A live performance from London's I'klectik by British musicians John Edwards (double bass), N.O. Moore (guitar), and Eddie Prévost (drums), who have a long-standing history as a trio known for both energetic playing and extraordinary introspection, here expanded with saxophonist Alan Wilkinson for two outstanding performances of technical mastery and deep communication.

A solid modern jazz album in the Blue Note tradition with a Latin angle, the title a reference to Max Roach's 1960 protest album We Insist! Freedom Now Suite, evoked through strongly melodic tunes composed by Brooklyn saxophonist Kazemde George and performed with vocalist Sami Stevens, keyboardist Isaac Wilson, bassist Tyrone Allen II, and drummer Adam Arruda.

Recordings from two European jazz festivals in 2020--Klangspuren festival in Austria and Moers Festival in Germany--from the duo of pianist Elisabeth Harnik and multi-wind & reedist Frank Gratkowski performing on alto & soprano saxophones, clarinet & bass flute, both of whom bring classical training to their spirited, diverse and far-ranging improvisations.

Bringing together four masterful players into the studio in NYC--Joe McPhee on saxophones, Michael Bisio on double bass, Fred Lonberg-Holm on cello and Juma Sultan on percussion--for a set of with one composition each from McPhee, Sultan and Lonberg-Holm, two collective improvisations, Charlie Haden's "Human Being" and Henry Grimes "For Django".

Following their Creative Sources album Wind Makes Weather, alto saxophonists Tim O'Dwyer and Georg Wissel, both employing preparations on their instruments, improvise a confluence of sonic rivers evoking, exploring and reflecting waterways from around the world, captured in concert at the cinema hall of the cultural center Alte Feuerwache, in Cologne.

Canada's leading avant music magazine in their Fall 2021 issue, with articles on Understory (Nicole Rampersaud, Parmela Attariwala, and Germaine Liu), Frank Denyer, Taylor Brook, record & live reviews, plus a 14 track CD with pieces from Rocío Cano Valiño, Understory Show One: Gabriel Dharmoo/SlowPitchSound/Lan Tung, Frank Denyer, Nick Storring, &c.

A solo album from Belfast double bassist Alan Niblock, known for his own group Ambient Forces, and his work in a trio with Paul Dunmall and Mark Sanders (Dark Energy), on his own demonstrating a powerfully warm approach to the large strings, augmented and transformed through preparations and objects, improvising in a flowing continuum of rich strategies and concepts.

A new collective trio of New York luminaries from bassist Trevor Dunn, guitarist Miles Okazaki and drummer Dan Weiss, Okazaki and Weiss having collaborated in Weiss' own Large Ensemble and Dunn a part of Weiss' Starebaby, here in a set of unbridled and unorthodox collective improvisations, with alto saxophonist John Zorn joining the trio on two tracks.

A superb 2009 concert at Command House, in Chatham, UK from the trio of saxophonist Evan Parker, double bassist John Edwards, and late drummer/percussionist Tony Marsh, a single 36 minute improvisation of cohesive and energetic free jazz where all three pull together as a nearly telepathic unit, plus two extended duo sections between Edwards and Marsh and a Marsh solo.

An unapologetically political album from double bassist William Parker in collaboration with poet Patricia Nicholson, confronting injustice and inequality through spoken word set over Parker's compositions, performed with James Brandon Lewis on tenor saxophone, Devin Brahja Waldman on alto saxophone, Francisco Mela on drums, vocals, Melanie Dyer on viola and Gerald Cleaver on drums.

The second duo collaboration of Chicago percussionist Hamid Drake (Fred Anderson, Peter Brotzmann, DKV Trio, &c) and guitarist Dan Phillips (Chicago Edge Ensemble, Quartet Next, Dan Phillips Trio, Dan Phillips Quartet), recording in the studio for 11 improvisations that present a variety of moods and intensity, in textures and melodies from minimal to intricate interplay.

Recorded at the 2019 Salon fur Klang+Kunst, in Krailing/Munich, this consummate and creative meeting of multi-reed & brass improviser Udo Schindler and double bassist Thomas Stempkowski was performed as a dedication to bassist Simon H. Fell who passed from cancer in 2020; sadly Stempkowski also died during the production of this album, making this both a farewell and a memorial.

Unique voicing through the orchestration of saxophones, basset horn, glissotar (a modern continuous pitch wind instrument) and vibraphone, heard in this recording at the international artist house Villa Waldberta, in Feldafing-Munich, Germany, for seven recordings that blend free jazz forms with chamber jazz approaches with remarkable sophistication and composure.

Concentrating on the lower end of their instruments, Udo Schindler and double bassist Wilbert de Joode improvise live at DasKihotzky_wagnisARt and at the 99th Salon für Klang+Kunstover in Munich, for 10 parts of their "[LowToneStudies]", Schindler performing on bass clarinet, f-tuba and tubax (a contrabass saxophone), occasionally complementing their lower end with soprano sax.

Led by bass clarinetist Tobias Schirmer and harmonica player Matthias Broede, also on piano, with Jan Roder on bass and drummer Bernd Oezsevim, this German quartet blends contemporary jazz through four original Brode compositions and two collective improvisations, performed with melodic intent and tight, quick interaction as recorded live at Tito's Zentrifuge in Berlin.

The longstanding Canadian duo of alto saxophonist Francois Carrier and drummer Michel Lambert recorded this expressively energetic album of five dynamic free improvisations at Soda Acustic in Barcelona in a quartet with two South American electric guitarists living in Spain: Argentinian guitarist Pablo Scvarzman and Colombian guitarist Diego Calicedo.

An unusually contemplative solo record from New York pianist Matthew Shipp, belying the intricately subtle density of his inventive approach to solo piano improvisation, with an innate lyricism through unusual motive and direction; perhaps one of the most succinct and concise albums Shipp has released, and a beautiful reflection of his creative intentions.

After Bartok and Messiaen, trombonist & composer Steve Swell takes his sextet with Marty Ehrlich (winds), Sam Newsome (sax), Jim Pugliese (marimba), Ellen Christi (voice) and Gerald Cleaver (drums) into an exploration of Italian composer Luciano Berio with a diverse set of works reflecting Berio's vast curiosity and ovouer; a spectacular collection from a fantastic band.

The intersection of Austrian violinist, vocalist and sound artist Mia Zabelka and Canadian sound artist and multi-instrumentalist Glen Hall, using recordings of live improvisations, electronics and unusual applications of software to structure fourteen compositions of accomplished playing and startlingly unpredictable sound, a magnificent and often breathtaking journey.

One of Corbett vs. Dempsey's Black Cross Solo Sessions, Ken Vandermark recorded these twelve succinct, insightful and technically superb solo recordings at his home during pandemic lockdowns, part of a new book of compositions for solo reed instruments, each piece dedicated to an artist across multiple disciplines, including Joe McPhee, Anthony Braxton, Samuel Beckett, &c.

One of Corbett vs. Dempsey's Black Cross Solo Sessions, Joe McPhees approaches his album recorded during pandemic lockdown in his home through tenor sax, voice, water, objects and field recordings, the center of the album a cycle of compositions by Charles Mingus, alongside works by Carla Bley and influences by Joni Mitchell, and a virtual symphony of saxes on the title track.

Extremely personal and passionate, cellist Okkyung Lee recorded this album after separation from her instrument for months as she traveled to Korea to be with her dying father during pandemic; the 9 pieces are layered with strings, instrument sounds, voice and with profound timing, creating an intensely beautiful album reflecting the anguish and loss of the time.

Two recordings from naTo in Leipzig, Germany, the first an energetic free jazz romp from the Big Bad Brötzmann Trio of Peter Brötzmann on tenor sax & taragato, Oliver Schwerdt on piano & percussion and Christian Lillinger on drums & percussion; then a furtively powerful double bass duo between John Edwards and John Eckhardt, a tour de force of extended technique and deep sound.

The first album from the amalgamated band name Herr Borrelgrip, a play on the names of alto saxophonist Pierre Borel and double bassist Joel Grip, developing their work in Stockholm, Berlin and Paris starting in 2008 as a performing duo, heard here in a beautiful gatefold double LP studio release with an extensive LP-sized booklet of text in French and images.

Sealed new copy damaged in the post, dinged corners and bends but the LPs are in mint shape.

The first album from the amalgamated band name Herr Borrelgrip, a play on the names of alto saxophonist Pierre Borel and double bassist Joel Grip, developing their work in Stockholm, Berlin and Paris starting in 2008 as a performing duo, heard here in a beautiful gatefold double LP studio release with an extensive LP-sized booklet of text in French and images.

One of two albums marking trumpeter Wadada Leo Smith's 80th birthday, and showing his creative and technical skills still in peak form, here in a trio for the first time uniting independent collaborators, pianist & keyboardist Vijay Iyer and drummer Jack DeJohnette, in compositions from each of the performers plus one collective improvisation.

Inspired by Don Cherry's 1966 Symphony For Improvisers and intended to illustrate the profound cultural contributions Chicagoans & Midwesterners have made, trumpeter Leo Smith's presents four expansive symphonies, three performed with Henry Threadgill (sax & flute), John Lindberg (bass) and Jack DeJohnette (drums), the fourth with Jonathon Haffner (sax) plus Smith, Lindberg and DeJohnette.

With core members Drew Davis, Tim Gick, and John Olsen (Wolf Eyes), the wonderfully eclectic ensemble on each Crazy Doberman album shifts as they introduce musicians who can express the experimental improv structures required for each project, blurring genres and using whatever tools necessary to move from abstract to high intensity motion; a sublimely eccentric big band.

A set of succinct string improvisations using extraordinary technique and concentration with a chamber improvisation feeling, recorded at Vivaldisaal in Berlin from the quartet of Portuguese father & son improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, and Berlin performers Julia Brussel on violin and Klaus Kurvers on double bass.

A play on the Percaso band name "Day & Taxi", the trio of Christoph Gallio on soprano & alto saxophones, Dominique Girod on double bass and Dieter Ulrich on drums & bugle recorded this extended improvisation, a combination of scrambling, determined expression and post-bop creative jazz, part of the series "Life At The Zoo" at Studio the Zoo in Berne, Switzerland.

A duo of free and spaciously building exchanges between Dutch drummer George Hadow (Zwerv, The Blue Lines Trio) and Belgian guitarist Dirk Serries (A New Wave of Jazz), in an extended dialog of great technical skills and creative use of their instruments, performing live at the 2021 JazzBlast event held in the chapel Groels Kapel in Bocholt, Belgium.

Post-pandemic, the electroacoustic IKB ensemble returned to the stage in 2021 at O'Culto da Ajuda in Lisbon with some of Portugal's finest improvisers performing under the direction of violist Ernetso Rodrigues, to express in sound the large rainforest beetle Titanus Giganteus, represented in an extended collective improvisation of restraint fueled by masterful and creative skill.

Led by Sydney, Australia double bassist and composer Elsen Price, the Inlay Ensemble with violist Carl St. Jacque and violinist Susie Bishop merges contemporary composed and improvisational styles in an album with each piece reflecting a distinct mood based off a single motif, creating unique perspectives that the ensemble develops through improvisation.

Recorded live in 2019 at Burgbachkeller in Zug, Switzerland, the international trio Jorge's Orbe creates tapestries of sound, bringing together free improvisers from three different parts of the world: Switzerland through trombonist George Francis Marti, Japan through pianist Tsukiko Amakawa, and Spain through Pelayo Fernandez Arrizabalaga on turntables and voice.

Italian and Portuguese musicians meet in the studio in Berlin for a set of studio free improvisations, from Creative Sources father/son collaborators Ernesto Rodrigues on viola and Guilherme Rodrigues on cello meeting trombonist Davide Piersanti and vocalist Ligia Liberatori for twelve exceptionally open, informed and unusual conversations.

With a history of collaboration in the Lisbon improvisation scene through bands including Variable Geometry Orchestra, IKB, Isotope Ensemble, &c., guitarist Abdul Moimême (performing on two guitars simultaneously) and electronics artist Carlos Santos join with Chicago cellist & electronic improviser Fred Lonberg-Holm for five elaborate alien soundscapes of impressive detail and skill.

Two extended acoustic improvisations of reductionist approaches recorded in the studio in Parede, Portugal in 2021 from the quartet of Ernesto Rodrigues on viola, Bruno Parrinha on bass clarinet, Andre Hencleeday on piano and Joao Valinho on percussion, guided by a poem from Rodrigues as they slowly and exquisitly explore a "Closed Window" and an "Open Window".

A confluence of strings from the trio of Portuguese improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello, performing in Berlin with double bassist Stephan Bleier, the title referring to a gradual ascending progression formed through small changes, an apt analogy for the illusory and shape-shifting approach their 5-part improvisations lead.

The Virtual Balboa trio of Philadelphia improvisers Zachary Darrup on guitar, Evan Lipson on double bass and Ben Bennett on percussion, all performers associated with Spring Garden Music & saxophonist Jack Wright, are joined by open-form trumpeter Greg Kelley for this wonderfully scrabbly and tenacious live set captured at Vermillion in Seattle in 2019.

Merging gritty and angular guitar work with versatile and creative drumming, the duo of Finish guitarist Heikki Ruokangas and North Carolina multi-instrumentalist Landon George show their diverse interests in both technically assertive playing and beautifully misty environments, through eleven concise works including two parts of "Chaos", a "Rainy Day" and a "Rainy Eve".

Part of Tzadik's Spectrum series, the Downtown NY trio of electroacoustic improviser and composer Ikue Mori, pianist Brian Marsella performing on electric keyboards and synths, and classical percussionist Sae Hashimoto on a wealth of marimbas, drums, bells, shakers and chimes, composed these intricately fascinating works by exchanging tracks composed in their home studios.

Drawing on compositions from black artists who have created something uniquely their own--Sun Ra, Ornette Coleman, Roscoe Mitchell, Georgia Anne Muldrow--alto saxophonist Darius Jones pulls from the depths of emotion and vulnerability in five solo tracks recorded in Portland, deeply felt blues reflecting the black experience in America and the pain of isolation.

Drawing on compositions from black artists who have created something uniquely their own--Sun Ra, Ornette Coleman, Roscoe Mitchell, Georgia Anne Muldrow--alto saxophonist Darius Jones pulls from the depths of emotion and vulnerability in five solo tracks recorded in Portland, deeply felt blues reflecting the black experience in America and the pain of isolation.

Dinged Sleeve corners from rough postal handling

The first of two planned volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 1st volume presenting the finest of their investigations.

The first recorded document of longtime collaborators performing as a duo, Dave Rempis (alto & tenor saxophones) and Avreeayl Ra (drums & percussion), in a thoughtfully building and muscular sax/drum pairing of both meditative and joyful free playing, captured at Constellation in Chicago after months where both players were unable to perform in person; exceptional!

One of a series of pianist Thollem McDonas' Astral Traveling Sessions, this unique duo configuration with NY saxophonist Hafez Modirzadeh uses a sonic palette of eight re-tuned pitches for piano and saxophone in an attempt to expand harmonic empathy, bringing Eastern pitch relationships to Western improvisation through a series of extraordinary solo and duo recordings.

One of a series of pianist Thollem McDonas' Astral Traveling Sessions, a 25-album series of concerts from around the globe, performing concerts in varying configurations with 70 musicians, here with two collaborations: in Kingston, NY with the great vibraphonist Karl Berger for 3 improvisations, and in Toronto with pianist Michael Snow for an extended piano duo.

As part of Thollem McDonas' Astral Traveling Sessions concert series, the pianist met Chicago legendary drummer Avreeayl Ra and and highly active improvising bassist Matthew Lux for this exceptional concert of two extended improvisations, followed by 8 duo studio improvisations as "Sunken Cages" recorded in Philadelphia with electroacoustic drummer Ravish Momin.

An epic journey in free vocal improvised music from the trio of vocalist Anna Gadt with Zbigniew Chojnacki on accordion & live electronics and Krzysztof Gradziuk on drums, performing live in the studio in Nieport, Poland, with arrangements, deconstructions and original music by Anna Gadt, along with the theme from "Monumentum pro Gesualdo" by Igor Stravinski.

A series of real-time improvised performances from Athens, Georgia guitarist Killick Hinds, made with strings and occasional computer augmentation, an album he describes as to date his fullest expression of the Appalachian Trance Metal/Piedmont Shaman Rock concept that he has been developing for years, these works inspired by Zaila Avant-garde, Paolo Angeli and Bali.

Using piano, synthesizer, electronic feedback, field recordings and amplified objects, sound artist Andrea Parkins' long-cycle installation composition explores time and space in an 8-channel, multi-room work designed so that adjacent acoustical spaces respond to each other, creating shifting and unexpected sonic juxtapositions; CD package include a link to "The Third Room".

The collaboration of saxophonist Yedo Gibson and Vasco Trilla, heard as a duo on Multikulti Project and together in projects released on Emanem, NoBusiness and Creative Sources, are heard in this second Fish Wool trio album with trumpeter Susana Santos Silva, a uniquely voiced band of two horns and versatile percussion, captured live at the 24th Jazz Cerkno in 2018.

Captured at the 2015 Lublin Jazz Festival, the collective trio of Gerard Lebik on tenor saxophone, John Edwards on double bass and Paul Lovens on drums performed a seamless extended improvisation that was divided by index in post-production as parts A through D, but which should be listened to in a single sitting to appreciate their sublime interplay.

Meeting regularly since 2018, these three Luzern, Switzerland improvisers have developed a shared language of collective creative improv, the best known of the three being drummer & percussionist Gerry Hemingway working with two younger generation musicians, acoustic & electric guitarist Florestan Berset and vocalist Vera Baumann, here in their first wonderfully paced album.

Sonic exploration and studio composition from Kobe, Japan-based, Canadian sound artist Tim Olive, using amplified objects, cast-off electronics and home made instruments including metal teeth, tuning forks, clockwork motors, electromagnets, cassette playback heads and magnetic pickups, recording each and layering them in the studio to create corrosively captivating aural journeys.

With a history of both improvisation and rock, NY saxophonist and sound artist (Creature Automatic, Love As Laughter) concentrates on the sopranino saxophone in this solo album, performing acoustic feats of impressive technical skill, and on many tracks performing with tuning forks and live electronics, sequenced in a compelling journey of contrasts and wonder.

A joint release between Astral Spirts and Relative Pitch, guitarist Ava Mendoza conjures five assertive and rugged "spells" performed on solo electric guitar, passionate works of raw technical skill and bold power as she improvises over two songs composed by herself, alongside pieces written for her from Devin Hoff, Trevor Dunn and John Dikeman.

Chicago spiritual jazz shaman, drummer/percussionist Kahil El'Zabar, leads a quartet of younger generation musicians--Corey Wilkes (trumpet), Justin Dillard (keyboards), Isaiah Collier (saxophone)--through a set of seven original compositions, plus Coltrane's "Resolution"; warmly soulful grooves intended as the healing force so needed in the context of this album's era.

Chaos Magick, composer John Zorn's quartet with Brian Marsella on Fender Rhodes, piano & Mellotron, John Medeski on organ, Kenny Grohowski on drums and Matt Hollenberg on guitar, merge contemporary classical with jazz, funk, rock, blues, film soundtrack, and noise improvisation on a journey of 9 compositional Cantos into Orpheus' ninth concentric Circle of Hell.

Twelve etudes for solo piano by French composer Bruno Duplant and interpreted by pianist Guy Vandromme, each etude consisting of eight lines of lowercase letters a-g representing white keys, with accents, uppercase shifts, apostrophes, &c. affecting those letters, the performer given an "infinity of possibilities" through choices of combinations and repetions of the score.

This year's An Ayler Xmas is the 5th in the series from saxophonist Mars Williams, mashing holiday classics with works by saxophonist Albert Ayler, with the amazing sextet of Josh Berman on cornet, Jim Baker on piano, viola & Arp Synth, Brian Sandstrom on bass, guitar & trumpet, Steve Hunt on drums, Peter Maunu on violin and Kent Kessler or Krzysztof Pabian on bass.

Each track named for the instruments used (aquaspring, overtone triangles, metronome & blowing tube, &c.) and inspired by a book from Elias Canetti, Spanish percussionist Vasco Trilla's creative improvisations reflect on the phrase: "every completely unknown language is a kind of acoustic mask; as soon as one learns it, it becomes a face, understandable and soon familiar."

A joint release between Astral Spirts and Relative Pitch, guitarist Ava Mendoza conjures five assertive and rugged "spells" performed on solo electric guitar, passionate works of raw technical skill and bold power as she improvises over two songs composed by herself, alongside pieces written for her from Devin Hoff, Trevor Dunn and John Dikeman.

Bringing to life the story of an event that changed the course of Finland's 1918 civil war, taking listeners on a narrative journey of haunting beauty and power presented through a layering of chamber composition and improvisation, from the duo of Pepa Paivinen performing on flutes, woodwinds & Seagull Merlin dulcimer and drummer/percussionist Jussi Miettola.

Given the chance to perform in the dark fresco-covered room of the Emmanuel Vigeland Mausoleum and museum in Oslo, Norway, guitarist Ed Petterson brought his 8-string Weissenborn guitar, various keyboards and a modular synth, using the pensive atmosphere of the location to trace spacious and exploratory works through 15 varied and succinct improvisations.

Combining free jazz and post-punk rock forms with pointed commentary about issues of race, gender, the pandemic, and political autonomy, through provocative vocal works expressing modern angst, from three Asian-American female performers living in NYC: tenor saxophonist Ayumi Ishito, drummer Wen-Ting Wu, and activist and Tiananmen Square survivor Rose Tang on voice, guitar & piano.

The core quartet of Gulfh of Berlin — Gebhard Ullmann on tenor saxophone & bass clarinet, Gerhard Gschlossl on trombone & sousaphone, Johannes Fink on double bass & cello and Jan Leipnitz on drums & objects — are heard in the studio with guest Michael Haves providing live sound processing, expanding the sound of Gulfh's innovative sound-sculpting avant jazz

A blistering set of improvisations featuring two electric guitarists--Konkstrukt's own Umut Caglar and NY Sonic improviser Thurston Moore--performing live at SalonIKSV in Istanbul, Turkey, blurring acoustics and electronics as the quintet creates intrepid environments for an intense journey in free improvisation, howling and biting along the way.

As on their prior album Q, the Nordic Krokofant free improvising jazz/rock trio of Axel Skalstad on drums & vibes, Tom Hasslan on guitar and Jorgen Mathisen on saxophone are joined by bassist Ingebrigt Haker-Flaten (The Thing) and Stale Storlokken (Elephant9, Supersilent), cementing their lineup as they forge adventurous and spectacular playing on this Fifth album.

The sophomore release from this Norwegian instrumental rock band, with all members of the quartet coming from an improvisation/jazz background that fuels their diverse interests in the rock format, from blistering runs, dark blues grooves and even a nod to Swedish folk jazz; a dynamic album of great technical playing but more importantly, a strong commitment to rock.

A fascinating solo piano record from New York free improvising luminary Matthew Shipp, a contemplative album that surprised even the pianist himself as he thoughtfully dissected harmonics to wring melodic fragments that bring sense to discursive streams of thought, his playing both investigational and charming, drawing an unlikely comparison to Bill Evans.

A tribute to legendary audio engineer George Belle (1948-2019) who worked with a who's who including Horace Tapscott, Jimmy Smith, Gene Rodenberry, &c., in a set of compositions from Mal Waldron, Albert Heath, Herbie Nichols plus original work from leader James Bennigton, saxophonist Dustin Laurenzi, saxophonist James Cook, and group improvisations.

Chicago drummer and composer Jimmy Bennington is heard live at Andy's Jazz Club in 2018 in a solid straight-ahead set with his Colour and Sound sextet of Fred Jackson, Jr. on alto & soprano saxophones, Artie Black on tenor saxophone, Dustin Laurenzi on tenor saxophone, Dan Pierson on piano, Mike Harmon on bass, with compositions from band members and arrangments from Bennington.

Thematic improvisations pairing synthetic sounds and effects with acoustic bass, sax and drums, recorded in the studio by the Chicago quartet of Jimmy Bennington on drums & percussion, Phil Hunger on synth, guitar & effects, Dvi Priest on acoustic bass & effects, Brian Seyler on tenor saxophone, augmented by field recording from a Syrian marketplace, Jackals and Hyenas.

Leveraging the rhythms of his Native American ancestry through deep tom drums, along with percussion focusing around clarion bells, Richmond, VA drummer/percussionist Scott Clark (Scott Clark 4tet, SCUO) brings his listener on a darkly diverse journey through six superb solo drum improvisations, laid out with resolute patience in an epic rhythmic journey.

The second of two volumes from legendary Downtown NY pianist Cooper-Moore and saxophonist Stephen Gauci, recorded after a seven-month residency at Happylucky No. 1 Gallery in Brooklyn, allowing the two players to develop a natural dialog of unique and idiosyncratic approaches to their instruments, resulting in these seven solid recordings freely improvised in the studio.

Since 2017 the father/son duo of double bassist Michael Formanek and woodwind player Peter Formanek have performed, recorded and toured together, here recording in the studio in 2019 with the wind player on tenor saxophone and clarinet, the familial history and life of collaboration showing in the warmth and easy discourse between the two, heard in 13 succinct improvisations.

The third solo saxophone record from Brooklyn improviser Josh Sinton, and his first recorded solely on the baritone saxophone, an instrument for which Sinton explains he has dedicated half his life, heard in this remarkably diverse set on the lower horn that he approaches lyrically, technically, emotionally and with startling singularity.

Concentrating on the lower reeds, baritone saxophone and bass clarinetist Josh Sinton's Predicate Trio brings the best of New York's Downtown improv scene through drummer Tom Rainey and cellist Christopher Hoffman, the album opening with a submerged baritone solo leading to seven original Sinton compositions and two uniquely mischievous and informed collective improvisations.

Originally recorded in 2005 for a small 100-copy release, the single extended track on Mahogany Rain offers an hour of mesmerizing improvisational sound, sparsely composed and deeply experimental and performed by Keith Tippett on piano & percussion, Julie Tippetts on xylophone & voice, Philip Gibbs on guitars, and Paul Dunmall on soprano & tenor saxophones.

Dovetailing and combining the rich harmonics of Michel Doneda's soprano and sopranino saxophone with Pascal Battus' rotating surfaces--mechanisms from small consumer electronics and their like put in motion and in contact with resonators and vibrators--this French improvising duo create fascinatingly shifting, unusual textures and sonic environments.

An overlooked chapter in Ornette Coleman's recording career, these two Blue Note albums recorded in NY in 1968 and issued in '68 & '71 feature the innovative alto saxophonist joined by West Coast tenor saxophonist recently moved to NYC, Dewey Redman, and Coltrane sidemen, drummer Elvin Jones & bassist Jimmy Garrison, for two sessions of inventive and accomplished free jazz.

An extraordinary solo double bass set recorded at Saint-Jacques church of Cales, Lot, France in 2021 as part of the Souillac en Jazz festival from Joëlle Léandre, reaching into the depths for an incomparable and intensely concentrated display of technical skill and passion on the deep strings; captivating, visceral and cathartic.

Originally released in 1964 on The Sonet label as Volumes 1 & 2, this CD remasters this exceptional 1963 concert of original material and pieces by Ornette & Monk, complete in sequence as performed at Jazzhaus Montmarte in Copenhagen with Archie Shepp on tenor saxophone, Don Cherry on cornet, John Tchicai on alto saxophone, Don Moore on double bass and J.C. Moses on drums.

An intense concert of collective European Free Jazz in two extended improvisations recorded at naTo in Leipzig, German in 2019 from the quintet of Peter Brotzmann on tenor saxophone, clarinet & tarogato, Oliver Schwerdt on grand piano, percussion & little instruments, John Edwards and John Eckhardt on double bass, and Christian Lillinger on drums & percussion.