The Squid's Ear Magazine


Kaluza / Steyer / Rodrigues / Rodrigues / Mengersen: Echoes In A Further Range (Creative Sources)

This string and reed quintet presents a fluid approach to chamber-oriented improv with dexterous melodic and harmonic motion, utilizing contemporary and jazz idioms as they create something masterfully unique; from Anna Kaluza on alto sax, Edith Steyer on alto sax & clarinet, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Ulf Mengersen on double bass.
 

Price: $15.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Anna Kaluza-alto saxophone

Edith Steyer-alto saxophone, clarinet

Ernesto Rodrigues-viola

Guilherme Rodrigues-cello

Ulf Mengersen-double bass


Click an artist name above to see in-stock items for that artist.




UPC: 5609063407334

Label: Creative Sources
Catalog ID: cs733
Squidco Product Code: 32063

Format: CD
Condition: New
Released: 2022
Country: Portugal
Packaging: Cardboard Gatefold
Recorded in Berlin, Germany, on November 22nd, 2021, by Guilherme Rodrigues.

Descriptions, Reviews, &c.

"[...] bowed string instruments retain a fascination for me, meaning that I've surely discussed a disproportionate share in this space.... That includes albums by a prolific string player such as Ernesto Rodrigues, who besides his amazing work curating Creative Sources, continues to release a variety of stimulating and enjoyable ensemble results of his own.

While that embraces a wide variety of style, there's something of an orientation on other string players there too, including of course cellist Guilherme Rodrigues. And the latter made the recording of the recent quintet album Echoes in a further range last November in Berlin: It's another substantial album from the Rodrigueses, including Ulf Mengersen on double bass, as well as Anna Kaluza and Edith Steyer on alto saxes (with the latter also on clarinet). There's also more of a classical-romantic traditional approach to the music being articulated across what can feel like a four-movement "sonata" form, including a lyrical orientation that seems to suit Guilherme Rodrigues well, but also some extended techniques and investigations of stillness.

In this, both viola and cello participate regularly in the "front line" of the interaction, including virtuosic contributions (e.g. double stop passages) at times. There's still a sense of register, though, such that Echoes In A Further Range doesn't present as as "egalitarian" as e.g. the (D)IVO sax quartet (reviewed here last month), i.e. the bass plays a more foundational role: Upper registers thus suggest a kind of font or flowering from below, with cello-tenor at center (or as stem?).

Although Ernesto Rodrigues is actually the only musician in common, the result recalls the Lisbon String Trio for me too, i.e. their inclusion of different horn players, e.g. Blaise Siwula on K'Ampokol Che K'Aay: There's a similar sort of intricacy and formal arrangement, although the albums differ thematically - and of course Echoes In A Further Range now involves two horns, forging a quintet. (And I was unfamiliar with Kaluza, but Steyer had been mentioned here, in April 2019, with the Bertch Quartet, in an entry around Henk Zwerver. And Mengersen had also appeared on Creative Sources already, but his previous mention here was actually with the "DIY"-vibe album, Grappling with the Orange Porpoise, in July 2020....)

Per (D)IVO, the interaction also involves great clarity and spacing, i.e. often a classical sense of chromatic space and counterpoint. There's also more contrast in tempi. Indeed, Echoes In A Further Range projects considerable mastery around a "classical" (but extended...) string backbone, horns coming both to intensify and mellow the timbres of that backbone. There's then a relatively easy sense of melody and harmony, far ranging, but not really pushing boundaries. (And so notable for its fluency....)

I thus tend to think of this configuration as developing a newly-classic idiom for contemporary improvisation around strings (i.e. still a quintet, but instead of percussion/piano). And that does include a jazzy, and certainly a rhetorical (or even languid...), feel at times - wrapped in a satisfying (overall, formal) package. A lot happens too, i.e. alluding to a wide range of human activity and feeling"-Todd McComb, Jazz Thoughts


Get additional information at Todd McComb's Jazz Thoughts

Artist Biographies

"Anna Kaluza studied jazz saxophone in Cologne with Frank Gratkowski, in Vienna with Klaus Dickbauer and in London with Jean Toussaint. As a student she joined Big Bands as the Freiburger Schüler Jazzorchester and the Landesjazzorchester Berlin. She was a member of Simon Rummel's Fantasmofonika, which was awarded the jazz art prize NRW in 2004. With the German Band Futür she released the album "Kein Schnee" in 2007 (Jazzhausmusik). She played festivals in Essen, Idstein, Leipzig, London, Hamburg, Köln, Düsseldorf, Saarbrücken, St. Johann, Sibiu, Palermo, Heiligenkreuz... From 2008 to 09, she lived in London, pursued a Master's degree at City University/Guildhall School of Music and Drama (funded by the German Academic Exchange Service). During this year she became a member of the London Improvisers Orchestra (L.I.O.) and the group Splatter and played with musicians from the not applicable network and label. Since returning to live in Berlin she has been establishing the Berlin Improvisers Orchestra (which includes musicians from the L.I.O.) and regularly plays with international guest musicians. She is a member of the Hanam Quintet (with Alison Blunt /vl, Niko Meinhold /p, Manuel Miethe /ss, Horst Nonnenmacher /b // 2 CDs released by AUT records), the Kaluza Quartett (with Christof Thewes /trb, Jan Roder /b and Kay Lübke /dr), the Frankfurt-based trio Baustelle No 5 (with Julian Keßler and Johannes Held), the Heisenberg Quintet (with Niko Meinhold /p, Hannes Buder /guit, Stephan Bleier /b, Rui Faustino /dr) and Ruth Schepers' little Big Band Rusira Mixtett. In 2013 she released the album Tone Hunting (cleanfeed records) with Artur Majewski (trp), Kuba Suchar (dr) and Rafal Mazur (b)."

-Anna Kaluza Website (https://akaluza.wordpress.com/about/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Edith Steyer was born in 1968 in Munich. After studying anthropology, she decided to become a saxophone and clarinet player and finished her degree at the Bruckner-Konservatorium in Linz, Austria. Since then she has been working professionally as a jazz musician and in the field of improvised music. She recieved support and grants for CD productions with various ensembles from the GEDOK, the Berliner Senat (SenBildJugWiss) and as a member of "The Composers Orchestra Berlin" from the Initiative für Neue Musik. She worked at the Staatstheater Cottbus, leading a saxophone quartet. She has been on tour in many places throughout europe and in the US and played with outstanding musicians such as Michael Griener, Jan Roder, Andreas Willers, James Falzone, John Niekrasz, Adam Pultz-Melbye, Kathrin Lemke, Johannes Schleiermacher, Yorgos Dimitriadis, Joel Grip, Tobias Delius, Clayton Thomas, Susanna Hood, Marialuisa Capurso, Jean-Marc Foussat, Luiz Rocha etc."

-Edith Steyer Website (http://www.edith-steyer.de/projekte/affare-bela-b/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Ulf Mengersen is a German bassist living in Berlin. He studied at Hochschule für Musik Franz Liszt Weimar. He is a member of Berlin Improvisers Orchestra, Ensemble MIA.

-Squidco 3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. I 14:47

2. II 10:35

3. III 10:34

4. IV 12:55

Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Chamber Jazz
European Improvisation, Composition and Experimental Forms
Quintet Recordings
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
Rodrigues, Ernesto / Dirk Serries / Joao Madeira / Jose Oliveira
Dripping
(Creative Sources)
Belorukov, Ilia / Ernesto Rodrigues / Nuno Torres
Tak Prosto
(Creative Sources)
Two recordings from the lowercase acoustic improvising trio of Portuguese players Ernesto Rodriduges on viola and Nuno Torres on alto saxophone and objects with Saint Petersburg alto saxophonist Ilia Belorukov, recording at Belorukov's Spina! label's studio, and again live at Vertikal' Gallery in Saint Petersburg in 2016.
Rodrigues/ Rodrigues / Barbiero
(The) Nature (Of Things) Likes To Hide
(Creative Sources)
Recorded over a 3 year period, the trio of Portuguese string improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello met with New Haven, Connecticut double bassist & synth player Daniel Barbiero, developing this detailed, two part lowercase acoustic improvisation with a spacious, patient feeling that interacts with its ambient environment.
Rodrigues / Rodrigues / Torres / von Buttlar
Leipzig
(Creative Sources)
Named for the Leipzig, Poland location in which this live concert was recorded, the acoustic free improvising quartet of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, Nuno Torres on alto saxophone, and Johannes von Buttlar on percussion, explore extended ranges and approaches to their instrument in these building and detailed dialogs.
Rodrigues, Rodrigo / Abdul Moimeme / Antez
Basalto
(Creative Sources)
As the album cover displays, basalto are the black rocks resulting from lava, here represented in the slowly flowing, hard toned electro-acoustic improv of the Portuguese trio of Ernesto Rodrigues onoctave viola & baritone violin, Abdul Moimeme on electric guitar, and Antez on percussion.
Garcia, Miguel A. / Sebastien Branche / Abdul Moimeme / Ernesto Rodrigues / Guilherme Rodrigues
Golden Towers And Electric Frictions
(Creative Sources)
Popovskiy, Andrey / Ernesto Rodrigues / Nuno Torres
Ululo
(Creative Sources)
Rodrigues, Ernesto / Hans W. Koch
Nostalghia
(Creative Sources)
Portuguese violist Ernesto Rodrigues joins with German electronic improviser Has W Koch for an album of interactive acoustics and electronics, where textures from Rodrigues' viola are fed into Koch's electronics to create new and unanticipated transformations, both patiently evolving the textures to reveal sublime minutiae and detail.
Rodrigues / Parrinha / Madeira
Into the Wood
(Creative Sources)
Working together in a variety of setting and ensembles--Variable Geometry Orchestra, Suspensao, groupings with Hernani Faustino & Jose Oliveira, with Michel Stawicki, and with onsieur Trinite--the core trio of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet and Joao Madeira on double bass, is heard in three studio improvisations of dark woods explorations.
Variable Geometry Orchestra
There's Always Someone Who Says No
(Creative Sources)
One of the largest ensembles associated with Creative Sources, merging acoustic and electronic improvisers, this conduction by violist Ernesto Rodrigues at Torre Do Tombo in Lisbon in 2023 was the opening for an exhibition about the struggle of college students against the Portuguese dictatorship during the years 1970-74, leading to the Carnation Revolution.
dis/con/sent (Petzold / Rodrigues / Rodrigues / Bauer)
Munchen
(Creative Sources)
A double opus of improvised String Quartets in four movements each, using impressive technique and exquisite pacing in this live recording captured at the Offene Ohren, in Munich, Germany, 2023 by Dietrich Petzold on violin, tenor violin, clavichord & bowed metal, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Matthias Bauer on double bass.
Dorner / Rodrigues / Kim / Flinn
Chess Music
(Creative Sources)
A profoundly patient extended improvisation referencing the pensive and strategic decisions made in a game of chess, creating a dynamic interplay of sounds through unconvential technique in this live recording at Werkhalle Wiesenburg, Berlin from the quartet of trumpeter Axel Dorner, cellist Guilherme Rodrigues, tenor saxophonist Jung-Jae Kim and percussionist Stephen Flinn.
Rodrigues / Lonberg-Holm / Hencleeday / Oliveira
Uncommon Statement
(Creative Sources)
Two unique string players--Lisbon's Ernesto Rodrigues on viola and Chicago's Fred Lonberg-Holm on cello--with pianist Andre Hencleeday and percussionist Jose Oliveira, in an exhilarating concert of dynamic free improvisation captured live in 2023 at Lisboa Incomum in Lisbon, presented as two "Statements", an apt description of their confident and declarative interplay.
Rodrigues / Parrinha / Flak / Levine
Quadruple Quadrature Questions
(Creative Sources)
While theremin & synth specialist Andrew Levine was on a 2023 tour of Portugal he met with a core trio of Creative Sources improvisers--Ernesto Rodrigues on viola & Crackle Box, Bruno Parrinha on bass clarinet & objects, Flak on electric guitar & effects--meeting in Flak's countryside studio for one detailed, extensive improvisation and 6 short works of differing sonic characters and colour.
Bechegas / Rodrigues / Rodrigues
Secrets Under Trees
(Creative Sources)
Recording at Berlin-Wedding's performance space Werkhalle Wiesenburg in the summer of 2023, the free improvising chamber trio of violist Ernesto Rodrigues and cellist Guilherme Rodrigues meet with Portuguese flutist Carlos Bechegas, bringing contemporary classical technique to an extended and energetically tempestuous improvisation and a sprightly "Time Between".
Kim / Rodrigues / Rodrigues / Cholet
Taedong
(Creative Sources)
Emulating the Korean river Taedong through it's undulating flows, uproar, flux and treachery in eleven succinct chamber-oriented improvisations from the quartet of South Korean tenor saxophonist Jung-Jae Kim, French-born South Korean-based drummer Quentin Cholet, with the Portuguese father/son duo of Ernesto Rodrigues on viola and Guilherme Rodrigues on cello.
Okura / Rodrigues / Rodrigues / Buder
Your Dramatic Joy
(Creative Sources)
Father and son string improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello join with Berlin improvisers Fumio Okura (Ensemble 222) on violin and Hannes Buder on guitar for six collective chamber free improvisations using extraordinary technique and focus, creating parallel and converging conversations that build and recede in vigorous momentum.
Claman / Rodrigues / Rodrigues / Tallone
Three Shadows
(Creative Sources)
Berlin recordings from the lowercase chamber improvising string quartet of New Zealand violinist Sarah Claman, Portuguese violist Ernesto Rodrigues and cellist son based in Berlin, Guilherme Rodrigues, with Swiss sound artist Caroline Cecilia Tallone on electroacoustic hurdy gurdy & amplified objects, exploring three shadow aspects of "Umbra", "Penumbra" and "Antumbra".
Suspensao
Frottage
(Creative Sources)
Configured as an electroacoustic chamber nonet led by Ernesto Rodrigues on viola & crackle box, with two saxophones, bass clarinet, piano, electric guitar, double bass, electronics & percussion, in two live, highly concentrative and subtly detailed improvisations performed in 2023 at O'Culto da Ajuda, during Ciclo Indeterminação na Música do Séc. XXI.
Suspensao
Serendipity
(Creative Sources)
A fortuitous 2015 concert from the lowercase chamber/ea-improv octet Suspensão, captured live at Ler Devagar Bookstore in Lisbon from Ernesto Rodrigues (viola & harp), Guilherme Rodrigues (cello), Nuno Torres (alto sax), Eduardo Chagas (trombone), Antonio Chaparreiro (guitar), Rodrigo Pinheiro (piano & melodica), Miguel Mira (bass), Carlos Santos (electronics) and Jose Oliveira (percussion).
Suspensao
Teufelmuzik
(Creative Sources)
Portugal's suspenseful reductionist improvising ensemble, blending acoustic and electronic instruments in delicately detailed motion, heard in this live recording at SMUP in Parede from Ernesto Rodrigues (viola), Nuno Torres (sax), Bruno Parrinha (bass clarinet), Luisa Goncalves (piano), Flak (electric gutiar), Joao Madeira (bass), Carlos Santos (analog synth) and Jose Oliveira (percussion).
Suspensao (Rodrigues / Torres / Parrinha / Goncalves / Flak / Madeira / Santos / Oliveira)
Impromptu
(Creative Sources)
The Suspensao octet are heard in this live performance at SMUP, in Parede, Portugal in 2023, blending primarily acoustic instruments with electric guitar and analog synth, using a reductionist approach to highly concentrative and suspenseful free improvisation, their long-running collective history allowing an impressive level of articulation and control through the integration of diverse voices.
Lopes, Luis Abyss Mirrors
Echoisms
(Clean Feed)
Citing references including Sun Ra, electric Miles, Ornette, Wadada Leo Smith, Stockhausen & Gabriel Prokofiev, guitarist Luis Lopes's Abyss Mirrors brings together artists drawing on European & Brazilian performers from Clean Feed, Shhpuma and Creative Sources for these evolving and often ecstatic collective, experimental improvisations; unpredictably edgy and exciting!
IKB
Limosa Limosa
(Creative Sources)
IKB, a ten-piece reductionist electroacoustic ensemble of strings, reeds, guitar, computer, percussion, piano, drums & objects, continues their exploration of exotic animal species with this 2020 live performance at O'Culto da Ajuda in Lisbon, Portugal, detailing the long-billed shore bird Limosa through intricate, restrained and remarkable expression.
IKB
Rhinocerus
(Creative Sources)
One of Portugal's most interesting large scale lowercase ensembles led by violist Ernesto Rodrigues, with frequent Creative Sources collaborators including Nuno Torres on alto sax, Carlos Santos on electronics, Guilherme Rodrigues on cello, Miguel Mira on bass, 14 musicians move with subtlety in a tapestry of electroacoustic resonance and mystique.
Rodrigues, Ernesto / Guilherme Rodrigues / Stephan Bleier
Anamorphose
(Creative Sources)
A confluence of strings from the trio of Portuguese improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, performing in Berlin with double bassist Stephan Bleier, the title referring to a gradual ascending progression formed through small changes, an apt analogy for the illusory and shape-shifting approach their 5-part improvisations lead.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC