Pieces in 4 movements - Snow; Never Cold; Gusts; Landscapes - performed by Ensemble SuperMusique: Joane Hetu, Jean Derome, Diane Labrosse, Pierre Tanguay, Scott Thomson & Alexandre St-Onge.

Known mostly as a saxophonist on the Japanese improvised music scene, Junji Hirose has also released a series of albums using self-made analog noise instruments, here using a device where balls and small objects are placed on a large, shallow, round metal plate and moved by a compressor, here in four tracks with different objects and one with no objects at all.

A diverse, unique and sometimes explosive saxophone quartet from Lithuania founded by Arminas Bizys, Kazimieras Jusinskas, Algirdas Janonis, and Danielius Pancerovas, using extended techniques, the saxophones themselves, and found objects as they articulately merge structurally free improvisation, academic approaches and motives from Lithuanian folk music.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

Joane Hetu and Jean Derome formed Nous percons les oreilles 20 years ago, merging their expansive musical interests in idiosyncratic improvisation and orchestration using saxophones & wind instruments, objects, voice, melodica, and piano, here in their 4th astonishing album.

Using prepared drums drums, objects, voice, and Kalimba, Italian drummer Alberto Pederneschi presents eight solo works recorded in the studio, an unhurried but authoritative set of pieces that merge composed and improvised sections, drawing and evoking a narrative sense in coherent arrangements and intimate story telling.

An album of explorative and restrained improvisation, primarily acoustic but also using object and an electro-acoustic octave violin, from the quartet of Nicolas Souchal on trumpet & flugelhorn, Michael Nick on violin & electro acoustic octave violin, Daunik Lazro on tenor & baritone saxophones, and Jean-Luc Cappozzo on trumpet, flugelhorn & objects.

A building and extended set of fully free improvisation using unusual techniques, from the trio of Birgit Ulher on trumpet, radio, speaker & objects, Damon Smith on double bass and Chris Cogburn on percussion & electronics, Ulher using the trumpet as a sound source as much as a conventional instrument, as the trio builds from near silence to intensely controlled interaction.

New Pricing April 2019: Recordings from the Berlin Inventionen Festivals for New Music 2005 and 2006 featuring compositions by Edgar Barroso ("ODD"); Mario Verandi ("Comme un jeu des images"); Paul Wilson ("Trhough the Rain"); Ricardo Climent ("Wallwoodpeckers"); Vladimir Djambazov ("The Secret Life of a Snare Drum"); and Ludger Brummer ("Glasharle").

A series of improvised performances with the central idea of acoustic and electronic artists experimenting with the electronic medium in a live setting with musicians with whom they have never played with before.

Rapid and lucid activity of mechanical and organic activity, a mad mechanism under the control of master machinists perking the ears in inexplicable ways, from the collaboration of Japanese sound artists Rie Nakajima and Takahiro Kawaguchi, their uncredited sources seemingly a mix of motors, bells, squeaky toys, material flurries, whistles, &c. &c.; playfully fascinating.

A uniquely configured electroacoustic trio recording live in the studio in Lisbon in 2018 between Mexican flutist and founding member of the improv collective Generación Espontánea, Wilfrido Terrazas, and Portuguese improvisers Mariana Carvalho on prepared piano and Abdul Moimeme using two electric guitars and objects, balancing introspective moments with periods of uninhibited excitement.

A truly unique improvisational setting between three Norwegian artists--inspired tap dancer JanneEraker, fiddle player and vocalist Vegar Vardal and double bassist Roger Arntzen--finding an exuberant excitement through the percussion of body movement, strange and slippery vocalizations and two emphatic strings; virtually indescribable and absolutely enthralling.

Three free improvising women--Angharad Davies, Rie Nakajima, and Alice Purton--met in the church in the tiny hamlet of Dethick, near Matlock, Derbyshire, over the course of two days developing the ten pieces of this album using an impressive set of stringed and percussive instruments, objects, and mysterious sources to create these fascinating sonic evocations.

Mixing backgrounds from impprov, electronics, composition, noise & contemporary performance, Fenaison explore texturally driven dynamic improvisations.

Electricity and metal trash object meet in a banging and sparking session of minimal improvisation from percussionist Elisabeth Flunger and electronic artist Tomas Tello.

Clarinetist Lori Freedman brought together 3 distinct trios over the course of 3 consecutive nights with a total of 6 other Montreal musicians for live encounters of improvisation.

A uniquely voiced duo album from Netherlands improvisers, electric guitarist Arvind Ganga and sax & bass clarinetist Riccardo Marogna also performing on electronics, taking their dialog into unusual territory while maintaining a clear thread on jazz-influenced modes, creating an exotic combination that often takes unexpected narrative turns; fascinating.

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Turntablist/sine wave artist Ignaz Schnick with laptop artist Dawid Szczesny in a series of minimalist recordings created around live performances in Wroclaw and Germany.

Christoph Schiller's first solo work for spinet, amplified objects and piano, using a simple but brilliant structure which combines improvised pieces in a unique chain-like pattern of repetition and development.

Sound artist Stephen Cornford performs realtime feedback treatment of pianist Samuel Rodgers, creating tense and spacious sound works, intensifying Rodgers' sparse keyboard work.

Four Barcelona musicians on the cutting edge of contemporary electroacoustic improvisation in their second release, recording at ca l'escuder in 2008.

Recording to 4 track cassette, this unusual and experimental Boston-area trio of active sound artists--Stella Silbert, Arkm Foam and Neil 'Cloaca' Young--improvise over abstract territory using turntables, a no-input mixer, objects, an open reel tape machine, contact mics, and cassette players, emerging with equally tongue-in-cheek and serious aural interactions.

Kingston, NY sound artist and media artist Evan Lindorff-Ellery recorded these two experimental improvisations in the summer of 2021 in a small cabin in West Saugerties, NY using electric guitar, contact mic, amp, recordings and various objects, while also repurposing recordings made while in Maine by running them through his electric guitar.

Eight free improvisations from the German duo of Markus Reineke on contrabass, bass recorder, objects & electronics, and Jukka-Pekka Kervinen on electric guitar, violin, virtual bass clarinet & electronics, creating an unusual language that merges electronics with acoustic instrumentation in quirky yet natural ways, each track named impressionistically.

The working duo of Slovenian violinist Ana Kravanja and Austrian pianist Elisabeth Harnik present nine dialogs of freely improvised playing that draws on contemporary composition, using their primary instruments along with preparations, objects, frame drums, voice and ringing stones, a mood of tense mystery and wonder pervading their excellent and unusual discourse.

A fascinating trio of West Coast sonic explorers exploring the isopleth, the zone of seawater that receives enough sunlight for photosynthesis to occur, from improvising trumpeter Tom Djll employing electronics with his horn, Bryan Day on invented instruments, and Cheryl Leonard using natural objects including driftwood, feathers, marsh reeds, penguin bones, &c.

After performing together in Canada beginning in 2019, bass clarinetist & electronic artist Philippe Lauzier and NY percussionist Carl Costa remained in contact during the pandemic by exchanging compositional concepts, the 4-part "Sincronica Vaga" and "Soft Routine" the results, the former based on dovetailing motives, the latter on harmonic counterpoint interaction.

Recorded after a three-day series of concerts at New York City's venue The Stone, the trio of Zeena Parkins on electric harp & objects, Mette Rasmussen on saxophone, objects & voice and Ryan Sawyer on drums & objects brought their dynamic and far-ranging approach to collective free improv into Brooklyn's Figure 8 studio to capture these 10 extraordinary recordings.

A perfectly complementary pair of improvisers from the ever-inventive guitarist Fred Frith and instrument inventor Sudhu Tewari, Frith performing on home-made instruments as well-- string instruments he's developed since the 80s described as "planks of wood with strings"--as the two draw unexpected sonic environments and propulsive rhythmic passages through eight compelling dialogs.

Composer & clarinetist based in Heerlen, Netherlands, Germaine Sijstermans, in a collaborative work with fellow Dutch composers and performers, Reinier van Houdt performing primarily on Indian harmonium and Koen Nutters on harmona organ, both employing field recordings, tapes, objects and sine waves in this peacefully meditative 2022 concert at Savelberg Chapel.

Live recordings of JC Jones in duo settings, 14 different collaborations including Ned Rothenberg, Victoria Hanna, Harold Rubin, Josef Sprinzak, Nori Jacoby, &c.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

Ute Wassermann adds a unique expressiveness to this Berlin studio session, bringing her impressive talents as a free improvising vocalist along with her bird calls and objects, providing an unusual yet extremely complementary foil to the intertwined strings of the father/son collaboration of violist Ernesto Rodrigues and cellist Guilherme Rodrigues; idiosyncratically wonderful!

An open-minded duet between French pianist Didier Fréboeuf, also performing on clavietta and objects, and tenor & sopranino saxophonist and contrabass clarinetist Jean-Luc Petit, in an improvisatory exploration of three crusts--"Bark", "Scab" and "Crisp"--music of impressive, creative dexterity that balances scrabbly playing with introspection around each crusty littoral.

The title translating to The Good Days, Fou label leader and synth player Jean-Marc Foussat joins with soprano & tenor saxophonist Guy-Frank Pellerin (Dieci Ensemble) for three extended electroacoustic improvisations and a shorter coda, employing piano, toys, field recordings, a whispered poem from Tristan Tzara, and a sense of limitless creativity and imagination.

Blast's 2nd release on the ReR label, compositional rock that incorporates complex compositions with improvisation sections in seamless and breathtaking ways.

Two CDs and a 90 page hardback book with photos, info and interviews from audio documenter and experimenter Peter Cusak, recording in Chernobyl, The Caspian Oilfields, and various dangerous locations in the UK.

Chris Watson recorded John Butcher on acoustic & amplified sax and Rhodri Davies on acoustic & electric harp in Routing Lynn in Northumberland, then joined them live at a festival in Gateshead where the duo played alongside Watson's reworked recordings.

San Francisco East Bay sonic artist and Public Eyesore/Eh? label-leader Bryan Day meets Omaha bass player and sound artist Dereck Higgins for four enveloping works of sound, sonically rich and epic journeys through terrains of identifiable musical elements and acousmatic curiosity, all with an ear to story-telling as the duo weave passages of fantastic elements.

"Three traditions, three musics? Hardly. This trio of improvisers -- Michel Doneda, soprano saxophone; Benat Achary, vocals, percussion; Kazue Sawai, koto -- forgoes all pretenses of speaking a universal language or separate ones, but i...

An album of transporting drones and industrial soundscapes from Chicago experimental artist Kevin Drumm, drawing the listener into his soundspace slowly through distracted studio clatter and then journeying deep into textures and tones, maintaining a natural quality to synthetic and obscure sources in this fine addition to his expansive discography.

A fully free improvisation of subtly disruptive, extended electroacoustic mastery, recorded during the Svensk Musikvår Festival at Aliasteatern, Stockholm in 2021, in a piece conceived by Mats Gustafsson who performs on saxophone & flute, with Anna Lindal on violin, Mats Lindstrom on electronics, effects & sampler and Joachim Nordwall on analog synths, effects & tapes.

FEN (Far East Network) is comprised of improvisers from Singapore (Yuen Chee Wai), Japan (Otomo Yoshihide), China (Yan Jun), and Korea (Ryu Hankil), using electroacoustic instrumentation to create a unique merging of cultural and personal aesthetic, in their 1st album recorded in NYC using electronic feedback, computer noises and guitar; intriguing and unconventional.

A recording of wide-ranging, freely improvised solos and duets by Montreal clarinetist and bass clarinetist Lori Freedman & Toronto trombonist Scott Thomson.

Bay Area trumpeter Darren Johnston meets improvising guitar legend Fred Frith for an incredibly well-paced series of duos, remarkable improv that uses space, skill, extended techniques and unexpected approaches to both instruments in vivid and beautiful discourse.

The 3rd album from the trio of Larry Ochs (Rova Saxophone Quartet) on tenor & sopranino saxophones, Downtown NY mainstay and West Coast migrant Mark Dresser on bass, and Ganelin Trio alumnus Vladimir Tarasov on drums and percussion, in four superb examples of collective improvisation captured live in two concerts in Berkeley and San Diego, CA in 2016.

A thorough overview of bassist and vocalist Joelle Leandre's recent work in a boxed set of 8 CDs and a 16 page booklet of essays, photos and credits, each CD bringing a unique grouping from Les Diaboliques to duos with Mat Maneri, Fred Frith, Lauren Newton, & Jean-Luc Cappozzo, plus one solo disc and a quartet with Zlatko Kaucic, Evan Parker and Augusti Fernandez; magnificent.

Taking two of Montreal's most vital musicians, guitarist Rene Lussier and clarinetist Robert Lepage, and joining them with the far-ranging string quartet Le Quatuor Bozzini for a stunning album that merges chamber music, noise music, and improvisation without leaving behind melody, intention and direction; magnificent!

Ever-active Calgary guitarist Scott Munro (Bent Spoon Duo) in his debut solo album of freely improvised guitar performed on a baritone guitar, treated and untreated, captured live at Weeds Cafe in 2010 & 2011.

Sean Lennon & Greg Saunier (Mystical Weapons) are joined by multi-instrumentalist extraordinaire Shahzad Ismaily for this one-sided, 19.50 minute art LP with an original illustration by Sean Lennon screen-printed on the B side.

After the 2019 retrospective box-set of the late 90s, legendary band The Quintet, and after the sad passing of bassist Bjornar Andresen, saxophonist Carl Magnus Neumann, guitarist Ketil Gutvik and drummer Paal Nilssen-Love decided to form a new quartet, adding bassist Ingebrigt Haker Flaten, commencing their organization with this outstanding 2020 live concert in Oslo.

The new release from Italy's excellent electroacoustic experimental band Ossatura led by Elio Martusciello takes the band into new territory, detailed and more luminous, more acoustic, with vibes and clarinet (Michael Thieke) and even a lovely song surprising long-time fans.

The first meeting of guitarist/electronic artist Rowe with Sachiko M on sine wave and contact mic, recorded during the AMPLIFY 2008 festival in Tokyo.

"Recorded live at the Victoriaville Festival in 1996, this disc features the Italian saxophone and improvisation master surrounded by a band from heaven -- or hell, depending on your view of modern free jazz -- ensuring his own "social s...

Led by bass clarinetist Tobias Schirmer and harmonica player Matthias Broede, also on piano, with Jan Roder on bass and drummer Bernd Oezsevim, this German quartet blends contemporary jazz through four original Brode compositions and two collective improvisations, performed with melodic intent and tight, quick interaction as recorded live at Tito's Zentrifuge in Berlin.

San Francisco Bay Area guitarist John Schott (Junk Genius, T.J. Kirk, Tom Waits) in his 3rd release on Tzadik with his trio of Dan Seamans on bass and John Hanes on drums, 8 upbeat compositions including one for James Blood Ulmer; lyrical pieces with tight interplay.

The duo of Pierre Tanguay on drums and percussion and Tom Walsh on trombone in a release of minimalist construction that blends composition and improvisation.

A 46-member orchestra of electroacoustic improvisers performing live at St. George's Church in Lisbon in 2015, for an extended and dynamic tapestry of sound conducted by leader Ernesto Rodrigues, with an impressive list of artists familiar to those following the CS label.

An excellent compilation of modern Musique Concrete featuring compositions by Chin, Kosk, Cee, Donato, Minard, Mitterer, Dhomont, Karlsson, and Wishart.

Caught live at Jazzklubb Fasching in his home of Stockholm, Swedish bassist Torbjorn Zetterberg's The Great Question band with Susana Santos Silva on trumpet, Mats Aleklint on trombone, Jonas Kullhammar on saxophone & flute, Alberto Pinton on reeds, and Jon Falt on drums, perform 6 inventive compositions in an amazing concert of modern, upbeat, innovative jazz.

With previous albums on Creative Sources, Bug Incision and Eh?, the duo of Jay Kreimer and Public Eyesore label-leader Bryan Day use invented instruments recorded these highly percussive, well-paced and well-recorded improvisations during Kreimer's Fulbright fellowship in India, in Baroda, Hyderabad and Bangalore, the main tracks named for their recording location.

An unusual pairing of effected accordion and a 3D printer from Czech accordionist living in NY, Lucie Vitkova, also performing on harmonica, Korg Volca Bass and Moog, and NY multimedia artist Merch Blasco, the album titled for the name of Blasco's 3D printer "Anette", which also printed the thimble-microphones she wears on her fingers to capture parts of this performance.

An unusual pairing of effected accordion and a 3D printer from Czech accordionist living in NY, Lucie Vitkova, also performing on harmonica, Korg Volca Bass and Moog, and NY multimedia artist Merch Blasco, the album titled for the name of Blasco's 3D printer "Anette", which also printed the thimble-microphones she wears on her fingers to capture parts of this performance.

Bringing together two generations of sound artists and field recording specialists--Belgian composer Moniek Darge, known for her ethnomusicologist "soundies" from global locations; and American sound composer Vanessa Rossetto transforming everyday occurrence--for a meeting at Lincoln Center in NYC to record the city and reshape its sound into four impressionistic sonic reveries.

Performing live in a virtual festival performance at his home studio as an extension of his work at erstwhile's 2011 Amplify festival, Japanese sound artist Taku Unami recorded these three extended works using cardboard boxes and small robots, creating the curious sounds of their interactions and capturing them on binaural microphones to recreate their dynamics as exactly as possible.

A unique approach to improvisation, the Italian trio of Carlo Mascolo on trombone & no-input trombone, Giacomo Mongelli on drums & objects and Pino Montecalvo on trombone & toy junk, use a "Blind Instant Composition" approach to their live studio improvisations, where the players are unable to see each other, forcing close listening & response to their quirky and fascinating conversations.

A musical work composed by French drummer Peter Orins inspired by Alan Moore's 2016 novel Jerusalem crossing geographical and temporal space, recorded during a residency with the Muzzix collective at La Malterie in Lill and performed with Maryline Pruvost on voice & indian harmonium, Barbara Dang on piano, and Gordon Pym on electronics & amplified objects.

Improvising over the abyss, Texas drummer Lisa Cameron (Roky Erickson, ST 37) and violinist Alex Cunningham (Sandy Ewen, Damon Smith, Claire Rousay) present three extended interactions using conventional instrumentation in unconventional ways, augmented by feedback, bowed cymbals, electronics and objects, under the control of exceptional technique.

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.

A series of electroacoustic improv "Ballads" and "Blues", beautiful and chimerical works at the intersection of strings and a miscellany of percussion, patiently and unhurriedly unfolding under the deep listening ears from the Polish trio of Patryk Zakrocki on prepared electric guitar & granular delay, Maciej Garbowski on double bass and Krzysztof Gradziuk on multipercussion, objects & toys.

Part of the split series from Swedish label FRIM (Association For Free Improvised Music), this album presents the two solo concerts from an evening at Rönnells Antikvariat during the 2022 Sound of Stockholm festival, first from drummer Henrik Olsson performing on turntables & objects; then from Aviva Endean on clarinets, electronics, voice & plastic pipes.

Electroacoustic improvisation from the trio of Marc Vilanova on saxophone, Sergio Castrillon on cello, and pianist James Andean also performing on objects and electronics, in nine collective improvisations of close-knit dialog balancing intense activity and silent space, building tension and releasing it in unexpected and wonderfully eccentric ways.

The first meeting between two improvisers also versed in contemporary and avant music - guitarist Barry Chabala and clarinetist and accordionist Claray Byom - recording live at The Jean Cocteau Cinema, in Santa Fe, New Mexico as part of the Sandbox Music Series, for five freely improvised works that include radio, objects, iPhone and toys as part of their expansive dialogs.

The second studio session for the freely improvising electroacoustic trio of Clara Byom, a contemporary classical and improvising clarinetist and accordionist, improvising guitarist Barry Chabala on acoustic, and multi-disciplinary artist David Forlano on electronics, in 11 succinct works to accompany a beautifully unconventional morning of open-ended conversations.

The collaboration between guitarist Barry Chabala and Clara Byom on clarinets and accordion is expanded through Chabala's audio samples and Byom's use of objects, as they join in a trio with Albuquerque violinist Muni Kulasinghe, also performing on objects, for seven distinctive, spaciously paced improvisations recorded live at The Sitting Room in Albuquerque, NM.