The Squid's Ear Magazine


Rodrigues / Rodrigues / Faustino / Pinheiro / Carneiro: The Book of Spirals (Creative Sources)

Not your average Creative Sources releases, the father/son collaboration of Ernesto Rodrigues on viola and Guilherme Rodrigues on cello are joined by 2/3 of Red Trio — Hernani Faustino on double bass and Rodrigo Pinheiro on piano — with Pedro Carneiro on marimba, for an impressively active set of Swirling, Whirling and Twirling improvisations.
 

Price: $16.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Ernesto Rodrigues-viola

Guilherme Rodrigues-cello

Hernani Faustino-double bass

Rodrigo Pinheiro-piano

Pedro Carneiro-marimba


Click an artist name above to see in-stock items for that artist.




UPC: 5609063406412

Label: Creative Sources
Catalog ID: cs641
Squidco Product Code: 29495

Format: CD
Condition: New
Released: 2020
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at Orquestra de Camara Portuguesa, in Alges, Portugal, on December 1st, 2019, by Pedro Carneiro.

Descriptions, Reviews, &c.

"Another recent release from European musicians, again featuring piano (appearance of the latter having skipped the previous entry), and before moving on to a handful of items from elsewhere, is The Book of Spirals from another quintet around Ernesto Rodrigues - here joined by Rodrigo Pinheiro, Pedro Carneiro (marimba with quarter tone extension), Hernani Faustino and Guilherme Rodrigues for this December 2019 performance of three tracks totaling nearly an hour.

Following the percussive and almost jazzily frenetic at times Pentahedron (as recorded the month prior, and as discussed here last month), this is once again a relatively extroverted performance - as also marked by the participation of Faustino. And following on his performance with Lisbon String Trio amid the understated and shifting modal coloring of Rhetorica (discussed here in August 2019), Pinheiro is also rather more at the center of the action here - in particular together with Carneiro, the two forming something of a tempered and percussive backbone duo for the improvisations as a whole. (And I only know Carneiro from his relatively central role on the older Chant, an enigmatic quintet album around Joao Camoes - and like Pentahedron, also involving Zingaro:

The circle is completed, perhaps, by the even earlier Earnear, first discussed here in December 2015, from a trio with Pinheiro and Camoes joining LST's Miguel Mira....) Faustino then brings a broadly communicative and steady articulation to The Book of Spirals, balancing (perhaps) the contrapuntal timbre music of the Rodrigueses, the latter functioning more to fill and tilt textures around the piano-marimba backbone.... From there, the music often builds impressive momentum, with various runs and swells, evoking both wild and more urban settings, including by becoming more rhetorical or mysterious by the end. In that sense, and also like Pentahedron, it becomes more like a "free music" album of a prior vein than some of Rodrigues' own recent explorations focusing more thoroughly on timbre and infrachromaticism....

It does start strongly and creatively, though, as so many of these novel groupings seem to do, into kind of an unwinding and then various waves, including through more classical moods. Extended techniques are not absent either, as indicated e.g. by quarter-tone marimba, making for yet another intriguing (augmented) improvising string ensemble album from Creative Sources, in yet another novel formation. Indeed, The Book of Spirals is rather aggressive and even flashy at times (especially given that it doesn't involve horns), but tender or provocative (or even almost static and procedural) at others."-Todd McComb's Jazz Thoughts


Get additional information at Todd McComb's Jazz Thoughts

Artist Biographies

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"After establishing his name during the Eighties as an electric bass guitarist in alternative rock bands, like the now legendary K4 Quadrado Azul, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he's now considered one of the most intense and solid bassists in the Portuguese scene. The association he maintains with drummer Gabriel Ferrandini (RED trio, Nobuyasu Furuya Trio & Quintet, Rodrigo Amado Wire Quartet) has been pointed as a dynamic and powerful rhythm section. His visceral playing is well showed by the contortions of his face during a performance: he goes to the limits of pleasure and pain.

Music is his life: besides being a musician, he was one of the members of the label Clean Feed, considered one of the five more important on the planet in what regards jazz, and the Trem Azul Jazz Store, located in Lisbon. He also composed for theatre, produced radio programs, and wrote about music in a couple of magazines. A good part of his activity in photography is also music oriented: Faustino is one of the most accomplished stage photographers around. This says all about his passion and commitment.

