The Squid's Ear Magazine


Zek, Ame: First Bow (Creative Sources)

Croatian guitarist and electroacoustic musician Ame Zek in an album of electroacoustic improvisation using prepared guitars, acoustic percussions, self made objects, contact microphones, analog modular synthesizer, amplified feedback speakers, magnetic field microphones and digital midi machines; an album of raw, raspy, dark and dissonant sound.
 

Price: $15.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Ame Zek-prepared electric guitar, objects


Click an artist name above to see in-stock items for that artist.




UPC: 5609063404760

Label: Creative Sources
Catalog ID: cs476
Squidco Product Code: 25028

Format: CD
Condition: New
Released: 2017
Country: Portugal
Packaging: Cardboard Gatefold
Recorded in Berlin 2017

Descriptions, Reviews, &c.

"Dedicated to fight and fighters
against corrupt capitalism
and murderous gangsterism"-from the recording notes


Artist Biographies

"Ame Zek (born on the coast of Dalmatia in Croatia) is an electroacoustic musician, guitar player, composer and sound sculptor.

His interests and work are based on experiences in experimental,improvised, electronic,contemporary,acoustic, noise, new and traditional music and field recordings. Instruments, sound sources and tools used in Ame Zek's music practice vary from different types of prepared guitars, acoustic percussions, self made objects, contact microphones,analog modular synthesizer, amplified feedback speakers, magnetic field microphones and digital midi machines. Since 2006 he is actively participating, collaborating and playing in Berlin different scenes.

In continuous research,use and exposure of micro tonalities ,micro noises and overtones relations of the sonic material Ame Zek's main interest and occupation remain ''the sound" with its unique sonic characteristics.Driven by dissonances and feedback resonances Ame Zek's music world gradually becomes organic dimension.Being constantly on the way of looking for new approaching and developing of his own technics and strategies of music making, he lives and works in Berlin."

-Ame Zek Website (http://amezek.com/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Wasp 9:03

2. Courier 6:16

3. Truestrike 3:32

4. Fury 5:17

5. Legacy Of Shadow 7:06

6. Backsnipe 6:47

7. Cyclone 6:01

8. Snatch 2:08

9. Rain Maker 1:33

10. Decimate 5:31

11. Irk 3:13

12. Arcus 3:53

Related Categories of Interest:


Creative Sources
Electro-Acoustic
Improvised Music
Free Improvisation
Electro-Acoustic Improv
Guitarists, &c.
Objects and Home-made Instruments
Solo Artist Recordings
European Improvisation, Composition and Experimental Forms

