A rich and spiritually resonant quintet featuring Christer Bothén, Mats Gustafsson, Goran Kajfeš, Juan Romero, and Kansan Zetterberg, drawing inspiration from Don Cherry's transcultural legacy as they weave meditative global grooves with donso n'goni, karignan, electronics, and deep improvisation into a vibrant and exploratory sonic journey.
Out of Stock
Reordered on 1/7/2026
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 3.00 units
Sample The Album:
Christer Bothen-donso n'goni, bass clarinet, contra bass clarinet, piano
Mats Gustafsson-tenor saxophone, flute, slide flute, Ab clarinet, live electronics, organ, harmonica
Goran Kajfes-trumpet, pocket trumpet, synth, electronics, percussion
Juan Romero-congas, berimbau and percussion
Torbjourn Zetterberg-bass, donso n'goni
Marianne NaLemwo-karignan
Click an artist name above to see in-stock items for that artist.
Insert with liner notes by John Corbett.
UPC: 4062548112061
Label: We Jazz
Catalog ID: WJCD 076CD
Squidco Product Code: 36188
Format: CD
Condition: New
Released: 2025
Country: Finland
Packaging: Cardboard Gatefold
Recorded at Studio Ingrid, in Stockholm, Sweden, by Gustav Lindelow.
"Cosmic Ear is a new group bringing together Christer Bothén, Mats Gustafsson, Goran Kajfeš, Kansan Zetterberg, and Juan Romero. Their debut album Traces is presented by We Jazz Records, including six deep cuts.
Traces is an album that sees Cosmic Ear tracking down the "traces" of the legendary Don Cherry's legacy while paving their own way in contemporary creative music expression. Christer Bothén, a collaborator with Don Cherry during his Swedish period in the 1970s, brings depth to the history of the band, while his bandmates each belong at the top of the game in Scandinavian jazz.
Their music is meditative and deep, much recommended for fans of the likes of Don Cherry, Alice Coltrane, and Pharoah. That being said, listeners should approach Cosmic Ear only with openness and curiosity, without set stylistic boundaries, as it's the group's natural flow and togetherness that brings their music into a fresh territory of their own.
As John Corbett writes in his liner notes:
"The Cosmic Ear. Five souls, sometimes six, on the same road. The pied piper path of Mr. Cherry. Christer Bothén, one of Cherry's main collaborators in his Swedish period and one of the most beautiful bass clarinetists on planet earth, together with next-gen saxophonist Mats Gustafsson, who has carried so many torches in Cherry's procession, and younger Swedish stars trumpeter Goran Kajfeš, bassist Kansan Zetterberg, and percussionist Juan Romero. Together a tempo is set, a path is charted.
There are global grooves. A berimbau, a karignan (metal scraper from Guinea), donso n'goni. There are ET grooves. Synth, live-electronics, slide flute. The globe is a glove, a hand warmer that radiates with extraterrestrial power, returning the fingers to their place at the center of the galaxy; the Cherry path is a balm that restores essential moisture to the lips that blow life back into the megacosm.
Let us all praise warm fingers and moist mouths."
-We Jazz
A donso n'goni is a six-stringed harp-like instrument from West Africa, specifically associated with the hunter societies of the Wassoulou region of Mali. It is also known as the "hunter's harp". The donso n'goni is used in ceremonial contexts, often accompanied by singing and the karagnan (a serrated metal tube scraped with a metal stick)
A karignan (also spelled karinyan, karignan, or karinyen) is a metal scraper idiophone traditionally used in West African music, especially in Guinea, Mali, and neighboring regions. It's typically made from a piece of metal or iron, often shaped like a rod or cylinder, and it's played by scraping it with a metal stick or rod (sometimes a knife or another piece of iron). The resulting sound is rhythmic and percussive, often sharp and shimmering, and it adds a textural, driving layer to traditional and contemporary African-influenced music.
In the context of Cosmic Ear, it's part of the broader palette of global percussion instruments that evoke Don Cherry's eclectic, boundary-crossing style.
Insert with liner notes by John Corbett.
