Rebecca Lane is a flute and bass flute performer from Melbourne who is currently based in Berlin.

"Following interacting points within expanding harmonic space, Catherine Lamb has devoted her structural work to the inner life of tonality, constantly searching through the limits of human perceptions and resonances in overlaying atmospheres.

Lamb's continued series Prisma Interius (2016-ongoing), made with her partner and frequent collaborator Bryan Eubanks, filters the outside environment into a harmonic field, basso continuo, tanpura, or bridge between the musical form and the perceptual listening space. Her first orchestral work, Portions Transparent/Opaque (2014), was premiered by the BBC Scottish Symphony Orchestra at the 2014 Tectonics Festival in Glasgow, Scotland. After an extended tour of her solo work Shade/Gradient (2012) through North America in 2012, Lamb received a travel grant from the Henry Cowell Foundation, allowing her to pursue work with Eliane Radigue and to form new relationships with European musicians.Earlier in her career, Lamb studied under composers James Tenney and Michael Pisaro at the California Institute of the Arts, where she also met director and dhrupadi Mani Kaul. It was during this time that she began diving deeply into her own practice of what she later termed "the interaction of tone."

Lamb is the co-founder of Singing by Numbers (2009-11), an experimental vocal ensemble formed with Laura Steenberge that focused on pedagogical research around pure ratio tuning. She has written for ensembles such as Ensemble Dedalus, Konzert Minimal, the London Contemporary Orchestra, NeoN, Plus/Minus, and Yarn/Wire. Lamb is involved in ongoing research with Marc Sabat on intonation; with Johnny Chang on Viola Torros; develops work regularly with musicians such as Rebecca Lane, Dafne Vincente-Sandova, and Frank Reinecke; as well as taking part in Triangulum with Julia Holter and Laura Steenberge.

Lamb is the recipient of a fellowship from Akademie Schloss Solitude (2016); an Emerging Composers Grant from the Wallace Alexander Gerbode and William and Flora Hewlett Foundations (2008-09); and was a Staubach Fellow at the International Summer Course for New Music in Darmstadt, Germany (2016). Lamb's writings and recordings have been published by another timbre, Black Pollen Press, Kunst Musik, NEOS, THE OPEN SPACE Magazine, Q-O2, sacred realism, and winds measure recordings.She received a B.M. from California Institute of the Arts, and an M.F.A. in music/sound from Bard College."

"Julia Shammas Holter (born December 18, 1984) is an American singer-songwriter, record producer, composer, artist and academic, based in Los Angeles. Following three independent album productions, Holter released Tragedy as her first official studio album in 2011. Ekstasis followed in 2012. After signing with Domino Records in 2013, she released the albums Loud City Song (2013), Have You in My Wilderness (2015) and the live-in-the-studio album In the Same Room (2017). Most recently, her double album Aviary was released in 2018.

Holter has also collaborated with other musicians, including Nite Jewel, Laurel Halo, Ariel Pink, Ducktails, Linda Perhacs, Michael Pisaro, and Jean-Michel Jarre."

"Yannick Guédon is a French born composer, singer and performance artist, currently living in Brussels.His work focuses on tiny variations of timbres, the inner pulsation sensations and subjective notions of time, silence and error. He pays particular attention to the place and context in which each musical situation is displayed.

In 2006 he wrote his first piece, pitulatif, for a solo voice. He followed it with ticdê (2007) a vocal trio, infimie (2007)for voice, electroacoustic, video and light, soupir (2009) and pause (2010), for clarinet, guitar, percussion, cello and voice.In 2011 he initiated the cycle of situations a _ t e m p _ s, which generates:

a t t e m p _ s 2011, for treble viola da gamba, voice, birthday candles and electroacoustic setupa t _ e m p t _ 2012, sound research on the absence of the artist previously in residence_ _ _ _ _ _ _ _ 2013, counting piece for voice and electroacoustic setupa _ _ _ _ _ _ _ 2014, for voice hidden in the sound of a treble viola da gamba hidden in a noisy environment_ _ t e m p _ _ 2014, the four previous sound situations re-actualized for an exhibition made by Thomas Bernardet.

For 2015, he is preparing a trio he will play with Radu Malfatti and Deborah Walker, and a piece commissionned by thededalus ensemble.He also works for composer Eliane Radigue on Occam XXII - piece for solo voice, and with the musician Mattieu Delaunay on Pas à Pas - soundwalk created in 2014 and for which a second step is being prepared for 2016.

He has also performed with the following musicians among others : Didier Aschour, Antoine Beuger, Jean-Christophe Camps, Mattieu Delaunay, Jürg Frey, Thierry Madiot, Michael Pisaro, Carole Rieussec, Patrice Soletti, Deborah Walker.As a performer, he has worked with Roland Hayrabedian's contemporary chamber choir, composers such as Rodolphe Bourotte, Pascale Criton and György Kurtag Jr ; and the choreographers Chazallon&Chaput, Philipp Gehmacher, Marcos Simoes&Lilia Mestre, and Rémy Héritier. Since 2002 he has been involved in many performances created by the choreographer Laurent Pichaud."

Evelyn Saylor is a composer and vocalist from New York City, now based in Berlin, Germany. Her compositions encompass electronic music for concerts, theater, modern dance, and film. Saylor's work often involves the exploration of found and created instruments, synthesis, processing, field recordings, and the human voice. As a performer, she is active as a singer, pianist, synth player, and live electronics technician. She has collaborated with artists such as Holly Herndon, Caterina Barbieri, and Ruben Reniers. Saylor holds a BA in Music Composition from Pomona College and a Master's in Music Composition from the Universität der Künste Berlin, where she currently teaches Electronic Music Composition.