A wild and exciting duo between cellist Okkyung Lee and legendary turntable improviser Christian Marclay performing live at London's Cafe Oto for a single long track that runs through an astonishing dynamic of invention and atmospheres in a gripping and spellbinding set.

A 2003 recording from The Ensemble Daswirdas performing John Cage's 1960 composition "Cartridge Music", described as: "For amplified small sounds; also amplified piano or cymbal; any number of players and loudspeakers; parts to be prepared from score by performers."

An amazing album of electronic experimentation from multi-instrumentalist Jean-Marc Foussat, dedicating the album to the late painter and son Victor Foussat, through two extended and far-ranging works that blends concrete sounds with intense playing and sonic environments.

Jean-Marc Foussat joins drummer Ramon Lopez for an album of inventive sound and rhythm, spontaneous compositions of unusual approach and texture, Lopez using an array of percussion and drums including tablas to provide punctuation and depth to Foussant's other-worldly playing.

Two live recordings of electroacoustic improv from the Japanese tour of guitarist Tetuzi Akiyama, Jason Kahn on synthesizer, and Toshimaru Nakamura on electronics, spacious yet detailed interaction that draws the listener into remarkable sound worlds.

Sound and visual artists Stephen Cornford and Ben Gwilliam recorded their installation at Q-02 in Brussels, where they took apart a Grundik TK5 tape machine and repurposed the components to create these innovative and diverse recordings of stunning textures and interactions.

Of interest to lowercase/Wandelweiser fans, the quartet of Billy Gomberg, Anne Guthrie, Richard Kamerman and Takahiro Kawaguchi use synthesizer, french horn, found objects, & field recordings, frequency generators, to create evolving sound environments of unique sound and timbre.

Brooklyn-based Ben Owen recorded this work in 2010 at the Experimental Television Center in Owego, NY, presenting the original work "Birds And Water" and two edits, which are mastered by Giuseppe Ielasi.

Experimental sound performer Lawrence English on drums, electronics and field recordings joins forces with Akio Suzuki on the amazing analapos instrument (see video) for three tracks of unusual and alien sound, punctuated with strange references and percussive devices.

The duo of Joana Gama on piano and Luis Fernandes on electronics is expanded with Ricardo Jacinto on cello to create rich, mysterious works inspired by Erik Satie's score for the ballet "Relache", graced with the image of the double cross he used when he founded his 1-member church in 1892.

The Architek Percussion ensemble is a Montreal quartet performing works by Canadian composers, using percussion, drums, sampling, electronics and synth in wonderfully odd ways, here with two guest performers presenting works composed and mixed by Elliot Britton.

A live recording at POP in Berlin between synth and electronics player Jean-Marc Foussat and vocalist and electronicist Maria Luisa Capurso, subverting the voice through electronics and effects to create wildly encompassing sound environments that contrast Foussat's synthetics with the organic quality of the human voice; rich, hallucinatory, wonderful.

The trio of Jean-Marc Foussat on synthesizer and voice, abd Dynamo Dreesen & SVN on electronics, crossing artists more associated with electronica than free improvisation, here in their second release recorded live at Ohm in Berlin, Germany and at "Neues Deutchland" in 2016.

An amazing album of electronic experimentation from multi-instrumentalist Jean-Marc Foussat, dedicating the album to the late painter and son Victor Foussat, through two extended and far-ranging works that blends concrete sounds with intense playing and sonic environments.

A wonderfully eccentric, complex and surprising set of extended improvisations between French clarinetist & saxophonist Jean-Luc Petit and synth and electronics artist Jean-Marc Foussat, ranging from intensive and detailed interactions to beautiful soundscapes, as the two show great compatibility and intent in their approach to free-form improvisation.

Fascinating sound and drone music from this interesting German ensemble led by Reinhold Friedl, "ikebana" takes its name from the tradition of Japanese flower arranging which dates back to the 7th century, with 8 tracks named as such: Shoka, Rikka, Nigeria and Morimono.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

The trio of Jean-Marc Foussat on synthesizer, Claude Parle on accordion, and Joao Camoe on alto violin in three electroacoustic improvisations in a dialog of unusual approach balancing serious performance skills with quirky humor, "well mental" music indeed.