Hernani Faustino's numerous meetings and collaborations with other improvisors is astonishing: John Butcher, Lotte Anker, Nate Wooley, Carlos "Zíngaro", Agustí Fernández, Sei Miguel, Rafael Toral, Jason Stein, Nuno Rebelo, Rodrigo Pinheiro, Gabriel Ferrandini, Pedro Sousa, Rodrigo Amado, Albert Cirera, Manuel Mota, Luís Lopes, Jon Irabagon, Taylor Ho Bynum, Gerard Lebik, Piotr Damasiewicz, Harris Eisenstadt, Neil Davidson, Heddy Boubaker, Gerard Lebik, Elliott Levin, Katsura Yamauchi, Mats Gustafsson, Chris Corsano, Nikolaus Gerszewski, Rob Mazurek, Reinhold Friedl, Ernesto Rodrigues, José Oliveira, Helena Espvall, Nuno Torres, Ricardo Jacinto, Blaise Siwula, Virginia Genta, Elliott Levin, Daniel Carter, Federico Ughi, Floros Floridis, Matt Bauder, Dennis González, Vítor Rua, and many more, covering a wide range from free bop to extreme experimentation, going through electroacoustic improv, reductionism and noise."

-Hernani Faustino Website, Rui Eduardo Paes (http://www.hernanifaustino.com/bio/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.
"Rodrigo Pinheiro was born in 1973 in Covilhã, a small town in the center of Portugal. He started learning the piano when he was five at the Conservatory of Covilhã and later at the Conservatory of Lisbon until he was eighteen. He soon got involved with the free Portuguese improvisation scene, having played with Américo Rodrigues, José Oliveira, Nuno Rebelo, Rodrigo Amado, Luís Desirat, Bruno Parrinha or Ernesto Rodrigues. Pinheiro's intuitive approach to improvisation and exploration of the piano timbres, using both classical and extensive techniques, makes his music energic, polyrhythmic and full of contrasts. Moreover, he has honed his technique at workshops of improvisa- tion and composition where he has played with virtuous names, such as Carlos Zíngaro, Peter Kowald, Gunther Muller or Patrick Brennan. He has also performed with several musicians, like Hiroshi Kobayashi, Cristin Wilboltz, Nathan Fuhr, Blaise Siwula, Per Anders Nilsson, John Zorn, Nobuyasu Furuya, Jason Stein, Nate Wooley, John Butcher, Lotte Anker, Joe McPhee, Keir Neuringer, among others. In 2010 Pinheiro formed his project RED Trio, with Hernâni Faustino (bass) and Gabriel Ferrandini (drums). The band has recorded four albums with Clean Feed and Nobusiness Records and performed live at jazz and improvised music festivals and concerts in Portugal, USA, Netherlands, Germany, Austria, Poland and Romenia. He is also a member of the Nobuyasu Furuya Quintet, which has two released albums by Chitei Records e Nobusiness Records. His most recent projects are his trio earNear, with João Camões (viola) and Miguel Mira (cello), and the Clocks and Clouds' quartet, with Luís Vicente (trumpet), Hernani Faustino (bass) and Marco Franco (drums)."-Luis Vicente Website (http://luis-vicente.wixsite.com/luisvicente)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Pedro Carneiro is a Portuguese solo classical percussionist, marimba player, composer, and conductor. Pedro Carneiro is one of the very few percussion players to have made an international career as a soloist, and has established himself as one of the world's foremost solo percussionists, performing regularly throughout Europe, the Asia and the United States.

Carneiro has won several international competitions and awards, while performing regularly in festivals and venues such as the BBC Proms, Rhythm Sticks Festival, Queen Elisabeth Hall and Purcell Room in London, Sonorities Festival in Belfast, Macau International Music Festival, Grant Park Music Festival in Chicago, New Zealand International Festival of the Arts, Capital Theatre in Beijing, La Biennale di Venezia, Folles Journées (Lisbon), Schumannfest in Düsseldorf, Festival Classique au Vert in Paris, amongst others. Mr. Carneiro has also performed recitals in cities such as London, Paris, Los Angeles, Hanover, Seville, Lisbon, Seoul and Hong Kong.

Carneiro is a frequent guest soloist with numerous orchestras: BBC National Orchestra of Wales, London Mozart Players, Tampere Philharmonic Orchestra, Orquestra Sinfônica do Estado de São Paulo, Helsingborgs Symfoniorkester, Estonian National Symphony Orchestra, Lithuanian National Symphony Orchestra, Orquesta de la Comunidad de Madrid, Bilbao Symphony Orchestra, Orchestre Régional de Basse-Normandie, Gävle Symfoniorkester and Portuguese Symphony Orchestra, to name but a few, working with conductors such as Petri Sakari, John Neschling, Ronald Zollman, Kaspar de Roo, Jurjen Hempel, Olari Elts, Andrew Parrott, Juanjo Mena, António Saiote, José Ramón Encinar, John Storgårds, Hamish McKeich, Max Rabinovitsj, Sarah Ioannides and Joseph Swensen, amongst others.

Pedro Carneiro has been heard and seen on radio and television stations throughout the world as well as releasing several solo recordings. As a guest teacher, Pedro has given masterclasses in many prestigious conservatoires and universities, such as the Royal College of Music, Guildhall School of Music & Drama and Trinity College of Music in London, Hong Kong Academy for Performing Arts, São Paulo State University in Brazil and the Royal College of Music in Stockholm, to name but a few. He is the visiting professor of solo percussion studies at the Academia Nacional Superior de Orquestra in Lisbon.

Pedro Carneiro is the principal conductor and artistic director of the Portuguese Chamber Orchestra."

-Wikipedia (https://en.wikipedia.org/wiki/Pedro_Carneiro)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Swirl 22:38

2. Whirl 13:09

3. Twirl 18:30

Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
European Improvisation, Composition and Experimental Forms
Quintet Recordings
Staff Picks & Recommended Items

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
Floridis, Floros / Ernesto Rodrigues / Guilherme Rodrigues / Ulf Mengersen
Xafnikes Synantiseis
(Creative Sources)
Legendary Greek bass clarinetist and improviser Floros Floridis, also performing on clarinet, and German double bassist Ulf Mengersen of the Berlin Improvisers Orchestra and Ensemble MIA, meet the ever-creative duo of violist Ernesto Rodrigues and cellist Guilherme Rodrigues for this 6-part active studio improvisation whose title aptly translates to "Unexpected Encounters".
Baars, Girilal / Ernesto Rodrigues / Carlos Santos / Monsieur Trinite
Surrealistisk
(Creative Sources)
Three surreal improvisations with an hallucinatory edge, drawn into a dreamlike nature by the free vocals of Girilal Baars (Girilal Baars Trio, Äijä), from a 2024 concert at COSMOS in Lisbon, PT with Ernesto Rodrigues on viola & crackle box, Carlos Santos on electronics and Monsieur Trinite on percussion; unconventional electroacoustic incantatory interactions.
Rodrigues, Guilherme / Ben Bennett / Ernesto Rodrigues
This Full Mouth
(Creative Sources)
An extraordinary meeting in Berlin, where Portuguese cellist Guilherme Rodrigues resides, with Creative Sources label leader and long-time collaborator as a father/son duo, violist Ernesto Rodrigues, joining as a trio with US percussionist Ben Bennett, known for his work with Michael Foster and Jack Wright, for an incredibly well-balanced album of unorthodox technique and creative expresion.
Rodrigues, Ernesto / Luisa Goncalves / Flak / Bruno Parrinha / Miguel Mira
Nocturne
(Creative Sources)
The title an apt description of this dreamlike improvisation guided by the piano of Luisa Gonçalves, in a quintet with Flak on acoustic guitar & ebow, Bruno Parrinha on bass clarinet, Miguel Mira on cello and Ernesto Rodrigues on viola & crackle box, the latter adding crepuscular bird calls and whispers to this nuanced nocturnal meditation of dark ambiance and furtive encounters.
Rotor (Rodrigues / Torres / Santos)
Impulses And Signals
(Creative Sources)
Seven studio improvisations from frequent collaborators Ernesto Rodrigues on viola & crackle box, Nuno Torres on alto saxophone and Carlos Santos on digital electronics, quiet conversations of subtle and extended technique that adhere to the session title, emulating electronic impulses and signals through understated and impeccably controlled acoustic and electronic expression.
Rodrigues, Ernesto / Dirk Serries / Joao Madeira / Jose Oliveira
Dripping
(Creative Sources)
One of the core Creative Sources trios of Ernesto Rodrigues on viola & crackle box, João Madeira on double bass and Jose Oliveira on percussion, is extended to a quartet with Netherland's New Wave of Jazz/Vidna Obmama archtop guitarist Dirk Serries, presenting the 9-part "Dripping" series of free chamber-oriented lowercase improvisation.
Rodrigues, Ernesto / Carlos Bechegas / Joao Madeira / Monsieur Trinite
Free to Open
(Creative Sources)
On the active and experimental side of Creative Sources' acoustic configurations organized by label leader and violist Ernesto Rodrigues, this energetic chamber quartet with Carlos Bechegas on piccolo, flute & alto flute, Joao Madeira on double bass and Monsieur Trinite on percussion, explore the three-part title work through rapid action and highly textured reflection.
Symbolist (Flinn / Rodrigues / Carroll)
The Age Of Bronze
(Creative Sources)
Improvising collaborators, percussionist Stephen Flinn and cellist Guilherme Rodrigues join with Irish improviser and composer Roy Carroll, a member of Splitter Orchestra and who works with the amplification and signal processing of diverse objects, here the trio performing an extended improvisation of exotic and transformative sonic interaction through unusual, encompassing soundscapes of exotic and transformative sonic interaction.
Rodrigues / Gratkowski / Rodrigues / Griener
Unstable Molecules
(Creative Sources)
Bridging jazz and contemporary forms, this 2024 live recording of four improvisations at Berlin's Kuhlspot Social Club channels collective power with chamber jazz influences, showcasing the refined techniques and deep experience of Ernesto Rodrigues on viola, Frank Gratkowski on clarinets and alto saxophone, Guilherme Rodrigues on cello, and Michael Griener on percussion.
Hunter Underwater (Rodrigues / Rodrigues / Kohn / Lin)
Archipelago
(Creative Sources)
In their second release, the Hunter Underwater quartet of four cellists — Guilherme Rodrigues (Portugal), Gábor Hartyáni (Budapest), Guido Kohn (Buenos Aires), and Hui-Chun Lin (Taiwan) — record at Berlin's Zentrifuge, creating sound sculptures and landscapes with layered harmonics and dynamic interplay through composition and improvisation.
Rodrigues / Sa / Rocha / Rodrigues / Silva / Varela / Goncalves / Flak / Trindade
Mimesis
(Creative Sources)
Primarily an acoustic ensemble of nine improvisers led by Ernesto Rodrigues on viola — including saxophonist Joana Sá, percussionist Monsieur Trindade, guitarist Flak, and pianist Luisa Gonçalves — performs a live, extended improvisation of tightly controlled, deeply detailed conversation as part of the 2024 Creative Sources Cycle in Lisbon.
Rodrigues / Torres / Hencleeday / Santos
Synopsis
(Creative Sources)
Recorded live during the Creative Sources Cycle at Lisbon's Cossoul on May 2, 2024, this collaboration brings together Ernesto Rodrigues (viola, crackle box), Nuno Torres (alto saxophone), Andre Hencleeday (piano), and Carlos Santos (modular synth) in a delicate journey of reductionist improvisation, blending acoustic and electronic textures to craft an intricate, lower-case performance of subtle sonic dialogues and dynamic restraint.
Lisbon String Trio & Carlos Santos
Cobra
(Creative Sources)
The Lisbon String Trio — Ernesto Rodrigues (viola), Miguel Mira (cello) and Alvaro Rosso(double bass) — collaborates with Carlos Santos (electronics, modular synth) to create a sophisticated, assertive set that enriches the trio's soundscape with nuanced electronic textures, building on the trio's nearly telepathic coordination and harmonic depth, blending physicality and subtle electronics to evoke mysterious, wave-like motifs and dynamic subtlety.
Sjostrom, Harri / Floros Floridis / Guilherme Rodrigues / Lawrence Casserley
Fields
(Creative Sources)
Two reeds, a cello and a signal processing instrument in this live electroacoustic improvisation session captured at Petersburg Art Space, in Berlin, Germany between cellist Guilherme Rodrigues, saxophonist Harri Sjostrom on soprano & sopranino using selected mutes, clarinetist Floris Floridis and electronic improvising legend Lawrence Casserley.
Rodrigues, Ernesto / Nuno Torres / Johannes von Buttlar
Cosmic Collision
(Creative Sources)
Frequent collaborators Ernesto Rodrigues on viola & crackle box and Nuno Torres on alto saxophone join with Berlin percussionist Johannes von Buttlar, a member of the Altered Forms Trio who have collaborated with Fred Frith, Raymond McDonald, &c., for four "Cosmic Collisions", highly interactive improvisations with impressive inertia and extraordinary technique.
Rodrigues / Rodrigues / Madeira / Taylor / Parrinha / Taubenfeld / Carmelo / Trinite
A Tale Unfolds
(Creative Sources)
In four parts this primarily acoustic octet of Lisbon improvisers evolve a deceptive narrative of collective interaction, highly textured through rich combinations that emerge and subside throughout the natural development of their converstations; with Ernesto & Guilherme Rodriguez, João Madeira, Noel Taylor, Bruno Parrinha, Ziv Tuabenfeld, Guilherme Carmelo and Monsieur Trinite.
Bechegas, Carlos / Ernesto Rodrigues / Carlos Santos
Echoing The Chorus Of Life
(Creative Sources)
Lisbon contemporary flutist and improviser Carlos Bechegas, an associate of Carlos Zingaro and his electroacoustic trio, joins violist Ernesto Rodrigues and long-time collaborator Carlos Santos in a uniquely electronic, chamber-oriented, mysteriously crepuscular improvisation captured live at Casa do Comum, Lisbon, Portugal during the 2024 "SpectraLx" event.
Variable Geometry Orchestra
L'Heure Derniere du Silence
(Creative Sources)
L'Heure Dernière du Silence stands as a testament to VGO's ongoing exploration of the interplay between silence and sound, solidifying their position as a leading force in contemporary improvised music as heard in this live recording captured during the cycle "A Hora Derradeira do Silencio" at St. George's Church, in Lisbon, Portugal in 2024.
Baars, Girilal / Ernesto Rodrigues / Carlos Santos / Monsieur Trinite
Surrealistisk
(Creative Sources)
Three surreal improvisations with an hallucinatory edge, drawn into a dreamlike nature by the free vocals of Girilal Baars (Girilal Baars Trio, Äijä), from a 2024 concert at COSMOS in Lisbon, PT with Ernesto Rodrigues on viola & crackle box, Carlos Santos on electronics and Monsieur Trinite on percussion; unconventional electroacoustic incantatory interactions.
Rodrigues, Ernesto / Luisa Goncalves / Flak / Bruno Parrinha / Miguel Mira
Nocturne
(Creative Sources)
The title an apt description of this dreamlike improvisation guided by the piano of Luisa Gonçalves, in a quintet with Flak on acoustic guitar & ebow, Bruno Parrinha on bass clarinet, Miguel Mira on cello and Ernesto Rodrigues on viola & crackle box, the latter adding crepuscular bird calls and whispers to this nuanced nocturnal meditation of dark ambiance and furtive encounters.
Uebele, Gerhard / Ernesto Rodrigues / Guilherme Rodrigues
Con versa tions
(Creative Sources)
Recordings from the Maeng Museum in Berlin, Germany from the free improvising string trio of father/son collaborators Ernesto Rodrigues on viola and Guilherme Rodrigues on cello with Berlin musicologist and violinist Gerhard Uebele, very much in a sophisticated chamber jazz mode that borrows from contemporary classical approaches and free improvisation.
Rodrigues, Ernesto / Carlos Bechegas / Joao Madeira / Monsieur Trinite
Free to Open
(Creative Sources)
On the active and experimental side of Creative Sources' acoustic configurations organized by label leader and violist Ernesto Rodrigues, this energetic chamber quartet with Carlos Bechegas on piccolo, flute & alto flute, Joao Madeira on double bass and Monsieur Trinite on percussion, explore the three-part title work through rapid action and highly textured reflection.
Floridis, Floros / Ernesto Rodrigues / Guilherme Rodrigues / Ulf Mengersen
Xafnikes Synantiseis
(Creative Sources)
Legendary Greek bass clarinetist and improviser Floros Floridis, also performing on clarinet, and German double bassist Ulf Mengersen of the Berlin Improvisers Orchestra and Ensemble MIA, meet the ever-creative duo of violist Ernesto Rodrigues and cellist Guilherme Rodrigues for this 6-part active studio improvisation whose title aptly translates to "Unexpected Encounters".
Okura / Rodrigues / Rodrigues / Buder
Your Dramatic Joy
(Creative Sources)
Father and son string improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello join with Berlin improvisers Fumio Okura (Ensemble 222) on violin and Hannes Buder on guitar for six collective chamber free improvisations using extraordinary technique and focus, creating parallel and converging conversations that build and recede in vigorous momentum.
Rodrigues, Ernesto / Nuno Torres / Guilherme Rodrigues / Eric Bauer / Stephen Flinn
Letters to Milena
(Creative Sources)
Referencing the book Letters to Milena (Briefe an Milena) by Franz Kafka of his intense love affair with Czech journalist & writer Milena Jesenská, through four lettered parts of a subtly sophisticated set of improvisations by Ernesto Rodrigues (viola), Nuno Torres (alto sax), Guilherme Rodrigues (cello), Eric Bauer (electronics) and Stephen Flinn (percussion).
Suspensao
Serendipity
(Creative Sources)
A fortuitous 2015 concert from the lowercase chamber/ea-improv octet Suspensão, captured live at Ler Devagar Bookstore in Lisbon from Ernesto Rodrigues (viola & harp), Guilherme Rodrigues (cello), Nuno Torres (alto sax), Eduardo Chagas (trombone), Antonio Chaparreiro (guitar), Rodrigo Pinheiro (piano & melodica), Miguel Mira (bass), Carlos Santos (electronics) and Jose Oliveira (percussion).



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC