Boston improviser and multi-instrumentalist David Peck (PEK) in a solo album using his Quartet of PEKs formats, improvising in the studio through four layers, presenting the final installment of a triptych of albums constrained to one or two woodwind instrument families - this one for flutes and double reeds, along with nadaswaram, shenai, goat horn, dizi, bass tromboon, &c &c.

In 1969 alto saxophonist Anthony Braxton released an unprecedented solo saxophone album, For Alto, dedicating each piece to a composer or player, including Leroy Jenkins and John Cage; Boston improviser David Peck took this album as inspiration to create his own extended solo improvisation as a tribute to Braxton, performing on a classic Selmer Balanced Action saxophone.

Before initiating the live improvisation that makes up Complex & Real Dimensions, reedist and multi-instrumentalist David Peck built a foundation track including electro-acoustic instruments created by Tim Kaiser, particularly the loop-capable "Large Spring Box", creating tone, timbre and interludes over which PEK passionately performs.

Recording as An Orchestra of PEKs--overdubbed tracks performing with his arsenal of metallic, percussive and electronics devices--intermediate mixes here of electric cello and electric upright bass through Moogerfooger stomp box and syntrix analog synthesizer and a metallic percussion mix, the various timbres interacting as a larger environment for PEK's reed improvisations.

In various configurations of her ensemble--from trios to 12 performers--composer, saxophonist & flutist Anna Weber composed these six pieces based around specific wind techniques, including the use of multiphonics, alternate fingerings, buzzes, air sounds, key clicks & overblown notes, explored through an exuberant and embraceable balance of improvised and composed "Idioms".

Exploring the earliest work of Claire Rousay, from her performances as a solo drummer and then transitioning into a musique concrete/new music composer, the 1st CD collecting Rousay's favorite drumming cuts, sequenced into a large single composition, the 2nd CD beginning with percussion work as Rousay adds voice, sonic & field recorded material to create a monumental composition.

Two essential early 60s release from famed UK saxophonist Joe Harriott, an innovator bringing free jazz concepts to the British audience with his quintet of Shake Kane on trumpet & flugelhorn, Pat Smythe on piano, Coleridge Goode on double bass and Phil Seaman on drums, referencing the new forms of jazz from US artists like Don Cherry and Ornette Coleman.

Interlacing vibraphone, marimba, glockenspiel, metallophones, gamelan bar, piano, keyboards and organ with rhythmic percussion and fragments of voice and field recordings, New York percussionist Eli Keszler's album floats in warm melodicism and rich ambience, gliding along with a cinematic sense framed by recordings of NYC, the Odyssey Cave and other global locations.

Music written to accompany a light & juggling performance by German contemporary circus artist Kolja Huneck, Rutger Zuydervelt developing the compositions of these works using only short looping structures that weave and develop into a tapestry of sound, inspired by the repetitive motions of Kolja's performance and the 30 centimeter round discs with which he performs.

Calling his music jazz and not jazz, bassist Brandon Lopez demands of his listeners to dance, as the quartet of Lopez, Steve Baczkowski on saxophones, Gerald Cleaver on percussion and Cecilia Lopez on synthesizer are heard in this energetic live concert at Roulette Intermedium in Brooklyn, blurring free jazz with experimental sound that never loses its strong grooves.

Music with "no restrictions, no guidelines, no imposed intention, no expectation" from keyboardist John Medeski, in an album that evolves static noise into rich and fascinating soundscapes, a blend of improvisation and composition using electric and acoustic keyboards, synthesizers, mellotron and early electronic gear, masterfully unfurled in riveting ways.

The Simulacrum trio of John Medeski on organ, Kenny Grohowski on drums and Matt Hollenberg on guitar, with prior releases Inferno, Unspeakable Depravity..., Beyond Good And Evil and Baphomet, continue composer John Zorn's investigation on the dark side of swinging jazz merged with rock & compositional attitudes, as he explores the written works of Antonin Artaud.