The 3rd recorded trio collaboration of pianist Thollem McDonas and guitarist Nels Cline, each changing the 3rd partner, this time with legendary accordionist, conceptualist and electronic artist Pauline Oliveros in a set of beautifully intertwining conversations.

Emilie Girard-Charest is a Montreal cellist, composer and improviser, here presenting 5 works, one of her own and 4 from Fredrik Gran, Sergio Castrillon, Maxime Corbeil-Perron and Joane Hetu, using extreme techniques and electroacoustic accompaniment in both joyful and terrifying ways.

Two rich sound works: "Grounded Cloud" which gathers fragments of noise and tone into a continuous fabric; and "Hearing Metal (4)", an investigation into metallic resonance, performed by Pisaro with Dedalus members Stephane Garin (percussion) and Didier Aschour (guitar).

A captivating compilation from electronic composer Michel Banabila recorded between 2005-2016, a combination of studio, live and theatre recordings remixed into two continuous tracks of sound, with collaborations including Oene Van Geel and Rutger Zuydervelt (Machinefabriek).

Japanese guitarist and daxophone player Kazuhisa Uchihashi joins forces with Berlin-based composer and free improvising analogue modular synthesizer player Richard Scott for an album of unique orchestration, the daxophone "humanizing" the playing with unusual voicing.

Two large works of improvisation using electric guitar, synth and alto saxophone from the trio of Augustin Brousseloux, Jean-Marc Foussat, and Quentin Rollet, complex and evolving works with a psychedelic edge, blending experimental, rock and jazz into something truly unique.

Silom is a Slovenian creative music trio using a variety of string, percussive, and melodic percussive instruments, focused on the acoustic aspects of complex evolving works that combine composed and improvised aspects to create rich music with ancient ethnic overtones.

Pianist Simon Nabatov plays the music of Thelonious Monk in a live concert from 1995, alternating those recordings with a 2013 concert of solo electroacoustic work, an unusual approach that focuses the melodic aspects of Monk while highlighting his eccentricity and intrepidity.

Mir 8 brings electroacoustic artists Andrea Belfi (drums/percussion), Werner Dafeldecker (electroncis, bass), Hilary Jeffrey (trombone) and Tim Wright (computer & electronics) together for their debut album of four cinematic tracks following an abstract narrative through panoramic landscapes.

A darkly ritualistic, scrabbly album of darkly ritualistic improvisation from the Portuguese trio of saxophonist Mestre Andre, also on electronics, percussion, mbira and voice, double bassist Bernardo Alvares and drummer/percussionist Raphael Soares.

With members of Sao Paulo Underground, Pharoah and The Underground, and Chicago Underground, cornetist/electroacoustic artist Rob Mazurek leads a quintet with Mauricio Takara (drums), Thomas Rohrer (winds), Philip Somervell (piano) and Guilherme Granado (keys) through a unexpected confluence of styles to create an otherworldly blend of spiritual music.

The Norwegian & Danish freejazz-noise-rock trio Yes Deer of Anders Vestergaard on drums, Karl Bjora on guitar and Signe Dahlgreen on sax, in their second album of high energy, cacophonous and brutally joyful (they say "enthusiastic despair") collective improvisation.

The 20th anniversary of director Reinhold Friedl's Zeitkratzer ensemble, who have reinterpreted in surprising ways the music of a far-ranging and eclectic set of composers and performers, as they take on the innovative electronic rock band Kraftwerk in six interpretations from their first two albums.

Norway's unconventional improvising quartet SPUNK with Maja S. K. Ratkje, Hild Sofie Tafjord, Lene Grenager and Kristin Andersen are heard live at Nasjonal Jazzscene in Oslo, Norway in 2015, capturing these two sets of uniquely unexpected and jaw-dropping recordings from a band on the cutting edge of avant improvisation.

