Recording in two locations in Seoul by Taku Unami, electronic, sound and noise artists Choi Joonyong and Jin Sangtae present a series of unusual interactions using sonic events, concrete and acousmatic interjections and aberrant expression, patiently conveying each event with clarity and intention and an almost theatrical sense of drama and narrative.

Recorded at Vision Festival XXIV in June of 2019, legendary drummer Alvin Fielder's friends and long time partners Kidd Jordan on tenor saxophone, Joel Futterman on piano and William Parker on contrabass are joined by drummer/percussionist Hamid Drake for an emotional and potent swinging free jazz tribute to Fielder, who passed away in January of that year.

The New Orleans bass-less free jazz trio of tenor saxophonist Kidd Jordan, drummer Alvin Fielder and pianist Joel Futterman are joined by New York trombonist Steve Swell for a concert at the Old US Mint for an absolutely superlative recording of lyrical and expansive collective improvisation, each player urging the other on as they create instant epics of modern jazz.

A superb live album recorded at the 2000 Tampere Jazz Happening, Pakkahuone, Finland, and the 4th release from the trio of Kidd Jordan on tenor sax, Joel Futterman on piano, soprano sax & indian wooden flute, and Alvin Fielder on drums & percussion; improvisation performed like old friends, the album divided into six tracks plus an encore but performed as one long piece.

The long-running trio of saxophonist Kidd Jordan, pianist Joel Futterman and drummer Alvin Fielder, established in 1994 and together until Fielder's passing in 2018, are heard in this incredible 1997 studio recording from New Orleans, 7 collective tracks that start as an invocation and then build in intensity & excitement with a strong spiritual connection; profound.

The 2011 Guelph Jazz Festival presented this quartet of legendary players--William Parker on bass, Alvin Fielder on drums & percussion, Joel Futterman on piano & flute, and Kidd Jordan on tenor saxophone--for an exemplary concert of jazz that uses free approaches to create melodic, inventive and soulful music, the expansive conversations sophisticated and wonderfully exhilarating.

The free improvising trio of saxophonist Kidd Jordan, drummer Alvin Fielder, and bassist Peter Kowald performing at Zeitgeist Multi-Disciplinary Arts Center in New Orleans in 2002, plus the duo of Jordan and Fielder in the studio in 2005 and live, 2012 in Texas.

Free collective improvisation from the Portuguese trio of Paulo Alexandre Jorge on tenor saxophone, Luis Desirat on drums, and Monsieur Trinite using objects, captured live in Almada at Casa da Cerca, the three contrast hard-edged collective playing with open and expansive passages, regrouping their sonically interesting approach to free jazz in and out of the idiom.

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Saxophonist Paulo Alexandre Jorge leads his Improbable Trio with Tom Wheatley on double bass and AMM/Matchless legendary percussionist Eddie Prevost in a six part album of ardent free improvisation on titles about Sex, Love, Death, Friendship, Art Beauty, Power Law, &c.

Taking its album title and the titles for three compositions from poems by Laura Winter, the German jazz quartet led by clarinetist Theo Jörgensmann with Christopher Dell on vibes, Christian Ramond on double bass and Klaus Kugel on drums present an advanced example of modern creative, chamber-oriented collective free jazz with a stunning level of communication.

The Triple D Trio of Aurora Josephson (voice), Jacob Lindsay (clarinet) & Damon Smith (bass) met with visiting European improvisers Philipp Wachsmann (violin) and Martin Blume (drums) to record these live concerts in Oakland and SF.

The Berlin trio of Rudi Mahall on clarinet and bass clarinet, Olaf Rupp on electric and acoustic guitar and Jan Roder on double bass in an ironically packaged album of free improvisation of the highest standard, taking the listener on a journey of informed free jazz that references the past in thoroughly modern approaches to creative music.

The Berlin trio of Rudi Mahall on clarinet and bass clarinet, Olaf Rupp on electric and acoustic guitar and Jan Roder on double bass in an ironically packaged album of free improvisation of the highest standard, taking the listener on a journey of informed free jazz that references the past in thoroughly modern approaches to creative music.

Celebrating 40 years of Zlatko Kaucic's professional career as a musician, the quartet of Joelle Leandre on acoustic bass, Evan Parker on tenor saxophone, Agusti Fernandez on piano, and Zlatko Kaucic on drums & objects are heard live at the 23th Cerkno Jazz Festival in 2018 for an extended and stunning set, from the most active to the most introspective of moments.