Exotic improvisation from Korean musician based in Berlin, You Jin Sung, performing on the gayageum, a large traditional Korean plucked zither sometimes augmented with electronics, in a duo with French cellist Vincent Laju, both performers using tension and space contrasted with moments of intensity through six improvisations of cross-cultural, contemporary conversation.

Active since 2008, the PLASMA 8 duo of German pianist & vocalist Thomas Reuter and saxophonist Andreas Krennerich explore the geological deposits of porphyr, a hard igneous rock containing crystals, through free improvisation, expressed here in 20 concise interactions of piano keys & strings, soprano & baritone saxophones plus unusual vocal utterance.

A diverse set of conversations between Austrian improvisers, drummer/percussionist Fredi Pröll (Trio Now!, Lull) and free vocalist Mara Kolibri, recording in the studio for seven concise and far-ranging dialogs, from cantankerous interactions to controlled incoherence of absurdly implied vocalization punctuated with creative percussive reaction, often returning to lyrical jazz-influenced moments.

Title spine damaged by the album pushing through the sleeve and jacket. Cleverly complex yet melodically embraceable, the trio of Beligan pianist residing in Norway, Jonas Cambien's trio with Andre Rolighete on tenor and soprano saxophone and drummer Andreas Wildhagen perform eleven original Cambien compositions, a mix of astute, joyful and irrepressibly creative approaches to jazz and free improvisation.

The second volume of this rich and exotic quartet in a sublime merging of jazz, electronics and compositional approaches yielding melodically dream-like music and environments, from reedist, flutist && trumpeter Daniel Carter, Tobias Wilner (Blue Foundation) on synth and keys, Wu-Tang Clan bassist Djibril Toure and Italian/NY drummer Federico Ughi.

Merging Tiger Hatchery's tenor saxophonist Michael Forbes and bassist Andrew Scott Young and newly arrived to NYC Flying Luttenbacher leader & drummer Weasel Walter, for classic hardcore free jazz of articulate and demanding improvisation; this a recently unearthed studio recording from 2010, captured two years after their first encounter in a quartet with Jeb Bishop.

Touring the South and Midwest US just before the pandemic lockdown, the assertive Chicago trio Kuzu of Dave Rempis on alto, tenor & baritone saxophones, Tashi Dorji on guitar and Tyler Damon on drums, processed and echoed the sense of uncertainty they encountered, capturing it in depth during two concerts and reflecting it in this powerful, almost ritualistic free jazz album.

The edges of electroacoustic improviser and composer Thanos Chrysakis' shards are sharpened by the quartet of Dawid Frydryk on trumpet & electronics, Edward Lucas on trombone, Sue Lynch on flute & tenor saxophone and Adrian Northover on soprano saxophone, as Chryaskis generates evocative sonic environments over which the four horns mysteriously interact.

Portuguese tenor saxophonist Rodrigo Amado's Motion Trio with cellist Miguel Mira and drummer Gabriel Ferrandini in his bands 7th full album, recorded live at the 2019 Vilnius Jazz Festival in Lithuania performing with special guest, pianist Alexander von Schlippenbach, for an extended improvisation of masterfully evolving changes and dynamics.

Four double basses and a tuba, recorded in an arc to elucidate the sound of each instrumentalist, in Serbian improviser and composer Szilárd Mezei's deep-rooted Tubass Quintet, Mezei taking one of the double bass roles in place of his typical viola & violin work, as his compositions bring the deep instruments into both foundational and melodic territory.

Late Japanese free jazz trumpeter and flute player Itaru Oki--one of the significant and early free jazz players in Japan in the 1970s, moving to France in the mid-70s to seek more opportunities to play--recorded this concert at Jazz Spot Combon as part of his farewell tour, performing with winds player Yoshiaki Fujikawa, bassist Keiki Midorikawa ad drummer Hozumi Tanaka.

Three reed & wind players and a drummer from Japanese saxophonist Mototeru Takagi's collective free improvising quartet with fellow saxophonist Susumu Kongo, Nao Takeuchi on tenor sax plus flute & bass clarinet, and drummer Shota Koyama, recorded live in 1999 at Little John in Yokohama, Japan for three well-paced conversations of weaving winds and rhythmic intervention.

The first two tracks of this album reissue & remaster the 1971 self-released album by the German free jazz band Total Music Association of Hans-Jorg Hussong on (saxophones), Wilfried Eichorn (clarinet & sax), Andreas Boje (trombone), Erich Schroder (viola), Helmut Zimmer (piano), Matthias Boje (double bass) and Rudi Theilmann (drums), along with a 1988 studio session.

During the early 80s saxophonist and wind improviser Sam Rivers formed his quartet around electric instruments, with the core rhythm section of drummer Steve Ellington and electric bass guitarist Rael Wesley Grant, the other lead instrument on guitar during that time, sometimes with Kevin Eubanks, and on this previously unreleased, superb live performance in Florence, Italy, guitarist Jerry Byrd.

Five major works in a Creation Series concept from pianist Joel Futterman, each disc presenting from 2 to 4 parts in an ambitious and accomplished set of solo improvisations that start simply with monophonics and evolve into increasingly complex and inspired works of incredible creative control; a masterful release reflecting a lifetime of innovation and inventiveness.

The meeting of AMM guitarist Keith Rowe with Burkhard Beins on percussion, two studio sessions and one live recording, sparse and subtle improv of the highest standard.

Each track named after a mythical Scottish character, the Ukrainian trio of Stanislav Bobrytsky on modular synth, Pavlo Lisovsky on tenor saxophone and Anton Boldenko on viola create a music merging free jazz principles with modular synthetic drone, creating an orchestral sound that still elucidates the detail of their uniquely orchestrated, rich sonic explorations.

String player Antonio Bertoni (Leo Records, Astral Sprits) in his solo Ongon project seeks to bring back the shamanic elements of Moroccan Gnawa Music, particularly using the trance-inducing bass instrument guimbri, his hypnotic and exotic music set into a rich weaving of electronics, samples and concrete synthesis built ad hoc by Bertoni himself.

Antonio Bertoni's solo Ongon project, trying to remove the mistreatment that the Moroccan Gnawa Music suffers due to the heavy western productions, as he performs on the trance-inducing bass instrument guimbri, his hypnotic and exotic music set into a rich weaving of electronics, samples and concrete synthesis built ad hoc by Bertoni himself; reference Natural Information Society.

The 4-night engagement at the Village Vanguard in November 1961 with sidemen Eric Dolphy, McCoy Tyner, Reggie Workman, Jimmy Garrison & Elvin Jones resulted in saxophonist John Coltrane's 1962 "Live at the Village Vanguard" album, his evolving freedom surprisingly divisive and even decried as "anti-jazz", here reissued and remastered with a bonus version of "Spiritual".

Canadian saxophonist Yves Charuest and London-based violist Benedict Taylor found common ground in their first meetings in London in 2017, improvising together and performing at Mopomoso, Charuest then inviting Taylor to Montreal in the winter of 2019 for duo performances, leading to this excellent album of confidently fragile interaction and agile attention.

Adhering to the tenets of "Dissonance, Speed, Aggression, Weirdness, and Singularity", Weasel Walter leads his Flying Luttenbachers in their 15th album of no wave, punk jazz & brutal prog, Weasel switching to guitar and yielding the drum chair to Sam Ospovat, as the band rips through ridiculously complex twists and turns, even taking on Albert Ayler's strange '66/'67 musical suites.

A stunning sound collage made from recorded fragments of Fujii's studio piano, captured inside and out using traditional piano sonorities and preparations that often microscopically detail the instrument, then edited into two electroacoustic compositions of startling and unexpected expansiveness and wonder; a unique and fascinating release in Fujii's large oeuvre.

Slippery confluence to taut string friction in the duo of Argentinian cellist & improviser Violeta Garcia and Quebec cellist Emilie Girard-Charest, both bringing impressive improvisational resumes and classical grounding to their uniquely informed dialogs, heard in a five part album exploring a remarkable range of technical skill and expression.

Assembled in London to improvise music for Stewart Morgan's film Eddie Prevost's Blood, this release adds much more material beyond the soundtrack, in a superb example of free and charged creative improvisation seeking unique combinations of expression, from Jennifer Allum on violin, John Butcher on saxophones, Ute Kanngiesser on cello and Eddie Prevost on percussion.

Recorded primarily at Issue Project Room in Brooklyn and leveraging the natural resonance of that performance space, the New York trio of innovative improvisers Henry Frase on double bass, John McCowen on Bb and contrabass clarinets and Sam Weinberg on tenor & soprano saxophones explore the peripheries of their instruments in intense and reflective interplay.

Spanish double bassist Alex Reviriego (Memoria Uno) in a solo album recorded by Ferran Fages in 2019, the second chapter of his "German Poets Trilogy" following his 2018 Blaue Tauben album, here inspired by the writings of Romanian-born poet Paul Celan in an intense and moving album of dense foreboding depicted through nine improvisations of heavy bowing, ruminative harmonics and dark friction.

Mist and mystery in pensive and meticulous improvisation from the Portuguese duo of trumpeter Luis Vicente and percussionist Vasco Trilla, their 2nd studio album after their 2019 Clean Feed release, exploring textures and timbres through extended techniques and detailed percussive interaction, as confident expressions rise and submerges in a wonderfully abstracted haze.

From fractured and fragmented to assertively raw improvisation in the unusual pairing of saxophone and cello from Chris Pitsiokos on alto and Argentinian cellist Violeta Garcia, using intense approaches to their instruments in a reactive set of 11 concise dialogs, a well-matched meeting of innovative improvisers uniquely responding to and clearly enjoying an eccentric conversation.

Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired.

Explorative electronics and percussion from Italian improvisers Andrea Borghi, Giacomo Salis and Paolo Sanna, all three steeped in electronics, percussion and sound art, using prepared turntable and objects to create mysteriously rich environments in a seething cauldron of sound that never boils over, engaging through uniquely developed interaction from quirky to oddly charming.

Initiating like a jet shaking the sky, the trio of Kevin Corcoran on percussion & objects, Giacomo Salis on percussion, objects & field recordings and Paolo Sanna on percussion & objects create otherworldly sonic environments that project collapsing and ringing events above often turbulent foundations, creating side-long journeys that engage through mysterious and surmisable sound.

A series of unusual improvisations between London free improvising trombonist Edward Lucas (Hyperion Ensemble, London Experimental Ensemble) and experimental sound artist, turntablist & percussionist Graham Dunning, merging acoustic sources with controlled feedback, objects and field recordings, pressed to dubplate to create these engagingly strange and concise dialogs.

The fourth release from the long-standing sonic research duo of Montreal sound artist Anne-F Jacques, who uses "rotating devices" based around small amplified motors, and Montreal ex-patriot living in Kobe, Japan Tim Olive (845 Audio), using magnetic pickups on objects and self-built instruments, here in six richly detailed and sometimes curiously menacing recordings.

Applying techniques similar to those of the prepared piano, Japanese experimental artist Kayu Nakada uses circuit bending--circuit boards from electronic instruments short circuited for new effects--joining forces with Japan-based Canadian electronic instrument maker Tim Olive (845 Audio) for four works of intriguingly interactive glitch, hum, static and sonic inexplicables.

A beautiful 228 page limited edition hardcover book chronicling the last decade of artwork by saxophonist Peter Brotzmann, created spontaneously while on the road or between tours using materials at hand; featuring essays by Brotzmann, Thomas Milroth, John Corbett, Markus Muller, Sotiris Kontos, Stephen O'Malley, Heather Leigh and Karl Lippegaus.

Two European Free Improvisation legends--Prussian clarinetist Rudiger Carl and Swedish drummer Sven-Ake Johansson--join with younger double bassist Joel Grip (Umlaut Records) for three improvised "Inflections" performed live at Au Topsi Pohl in Berlin, superb examples of the historical depth of free jazz across Europe and the continuing energy each new generation brings.

Two early free jazz masterpieces from 1964 never released in their day, from Danish pianist Tom Prehn and his Kvartet with Poul Ehlers on bass, Fritz Krogh on tenor saxophone and featuring drummer Finn Slumstrup, the close mic recording bring their swinging and enthusiastic music to the foreground in an adventurous album that absolutely demands to be heard!

Beginning with an 8-member vocal incantation led by Taylor himself, this incredible reunion concert between pianist Cecil Taylor and drummer Sunny Murray was recorded by the FMP label in 1996 at the Total Music Meeting in Podewil, Berlin, an incredible display of pyrotechnical playing with an exultant excitement through three "sector" improvisations; extraordinary!

The first live album from the CP Unit led by alto saxophonist Chris Pitsiokos and his quartet with Sam Lisabeth on electric guitar, Henry Fraser on electric bass and Jason Nazary on drums & electronics, captured live at the 2018 Moers Festival in Germany in 8 compositions drawn from previous studio tracks and two new pieces; thrilling and brilliant modern jazz!

Taking an angular approach to modern jazz that reminds of Steve Coleman/Five Elements, New York alto saxophonist Chris Pitsiokos provides the compositions for the six improvisations on this live album recorded at Seizure's Palace, in Brooklyn in a quartet with Andrew Smiley on electric guitar, Henry Fraser on electric bass and Jason Nazary on drums.

The second incarnation of the Detail trio of saxophonist Frode Gjerstad and drummer John Stevens with Kent Cart taking the role of double bass, is heard in this studio recording from 1990 at NRK-studio in Stavanger, Norway, a superb example of the nearly telepathic freedom four years of playing together afforded them, as heard in two extended, energetic improvisations.

An unusual sax and drum duo between Lithuanian saxophonist Liudas Mockunas, here performing on contrabass and prepared clarinet, tenor & soprano saxophones, with Christian Windfeld performing on prepared drum kit, drums, drums and cymbals, in two side-long improvisations, the first focusing on sonic subtlety, the second a rompingly idiosyncratic and energetic set.

Late Japanese free jazz trumpeter and flute player Itaru Oki--one of the significant and early free jazz players in Japan in the 1970s, moving to France in the mid-70s to seek more opportunities to play--recorded this concert at Jazz Spot Combon as part of his farewell tour, performing with winds player Yoshiaki Fujikawa, bassist Keiki Midorikawa ad drummer Hozumi Tanaka.

A magnificent triple-CD set from the Quebec creative ensemble GGRIL performing the works of Frederic Blondy, Robert Marcel Lepage, Lisa Cay Miller, Malcolm Goldstein, Caroline Kraabel, Allison Cameron, Martin Arnold, Lori Freedman, Michel F. Cote, Jean Derome and Gus Garside, a significant and beautifully packaged release from one of Canada's most important new music groups.

1999 recordings from the trio of cornetist Bobby Bradford, Tuba player Tom Heasley and guitarist Ken Rosser, bridging chamber and free jazz with a unique orchestration.

After playing with Deep Listening trombonist Stuart Dempster at Fort Worden the two added Eric Glick Rieman on prepared Rhodes electric piano for these rich acoustic and electronic improvisations.

NY percussionist Billy Fox in a septet playing compositions influenced by music from South Asia, The Middle East and Africa, filtered into compelling compositions for jazz ensemble.

Two extended pieces of solo free improvisation from Japanese alto saxophonist Homei Yanagawa, aka Yoshinori Yanagawa, who regularly performs solo, releasing this album 30 years after his first solo album in 1991, Ground and Figure, here recording in the studio for confidently active and diverse approaches to solo expression; engaging and absorbing work.

Bassist Raoul van der Weide formed this sophisticated Dutch piano trio with pianist Frank van Bommel and drummer Wim Janssen (the latter two part of Guus Janssen's trio) exploring instant composition in a variety of conceptual approaches, including richly lyrical music, darkly mysterious environments, and spirited and inventive interplay; an accomplished and encompassing album.

An outstanding pair of concerts from Austrian pianist & vocalist Igrid Schmoliner and Chicago drummer & percussionist Hamid Drake, Schmoliner coming from a compositional/avant background, Drake merging jazz and world approaches to his playing, together creating something wonderfully informed and exciting, making their complex interplay radiantly lucid to their audience.

In tribute to late free jazz pianist Cecil Taylor, the West Coast/Vancouver trio of guitarist Henry Kaiser, alto saxophonist John Oswald and vibraphonist Paul Plimley explore the intention of Taylor's singular style in six anagrammatically titled improvisations, with Chicago violinist Tracy Silverman joining for the massive "Oceans Felons Salad", and Scott Amendola joing for "fir loom".

Exploring the history of improvisation in Montreal, Tour de Bras issues this unreleased 1973 recording from Le Trio Expansible of Yves Bouliane (Ensemble Supermusique) on double bass, Bernard Gagnon on guitar and Robert Marcel Lepage (Ambiances Magnetiques) on clarinet, including archival documents from the Experimental Music Workshop with texts by co-founder Raymond Gervais.

The ISM trio brings together Berlin, UK and Paris improvisers Antonin Gerbal (drums), Pat Thomas (piano) and Joel Grip (double bass) for their second album since 2015, recording live at Tokyo's Knuttel House in 2018 for two extended improvisations, collective pieces that unfold from lyrical beginning into tightly packed exchanges of exhilarating blooms.

An effusive album of violin and percussion, fueled by the Iranian zarb drum and augmented with an eclectic mix of frame drums, nyckelharp and Tibetan bowls, from the French duo of violinist Frederic Aurier and percussionist Sylvain Lemetre, both trained classical musicians drawn to jazz forms, their duo an eclectically enjoyable blend of experimental and danceable, joyful music.

Rare and newly discovered works from jazz composer and pianist Mary Lou Williams performed by the Umlaut Big Band in their series of portraits of forgotten jazz artist, here taking a broad look at the prodigious career of this essential and gifted pianist, composer & arranger, whose influence on swing and early be-bop deserves this fitting and inclusive overview.

Drummer Sven-Ake Johansson is also a poet, writer and visual artist; here he joined forced with Alexander von Schlippenbach in 1988 to record these songs, never previously released, sung in German and English, for a set of 9 fascinating narrations that engage the listener independent of language, as von Schlippenbach improvises with prodigious technique.

Interpreting trumpeter Wadada Leo Smith's Ankhrasmation graphic score--the term joining the Egyptian symbol for life, the Ethiopian word for leader and the universal term for mother--Smith and guitarists Alex Varty & Henry Kaiser use the rich combination of visual cues and musical notation to record this rapturous and unduplicable album of profound and engaging improvisation.

Active since 2013, David Sanford's powerful 20-piece big band based in New York City presents six Sanford originals, along with an effusive arrangement of Dizzy Gillespie's bop composition "Dizzy Atmosphere", the focal point of the album a large and spiritual work composed by trumpeter Hugh Ragin dedicated to and inspired by late trumpeter Lester Bowie.

"Chaos Magick" is a contemporary magical practice based on the ideas of Austin Osman Spare, influencing the work of William Burroughs, Robert Anton Wilson, and Aleister Crowley, and here inspiring the compositions of John Zorn for his Simulacrum ensemble of Kenny Grohowski on drums & percussion, Matt Hollenberg on electric guitar, Brian Marsella on electric piano and John Medeski on organ.

The followup to John Zorns' 2019 CD The Hierophant, exploring the single Tarot card of the same name, this album performed by pianist Brian Marsella's Trio with Kenny Wollesen on drums and Trevor Dunn on bass, continues Zorn's exploration into the mystery of the occult through the remaining 13 cards, rendered as lyrical and sophisticated jazz compositions.

A companion of sorts to the Euphorium release from Leimgruber/Turner/Dorner/da Boff/Flesh, London/Leipzig/Luzern, trumpeter Axel Dörner breaks off solo for an extended improvisation recorded at the same studio on the same day in Leipzig, employing his unique approach to the instrument in an 18-minute exploration of tone, timbre, and unexpected brass utterance.

Since 2002 this large ensemble electric supergroup or "freakestra" has performed uncompromising free improvisation that draws on the best of modern approaches in a staggering display of style and technique.

David Peck's Grand Aesthetic approach to compositional structures for groupings of any size and orchestral combination leads to unexpected and sometimes exotic results, as heard in this live and monumental performance of his Expanse project expanded with percussionist Michael Knoblach, David Welans on flutes, Eric Dahlman on trumpet and Jimmy Zhao on Chinese instruments.

A powerful concert of free and electroacoustic improvisation from Urs Leimgruber on tenor saxophone, Axel Dorner on trumpet, Roger Turner on percussion, and Ra Ra da Boff (aka Oliver Schwerdt) & Ribo Flesh on electric organs, performing live at NuR in Leipzig, Germany in 2015 for two extended performances; see all Axel Dörner-Untitled (Berlin) & Urs Leimgruber-Untitled (Luzern).

A companion of sorts to the Euphorium release from Leimgruber/Turner/Dorner/da Boff/Flesh, London/Leipzig/Luzern, soprano saxophone Urs Leimgruber breaks off solo for an extended improvisation recorded at the same studio on the same day in Leipzig.

Pianist Julio Resende's International Quartet with Spanish saxophonist Perico Sambeat, Norway's Ole Morten Vagan on bass, &c., modern jazz plus one Pink Floyd cover(!).

A mix of lyrical, free and traditional compositions, the majority from leader, New York bassist Sean Conly, along with pieces from long-time collaborator Michael Attias, Sam Rivers and Paul Motian, performed in the piano trio format with drummer Francisco Mela and pianist Leo Genovese, in a great balance of jazz steeped in tradition but living fully in the present.

The title referring to the Korean word for "play" in a sense of transcending physical reality without abandoning it, pianist Eunhye Jeong, aka Chi-Da, presents a playful and free-flowing enjoyment in nine original compositions, revealing discerning experience and a nimble approach to her instrument as she explores a diverse range of moods through impressive technical skill.

A fiery record of collective free improvisation from the Mofaya! Quartet of American saxophonist based in The Netherlands John Dikeman, Chicago trumpeter Jaimie Branch, US East Coast bassist Luke Stewart and Slovenian drummer Aleksandar Skoric, recording live at Roze Tanker in Amsterdam for three exhilarating improvisations that embody US & European Free Jazz forms.

An exceptional live concert of original compositions from pianist Michiel Scheen alongside insightful interpretations of pieces from Charlie Haden and Charles Mingus, plus six collective instant compositions, from the Amsterdam sextet of Scheen, Ada Rave on reeds, Bart Maris on trumpets, Wolter Wierbos on trombone, Raoul van der Weide on bass and George Hadow on drums.

With all the tongue-in-cheek aspects of Dutch improvisers, the piano trio of Michiel Scheen on piano, Raoul van der Weide on bass, crackle box & sound objects and George Hadow on drums, all hailing from a superb pedigree of European Free Improv involvement, show their connection through comprehensible playing with a wonderful sense of humor in their approach to delightfully smart playing.