An album of unusual reed improvisations using extended and unusual acoustic techniques and further extended with electronics, field recordings, and samples, from the Swiss duo of Kobi Christian on soprano sax and Christian Muller on bass clarinet, sampler & electronics.

Composer, improviser, and trumpet player Nate Wooley continues to cement his place as an American iconoclast by releasing the complete recordings of his revolutionary solo [Syllables] compositions as a deluxe 4 CD set consisting of two reissues of out-of-print early works: 8 [Syllables] (2013) and 9 [Syllables] (2014) as well as the premiere recording of his 150 minute epic For Kenneth Gaburo.

French alto saxophonist Bertrand Gauguet uses acoustic techniques and microtonal approaches to the reed instrument, presenting 4 tracks of acoustic-only playing, and 4 with amplifiers and guitar feedback, creating cogitative sonic environments of remarkable patience and pure and intersection tonal and timbral harmonics; remarkable work.

The free improvising trio of Makoto Sato on drums, Jean-Francois Pauvros on guitar and Jean-Marc Foussat on synthesizer & voice in a studio album of unique electro-acoustic dialog recorded in Paris in 2013.

Ensemble leader and tuba player Carl Ludwig Hubsch created this musical concept inspired by the guitar player Keith Rowe, exploring one static sound in the ensemble, maintaining it and in the same time interacting with utmost care and openness for any necessary change, in a 22-piece ensemble of exceptional players.

Two live recordings at Theatre au Clain, in Poitiers, France and at le Bistrot, in Bayonne, from the free improvising quartet of Christiane Bopp on trombone, Jean-Marc Foussat on synth & voice, Jean-Luc Petit on bass clarinet and sopranino sax, and Makoto Sato on drums, for submersive interchanges blending electronics and acoustics in remarkable ways.

The Danish/Norwegian trio of Thomas Eiler on drums, Niklas Adam on electronics & guitar, and Danielle Dahl on sax and electronic wind instrument draw inspiration from early electronic minimalism, punk rock, noise and free jazz in the full-length debut, surprising the listener as the music shifts from abstract reductionism to full-on assault.

A compilation of sound artists within the 910 area code, the North Carolina coastal region including Wilmington, NC, the home of Squidco, with artists including Carl Kruger (Caucasians, Baby Daddy), Grant Stewart as subterrene, Ryan Lewis in Food World and Baby Daddy, Phil Zampino (CHANGES TO blind), Jason Ward, August Traeger, and Authorless.

A collaboration between American sound artist Jeph Jerman and Italian percussionists Paolo Sanna and Giacomo Salis, twelve intriguing short improvisations using extended techniques and lowercase approaches that include minimal textures, field recordings, abstract atmospheres and organic sounds.

Eric La Casa documents his home environment in Paris through audio investigation and field recordings, creating 3 large works that reveal the properties, singularities, banalities and features of his audio environment in perspective to his status as a citizen of the city, presented in a gatefold CD package with a color 60-page booklet of photos and text.

A meeting in NY's Lower East Village between four improvisors--Robert Burke on saxes, George Lewis on trombone & electronics, Paul Grabowsky on piano & snare drum, and Mark Helias on acoustic bass--playing a pre-composed work, blending 21st century composition with modern jazz sensibility, enhanced by Lewis' computer-based "shapeshifts".

The Portugese quintet of Angelica V. Salvi on harp, Miguel Carvalhais on computer, Nuno Torres on alto saxophone, Marcello doe Reis on electric guitar, and Joao Pais Filipe on drums & percussion in a live concert in Brazil at Salao for a far-ranging album of electroacoustic free improvisation, beautifully building to frenetic, collective dialog.

These recordings of pieces by John Cage were made at a performance called Silence & Transmission led by Peter Upreth conducting an ensemble of four performers using radios and voice, held at An Lanntair Arts Centre, Stornoway on the Isle of Lewis in the Outer Hebrides on 20th September 2012, as part of the celebrations for Cage's centenary.

