Overlays and constructs rhythmic and harmonic vignettes of transparent sound (at once complex and simple) from electronic, acoustic and documentary sources, taking ethnic field recordings as it's thematic centre.
"A relentless music innovator since his early days in the Chicago AACM, Wadada Leo Smith is one of the most consistenly creative composer/performers in new music. In his sixth Tzadik release he once again explores new territory, bringing f...
. Live recording from 1988. "The avant rock/improv quartet Slawterhaus was invited to the 1990 Festival International de Musique Actuelle de Victoriaville. The first 50 minutes of Live come from their performance, the last ten from a con...
"The avant rock/improv quartet Slawterhaus was invited to the 1990 Festival International de Musique Actuelle de Victoriaville. The first 50 minutes of Live come from their performance, the last ten from a con...
"On her debut album for Victo, the former Michigander and downtown New York music stalwart enlisted the skills of three of her four sisters, producer David Shea, electronic percussion maestro Ikue Mori, and guitar hero Chris Cochrane. T...
American and London artists Anthony Braxton and Derek Bailey performing as a duo at The Victoriaville Festival in 1986, an amazing exchange between two noted masters of free improvisation.
Compositions 159, 148, 161, 158 and John Coltrane's "Impressions", performed with Marilyn Crispell, Mark Dresser and Gerry Hemingway.
Live recordings and Derome's first release under his own name, inspired by Japanese magic squares and haikus, and performed in a group including Actuelle collective members Pierre Tanguay and Pierre Cartier.
"This weird little album was made by a quartet of improvisers from all ends of the improvisational planet, who came together in 1993 for a recording date. Edited by Oswald in Toronto, the result can be found here. With two guitarists (K...
Percussionist, drummer and improviser Federico Ughi performed this live recording in Brooklyn, 2001 using field recordings captured in Rome on a journey from Piazza S. Cosimato, Trastevere to Via Alberico, Borgo Pio, using those recordings, live sampling and live editing along with drum and percussion techniques to create a unique journey in sound.
Reflecting on the tragic events of 9/11, New York poet Steve Dalachinsky and drummer Federico Ughi performing also on sampler and voice, present seven poems about vulnerability, powerlessness and fear, accompanied by Ughi's deep drumming and sonic approach to his kit and samples, a profound example of Dalachinsky's insightful choice of words and images.
Intense meeting of saxophone legend Parker and the remarkable Tuvan improvising vocalist Namtchylak performing live at Music Gallery in Toronto, 1996.
"What Is the Difference Between Stripping and Playing the Violin? contains two compositions by West Coast avant-garde artist Miya Masaoka. Although an accomplished koto player, Masaoka does not play on this CD: her hands are full conduc...
Recently discovered last copies of this album, presenting the very first time that Federico Ughi and Daniel Carter played together, recorded in Queens, NY around 2001, the drummer also performing on live sampling and voice, and the multi-instrumentalist Carter on saxophones, trumpet, flute and clarinet; an essential element in their now long history of collaboration.
"Amazingly, it was only the second time the two guitarists had ever played together, and the first time in North America. Both are strongly influenced by the country and folk traditions, and it was a real twisted hoedown that took place...