Saxophonist and composer Crowmeat Bob's ensemble, Judge Schreber's Avian Choir, is a project name he's used to present his large ensemble pieces involving composition, improvisation, and conduction, here in a conducted collaboration with 15 bowed string players, a heavy metal rhythm section and Bob's own overdubs on reeds and guitar.

A live recording at Instants Chavire's, in Montreuil, France in 2020, and a studio recording 5 days later in Malakoff, France, in the 2nd album from the Judson Trio of Joelle Leandre on double bass, Mat Maneri on viola, Gerald Cleaver on drums & small percussion, the entwining of viola and bass strings propelled with assertive restraint and accent from Cleaver.

An apt description for the layers of sonic decay and deteriorated sounds, loops and errata that underpin each of the five tracks on this elusively restrained noise album, Juice Machine, aka Roger H. Smith (Chefkirk) and Heather Chessman, use mangled field recordings and concrete elements of blurred looping structures and aberrant interjection, each unique work a fascinating curiosity.

While contrabass player Matija Schellander was performing a residency at the 2017 music Festival Artacts in Austria, this quartet formed with Paris saxophonist Jean-Luc Guionnet, percussionist Seijiro Murayama and Beijing-based vocalist Yan Jun, developing this work of quiet tension and sudden release, here from one of four performances, recorded live at Ljubljana in Slovenia.

The 2nd LP from Polish multi-wind & reedist Mat Walerian, his 2nd with NY pianist Matthew Shipp, and the 2nd recorded within the live Okuden Concert Series, adding drummer Hamid Drake for an excellent album of free improvisation that flows beautifully from track to track.

Satoko Fujii's latest Junk Box with Natsuki Tamura and John Hollenbeck is an amazing jazz album of extended technique, instrumentation and expressive, dramatic ideas

Each side of this LP from The Haters mastermind GX Jupitter-Larsen is a minimalistic noise work in the style of The Haters, built from loops and extraneous sounds, obscure and curious and each side ending with a giggle; you either need more of this kind of sonic opaqueness, or perhaps you too are a Hater.

The second CD from Justine, a group of all women composers, arrangers, instrumentalists, and singers who are an offshoot of Wondeur Brass and who create music of dissonance and organized chaos.

The Belgian creative improvising quartet Kabas of Jan Daelman on flute, Thijs Troch on piano, Nils Vermeulen on double bass, and Elias Devoldere on drums for a 2-CD release, one album in studio with trumpeter Luis Vicente (Deux Maisons, Chamber 4), and one live at Portugal's SMUP with both Vicente and percussionist Carlos Godinho (Variable Geometry Orchestra).

Inspired by Albert Ayler's work for strings, Jason Kahn wrote this graphical score for amplified percussion, Vincent Millioud on violin, Bo Wiget on cello, and Christian Weber on contrabass.

The second album from Swiss improviser Jason Kahn and Taiwanese experimental vocalist Alice Hui-Sheng Chang, in eight pieces of free vocal improvisation recorded during Jason Kahn's one-month artist residency in September 2023 at Ting Shuo Hear Say in Tainan, Taiwan, an unusual collaboration of idiosyncratic interactions using a wide spectrum of vocal techniques.

Recorded on the 7th of 8 concerts in a tour with the electroacoustic-improvising trio of Jason Kahn on percussion & electronics, Greg Davis on percussion & electronics and Jon Mueller on percussion & tape, an exemplary performance of close listening, highly textured and evolving ea-improv, each motion subtle and contributing to a richly diverse journey.

Sonic explorer Jason Kahn & Asher Thal-Nir in a 2008 concert at Boston's Axiom Gallery for a performance that creates inspired sound worlds by layering Kahn's planes of sound with Asher's environmental processing.

Swiss sound artist Jason Kahn chronicles his 37-solo concert tour through North America from the US to Canada, exploring the state of DIY experimental music scenes post-pandemic, including a CD of concert recordings in Portland and Chicago in 2022 using local radio and field recordings from each city, along with mod synths, tube amp, electromagnetic transducers and contact mics.

After riding through his city of Zurich to the Kunstraum Walcheturm studio in 2020, Jason Kahn was struck by the quiet aspects of the usually busy city, now quelled by pandemic; entering the studio feeling the desolation and strange sense of peacefulness in the midst of so much tragedy and suffering, he recorded these "songs" of passionate free vocal improvisations and acoustic guitar.

Swiss improviser Jason Kahn continues his forays into vocal experimentation with this solo album, recorded in the rooms of a former Swisscom telephone relay station in Zurich, recorded in a single take, pushing himself over the edge in these unique vocal compositions that are stark examples of his creative and confrontational skills.

A series of acoustic guitar duos between Henry Kaiser playing on an 18-string harp guitar, and Ed Pettersen, playing an 8-string Weissenborn guitar, freely improvised and with a psychedelic/cosmic impulse as the two draw on elements of Americana and roots-based folk music in four extended recordings, the camaraderie and mutual intent evident in this fascinating album.

In tribute to late free jazz pianist Cecil Taylor, the West Coast/Vancouver trio of guitarist Henry Kaiser, alto saxophonist John Oswald and vibraphonist Paul Plimley explore the intention of Taylor's singular style in six anagrammatically titled improvisations, with Chicago violinist Tracy Silverman joining for the massive "Oceans Felons Salad", and Scott Amendola joing for "fir loom".

Three concerts at Vancouver's Western Front, two from 1978 and one from 1996, from the duo of West Coast free improvising guitarist Henry Kaiser and Vancouver saxophonist John Oswald, early yet mature examples of the profoundly great music each artist has gone on to create using astounding and extreme techniques.

"This weird little album was made by a quartet of improvisers from all ends of the improvisational planet, who came together in 1993 for a recording date. Edited by Oswald in Toronto, the result can be found here. With two guitarists (K...

Henry Kaiser in a solo album paying tribute to a handful of his heroes who have tragically died in the past few years, including Basho, Stockhausen, Randy California, Sun Ra, Morton Feldman, Masayuki Takayanagi, Toru Takemitsu, Pete Cosey, Sonny Sharrock, &c.

Focused around a poem by Adelaide Anne Procter titled "A Lost Chord", West Coast guitarist Henry Kaiser invokes the spirit of Procter's words through a stunningly beautiful album of both contemplative and technically excellent work, his first solo album performed on the lower tuned baritone guitar, in 10 tracks inspired by Frith, Xenakis, Evan Parker, Ligeti, &c.
Includes a free copy of Trouble with the Treble while quantities last!

The rhythm section from the Amok Amor quartet--drummer Christian Lillinger and bassist Petter Eldh--are reformed as a trio with pianist Kaja Draksler, to create a thrilling, twisting and turning band of quick-witted, avant jazz angles, confusing and thrilling with unexpected shifts in direction on an informed, fun-filled and thoroughly modern album.

In 2010 Scandinavian guitarists Raoul Bjorkenheim and Anders Nilsson performed this incredible concert at DMG in NYC, accompanied by NY drummer Gerald Cleaver, a breathtaking album of intricate improvised interplay.

Double CD of bleak and sinister metal-oriented improv from the duo of Jamie Saft on keys and bass and Mike Pride on drums and hostile and freakish vocals.

Swedish bass player Egil Kalman, here on modular syntheizer, joins Norwegian guitarist Fredrik Rasten for a lovely album of drifting electronics and beautifully entwining acoustic guitar, unhurriedly developing environments of warm, slowly evolving chord structures that show influences from players like Catherine Lamb or the Wandelweiser collective.

Swedish bass player Egil Kalman, here on modular syntheizer, joins Norwegian guitarist Fredrik Rasten, for a lovely album of drifting electronics and beautifully entwining acoustic guitar, unhurriedly developing environments of warm, slowly evolving chord structures that show influences from players like Catherine Lamb or the Wandelweiser collective.

This string and reed quintet presents a fluid approach to chamber-oriented improv with dexterous melodic and harmonic motion, utilizing contemporary and jazz idioms as they create something masterfully unique; from Anna Kaluza on alto sax, Edith Steyer on alto sax & clarinet, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Ulf Mengersen on double bass.

A great example of traditional free improvisation spanning generations from the quartet of Danny Kamins on baritone saxophone, Damon Smith on double bass, and two drummer/percussionists--Alvin Fielder and Joe Hertenstein--for 10 tracks of swinging free music recorded in the studio in Texas, 2016, jazz with a lyrical intention and powerful rhythmic underpinnings.

The 21st volume in John Zorn's Book of Angels presents 10 Masada arrangements from Eyvind Kang, performing on a variety of strings & keys, with a modern orchestra and unusual orchestration to create a lyrical and unique vision of Zorn's work.

A studio project from the elusive violinist Eyvind Kang, featuring many of his musical associates as well as several orchestral ensembles from around the world.