Bizarre, disruptive, aberrant sound from twisted experts in the field Lambs Gamble, comprised of George Cremaschi on bass & electronics, Fritz Welch on drums, percussion and voice, and Eric Boros (Vialka) on electronics and voice, recording in Switzerland for a fantastic album of intelligent abnormality.

Eric La Casa and Jean Luc Guionnet recorded this conceptual work in Melbourne, Australia, combining different scales of time, space, & attention, with different working strategies to create a gallery installation, and this book & DVD package exploring the acoustic phenomenon of "standing waves" to engage with the physical relationship between sound and space.

Three works from Canadian composer Chiyoko Szlavnics, two electroacoustic compositions incorporating sinewaves, one with a saxophone quartet and the other with two accordions, two flutes and two percussionists; and a string trio of long sustained tones and slow glissandi.

Two CDs representing two extended improvisations of the IKB Ensemble with slightly different personnel, with each ensemble slowly unfolding an amazingly textured work of acoustics and electronics with strong intent and incredible technique, balanced by close listening and attention to detail; an excellent 21st century improvisation orchestra captured live.

The trio of bassist Achim Tang, prepared pianist Philip Zoubek, and trombonist Matthias Muche extended with Sven Hahne on computer and Christian Thome on drums and electronics in a freely improvised electroacoustic album of subtle pacing and diverse approaches, with many of the rhythmic elements imparting a gamelan feeling.

Following double bassist Mike Majkowski's Astral Spirts cassette "Neighbouring Objects", this vinyl release is Majkowski's 7th solo album, here using analog synthesizer, percussion, piano, vibraphone, samples, and field recordings to create an amazing sonic universe through sound, tone, timbre, deep cogitation and mutant interjections.

"Weerkaatsing is the first collaboration by Rutger Zuydervelt (Machinefabriek) and Sietse van Erve (Orphax), both active players in the Dutch experimental electronic music field, in an album of mesmerizing sound and drone work, with one composition from each artist reworking a track from the other's previous work, and one new collaborative piece.

A great collection of short film soundtracks and pieces that appeared on compilation albums and out-of-print CDRs, including the "Nerf" EP, the tracks for the book "Things That A Mutant Needs To Know" by Reinaldo Laddaga, and 3 soundtracks of which two are for a short movie and one for a video installation, alongside tracks from other compilations.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Live recordings at Exploratorium, in Berlin, Geremany in 2010 from the quartet of Klaus Kurvers on double bass, Andrea Sanz Vela and Ernesto Rodrigues on violin, and Micha Rabuske on dlute, bass clarinet, and soprano sax, collective improvisation with complex interplay and a bright spirit as the group follows their instincts in interesting dialog.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

An extended improvisation (the title meaning "film in your head") from Berlin drummer Yorgos Dimitriadis, a founding member of GRIX, GLUE and FABRIC trio, here in his first solo release, driving a small drum kit played conventionally and a hand-held microphone into remarkable sonic territory, in both meditative and rapidly rhythmic sections.

The duo of Dimitra Lazaridou-Chatzigoga on zither and Mark Wastell on his electronics set including bowls and shruti box, formed for the release concert for Angharad Davies' "Six Studies" in 2014, recording this excellent improvised dialog of rich and unusual sound.

Live concert DVD from Bunda Love (id & Mike) with Jamie Saft, filmed at Strange Maine in Portland, Maine; sheer communications in wierdness of doom metal meeting schizoid noise.

A plethora of objects being struck and stroked from the meeting of drummers Cote (Bruire, Klaxon Gueule) and Ceccarelli, complex interactions of percussion, feedback and electronics.

Three extended improvisations documenting the first meeting of an exciting and unexpected electro-acoustic quartet with a unique sound and instrumentation.

Violinist Guido Del Fabbro in a 5-piece work with violin, voice, electronics and synthesizer, blending compositional and electroacoustic principles for an unusual, rich, and thoroughly modern album.

A unique realisation of John Cage's 'Four6', plus two improvisations by Stephen Cornford (amplified piano), Patrick Farmer (turntable & electronics), Sarah Hughes (chorded zither), and Kostis Kilymis (electronics).

Double CD of bleak and sinister metal-oriented improv from the duo of Jamie Saft on keys and bass and Mike Pride on drums and hostile and freakish vocals.

"Blindfolded" manipulations by Labrosse of recordings from an amazing set of Montreal improvisers to create eight flashbacks to a bygone daily sonic life.

24 miniature works from the fantastic and intense improvising trio of Joane Hetu, Diane Labrosse and Danielle Palardy Roger, inspired by the eternal revival of the legendary Phoenix.

Superb 1st erstwhile 'pop' release as only an erstwhile artist could define the term: abstract lower case and perceptive songs with dual clarinets creating harmonic interactions (Kai Fagaschinski & Michael Thieke, aka The International Nothing), guitar & voice from Margareth Kammerer and electronics & vocals from Christoph Kurzmann.

California saxophonist Adnan Marquez-Borbon exploring improvisation and electro-acoustic manipulation in solo works with a divserse set of influences.

Saxophonist Rives with Wade Matthews on software synthesis and manipulated field recordings in a piece inspired by the story of Arethusa, a servant of the Greek goddess Artemis.

A four part suite bridging compositional and improvisational music from Portugese pocket trumpeter Sei Miguel in a quintet including Rafael Toral on modulated electronics.

Summer 2011 issue of Canada's premiere music magazine and CD, with articles and tracks from Gregory Oh, Grimes, Doldrums, The Vegetable Orchestra, Terri Hron, Miguel Azguime, Rachel Wadham, &c.

Four extended electroacoustic works from Berlin's inside pianist and mixing board artist Andrea Neumann and Baltimore's Bonnie Jones on electronics, minimal and edgy pieces of unusual and absorbing character.

British saxophonist Simon Rose uses extended and evocative techniques in this exceptional set of duos with Paul Stapleton, who plays a Bonsai Sound Sculpture, an assemblage of unusual electronic and acoustic components allowing a wide range of expression.

The Rova Saxophone Quartet performing compositions by Lindsay Cooper, Fred Frith, Barry Guy, and Larry Ochs, live in the studio in 1996.

Montreal/Actuelle turntablist Martin Tetreault and Berlin turntablist Ignaz Shcick in two sets of recordings from two encounters in Belgium and Switzerland, 2006.

Five unique pieces from improvisers Birgit Ulher (trumpet, radio, speaker, objects) and Christoph Schiller (spinet, preperations) recorded in Hamburg with no post-production work.

Composer John Shiurba with an impressive West Coast octet including vocalists Lara Bruckmann & Morgan Guberman, trumpeter Tom Djll, drummer Gino Robair, and bassist Matthew Sperry, &c. conducting them through five twisted compositions.

Two live conducted improvisations percussion for large group recorded at the Oakland Box Theater, presenting the 6 part Piece No.11: Two Orchestras in Separate Rooms.

Minimal improvisation using a meditative set of instruments including stone flute, small stones, and a "silent toy", from David Toop recording with Akio Suzuki on a rare trip to the UK.

Solos for triggered guitar from midi and effects guitarist Jorgen Teller, 15 complex and conceptual works that balance clean and noisy guitar work in perplexing ways.

Rafael Toral's Space Program, post-free jazz electronic music, is made manifest in this duo between the electronicist and drummer Davu Seru, performing live in Minneapolis during Toral's 2011 tour of the US.

Trio Sowari's second recording, subtle interactions using a wide palette of sound and approaches, mixing electronics and acoustics in amazing improvisation.

A reference to rays of sunlight that appear to radiate from a single point in the sky around dusk or dawn, as heard through a combination of acoustic guitar, objects and no-input mixing board.

Lokomotive's "Labyrinths" with bassist Baretto at the top of his game in playing and scoring this driving and unorthodox set of pieces, performed with two of Portugal's most in-demand players.