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
Other Recommended Releases:
Killick!
Imbricate
(Habitable Records)
A series of real-time improvised performances from Athens, Georgia guitarist Killick Hinds, made with strings and occasional computer augmentation, an album he describes as to date his fullest expression of the Appalachian Trance Metal/Piedmont Shaman Rock concept that he has been developing for years, these works inspired by Zaila Avant-garde, Paolo Angeli and Bali.
Bonaldo, Lucio
Concrete Union
(Creative Sources)
Using percussion, cymbals, various objects, computer and sound sculptures made by Bruno Girardi, Italian percussionist Lucio Bonaldo, known for the group L'imbroglio, presents a set of recordings performed live and direct, captured between 2018 & 2019, including a Sonorization of a literary passage taken from "Traviso" by Alberto Cellotto, and "Altken", an overdubbed work.
Baysse, Jeremy
In C
(Creative Sources)
Recording in live conditions and multitrack, French guitarist and multi-instrumentalist Jeremy Baysse performs a version of Terry Riley's classical minimalist composition "In C" using electric guitar, acoustic guitar, twelve string guitar, effects, banjo, bass, glockenspiel, maracas, cymbal, mandolin, synthesizer, percussion, and drum machine.
Perepelycia, Alexis
Esos Fantasmas
(Creative Sources)
Argentinian sound artist Alexis Perepelycia explores his influences in an extended sonic work, drawing on his roots in the sounds of garage, punk, metal, industrial music into his work in academia, using abstract references of assertive and acousmatic sound with powerful electronic emphasis as he seeks his ghosts amidst references like Russolo, Stockhausen, &c.
Williams, Ed
Solos
(Creative Sources)
Guitarist Ed Williams, active in the experimental music scene of Marseille, France, is heard here in two concerts presenting a triptych of solo performances on bowed classical and electric guitar, improvised with no effects, with two parts on electric guitar recorded at the concert series "Aux Soirs Du Chercheur De Noises", the 2nd, "Spectrum, NY" on classical guitar.
Dias, Jose
After Silence, Vol.1
(Clean Feed)
Portuguese guitarist Jose Dias steps away from his quartet and trio, and from the many scores for theatre, contemporary dance and animation film that he's composed, to focus on his solo electric guitar work, in this album that applies subtle affects and a warm, ethereal ambiance to expressive and passionate pieces, each conveying a sense of narrative and purpose.
Ianes, Luis
Antiguas Construcciones Utiles (Crusoe)
(Creative Sources)
With references to "Robinson Crusoe" and titles referencing islands, the sea and shipwrecks, Argentinian guitarist living in Brooklyn, NY, Luis Ianes (Parias Ensemble) records his album that roughly translates to "Useful Ancient Constructions", using effects to create percussive, accompanying, and aquatic sounds, sometimes idiosyncratic, always interesting.
Opalio, Roberto
Once You'll Touch The Sky You Will Never Return To Dust
(Opax Records / Elliptical Noise)
Half of the Italian improvising duo My Cat Is an Alien, Roberto Opalio uses prepared mini-keyboard, handmade shortwave receiver, alientronics, and vocalizations to create this improvised prelude and statement, a shifting work that draws the listener into mesmerizing sonic environments of alien origin and transports them deceptively between ringing and textured vistas.
Fraqx (Frank Crijns / Jacq Palinckx)
Fraqx
(Creative Sources)
Fraqx, the Netherlands duo of guitarists Jacq Palinckx and Frank Crijns, both on electric guitar and "devices", debut their collaboration with this 7-part journey of rich deformations, from raw visceral energy to subdued experimentation, a diverse set of textures and powerful playing from two players with a long history of unusual improvisation.
VCA (Vilanova / Castrillon / Andean)
Ceres
(Creative Sources)
Electroacoustic improvisation from the trio of Marc Vilanova on saxophone, Sergio Castrillon on cello, and pianist James Andean also performing on objects and electronics, in nine collective improvisations of close-knit dialog balancing intense activity and silent space, building tension and releasing it in unexpected and wonderfully eccentric ways.
Amberg, Elio / Christoph Baumann
Life In A Pond
(Creative Sources)
Nine freely improvised introspections as "enlightening spots on different forms of life in a rather muddy environment" from Lucerne, Switzerland based tenor saxophonist Elio Amberg and pianist Christoph Baumann, wonderful miniatures of great style and skill, a diverse exploration of their fictional pond that's quite spellbinding and exciting.
Area, David / Tomas Gris / Ernesto Rodrigues
Chorismos
(Creative Sources)
An album of patience and concentrated listening from the lowercase trio of David Area on electronics, Tomas Gris on guitar and objects, and Ernesto Rodrigues on harp and objects, each player subtly coaxing sounds out of their instruments while the electronics act as environmental ambience over which tones slowly voice, recede and occasionally punctuate.
Rodiguez, Manolo
Trampantojos
(Creative Sources)
Portuguese guitarist Manolo Rodriguez chose these 9 pieces from about 8 hours of improvised music, recorded on a Gibson acoustic guitar with piezo microphones on various parts of the guitar, passed through effects and finally controlled by a mixer, intended as a tribute to "the sense of sight as an intermediary of thought, and to artists who, with their eyes, have changed the world."
Palawa (Weschenfelder / Behrendt / Roth)
Lichtexzesse
(Creative Sources)
Nadzharov / Chichilin / Stolyar
NaChiSto
(Creative Sources)
Spontaneous compositions of freely improvised music performed on piano, synth, whistles, electroacoustic guitar, percussion, live electronics and effects from this trio who hail from Moscow and Siberia, recording their unique and adventurous dialog in the studio.
Wong, Eric
YYSSN
(Creative Sources)
Berndt, John
New Logic For Old Saxophones
(Creative Sources)
Using extended techniques, Baltimore-based saxophonist John Berndt--director of Multiphonic Choir ensemble, a member of the Red Room collective and curator of their experimental performance series, and creator of the "Relabi" style of arrhythmic pulse--presents 15 succinct improvisations pushing his reed instruments to their outer edges in astonishing ways.
P-Project (Alexius / Hertenstein / Nies / Grammss / eDincise / SeDincise / Bondi)
Gravities
(Creative Sources)
The electroacoustic improvising quartet of guitarist Peter Alexius, drummer Joe Herteinstein, Joker Nies on raw electronics, and Sebastian Grammss on spacebass, in 9 tracks that run the gamut from groove-based intensity to open dialog using unusual voices.
Beresford / Flinn / Tucker
Ink Room
(Creative Sources)
The trio of Steve Beresford on electronics, Stephen Flinn on drums and percussion, and Dave Tucker on electric guitar in a quirky, unique and exciting set of improvisations recorded in London.
Arias, Ricardo / Gunter Muller / Hans Tammen
Intersecting a Cone with a Plane
(Creative Sources)



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC