The Squid's Ear Magazine


Oliveros, Pauline: Crone Music (Lovely Music)

Reissue of Pauline Oliveros' album of recordings from 1989-90, commissioned by Mamou Mines of the NY based experimental theater collective, for their production of Shakespeare's "Lear", with Panaiotis, co-founder of the Deep Listening Band, providing processing to expand Oliveros' solo accordion and her own pitch-modulated delays to create the sound of a full accordion ensemble.
 

Price: $12.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units

Sample The Album:





product information:

Personnel:



Pauline Oliveros-accordion

Panaiotis-processing, mixing


Click an artist name above to see in-stock items for that artist.




UPC: 745295190325

Label: Lovely Music
Catalog ID: LCD 1903CD
Squidco Product Code: 27376

Format: CD
Condition: New
Released: 2019
Country: USA
Packaging: Jewel Case
Recorded at Studio PASS / Harvestworks, in New York, New York, by Connie Kieltyka.

Descriptions, Reviews, &c.

2019 repress on CD; 1990 release.: "Studio recordings from 1989-90, 'commissioned by Mamou Mines, the New York based experimental theater collective, for their production of Lear by William Shakespeare.' In use herein is a fairly complex series of pitch-modulated foot-controlled digital delay units which render Oliveros' solo accordion playing into a full accordion ensemble. This all results in SERIOUSLY dense overtone/ghost chord action, complete with microtones and countermelodies emulating something like a grand-pipe-organ jam session. Heavy. By far the most ear-triggering of all Oliveros's explorations with said instrument."-Hrvatski, from Forced Exposure



"Crone Music

Crone Music was commissioned by Mabou Mines, the New York based experimental theater collective, for their production of Lear, by William Shakespeare. The music was composed to lay throughout the majority of scenes in the play as a cinematic-style accompaniment to the action and the actors' amplified dialogue.

Crone Music is a continuous concert version of Music for Lear with the follwing subtitles:

• The Fool's Circle
• "A Woman Sees How the World Goes with No Eyes"
• "Reason in Madness Mixed"
• "This Great Fool's Stage"
• "Let It Be So"
• "Let Me Not Be Mad"
• "Lear On The Road"

The total playing time is 57:41 minutes.

The storm music for Lear is recorded as The Roots of the Moment on HatArt compact disc. The final scene is recorded as Lear on the New Albion compact disc, Deep Listening, by the Deep Listening Band.

The expanded accordion
Pauline Oliveros has developed a unique style of accordion playing through her interest in electronics. The expanded accordion is her concept. Oliveros uses four digital delay processors. During performance each output from the right and left hand is sent separately to a processor which she controls to accomplish layering, pitch bending or modulation. Pitch bending is controlled with foot pedals. The results are sent to two other processors for reverberations which simulate a variety of aural experiences from landscapes and indoor spaces. The second pair of processors and the mixing is controlled by Panaiotis.

The accordion used by Oliveros for Crone Music is a custom-built Titano Emperor V with an extra large sound chamber designed for concert use. The bass range is extended down to C2 and the right hand registration includes a quint stop which sounds the twelfth above the fundamental. The reeds are handmade with precision-cut tongues designed to fit the reed blocks exactly. The resulting airtight seal in the instrument rewards the performer with superb response. Attention to tuning was a labor of love. To make such an instrument today would cost about $11,000.

PAULINE OLIVEROS
"As a musician, I am interested in the sensual nature of sound, its power of release and change. In my performances throughout the world I try to transmit to the audience the way I am experiencing sound as I hear it and play it in a style that I will call deep listening. Deep listening is listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, of one's own thoughts as well as musical sounds. Deep listening is my life practice." - Pauline Oliveros

Pauline Oliveros has played the accordion for almost fifty years of her lifetime. Her interest in the accordion began when her piano-playing mother brought one home to learn in 1942. Pauline quickly learned to play many tunes and very soon was playing in a one-hundred-piece accordion band for such occasions as the rodeo. She studied for several years with Willard Palmer, who managed by 1949 to introduce the accordion to the curriculum at the University of Houston, which she attended. Her studies included making transcriptions of organ and orchestral works to perform on the accordion.

Although the accordion declined in its popularity with the general public, after the 1950s Oliveros continued to perform her own music and to improvise with other on the accordion as she developed her distinctive career as a composer. Oliveros has composed a large body of music works which range from solo vocal and instrumental, to large ensemble and orchestral. She has composed music for dance in collaboration with choreographers including Merce Cunningham, Anna Halprin, Deborah Hay, Paula Josa Jones and Susan marshall; and theater pieces for virtuoso performers Stuart Dempster, Jacob Glick, William O. Smith and David Tudor. She has created Sonic Meditations and Deep Listening Pieces, which may be performed by audiences as well as musician, and continues to perform her expanded accordion as a soloist and with the Deep Listening Band, which she founded together with Stuart Dempster and Panaiotis in 1988.

PANAIOTIS
"Music is sound moving in space, moving through space, heard in spaces; captured by our ears and rearranged in our mind. I am interested in sound and space: the sounds and spaces both within and outside of us, interacting with and affecting our souls." - Panaiotis

Panaiotis incorporates numerous non-traditional vocal and instrumental techniques, electronics and computers to create works rich in sonic textures and spatial ideas. His compositions cover a wide spectrum of musical concepts and methods, ranging from his Audience Symphony, in which the performers interact with individual audience members, to The Akeda, an opera based on Greek and Biblical myths of child sacrifice, to his most recent endeavor experimenting with the creation of electro-acoustical environments that become locations for musical journeys.

His continuing interest in other performing arts and in collaborations has led him to write and compose numerous works for dance and theater, and to become involved with the performance art movement. As a theater composer and sound designer, he has worked with the San Diego Public Theater, the San Francisco Repertory Theater, and the Hans-Otto Theater in Potsdam, East Germany.

Panaiotis (a.k.a. Peter Ward) grew up in Los Angeles and eventually found himself with a Ph.D in music from the University of California at San Diego. He is currently a member of the Deep Listening Band, performing with his voice and creating interactive sound spaces with electronics."-DRAM Online


Artist Biographies

"Pauline Oliveros was a senior figure in contemporary American music. Her career spans fifty years of boundary dissolving music making. In the '50s she was part of a circle of iconoclastic composers, artists, poets gathered together in San Francisco. Recently awarded the John Cage award for 2012 from the Foundation of Contemporary Arts, Oliveros was Distinguished Research Professor of Music at Rensselaer Polytechnic Institute, Troy, NY, and Darius Milhaud Artist-in-Residence at Mills College. Oliveros has been as interested in finding new sounds as in finding new uses for old ones --her primary instrument was the accordion, an unexpected visitor perhaps to musical cutting edge, but one which she approaches in much the same way that a Zen musician might approach the Japanese shakuhachi. Pauline Oliveros' life as a composer, performer and humanitarian was about opening her own and others' sensibilities to the universe and facets of sounds. Since the 1960's she has influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual. Pauline Oliveros was the founder of "Deep Listening," which comes from her childhood fascination with sounds and from her works in concert music with composition, improvisation and electro-acoustics. Pauline Oliveros describes Deep Listening as a way of listening in every possible way to everything possible to hear no matter what you are doing. Such intense listening includes the sounds of daily life, of nature, of one's own thoughts as well as musical sounds. Deep Listening was my life practice," she explains, simply. Oliveros was founder of Deep Listening Institute, formerly Pauline Oliveros Foundation, now the Center For Deep Listening at Rensselaer."

-Pauline Oliveros Website (http://paulineoliveros.us/about.html)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Panaiotis, also known as Peter Ward, is a vocalist and composer currently living in Albuquerque. He received his Master of Music degree from New England Conservatory and a Ph.D. in music from the University of California, San Diego.

He has collaborated with composer and accordionist Pauline Oliveros, together co-founding the Deep Listening Band, and Indian santurist Nandkishor Muley."

-Wikipedia (https://en.wikipedia.org/wiki/Panaiotis)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. The Fool's Circle (6:02)

2. "A Woman Sees How the World Goes With No Eyes" (7:15)

3. "Reason In Madness Mixed" (7:55)

4. "This Great Fool's Stage" (5:12)

5. "Let It Be So" (8:30)

6. "Let Me Not Be Mad" (9:30)

7. Lear On The Road (13:12)

Related Categories of Interest:


Electro-Acoustic
Compositional Forms
Electroacoustic Composition
Piano & Keyboards
Duo Recordings
Jazz Reissues
New in Experimental & Electronic Music

Search for other titles on the label:
Lovely Music.


