The first recording of Ho Bynum's new sextet, with guitarist Mary Halvorson and drummer Tomas Fujiwara, augmented by bassist Ken Filiano, saxophonist Jim Hobbs, and tubist/bass trombonist Bill Lowe, in a 4-part suite.

UK saxophone phenomenon John Butcher in 10 live solo recordings using the unique sonic environments of Richmond Hall, a Houston art gallery that has been compared to a bowling alley, and Issue Project Room's high-ceilinged marble room in Brooklyn, NY.

Percussionist Mark Sanders and saxophonist John Butcher in recordings from two concerts: the 2010 Freedom of the City festival in London, and a year later at Southampton University; exceptionally expressive and technically unique playing.

Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.

The second volume of Eddie Prevost's 2011 series of concerts at Network Theatre, Waterloo, London meeting with remarkable saxophonists, here with John Butcher on tenor & soprano, with Guillaume Viltard on double bass.

Unreleased material from legendary European players Peter Brotzmann (sax), Fred Van Hove (piano) and Han Bennink (drums), captured live in 1971 for intensely heavy playing at the 2nd Internationales New Jazz Meeting Auf Burg Altena, and in detailed studio work at Radio Bremen.

For their 3rd album together, the trio of saxophonist Peter Brotzmann, bassist John Edwards and drummer Steve Noble are caught live at the 2013 Ljubljana Jazz Festival for three blistering works of free improvisation.

A return to the group that kick-started Otoroku - the veteran German reedsman and free jazz pioneer Peter Brotzmann with the long-running London bass/drums partnership of John Edwards and Steve Noble, recording at the last set of a two-day residency at Cafe OTO in 2013.

A return to the group that kick-started Otoroku - the veteran German reedsman and free jazz pioneer Peter Brotzmann with the long-running London bass/drums partnership of John Edwards and Steve Noble, recording at the last set of a two-day residency at Cafe OTO in 2013.

Toronto creative improviser multi-reedist Kyle Brenders (AIMToronto, The Rent) in an unhurried and intuitive duo with the drummer & percussionist of his quartet Brandon Miguel Valdivia (Not The Wind, Not The Flag).

Extended improvisations using a mix of acoustic and electric instruments from the sextet of Ernesto Rodrigues, d'incise, Cyril Bondi, Abdul Moiemem, Eduardo Chagas, and Nuno Torres.

The Norwegian free-improvising trio of prepared pianist Dag-Filip Roaldsnes, alto saxophonist Kim-Erik Pedersen, and percussionist Tore Sandbakken in 14 darkly graceful and succinct works.

Incredibly crafted sonic worlds from the Biota collective, and indescribable orchestration of electric & acoustic guitars, clavioline, trumpet, organ, micromoog, biolmellodrone, voice, electric & acoustic violins, bass, percussion, &c.

Saxophonist Tim Berne in his 3rd ECM album, leading his NY band Snakeoil, now a quintet with guitarist Ryan Ferreira joining pianist Matt Mitchell, clarinetist Oscar Noriega, and percussionist Ches Smith, for intricate, dynamic and sophisticated modern jazz.

The trio of Steve Beresford on electronics, Stephen Flinn on drums and percussion, and Dave Tucker on electric guitar in a quirky, unique and exciting set of improvisations recorded in London.

Known for his more abstract Memorize the Sky project, tenor saxophonist and clarinetist Matt Bauder's band Day in Pictures adheres to jazz traditions with the superb quintet of Nate Wooley (trumpet), Kris Davis (piano), Jason Ajemian (bass) and Tomas Fujiwara (drums).

The remarkable trio of basist Mark Helias, drummer Gerry Hemingway and trombonist Ray Anderson in a release that brings modern language to traditional jazz, blues, and Louisiana rhythms.

Five fascinating works composed from old cassette tapes accelerated or slowed down, layered and transformed with analog devices, with the addition of sources from movies soundtracks and classical or liturgical music extracts.

The duo of long-time collaborators guitarist Bill Frisell and drummer Joey Baron, two of Downtown NY's finest players, performing 9 tracks of original numbers and work by Sam Cooke, Ray Noble, Ron Carter, and Charlie Parker.

Never before released material from 1977 of Billy Bang's seminal NY loft band, Survival Ensemble: 2 CDs and a 40 page booklet of essays, images and flyers - essential!

Never before released material from 1977 of Billy Bang's seminal NY loft band, Survival Ensemble: 1 LP and a 40 page booklet of essays, images and flyers - essential!

A 2009 concert at The Rubin Museum Of Art, New York, on the 8th May, 2009 from the duo of double bassist William Parker, also performing on shakuhashi, dousn gouni; and the late violinist Billy Bang, also performing on thumb piano; organic and deeply felt dialog.

A live show from Montreal's Casa Del Popolo in 2012 from the amazing transnational free jazz trio of saxophonist Dave Rempis, cellist/guitarist/electronic artist Fred Lonberg-Holm, and drummer/percussionist Paal Nilssen-Love.

Chicago and Norway collide in the continuing collaboration of the "free-wheeling trio" of Ballister: Dave Rempis, Fred Lonberg-Holm and Paal Nilssen-Love, amazing and forward-thinking free jazz.

Live recordings from 1973-74 from the trio of drummer John Stevens, guitarist Derek Bailey, and saxophonist Trevor Watts, dynamic works performed "impromptu" with a wealth of ideas as these innovators demonstrate the skills that helped define them as masterful players.

From NY and Boston the Aych group (pronounce as "H", a letter shared by all 3's names) presents three improvisers representing some of the best of the new breed of modern jazz based players in a trio without bass and drums.

His first studio album since 2004, alto saxophonist Michael Attias returns to the epic forms of his "Credo" release, presentng 8 new compositions with his band of Ralph Alessi, Matt Mitchell, Sean Conly and Tom Rainey

ChipShop music with Erik Carlsson (percussion), Martin Kuchen (sax & radio), David Lacey (percussion & electronics) and Paul Vogel (computer & clarinet) meet Atolon (Ruth Barberan, Alfredo Costa Monteiro, and Ferran Fages).

Arrive, formed in 2001, is Aram Shelton's Chicago band with vibraphonist Jason Adasiewicz, bassist Jason Roebke and drummer Tim Daisy, a remarkable album of structured free playing.

Now a nine-piece, Martin Kuchen leads the magnificently powerful Angles band through 7 demanding compositions, with trumpeter Magnus Broo back in the band alongside Alexander Zethson, Mattias Stahl, Jonan Berthling, Andreas Werlin, Eirik Hegdal, Mats Aleklint & Goran Kajfes.

Now a nine-piece, Martin Kuchen leads the magnificently powerful Angles band through 7 demanding compositions, with trumpeter Magnus Broo back in the band alongside Alexander Zethson, Mattias Stahl, Jonan Berthling, Andreas Werlin, Eirik Hegdal, Mats Aleklint & Goran Kajfes.

Clean Feed's 2nd LP is their 4th Angles release, expanding saxophonist Martin Kuchen's band to 9 pieces with Mattias Stahl, Johan Berthling, Alexander Zethson, Mats Aleklint, Eirik Hegdal, Goran Kajfes, and Magnus Broo in an album of rare expressiveness and power.

Sardinian guitarist Paolo Angeli teams up with After Dinner/Volapuk violinist and singer Takumi Fukushima for a complex, unusual, and wonderfully embraceable work recorded live in Bologna.

Paolo Angeli presents an experimental album that explores the entire range of his modified, extended, and prepared Sardinian guitar with beautiful compositions that defy categorization.

PAK combines complex and shifting rock with improvisation in unexpected and wonderfully demanding ways, here in a band including Anthony Coleman, Tim Byrnes, Jerome Noetinger, &c.

Lisbon saxophonist Rodrigo Amado's trio with Miquel Mira on cello and Gabriel Ferrandini on drums is joined by New York trumpeter Peter Evans for 3 dynamic and exciting studio recording of superb TransAtlantic free improvisation.

Drummer Barry Altschul's first release as a leader in 25 years finds him in a trio with Jon Irabagon (Mostly Other People Do the Killing) and Joe Fonda (FAB Trio) for 9 Altschul compositions plus Carla Bley's "Ictus".

Incredible understated improvisation from the trio of cellist Martine Altenburger, pianist Frederic Blondy,and saxophonist Bertrand Gauguet, exceptional journeys from three accomplished players.

With members from Angles, Universal Indians, Frode Gjerstad Trio, Friends and Neighbors, &c. the quintet of Martin Kuchen (sax), Thomas Johansson (trumpet), Mats Aleklin (trombone), Jon Rune Strom (bass) and Tollef Ostvang (drums) play modern, energetic jazz that kicks Satan's ass; highly recommended!

Bridging mainstream jazz with avant approaches, trumpeter Alessi leads his "This Against That" group with saxophonist Ravi Coltrane, bassist Drew Gress, pianist Andy Milne, drummer Mark Ferber, and Tim Berne co-producing.

Two acoustic guitars collaborate in a beautiful and spare dialog, using extended techniques including bowing and percussive approaches that never detract from the sublime elements of their playing.

A burning release mixing free improv and ea forms from the trio of Jean-Marc Foussat (analog Synth), Noel Akchote (guitar) and Roger Turner (drums), recorded in Poitiers at Le Confort Moderne during a recent European tour.

Acid Mother Temple SWR merge's AMT's Kawabata Kakoto (guitar, voice,) and Tsuyama Atsushi (bass, vocals, sax) with Yoshida Tatsuya (Ruins, Koenji Hyakkei, &c), here in their 6th release, crazy prog-oriented rock of indescribable insanity and skill!

A live multitrack recording from 2009 of the collaboration of Acid Mothers Temple SWR - Kawabata Makoto, Tsuyama Atushi, and Yoshida Tatsuya - with saxophonist Umezu Kazutoki.

"When, in this music, he succeeds in fusing the emotional (translated into its lyrical and dramatic qualities) passage of ritual with the complex architecture of his ensemble's infrastructural procedures, we have a bridge into Cecil Tay...

"Brown was already defying categorisation in 1966 when he recorded Three For Shepp, whose six tracks open Three For Shepp To Gespachsfetzen Revisited. Brown's opening "New Blues" and Shepp's closing "Delicado," though compelling,are rel...