The Squid's Ear Magazine
Squidco Cost + $1 Sale!
More than 200+ albums on sale from Aug 21-24!




Mayas, Magda / Jim Denley: One Another (Relative Pitch)

An immersive meeting of Berlin pianist Magda Mayas and Australian flutist Jim Denley, ffollowing up on their 2017 Relative Pitch release, Tempe Jetz, as they weave flutes, piano, and percussive objects into a delicately balanced exchange where subtle gestures and resonant detail create a patient yet gripping exploration of texture, breath, and sonic space.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Magda Mayas-piano, objects

Jim Denley-flutes


Click an artist name above to see in-stock items for that artist.




UPC: 5904224873868

Label: Relative Pitch
Catalog ID: RPR1218
Squidco Product Code: 36625

Format: CD
Condition: New
Released: 2025
Country: USA
Packaging: Cardboard Gatefold
Recorded at Tempe Jetz, in Sydney, Australia, on June 15th, 2023, by Mij Yelned.

Descriptions, Reviews, &c.

Following up on their 2017 Relative Pitch release, Tempe Jetz, this duo album reunites Berlin pianist Magda Mayas and Australian flutist Jim Denley for three spacious pieces where breath, wood and metal interact with the tactile, prepared interior of the piano. Recorded at Tempe Jetz in Sydney on 15 June 2023, the music evolves patiently, privileging timbre, gesture and proximity; a sensuous, embodied interplay that echoes their prior collaboration while opening a fresh, close-mic'd intimacy.



""The body's relation to the social is inseparable from, and of the same relation to the world, not a relation of objectification but a carnal intertwining prior to any reflective judgement."-Rosalyn Diprose, Corporeal Generosity"


Artist Biographies

"Magda Mayas, born 1979, is a pianist living in Berlin. Developing a vocabulary utilizing both the inside as well as the exterior parts of the piano, using preparations and objects, she explores textural, linear and fast moving sound collage.

Alongside the piano, Mayas has recently been performing on a Clavinet/Pianet, an electric piano from the 60s with strings and metal chimes, where she engages with noise and more visceral sound material, equally extending the instrumental sound palette using extended techniques and devices.Mayas performs internationally solo and in collaboration with a large number of musicians and composers.Current projects are "Spill", a duo with drummer Tony Buck, a duo with Christine Abdelnour (sax) and "Great Waitress", a trio with Monika Brooks (acc) and Laura Altman (cl).

She is currently undertaking Phd studies at the University of Gothenburg, Sweden and investigating extended instrumental techniques, spectral music and psychoacoustics in an improvised music context.

Since 2013 she has also been producing radio pieces for ABC Australia and Deutschlandradio Kultur and has released 20 CDS to date.

Magda Mayas has performed and toured in Europe, the USA, Australia, Mexico and Lebanon and collaborated with many leading figures in improvisation and composers such as John Butcher, Andy Moor, Zeena Parkins, Joelle Leandre, Paul Lovens, Ikue Mori, Phill Niblock, Peter Evans, Andrea Neumann and Axel Dörner. She has performed at festivals and exhibitions such as Maerz Musik (2012,2015), Documenta (2012) or the Berlin Biennale ( 2014)."

-Magda Mayas Website (https://magdamayas.jimdo.com/bio-cv/)
8/20/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jim Denley was born in Bulli, Australia in January 1957. Wind instruments and electronics are core elements of his musical output.

An emphasis on spontaneity, site-specific work and collaboration has been central to his work. He sees no clear distinctions between his roles as instrumentalist, improviser and composer.

Collaborations, his radio feature for the Australian Broadcasting Corporation, won the Prix Italia in 1989. His interest in radio has continued with the ABC over 17 years. In May 2006 he recorded a program for the ABC in the Budawang Mountains, south-west of Sydney, which has now been made into a CD, Through Fire, Crevice and the Hidden Valley. This received an Honorary Mention in the Digital Musics category of the Prix Ars Electronica 2008. He has been to the Budawangs again to record a new program for the ABC, Co-existence. The ABC will enter the 2006 recordings in Prix Italia 2009.

In 1990 he was a member of Derek Bailey's Company for a week of concerts in London. He co-founded the electroacoustic text/music group Machine for Making Sense.

In 2006 and 2007 he received a Fellowship from the Australia Council for the Arts to research and develop his concept of Meta instrument. As part of this he formed the group Metalog - they toured Australia July 2008.

He has played throughout Australia, Europe, Japan and the US with artists such as Chris Abrahams, Clare Cooper, Keith Rowe, Joel Stern, Robbie Avenaim, Jon Rose, John Butcher, Otomo Yoshide, Fred Frith, Phil Niblock, Trey Spruance, Clayton Thomas, Tess de Quincy, Axel Doerner, Adam Sussman, Ami Yoshida, Oren Ambarchi, Tony Buck, Ikue Mori, Satchiko M, Malcolm Goldstein and Annette Krebs."

-Australian Music Centre (http://www.australianmusiccentre.com.au/artist/denley-jim)
8/20/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. One 14:05

2. Another 18:24

3. The Obverse And The Reverse 12:03

Related Categories of Interest:


Improvised Music
Free Improvisation
Piano & Keyboards
Woodwinds
Objects and Home-made Instruments
Instruments with Preparations
Australian Improvisers, Composers and Experimenters
European Improvisation, Composition and Experimental Forms
Duo Recordings
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Das B (Mazen Kerbaj / Mike Majkowski / Magda Mayas / Tony Buck)
Love [VINYL]
(thanatosis produktion / Corbett Vs Dempsey)
Inspired by John ColtraneÕs A Love Supreme, the second album from the Berlin-based quartet Das B — Mazen Kerbaj (trumpet), Mike Majkowski (bass), Magda Mayas (piano), and Tony Buck (percussion) — subverts the tribute format with a radical re-imagining built on free improvisation, textural exploration, and structural homage, resulting in a deeply immersive and conceptually rich work.
Denley, Jim / Dale Gorfinkel / Peter Farrar
Vents
(Relative Pitch)
An unconventional Australian trio exploring breath, vibration, and material resonance, as flutist Jim Denley, airdrum inventor Dale Gorfinkel, and sonic sculptor Peter Farrar create a richly textured world of wind, water, and pressure in two improvised pieces of organic, immersive sound, recorded in Sydney and shaped by the physical vitality of their experimental instruments.
Das B (Mazen Kerbaj / Mike Majkowski / Magda Mayas / Tony Buck)
Love
(thanatosis produktion / Corbett Vs Dempsey)
Inspired by John ColtraneÕs A Love Supreme, the second album from the Berlin-based quartet Das B — Mazen Kerbaj (trumpet), Mike Majkowski (bass), Magda Mayas (piano), and Tony Buck (percussion) — subverts the tribute format with a radical re-imagining built on free improvisation, textural exploration, and structural homage, resulting in a deeply immersive and conceptually rich work.
Kahn, Jason / Magda Mayas
Night
(Editions)
Captured live at the Werkstatt für Improvisierte Musik in Zurich, Switzerland, this debut release from Jason Kahn (electronics) and Magda Mayas (piano, objects) presents three improvised pieces that blend their complementary palettes into a poetic and intricately detailed electroacoustic dialogue, reflecting their 13-year collaboration with a mix of introspection, spontaneity, and mutual respect.
Parkins, Zeena
Dam Against the Spring Tide
(Relative Pitch)
Drawing inspiration from the archives of philosopher Walter Benjamin, Zeena Parkins leads an extraordinary ensemble of experimental and avant-garde musicians — including William Winant, Tony Buck, Magda Mayas, and Joan La Barbara — in two intricate multi-part compositions that weave acoustic and electronic textures through improv, experimental, and contemporary forms.
Mayas, Magda Filamental (Mayas / Abdelnour / Caddy / Davies / Davies / Mayaas / Parks / Theriot-Ramos / Thieke)
Ritual Mechanics
(Relative Pitch)
The 2nd release from Magda Mayas' Filamental octet of Mayas, Zeena Parkins, Michel Thieke, Christine Abdelnour, Angharad Davies, Rhodri Davies, Aimée Theriot and Anthea Caddy, is a fascinating studio composition developed from individual recordings provided by each musician, assembled into two detailed and cohesive works of impressive contours and almost ceremonial beauty.
Polwechsel
Embrace [4 LP BOX SET]
(NI-VU-NI-CONNU)
The current Polwechsel quartet of Werner Dafeldecker, Michael Moser, Martin Brandlmayr and Burkhard Beins — merging improvisation and contemporary forms for outstandingly paced and conceptualized performance — are joined by luminaries John Butcher, Klaus Lang, Magda Mayas, Andrea Neumann and Peter Ablinger, released in a deluxe 4-LP box set with a 32-page booklet.
Rose, Jon
State of Play [2 CDs]
(Recommended Records)
An expansive double album from Australian violinist and mad genius Jon Rose, in solo, duo and odd orchestral settings, including tracks with Jim Denley, Clayton Thomas, Robbie Avenaim, &c.; a project with a 32-string automaton violin + string ensemble; a work for a casino-music driven player-piano; a dueling banjo and interactively bowed violin, &c. &c.; masterfully inexplicable!
Avenaim, Robbie / Chris Abrahams / Jim Denley
Weft
(Relative Pitch)
The Australian trio of percussionist Robbie Avenaim, keyboard player Chris Abrahams performing on a Waldorf Q+ Synthesiser and bass flutist Jim Denley, all compatriots in a variety of groupings, in an extended studio improvisation of spacious textures and rapidly understated percussive elements, aptly titled for the weaving and cris-crossing threads on a loom.
Mayas', Magda Filamental (w / Davies / Caddy / Theriot / Davies / Parkins / Thieke / Abdelnour)
Confluence
(Relative Pitch)
Composed by pianist Magda Mayas for an octet of superb avant improvisers including Rhodri Davies, Zeena Parkins, Michael Thieke, Angharad Davies, &c. and performed live at the 2019 Music Unlimited 33, in Wels, Austria, this extended work uses a graphic score to interpret 12 photographs taken over an hour observing the merging waters of the Rhone and the Arve rivers.
Plant (Jim Denley / Eric Normand)
II
(Tour de Bras)
Separated by 1,000 KMs and speaking a different language, the collaboration of Quebec bassist Eric Normand and Australian saxophonist Jim Denley, both dedicated experimenters, share a common aesthetic in free improvisation as they release their third album: five dialogs using reeds, electric bass, drums, objects and tools to create unusual sonic conversations.
Denley, Jim
Through Fire, Crevice And The Hidden Valley
(Splitrec)
Recorded live in an Australian National Park on a 15-day walk, saxophonist Jim Denley performs solo on the alto saxophone in response to and in conversation with the environment around him using the natural acoustics of this rugged and awe-inspiring region.
Mayas, Magda
Heartland
(Another Timbre)
Berlin pianist Magda Mayas, working with Tony Buck as recording engineer, performs inside and out of the piano in an amazing display of timbre and technique.
Mayas / Buck
gold
(Creative Sources)
Necks drummer and percussion Tony Buck in a duo from December 2007 performing at the dOeK Festival in Bimhuis, Amsterdam with extended technique pianist Magda Mayas.
Mayas / Galvez / Nutters / Olsen
On Creative Sources (Hail Satan)
(Creative Sources)
European improvisers & associates with an amazing international network of well-known performers, in an improvising quartet of profound acoustic interaction.



Customers Who Bought This Item Also Bought:
Porter, Katie
Conversation No. 1 / Collecting Rocks from the Places We've Been
(Relative Pitch)
A deeply introspective solo endeavor from New York bass clarinetist Katie Porter, blending live playing with layers of previously recorded bass clarinet for a slow-moving, richly textured improvisation; the artist creates an intimate, deep-register conversation that unfolds with emotional subtlety and immersive soundscapes.
Gjerstad, Frode / Alexander von Schlippenbach / Dag Magnus Narvesen
Seven Tracks
(Relative Pitch)
A dynamic trio session from Frode Gjerstad on alto sax & clarinet, Alexander von Schlippenbach on piano, and Dag Magnus Narvesen on drums & percussion, their first collaboration unfolds in seven spontaneous improvisations that balance fierce intensity with lyrical openness, revealing a seasoned interplay that blends deep exploration with collective free jazz sensibility.
Foster / Crawford / Sullivan
Against Proper Objects
(Relative Pitch)
The debut of saxophonist Michael Foster, guitarist and banjo player Webb Crawford, and drummer Joey Sullivan, a free trio whose quirky yet technically impressive improvisations shift from sax shouts and overblown tones to frenetic banjo and guitar textures, driven by metallic percussion into a dense but dynamic interplay that combines raw energy with finely detailed, unpredictable explorations.
Hockley, Liam (Avram / Chrysakis / Dumitrescu / Radulescu)
Pulse Tide
(Aural Terrains)
Canadian clarinetist Liam Hockley, a dedicated advocate for new and experimental music, performs compositions on a relatively obscure member of the clarinet family, the basset horn, alone and in layers of up to seven horns, in pieces from Romanian spectral composers Ana Maria Avram, Iancu Dumitrescu, and Horatiu Radulescu, along with a contemporary work by Thanos Chrysakis.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC