zeena Parkins on electric harp & objects, Mette Rasmussen on alto saxophone & objects, and Ryan Sawyer on percussion burn through six free improvisations of enthusiastic drive and incredible interaction using "string, breath and bell, harp, horn and drum" in a great example of modern creative improv.

Inspired by Sol LeWitt's Incomplete Open Cubes, Bay Area duo B. — bassist Lisa Mezzacappa and drummer Jason Levis — translate the artist's serial logic into a system of modular compositions and improvisations, shaping asymmetrical grooves, bowed-bass textures and expanded drumset sonorities into a dynamic drums-and-bass dialogue that balances structural rigor with spontaneous interplay.

Recorded live at Crosstown Arts in Memphis in March 2024, this concert brought together Art Edmaiston, Chad Fowler, Ra Kalam Bob Moses, Damon Smith and Clifford "Pee Wee" Jackson for a spiritually charged free jazz session that channels a deep Southern lineage, blending blues-rooted intensity with fearless collective improvisation into a cohesive, dramatic and wholly spontaneous performance.

Inspired by the 1960s Mission Rebels youth movement founded by his father, Rev. Jesse James, Bay Area guitarist David James leads an ensemble of trombone, clarinet, viola, bass, drums and voices in a socially resonant instrumental and song suite that blends chamber textures and improvisation into a reflective, community-rooted work of memory and tribute.

Bassist and composer Lisa Mezzacappa leads her Bay Area 5(ish) ensemble — with Aaron Bennett, Kyle Bruckmann, Mark Clifford, Brett Carson, Jordan Glenn and guest Fred Frith — through a meticulously structured yet explosively improvisational suite blending Braxtonian processional lines, chamber-textured atmospheres and surging free interplay into a dynamic, "tight-loose" exploration of contemporary creative jazz.

The second edition of this essential box set corrects the recording date and resequences the performances, as the trio of guitarist Derek Bailey, saxophonist Evan Parker, and drummer/multi-instrumentalist Han Bennink are heard in an amazing evening of performance at 28 rue Dunois, in Paris, France, in duo and trio configurations, exploring material similar to Parker's "Topography of the Lungs".

A trans-continental mail collaboration between sound artists Adam Bohman and Gen Ken Montgomery, channeling their respective roots in experimental acoustic improvisation and sound art into a single continuous electroacoustic dialogue, blending tactile textures, violin, off-kilter spoken word and electronics in a fluid, open-ended exploration of experimental sound.

Recorded solo at Bruschini's Bru Note Studio in NYC (Jan-Feb 2008), this intimate set invites the listener into a "raw state" process of real-time composition, where construction/deconstruction cycles steer the guitar from groove and grit into textural free improv, revealing fresh techniques as motifs mutate, collapse, and re-form.

Multi-instrumentalist Daniel Carter — performing on saxophones, flute, trumpet, and piano — joins drummer Steve Hirsh for a patient and deeply attentive duo session, their freely unfolding improvisations balancing Carter�s lyrical horn explorations with Hirsh�s fluid rhythmic pulse, creating a spacious, quietly swinging dialog that moves between meditation and intuitive co-creation.

Uniting Norwegian guitarist Tore Elgarøy with American experimentalist Henry Kaiser, this collaborative set unfolds as a cosmic free improv dialogue of layered textures, electric shimmer, and exploratory interplay, blending ambient atmospheres with rock-tinged abstraction in a fluid, intuitive exchange that highlights both players' distinct voices and shared appetite for sonic adventure.

Barcelona quartet Parminter — bass clarinetist Nana Rovira, keyboardist Ivan Santa, bassist Carlos Rodenas, and drummer Alessandro Campobasso — deliver melodic, rhythmically agile free jazz that balances lyrical themes with eruptive improvisation, their bass clarinet and electric keyboard tandem shaping a vibrant sound colored by progressive jazz-rock textures and diverse influences.

Produced by Evan Parker and drawn from a shelved 1995 studio date, this first full release of the Kenny Wheeler Sextet captures the flugelhorn master at 65 balancing post-bop sophistication with open-ended improvisation alongside Ray Warleigh, Stan Sulzmann, John Parricelli, Chris Laurence and Tony Levin, in harmonically rich compositions that favor nuance, collective trust, and deeply lyricism.

The Leap Of Faith Orchestra sextet — core duo David Peck and Glynis Lomon with brass regulars John Fugarino and Bob Moores, bassist Scott Samenfeld, drummer Jared Seabrook, and Joel Simches on real-time signal processing — navigates a sweeping long-form free improv marked by deep ensemble rapport, extensive instrumental doubling, and a vast array of acoustic and electronic timbres that continuously transform across a broad, vividly articulated sonic palette.

Perturbations, pairing David Peck with engineer and electronic manipulator Joel Simches, presents its 10th set with a three-horn frontline of David Peck, Michael Caglianone, and John Fugarino, unfolding a spacious yet volatile free improv where frequent doubling across reeds, brass, percussion, and electronics meets Simches' real-time signal processing with textural disruption and transformation.

Inspired by fireflies, birds, and the flow of the Hudson River while living in Germantown, NY, Elliott Sharp developed these compositions using traditional, graphic, & conceptual scores, presented here in a collage of sessions featuring Sharp on reeds & strings with Anthony Coleman, Nate Wooley, Shayna Dulberger, Hao Jiang, Terry L. Greene, Don McKenzie, Terry L. Green II, Sara Salomon, and Judith Insell.

Turbulence — the horn-driven offshoot of the Leap Of Faith Orchestra led by PEK — convenes a trio of brass and reeds with John Fugarino and Bob Moores, powered by bassist Scott Samenfeld, drummer Jared Seabrook, for a dynamically shifting free improv that channels their Art Ensemble-inspired model into intricate counterpoint, dense textural layering, and expansive acoustic-electronic interplay.