Recommended & Related Releases:
Other Recommended Releases:
Holy Mountain, The
Toad Of Light [VINYL]
(Shhpuma)
Cinematic aesthetics and themes from the Norwegian Holy Mountain duo, performing on the uncommon pairing of two instruments--accordion played by Andreas Angell, and drums with acoustic and electronic parts and vintage synthesizer played by Aleksander Tidemann--in their 3rd release inspired by the dystopian sci-fi visions of John Carpenter, Philip Glass and Daft Punk.
Junk & The Beast (Petr Vrba / Veronika Mayer)
Trailer
(Mikroton Recordings)
Petr Vrba and Veronika Mayer use non-idiomatic improvisation to research the combination of textural materials, crossing them with vibrations of objects on the speakers, pure sound waves, feedbacks, tones coming from trumpet, accordion, electronics, and laptop, culminating in the creation of a muscular frenetic soup of tense energy fields.
Monteiro, Alfredo Costa
Um Em Um
(Monotype)
An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.



Customers Who Bought This Item Also Bought:
Brown, Marion
Why Not? Porto Novo! Revisited
(ezz-thetics by Hat Hut Records Ltd)
Reissuing two essential albums from saxophonist Marion Brown--Why Not? (ESP, 1968) and Porto Novo (Polydor, 1969)--the first recorded in NY in a quartet with pianist Stanley Cowell, bassist Sirone and drummer Rashied Ali, the second recorded in The Netherlands in a trio with Han Bennink on drums and Maarten Van Regteren Altena on double bass; essential.
Fujii, Satoko / Ramon Lopez
Confluence
(Libra)
Having played in trio settings before, pianist Satoko Fujii and Spanish drummer Ramon Lopez seized the opportunity to record as a duo in the studio in NY, bringing just two Fujii compositions to guide them, they began freely improvising, creating this stunning album of elegant interaction, peaceful yet detailed, intuitively beautiful and sophisticated music.
Pukwana, Dudu / Misha Mengelberg / Han Bennink
Yi Yole
(Corbett vs. Dempsey)
Recorded at the ICP Jubileum festival in Uithoorn, Holland, in 1978, this concert brings together the core of the Instant Composers Pool--pianist Misha Mengelberg and drummer Han Bennink--with legendary South African alto saxophonist Dudu Pukwana (Blue Notes), Bennink also playing trombone, clarinet, and viola, in a lyrical and unpredictable set filled with humor and astounding playing.
Leimgruber, Urs / Jean-Marc Foussat
Face to Face [2 CDS]
(Fou Records)
The perfect foils for each other, German saxophonist Urs Leimgruber and French AKS sysnthesist Jean-Marc Foussat are heard in two complete concerts, one at the WIM in Zurich and one at the Kunsthalle in Lucerne, both exploring sound, timbre, momentum and atmosphere through extended techniques and extreme playing, and an amazing display of soundscape and sonic force.
Studer, Daniel (w/ Kimmig / Loriot / Zimmerlin / Zoubek)
Extended: For Strings & Piano
(ezz-thetics by Hat Hut Records Ltd)
A live album at Kunstraum Walcheturm from Swiss double bassist Daniel Studer's quintet of strings and piano, with Harald Kimmig on violin, Frantz Loriot on viola, Alfred Zimmerlin on violoncello, and Philip Zoubek on piano, performing an inventive set of Studer compositions extending string improvisation to extremes through unorthodox structures and techniques.
Giuffre, Jimmy 3 (w / Bley / Swallow)
Graz Live 1961
(ezz-thetics by Hat Hut Records Ltd)
After introducing his new trio with pianist Paul Bley and double bassist Steve Swallow in two 1961 albums on Verve, clarinetist Jimmy Giuffre embarked on a tour of Europe, this recently discovered, well-recorded concert in Graf, Austria the perfect example of his unique concepts yielding intensely focused, harmonically challenging, rhythmically abstract, and exquisite chamber jazz.
Steenberge, Laura
Harmonica Fables
(Nueni)
A truly unique album of solo harmonica and voice from Bay Area performer and composer Laura Steenberge, whose studies in folk music, psycholinguistics, acoustics and medieval Byzantine chant brings a sense of the ancient to modern experimentalism, transforming the instrument in a variety of illusive ways that are both enigmatic and entirely embraceable.
Kuhn, Peter (w/ Cline/ Clucas / Sewelson / Walton)
Dependent Origination
(FMR)
Multi-reedist Peter Kuhn returned to the San Diego scene in 2013, forming the Dependent Origination band with a core of drummer Alex Cline and saxophonist Dave Sewelson, referencing the Buddhist concept of interdependent co-arising; 4 years later this album adding Dan Clucas (cornet) & Scott Walton (bass) represents the current state of this excellent collective band.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC