The long-standing duo of German multi-reedist & brass player Udo Schindler and drummer Eric Zwang Eriksson are joined by percussionist Erwin Rehling (HAMMERLING) for the 4-part free and eclectically authoritative improvisatory work "Ritual Sound Exposure", recorded live at the music venue and bookstore BASIS_Klangraum at the Munich Community Arts Center.
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Udo Schindler-alto saxophone, bass clarinet, euphonium, trumpet
Eric Zwang Eriksson-drums
Erwin Rehling-percussion, objects
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Label: FMR
Catalog ID: FMR683
Squidco Product Code: 34279
Format: CD
Condition: New
Released: 2023
Country: UK
Packaging: Digipack - 3 panel
Recorded live at BASIS_Klangraum in MUCCA and dasvinzenz, in Munich, Germany, on July 8th, 2023, by Udo Schindler.
"Once again at the Munich Center of Community Arts on 8 July 2023, the tireless Udo Schindler has a percussionist at his side this time, Erwin Rehling, in addition to the much-tried Eric Zwang Eriksson on drums. With his own alto saxophone, bass clarinet, euphonium and slide trumpet and the wall of books in the BASIS_Klangraum behind him, which is a reinforcing backdrop for a book drinker. Rehling, born in 1954, has been the quick-witted third of folk music anarchists Die Interpreten since the mid-1980s, has recorded "Hommage an die verlorenen Sprachen" with Die.Hammerling and "Neues von Früher" with trombonist Pit Holzapfel. With (extended) percussion, cowbells, stone playing, (bass) marimba & Schellenbaum he illustrates "Geschichten zur Winterzeit" read by Gerd Anthoff (the Dr Reiter in "Unter Verdacht") and with Schusser & Gesang his own "Ois ned glong. A country youth". And shows that Bavaria and its lowlands, which unfortunately also include Franconia, occasionally produces ricochets worth listening to. It can be connected to music that Schindler has illustrated in a supra-Bavarian way with quotes from Giuseppe Penone and a tree sculpture from his "Idee di pietra" series. The deep-rooted down-to-earthness of this profound nature art and that of the 'Ritual Sound' music is always diametrically opposed to the arse-facedness of the world. It is archaically related to the music of the rain and its desire to roar thunderously. And with clogged, sometimes polymorphously perverse trumpets or quaintly crowing, roaring bass clarinets to four-handed rumbling, rattling, rattling, jingling of neo-archaic, anarchic Art Brut and Arte Povera. Clapping and junky, chirping, grating and with foolish shamanic 'singing', the pig-shanked Mia San Mia is confronted with the out-of-Africa reality. Schindler plops and whoops with the euphonium and toots to the moon to the accompaniment of goblin-like strumming and marimba tinkling. And finally he croons and squeals crookedly with the alto, between two crashing avalanches of stone."-Bad Alchemy, Rigobert Dittmann
Artist Biographies
• Show Bio for Udo Schindler "Udo Schindler is a German improvisation musicians (bass clarinet, contrabass clarinet, saxophone, flute, cornet, also accordion, guitar, percussion, analog synthesizer) and architect. Schindler was active in the 1970s in Franconia first as rock and rock jazz musician before he had flute lessons at the conservatory Nuremberg. Subsequently, he studied architecture at the Technical University of Munich and worked as an architect. In the 1990s he turned to contemporary music (Arch.Ensemble) and improvised music (Schindler.Interferenz.3). In addition to the single tube instruments (saxophones and clarinets), he studied the cornet. In addition to his sound research, he also worked as a director, performer, musician and composer for various theater productions. In the following years he performed with solo and duo projects at new music festivals (Musica Viva, Klangaktionen, etc ...), jazz, experimental music, among others. This led to collaborations with musicians like Hubert Bergmann, Gerry Hemingway, Eddie Prevost, Sebi Tramontana, Georg Wissel, John Russell, Blaise Siwula, Frank Gratkowski, Hans Koch, Urs Leimgruber, Elisabeth Harnik, Katharina Weber and Frank Paul Schubert. In addition to his activities in solid cast he initiated in Munich a series of concerts to free improvisation in ad hoc to test instrumentation." ^ Hide Bio for Udo Schindler • Show Bio for Eric Zwang Eriksson "Interweaving two distinct forms of creative expression, Eric Zwang-Eriksson aka EaZy aka Klangwahn fashions a variety of audio-visual installations. Likewise, he works with performers, authors and theaters as a musician and a composer. The artist's approach is shaped by his 30 years' experience in improvised music." Translated by Sylvia Charbonnier ^ Hide Bio for Eric Zwang Eriksson • Show Bio for Erwin Rehling Erwin Rehling: Drums, stone game, bells, bell tree, bass marimba Born on February 2nd, 1954 in Soyen am See. Study of Bavarian history. Theater experiments with Zbigniew Cynkutis, Zygmunt Molik, NeliaVeksel. From the mid-1980s he worked as a percussionist for the folk music anarchists "Die Interpreten", after which he worked on other theater and music projects, as well as three highly acclaimed documentaries. Founded the duo HAMMERLING with Fritz Moßhammer in 2002. ^ Hide Bio for Erwin Rehling
4/24/2024
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4/24/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
4/24/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Ritual Sound Exposure #1 7:11
2. Ritual Sound Exposure #2 40:11
3. Ritual Sound Exposure #3 10:37
4. Ritual Sound Exposure #4 4:24
Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Trio Recordings
New in Improvised Music
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FMR.
 | Schindler, Udo / Ingrid Schmoliner Blaublatt (Creative Sources) |
 | Schindler, Udo / Eric Zang Eriksson Blow & Swirl (FMR) |
| Udo Schindler follows his duo album with drummer Eric Zwang-Eriksson @ Salon fur Klang+Kuns, Poetry?? Ein Wurfelwurf with this recording at BASIS_Sound_Space at MUCCA - Munich Center of Community Arts in Munich, Schindler on sopranino & tenor saxophones and the deep TUBAX, interacting with Eriksson's rapid-fire and uniquely voiced drum & percussion work. | |
 | Schindler / Rodrigues / Rodrigues / Torres Conspiratorial And Fulminate Things Happen [2 CDs] (Creative Sources) |
| The quartet of Udo Schindler on reeds, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Nuno Torres on saxophone are heard in Munich, first in a wildly interactive live performance at Schindler's Salon successor: BASIS_Soundscape at MUCCA; then live in the studio for 7 improvisations with track titles borrowed from and under the influence of the poetry of Allen Ginsberg. | |
| Schindler, Udo / Eric Zang Eriksson Blow & Swirl (FMR) |
| Udo Schindler follows his duo album with drummer Eric Zwang-Eriksson @ Salon fur Klang+Kuns, Poetry?? Ein Wurfelwurf with this recording at BASIS_Sound_Space at MUCCA - Munich Center of Community Arts in Munich, Schindler on sopranino & tenor saxophones and the deep TUBAX, interacting with Eriksson's rapid-fire and uniquely voiced drum & percussion work. | |
 | Schindler, Udo / Peter Jacquemyn Fragile Eruptions (FMR) |
| Live recordings of two sessions of fully free and uniquely creative duo improvisations by Udo Schinlder on clarinets, saxophone and brass, and Peter Jacquemyn on double bass & voice, recorded on November 29th, 2019 at the 98th Salon für Klang+Kunst Kralling/Munich by Udo Schindler (part one) & on the next day at Galerie arToxin by Gottfried Düren (part two). | |
 | Schindler, Udo / Wilbert De Joode Participation & Interplay [LowToneStudies] (FMR) |
| Concentrating on the lower end of their instruments, Udo Schindler and double bassist Wilbert de Joode improvise live at DasKihotzky_wagnisARt and at the 99th Salon für Klang+Kunstover in Munich, for 10 parts of their "[LowToneStudies]", Schindler performing on bass clarinet, f-tuba and tubax (a contrabass saxophone), occasionally complementing their lower end with soprano sax. | |
 | Schindler / Kepl Fabulierblattchen (Creative Sources) |
| Track titles are borrowed from Friederike Mayröcker for their "concentrated word acrobatics and linguistic sensuality", and apt analogy to the duo of Udo Schindler on clarinets & cornet, and Irene Kepl on violin, who are recorded live at the 95th Salon für Klang+Kunst Krailling in Munich, 2019, in a set of 9 delicately virtuosic dialogs that use extended and unusual techniques. | |
 | Schindler, Udo / Masako Ohta Music In Space (Creative Sources) |
| Tokyo pianist Masako Ohta, who works in both compositional and improvisation fields and here perform inside and out of the piano, met mutli-instrumentalist Udo Schindler, here on clarinets and alto horn, as part of the art exhibition by Philp Fischer Ulrich: "monitorobjekte" at Salon fur Klang+Kunst, in Krailling/Munich, Germany in 2019. | |
 | Schindler, Udo PNEUMA_Sax+Erde (FMR) |
| Reedist and mutli-instrumentalist Udo Schindler's first instrument was a soprano sax, and this solo concert at Atelier Ekkelancj Götze in Munich in 2018 brings to the foreground his 40 years of experience, advanced technique, and creative approach to this capricious and demanding instrument, performing a 2-part free-form "PNEUMA-Sax+Erde" and an encore. | |
 | Schindler, Udo / Masako Ohta Kaiyushiki Teien (Creative Sources) |
| SALON fur Klang + Kunst multi-reedist Udo Schindler met Japanese pianist Masako Ohta at Mohrvilla, Munchen/Freimann, Germany in 2017 to record this extended live improvisation, bringing Schindler's free jazz and non-idiomatic styles together with Ohta's contemporary classical background, in an intently educated and fascinating merging of styles and approaches. | |
 | Munchen Neus (Schindler, Udo / Gunnar Geisse / Anton Kaun) Gau (FMR) |
| A set of unusual and wonderfully unpredictable electroacoustic improvisations recorded live at the Akustronik#18 concert at Projektraum Streitfeld (Munich) in 2017 from the trio of Udo Schindler performing on reeds, brass & analogue synthesizer; Gunnar Geisse performing on laptopguitar & virtual instruments; and Anton Kaun performing on electronics, zeug & effects. | |
 | Schindler, Udo / Georges-Emmanuel Schneider Kontergesang (Counter-Singing) (Creative Sources) |
| Eleven instrumental works with each piece based on and emulating the sound characteristics of blackbirds, such as "whistling", "squealing", or "flutes", captured in a live concert at multi-reedist Udo Schindler's Salon fur Klang+Kunst in Krailling in Berlin, from the duo of Schindler and long-time musical collaborator, violinist Georges-Emmanuel Schneider, also on live electronics. | |
 | Schindler, Udo Pneuma_Extreme (Confront) |
| Selected short pieces for C double bass clarinet from German multi-reedist Udo Schinder, recorded live at his performance space for avant, free, and sound-oriented improvisation, Salon fur Klang + Kunst, in Krailling, Munich; Schindler presents a diverse set of approaches recorded to give strength and warmth to both subtle and vociferous statements. | |
 | Baumann, Franziska / Udo Schindler Blue Sonic Vibrations (Creative Sources) |
| German saxophonist and leader of the Salon for Klang + Kunst started the Improx, or "The X for the Unknown and the Unheard" with Gunnar Geisse, here in the third edition of the series with Swiss free improvising vocalist Franziska Baumann, captured live at two performances in 2018 in Germany & Switzerland, for unusual, quick-witted and innovative interchanges. | |
 | Schindler, Udo / Korhan Erel leben | nebel (Creative Sources) |
| Live at the 66th SALON fur Klang+Kunst in Krailling, Munich, Germany finds festival leader Udo Schindler on cornet, bass, contrabass clarinet, soprano saxophone in a duo with Berlin-based Istanbul-born computer musician Korhan Erel, who designs his own unique instruments with unusual controllers, performing 9 singular dialogs of ethereal and unorthodox sound. | |
 | Munich Rat Pack (Schindler / Kolb / Tramontana) Hell Dunkel: Sound Notes For Wind Trio Plus (FMR) |
| Live recordings from Pollat-Pavillion in Munich, Germany in 2015 from this seriously fun spontaneous collective improvising trio of Udo Schindler on reeds, cornet, euphonium, and monophonic analogue synthesizer, Philipp Kolb on trumpet, tuba and live electronics, and Sebastiano Tramontana on trombone, voice and whistling; expect the unexpected! | |
 | Schindler, Udo Botenstoffe (Confront) |
| A series of duo recordings between saxophonist, clarinetist and cornet player Udo Schindler and pianists, all recorded at Schindler's Salon for Sound and Art at Krailing, Germany between 2013 and 2016, with Claudia Ulla Binder, Masako Ohta, Elisabeth Harnik, Katharnia Weber, and Lisa Ullen; song titles taken from SONDAGEN (Soundings) in memory of poet Thomas Kling. | |
| Schindler, Udo / Ingrid Schmoliner Blaublatt (Creative Sources) |
 | Giesriegl & Schindler So{u}ndages (Creative Sources) |
 | Schindler, Udo / Eric Zwang Eriksson / Sebastiano Tramontana Canto Senza (FMR) |
| Experimental chamber music from the German trio of Udo Schindler on tenor saxophone, bass saxophone & cornet, Eric Zwang Eriksson on percussion and Sebastiano Tramontana on trombone & voice, performing at BASIS_Klangraum in MUCCA, Munich, the title translating to "singing without words" from the poetry cycle "Il taccuino del vecchio" by Guiseppe Ungaretti. | |
 | Schindler, Udo / Peter Jacquemyn / Georg Karger Hybride Synergetics [LowToneStudies] (FMR) |
| Reedist Udo Schindler continues his exploration into the double bass and low-tone reed instruments, here on bass & contrabass clarinets contrasted only with his soprano saxophone, in a 2022 live recording from MUCCA_Kommandozentrate in Munich of the five-part improvisation "Hybride Synergetic" in a trio with double bassists Peter Jacquemyn and Georg Karger. | |
 | MUC_ChamberArtTrio (Schindler / Geisse / Gramms) Dachao Polyphonic (FMR) |
| A remarkable concert as part of reedist Udo Schindler's LowToneStudies, referred to as "acoustronic" for the transformational aspects of each instrumentalist's playing, deceivingly electronic sounding despite being fully acoustic, captured live at Kulturschranne Dachau from the trio of Schindler, Gunnar Geisse on laptop guitar and Sebastian Gramss on double bass. | |
 | Duo User 52 (Udo Schindler / Etienne Rolin) Plastic Narratives (FMR) |
| Confidently forceful German free improvisation with an eccentric approach, from multi-instrumentalist Udo Schindler on clarinets, cornet & tuba and artist & improviser Etienne Rolin on basset horn, Glissotar (a continuous wind instrument) & a Bansuri flute, as they improvise over Schindler's poem (jetzt/now) from his cycle frequenz schaukelt / frequency swings. | |
 | Schindler, Udo / Nikolaius Neuser / Georg Karger Rhapsodic Topologies (FMR) |
| Performing at the Gallery arToxi in Munich, 2022 as part of clarinet & cornetist Schindler's LowToneStudies series, the free improvising trio of Schindler, Nikolaus Neuser on trumpet and Georg Karger on double bass perform four extended conversations of meticulous momentum and superb technique, at times repurposing, extending or modifying their instruments. | |
 | Schindler, Udo / Ardhi Engl Basis_B(r)uchstucke (Creative Sources) |
| Performing on clarinets and theremin, Udo Schindler follows up his series Salon für Klang+Kunst after 99 events with this new series at BASIS_Klangraum in Munich's historic BASIS Booksalon at MUCCA, in a concert with instrument maker Ardhi Engle performing on a diverse set of acoustic and electronic inventions for nine concise collective conversations. | |
 | MUC Chamber Art Trio (Udo Schindler / Sebastian Grams / Gunnar Geisse) Resilient Perspectives (...A Real Fact) (FMR) |
| A fascinating chamber jazz trio performing in a 2021 live concert in the Galerie at arToxin, in Munich, Germany from the collective free improvising trio of Udo Schindler on alto & sopranino saxophones & bass clarinet, Sebastian Gramss on double bass and Gunnar Geisse on laptop guitar, subtitled RESILIENT PERSPECTIVES... a real fact? [LowToneStudies#9+] | |