Artist Biographies
• Show Bio for Christer Bothen "Christer Bothén born 1941 in Gothenburg, based in Stockholm, Sweden. Composer, musician and artist. His main instruments are bass clarinet, contrabass clarinet, donso n'goni and guimbri. Bothén spent 1971 - 72 in Mali, where he studied hunter's music and donso n'goni with master Broema Dombia in Bougouni, Wassoulut. In 1977 he took up gnawa music studies with master Maalem Abdellatif Elmakhzoumi in Marrakech, who he studied with until the master passed away in 2017. From 1970 onwards, Bothén collaborated with Don Cherry, and he also taught Cherry the donso n'goni. In 1980 Bothén started Bolon Bata, a band that toured intensively, performing Bothéns compositions. Its members included Bosse Skoglund, Marianne N'Lemvo and Ulf Lindén. Later the band became Bolon X, adding band members Morgan Ågren and Rafael Sida. From 1990 onwards, Bothén has continued leading his own groups, and has also collaborated frequently with multi-reedist Mats Gustafsson, performance artist and musician Sara Lundén and cornetist Goran Kajfeš." ^ Hide Bio for Christer Bothen • Show Bio for Mats Gustafsson ^ Hide Bio for Mats Gustafsson • Show Bio for Goran Kajfes "Goran Kajfes, born 22 June 1970 in Tyreso Assembly, is a Swedish trumpeter. Kajfeš is the son of Davor Kajfeš. Goran has worked with, among others, Eric Gadd, Stina Nordenstam, Fläskkvartetten, Kent, The Tiny, Bruno K. Öijer, Neneh Cherry, Robyn, Mando Diao, Lester Bowie, Blacknuss, Sugababes, Nicolai Dunger, Håkan Hellström, Janet Jackson, Moneybrother, Freddie Wadling, José González, The Soundtrack of Our Lives, Eric Malmberg, Club Killers, Monica Zetterlund, Eagle-Eye Cherry, Eldkvarn, Matti Bye and Bo Diddley, The Thing XL, weeping willows, Cheik Lo. Solo debut Home (2000) was released on the EMI (Kaza / Blue Note) and a lot of attention for his mix of jazz and electronics. Sequel HeadSpin won a Grammy (2004). The third album, X / Y (2010) was nominated for this year's jazz album in The Independent, and was hailed around the world including magazine Mojo. He was also awarded the Nordic Music Prize for the disc. After the album was released (with his Subtropic Arkestra) The Reason Why Vol.1 (2012) and most recently, The Reason Why Vol. 2 (2014). Both featured in Mojo, Uncut, Songlines, The Wire, Jazz Journal and so on. Kajfeš is also featured in the jazz group Oddjob, together with among others Per "Ruskträsk" Johansson and Daniel Karlsson, who has released six full-length albums (Amigo Music, ACT, Headspin Recordings) and beyond that also Grammy Award winning children's album Jazzoo. He is also a member of the free jazz band Nacka Forum (Moserobie Records) with Kjell Nordeson, Jonas Kullhammar and Johan Berthling, Angles 9, Fire! Orchestra, Magnus Carlson & The Moon Ray Quintet and skabandet Jobalites. He runs the record company Headspin Recordings, with David Österberg. Kajfeš has also composed music for films and television series including Kristian Petri's The Well documentaries and feature films Details, The Mouse of Bigert Bergstrom, The Sun of Ulf Rollof, vignette music to the SVT Cobra, All wild, a film about Birgitta Stenberg, Havana Motor Club by Bent-Jorgen Perlmutt. He has written and performed music for Saw The White Buffalo Dancing with dance group Vindhäxor. Oddjob The group performed a large part of the music (composed by Matti Bye) to the hundred year old who climbed out the window and disappeared. Kajfeš produced weeping willows albums The Time Has Come, Magnus Carlson and the Moon Ray quintet and most of Titiyos album Hidden. In 2014 asked Kajfeš in collaboration with David Osterberg audio installation Batysphere on Färgfabriken." ^ Hide Bio for Goran Kajfes • Show Bio for Juan Romero "Juan Romero was 16 and lived in Argentina when he took his first steps in music. This was under the leadership of Jose Pineiro Tadeou do Santos, a Brazilian percussionist from Bahia. In 1990 he moved to Stockholm, where he studied Candombe through various cultural institutions. In 1993, Juan formed the percussion ensemble Yakumbé. Yakumbé has toured and given workshops around Scandinavia and in most large and small festivals in Sweden. 1993, he was also a member of Rinkeby Samba School led by Carlos Pussetto and Fidel Velazques. Here he learned the basics to many Brazilian rhythms. In 2001 he created the percussion course Sambomba in Rinkeby, which today is both a course and a well-established band. 2002, Romero worked with a candombe ensemble in Jakobsberg where Juan Romero and Daniel Bingert acted as musical leaders and teachers for 3 years. 2008 Juan studied BEAT, a one-year line with Andre Ferrari as a teacher. With a focus on everything from world music to club music. 2010-2014 Juan Romero acquired his bachelor's degree in Music from other cultures at the Royal Academy of Music with teachers Pepe Espinosa, Rafael Side, Mikael Nilsson, Valter Kimbon." ^ Hide Bio for Juan Romero • Show Bio for Torbjourn Zetterberg "Torbjörn Zetterberg (born 10 May 1976) is a Swedish jazz musician (double bass) and composer, known from collaborations with Jonas Kullhammar. Zetterberg attended Södra Latin och Fridhems Folkhögskola in Svalöv but was first recognised as bassist when he studied at Kungliga Musikhögskolan in Stockholm still very young. Here he studied bass under guidance of Jan Adefelt. Soon he joined drummer Fredrik Norén's band together with the saxophonist Jonas Kullhammar. Already at this point one could sense that he would become a prominent figure in the Swedish jazz scene. Now his name is firmly rooted in the vibrant progressive selection as the new jazz generation. He went through a personal crisis and did not record as a bandleader for more than seven years. Zetterberg was uncomfortable with his career and in 2010 he decided to leave the urban life including his bass, and moved to a Buddhist temple. There he resided for a year and still spends half of his time there in 2016. This existential crisis led to the production of the album Och Den Stora Frågan ("And the Big Question" in Swedish) in 2014. Here he collaborated with well known musicians from his earlier career, like the Portuguese trumpeter Susana Santos Silva and drummer Jon Fält, known from albums with pianist Bobo Stenson's trio. The album is "charged with joyful urgency, shiny optimism and confident flowing energy, despite the doubts and uncertainties that accompany any creative, artistic process", the reporter of All About Jazz stated in 2014." ^ Hide Bio for Torbjourn Zetterberg
1/22/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
1/22/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
1/22/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
1/22/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
1/22/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Father and Son 6:37
2. TRACES of Brown Rice 4:41
3. Love Train 9:16
4. Right Here Right Now 10:57
5. Do It (Again) - For Sofia Jernberg 10:00
6. TRACES of Codona and Mali 7:26
Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Quintet Recordings
Mats Gustafsson
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers
Top Sellers for 2025 by Customer Sales
Search for other titles on the label:
We Jazz.
Customers Who Bought This Item Also Bought:
 |
| Thomas, Pat Hikmah (Tao Forms) |
| An extraordinary solo piano album from UK pianist Pat Thomas, recorded at London's Fish Factory Studio, presenting eight deeply focused improvisations and compositions reflecting Thomas's lifelong engagement with Sufism and spiritual expression through sound; a luminous, exploratory work that unites the traditions of jazz and mysticism into a transcendent, profoundly human statement. |
 |
| Vandermark, Ken October Flowers for Joe McPhee (Corbett vs. Dempsey) |
| A profoundly personal solo recording from Ken Vandermark on tenor and baritone saxophones and clarinets, captured live at Corbett vs. Dempsey in Chicago in March 2025, performing a suite dedicated to Joe McPhee that interlaces composed and freely improvised works — each named for symbolic flowers — into a deeply expressive tribute of melody, emotion, and inventive clarity. |
 |
| McKain, James / Damon Smith / Weasel Walter ... Seeing the Way The Mole Tunnels... (Balance Point Acoustics / International School of Evidence) |
| Energetic trio interplay from saxophonist James McKain with Damon Smith and Weasel Walter, recorded in Collinsville, Illinois, where taut lines, volatile textures, and razor-cut dynamics sketch "free jazz by way of the European tradition," six concise pieces whose titles nod to Thomas Bernhard and whose restless momentum — anchored by springy bass and splintered drums — turns spontaneity into vividly shaped form. |
 |
| Coleman, Anthony Sounding Board (zOaR Records) |
| Alone with his newly acquired 1947 Steinway Model M, Downtown New York pianist Anthony Coleman crafts an intimate set of solo explorations that probe touch, resonance, and the piano's physical poetry, transforming his long-fraught relationship with the instrument into a deeply personal study of sound, nuance, and the possibilities revealed by playing at home. |
 |
| Bucher / Tan / Countryman Nonlinear Expressions (FMR) |
| Recorded in Quezon City, Philippines during Typhoon Crising, the long-running trio of Christian Bucher (drums), Simon Tan (double bass), and Rick Countryman (alto saxophone) capture urgent and agile free improvisation between canceled gigs and storm delays, their 13 years of collaboration driving vibrant exchanges that balance volatility with poised, spontaneous form. |
 |
| Parker, Evan / Joelle Leandre Long Bright Summer (RogueArt) |
| Drawing on decades of fearless improvising, saxophonist Evan Parker and bassist Joëlle Léandre engage in an intense and unfiltered acoustic dialogue recorded live in France, their shared language enabling lightning reactions, extended techniques, surges of density and flow, hushed textural intimacy, and moments where Léandre's wordless voice merges seamlessly into their spontaneous interplay. |
 |
| Ellis, Don The 1960s Albums [4 CD BOX SET] (Enlightenment) |
| Collecting eight albums from the early to late '60s, this generous four-CD set surveys the groundbreaking work of trumpeter, composer, and bandleader Don Ellis, tracing his evolution from post-bop experiments with shifting metric structures into large-ensemble innovation infused with global rhythms, expanded instrumentations, and a fiercely exploratory imagination. |
 |
| Pereleman, Ivo / Nate Wooley / Matt Moran / Mark Helias / Tom Rainey A Modicum Of the Blues (Listen! Foundation (Fundacja Sluchaj!)) |
| Tenor saxophonist Ivo Perelman joins Nate Wooley (trumpet), Matt Moran (vibes), Mark Helias (bass) and Tom Rainey (drums) in a tempered yet highly active quintet that nods to the blues, moving through free, melody-rich dialog; vibes replace piano to color the space as the group shifts from playful exchanges to surging peaks, their seemingly telepathic interplay balancing warmth and power. |
 |
| Gjerstad, Frode / Alexander von Schlippenbach / Dag Magnus Narvesen Seven Tracks (Relative Pitch) |
| A dynamic trio session from Frode Gjerstad on alto sax & clarinet, Alexander von Schlippenbach on piano, and Dag Magnus Narvesen on drums & percussion, their first collaboration unfolds in seven spontaneous improvisations that balance fierce intensity with lyrical openness, revealing a seasoned interplay that blends deep exploration with collective free jazz sensibility. |
 |
| Mayas, Magda / Jim Denley One Another (Relative Pitch) |
| An immersive meeting of Berlin pianist Magda Mayas and Australian flutist Jim Denley, ffollowing up on their 2017 Relative Pitch release, Tempe Jetz, as they weave flutes, piano, and percussive objects into a delicately balanced exchange where subtle gestures and resonant detail create a patient yet gripping exploration of texture, breath, and sonic space. |
 |
| Rivers, Sam / Kresten Osgood / Ben Street Violet Violets (Stunt) |
| Drawn from the same inspired 2004 session as Purple Violets, this set finds saxophonist and flutist Sam Rivers with bassist Ben Street and drummer Kresten Osgood in a series of intimate duets and expansive trios, blending original compositions and spirited interpretations with free improvisation, lyrical warmth, and Rivers' remarkable tone at the height of his creative powers. |
 |
| Rivers, Sam / Kresten Osgood / Ben Street / Bryan Carrott Purple Violets (Stunt) |
| An inspired 2004 session uniting saxophonist and flutist Sam Rivers with vibraphonist Bryan Carrott, bassist Ben Street, and drummer Kresten Osgood in duets, trios, and quartets, weaving straight-ahead swing, lyrical balladry, and free improvisation through Rivers' distinctive tone, virtuosity, and ever-inventive musical vision. |
 |
| Zuydervelt, Rutger The Wonder Of It All (Machinefabriek) |
| A 50-minute continuous electronic composition created for choreographer Daniel Linehan's dance work of the same name, blending radiant energy, nostalgic nods to '90s electronic music, and a flowing sense of wonder, as composer Rutger Zuydervelt crafts a joyful, immersive score that evokes transformation, unity, and the ecstatic potential of sound and movement. |
 |
| Parkins, Zeena Modesty Of The Magic Thing (Tzadik) |
| Harpist and composer Zeena Parkins, a defining voice in the Downtown NY experimental music scene for four decades, presents an extended work inspired by fearless Beat-era visual artist Jay DeFeo, performed with percussionist William Winant on an array of resonant bells and gongs, their collaboration weaving bold textures and hypnotic patterns into a richly expressive and deeply imaginative sound world. |
 |
| Marteau Rouge (Foussat / Pauvros / Sato) / Evan Parker Gift (Fou Records) |
| A fiery live performance recorded at Instants Chavires in 2009, reuniting Marteau Rouge's raw and electrified trio of synth, guitar, and drums with saxophonist Evan Parker, erupting in extended collective improvisations that dissolve structure in favour of texture, power, sonic friction and ecstatic freedom through waves of noise, silence, combustion, and control. |
 |
| Goldston, Lori Open Space (Relative Pitch) |
| A meditative and immersive solo cello work from Lori Goldston, performed in one continuous take with amplifier and distortion pedal, unfolding in ten resonant segments that evoke the gradual transformation of light and landscape, offering listeners an expansive and contemplative space for breath, reflection, and quiet communion with the natural world. |
 |
| Butcher, John / Phil Durrant / Mark Wastell Poznan: Appropriate Density (Confront) |
| A trio of iconic UK improvisers — John Butcher on saxophones, Phil Durrant on electric mandolin and electronics, and Mark Wastell on percussion — perform at Poland's Spontaneous Music Festival in a richly textured set of acoustic and electronic interplay, where density, space, and responsiveness converge in a uniquely dynamic and nuanced session of free improvisation. |
 |
| Jones, Darius Legend of e'Boi (The Hypervigilant Eye) (Aum Fidelity) |
| The seventh chapter in Darius Jones' visionary Man'ish Boy series, this powerful trio recording with Gerald Cleaver and Chris Lightcap presents five new compositions and a Lomax-arranged spiritual, confronting themes of Black mental health, trauma, and healing through richly expressive alto saxophone, deep rhythmic interplay, and emotional resonance. |
 |
| McPhee, Joe & Strings (w/ Maneri / Lonberg-Holm / Bisio) We Know Why The Caged Bird Sings (RogueArt) |
| Uniting Joe McPhee on tenor saxophone and spoken word with violist Mat Maneri, cellist Fred Lonberg-Holm, and bassist Michael Bisio, this remarkable quartet of long-time collaborators and distinct musical voices forges a deeply cohesive work of lyrical chamber jazz and free improvisation, balancing individual expression with a collective language of striking originality and emotional depth. |
 |
| Sifter (w/ Lisa Mezzacappa) Flake / Fracture (Queen Bee Records) |
| A chordless Bay Area quartet with Rob Ewing on trombone, Beth Schenck on alto saxophone, Lisa Mezzacappa on acoustic bass, and Jordan Glenn on drums, performing original compositions from each member in playful, lyrical, and texturally rich improvisations that balance groove, swing, and exploratory ensemble interplay with an eclectic yet cohesive sound. |
 |
| Sleep Of Reason Produces Monsters, The (Rasmussen / Mitelli / Rezaei / Koenig) The Sleep Of Reason Produces Monsters (Corbett vs. Dempsey) |
| An electrifying session of genre-defying free improvisation from the international quartet of Gabriele Mitelli (trumpet & electronics), Mette Rasmussen (sax), Mariam Rezaei (turntables), and Lukas Koenig (drums & bass synth), delivering an explosive, high-energy album that blurs the lines between noise, jazz, and avant-electronic intensity with visceral spontaneity and tightly channeled chaos. |
 |
| Herzog / Muche / Nillesen Anasynthesi (thanatosis produktion) |
| Exploring the dissolution of musical form through extended techniques and microtonal interplay, and guided by the Greek concept of anasýnthesi (ἀνασύνθεσις) — meaning "recomposition" or "reconstruction" — the Cologne-based trio of Constantin Herzog (double bass), Matthias Muche (trombone), and Etienne Nillesen (snare drum) presents an immersive piece shaped by emergent sonic phenomena and a constantly shifting balance of resonance, friction, and form. |
 |
| Brown, Dan / Dan Reynolds Live At The Grange Hall [unauthorized][CASSETTE] (Sacred Realism) |
| A unique document of Don Brown and Dan Reynolds' unconventional compositional practice, recorded live to tape in 2008 with an 8-piece ensemble performing four decades-spanning works at Multnomah Grange #71, this unauthorized cassette release captures a pivotal moment in Portland's experimental scene, offering singular music with deep references and no clear precedent. |
 |
| Wildhagen's, Andreas Spiralis Beauty No Beauty (Nakama Records) |
| The debut of drummer and composer Andreas Wildhagen's Spiralis quartet, with Kasper Vaernes, Anja Lauvdal, and Adrian Myhr, blending lyrical motifs and spontaneous improvisation through fluid and evolving structures, contrasted by moments of stark repetition, in a powerful and politically conscious reflection on beauty, chaos, and the transformative role of art. |
 |
| Nakama (Holm / Roysum / Tanaka / Wildhagen / Svendsen) New World (Nakama Records) |
| A new quintet configuration from Norwegian collective Nakama, recorded in Oslo with clarinetists Klaus Ellerhusen Holm and Andreas Røysum joining Christian Meaas Svendsen, Ayumi Tanaka, and Andreas Wildhagen in nine pieces that blend compositional structure with free improvisation, post-production treatments, and dynamic interplay across chamber-like and explosive sonic terrain. |
 |
| Akmee Sacrum Profanum (Nakama Records) |
| Recorded in Oslo's Toyen Kirke, this spiritually resonant second album from the Norwegian quartet Akmee explores acoustic possibilities with lyrical counterpoint, trance-like repetition, and intuitive improvisation, as trumpeter Erik Kimestad Pedersen, pianist Kjetil Jerve, bassist Erlend Olderskog Albertsen, and drummer Andreas Wildhagen stretch melody and rhythm into expressive, otherworldly forms. |
![Davies, Angharad / Burkhard Beins : Meshes Of The Evening [VINYL]](https://www.teuthida.com/productImages/misc4/36990.jpg)
![Bussmann, Nicholas / Sven-Ake Johansson / Yan Jun: Tea Time [Vinyl]](https://www.teuthida.com/productImages/misc4/36991.jpg)
![Feldman, Morton / GBSR Duo w/ Taylor MacLennan: Trios [6 CD BOX SET]](https://www.teuthida.com/productImages/misc4/37020.jpg)
![Williams, Jessica: Blue Abstraction: Prepared Piano Project 1985-1987 [VINYL]](https://www.teuthida.com/productImages/misc4/37080.jpg)
![Fagaschinski, Kai: Aerodynamics [VINYL 2 LPs]](https://www.teuthida.com/productImages/misc4/36992.jpg)
![Allbee, Liz: Breath Vessels [VINYL]](https://www.teuthida.com/productImages/misc4/37012.jpg)
![Parker, Evan / Andrea Centazzo: Bullfighting On Ice! Live In Padova 1977 [VINYL]](https://www.teuthida.com/productImages/misc4/37064.jpg)
![Curran, Alvin / Andrea Centazzo / Evan Parker: Real Time [VINYL]](https://www.teuthida.com/productImages/misc4/37065.jpg)
![Curran, Alvin / Andrea Centazzo / Evan Parker: Real Time Two [VINYL]](https://www.teuthida.com/productImages/misc4/37066.jpg)
![Rodrigues, Ernesto / Jung-Jae Kim / Guilherme Rodrigues / Eric Bauer / Stephen Flinn: 5 In The Afternoon [2CDs]](https://www.teuthida.com/productImages/misc4/36957.jpg)
![Evans, Peter / Being & Becoming: Ars Ludricra [VINYL + DOWNLOAD]](https://www.teuthida.com/productImages/misc4/37026.jpg)
![Coley, Byron / Mats Gustafsson / Thurston Moore: Now Jazz Now: 100 Essential Free Jazz & Improvisation Recordings (1960-80) [BOOK]](https://www.teuthida.com/productImages/misc4/36932.jpg)
![HobbyHouse (Mia Dyberg / Axel Filip): HobbyHouse [CD + DOWNLOAD]](https://www.teuthida.com/productImages/misc4/36944.jpg)
![Mines, Kelsey / Erin Rogers: Scratching At The Surface [CD + DOWNLOAD]](https://www.teuthida.com/productImages/misc4/36945.jpg)
![Nebbia, Camila (feat/ Marilyn Crispell / Lesley Mok): A Reflection Distorts Over Water [CD + DOWNLOAD]](https://www.teuthida.com/productImages/misc4/36946.jpg)
![Vanheerentals, Adia: Taking Place [CD + DOWNLOAD]](https://www.teuthida.com/productImages/misc4/36947.jpg)
![Belorukov, Ilia / Alex Riva: Wrestling For Futility [CASSETTE w/DOWNLOAD]](https://www.teuthida.com/productImages/misc4/36994.jpg)
![Genthon, Anouck / Lionel Marchetti: Suite Blanche [2 CDs]](https://www.teuthida.com/productImages/misc4/36642.jpg)
![Toeplitz, Kasper T.: Erosions Programmees [CD + BOOKLET]](https://www.teuthida.com/productImages/misc4/36639.jpg)
![Gate, The : Almost Live [CASSETTE + MAGAZINE]](https://www.teuthida.com/productImages/misc4/36836.jpg)
![A Magic Whistle: The Solar Cell [VINYL]](https://www.teuthida.com/productImages/misc4/36658.jpg)
![McGee, Hal: Columbus Expedition [Cassette w/ Download]](https://www.teuthida.com/productImages/misc4/36650.jpg)
![Jaeger, Kassel: Fernweh [VINYL 2 LPs]](https://www.teuthida.com/productImages/misc4/36541.jpg)
![Frey, Jurg : Composer, Alone [3 CDs]](https://www.teuthida.com/productImages/misc4/36927.jpg)
![Frey, Jurg with ensemble]h[iatus: Je Laisse A La Nuit Son Poids D](https://www.teuthida.com/productImages/misc4/36988.jpg)
![Pisaro-Liu, Michael: Within (2) / Appearance (2) [2 CDs]](https://www.teuthida.com/productImages/misc4/36831.jpg)
![Musicworks Magazine: #151 Summer 25 [MAGAZINE + CD]](https://www.teuthida.com/productImages/misc4/36559.jpg)
![Zorn, John: The Song of Songs [CD + CD BOOK]](https://www.teuthida.com/productImages/misc4/36923.jpg)
![Coultrain: Mundus [COLORED VINYL]](https://www.teuthida.com/productImages/misc4/33056.jpg)
![Hprizm: Signs Remixed [COLORED VINYL]](https://www.teuthida.com/productImages/misc4/30635.jpg)
![Halls Of the Machine: All Tribal Dignitaries [CASSETTE w/ DOWNLOAD]](https://www.teuthida.com/productImages/misc4/36134.jpg)
![Koenjihyakkei: Live at Club Goodman [2 CDs]](https://www.teuthida.com/productImages/misc4/36111.jpg)
![Sorry For Laughing (G. Whitlow / M. Bates / Dave-Id / E. Ka-Spel): Rain Flowers [2 CDS]](https://www.teuthida.com/productImages/misc4/35985.jpg)
![Rolando, Tommaso / Andy Moor : Biscotti [CASSETTE w/ DOWNLOADS]](https://www.teuthida.com/productImages/misc4/36106.jpg)
![Electric Bird Noise / Derek Roddy: 8-10-22 [CD EP]](https://www.teuthida.com/productImages/misc4/35970.jpg)
![Elephant9 : Mythical River [VINYL]](https://www.teuthida.com/productImages/misc4/34624.jpg)
![Elephant9 with Terje Rypdal: Catching Fire [VINYL 2 LPs]](https://www.teuthida.com/productImages/misc4/35355.jpg)
![Coley, Byron: Dating Tips for Touring Bands [VINYL]](https://www.teuthida.com/productImages/misc4/17906.jpg)
![Lost Kisses: My Life is Sad & Funny [DVD]](https://www.teuthida.com/productImages/misc4/lostKissesDVD.jpg)