Minton's 3rd release in his doughnut reduction series, solo vocal work in Minton's unique and inimitable style that he hopes will cheer you up in these troubled times.

A map of the latitudes delineating the geographical area where the European - North American history of deforestation and resforestation has played out, in a work of guitar and field effects from Portugese artist Helen Mirra and sound artist Ernst Karel.

Blending field recordings of temples, rain, bells, cicadas, radios, and other regional sounds from Khmer & Siam with native music to create a rich audioscape of those exotic lands, both mysterious and liltingly melodic on a beautiful journey in sound.

NY pianist and composer Matt Mitchell's quartet with reedist Chris Speed, bassist Christopher Tordini, and drummer Dan Weiss for an album of long-form improvisation that reflects on jazz tradition while expanding the possibilities between composition and improvisation.

The debut recording from NY pianist Matt Mitchell, in a duo with drummer Ches Smith on drums, percussion & vibes, 15 inventive original compositions written to push Mitchell's technical skills in improvisational settings, each an ingenious little puzzle.

An ambitious work from flautist, composer and conductor Nicole Mitchell writing for a large ensemble of improvisers, electronics, and chamber orchestra, a complex and layered work that reveals more with each listen.

Chicago flautist Mitchell's Black Earth Ensemble in a release inspired by the work of Afrofuturist writer Octavia Butler; powerful, dissonant and intense performances.

Chicago flutist Nicole Mitchell's NY band with Craig Taborn (piano & wurlitzer), David Boykin (sax), Chad Taylor (drums & guitar) in a tribute to her mentor, the late saxophonist Fred Anderson and his Velvet Lounge club, in an excellent mix of free and melodic playing.

Chicago flautist Mitchell in a quartet with pianist Craig Taborn, saxophonist David Boykin and drummer Chad Taylor playing Mitchell's fascinating compositions of complex twists and turns.

Flautist Nicole Mitchell's solo album of her own impromptu compositions and interpretations of other artists' works composed for her, reflecting her deep relationship with nature and her instrument.

Composer Roscoe Mitchell prepared two compositions with space for improvisation, as well as a Cards composition in which the musicians received six cards with written material that were then arranged in any order and played at any tempo.

Reeds and electronics from Art Ensemble's Roscoe Mitchell and improviser David Wessel in a DVD from the Paris IRCAM festival, 2004, and a CD of a 2002 live recording at UC Berkeley.

Art Ensemble founder Roscoe Mitchel on reeds, winds and percussion, in an extended electroacoustic work performed with James Fei on reeds and analog electronics and William Winant on percussion; a composition/improvisation blending sound and space in creative and compelling ways.

A beautiful set of compositions from saxophonist Roscoe Mitchell, presenting works recorded in the 2000s with performers including Thomas Buckner, Stephen Rush, Nils Bultman, William Winant, &c.

The unusual cello duo format is explored by Mitzlaff and Mira in these experimental contemporary improvisations using acoustics and techniques mimicking live electronics to create a uniquely informed music.

Seven days of "Vacation Music" titled by the weekdays from the duo of Liudas Mockunas from Lithuania on saxophones and clarinets, and Ryoji Hojito from Japan on piano, small instruments and voice.

Studio recordings and one live track from Lithuanian saxophonist Liudas Mockunas' trio with fellow homelanders, pianist Dmitrij Golovanov and drummer Marijus Aleksa, extended free jazz balancing heavy and beautiful approaches to improv.

The next step in Iranian-American saxophonist Hafez Modirzadeh's quest to create a seamless cross-cultural exchange of musical structures between the Persian dastgah and American jazz.

A most unusual trio: actually a quartet, this Polish/Ukraine group has three strings (violin, cello, contrabass) with modular synth and electronics reinforcing their sound, less EA than chamber jazz with fascinating orchestration and wonderful harmonic and melodic invention.

Norwegian reedist Frode Gjerstad in three extended duos with legendary South African drummer Louis Moholo for sensitive, creative and engaging freely improvised music from two masters, performed live in concert at Gallery Sult in Stavanger, 2013.

Reedist Frode Gjerstad leads the multi-national quartet of Louis Moholo on drums, Nick Stephens on bass and Fred Lonberg-Holm on cello, 4 superb players in a 4-part free improvisation of animated and intertwining dialog that enthusiastically carries the listener.

The first meeting by pianist Marily Crispell and drummer Louis Moholo-Moholo in seven extended and inspired duets that well show their vast wealth of experience.

Another strong instrumental rock album, blending heavy prog, free jazz and psychedelia with forceful and technically excellent guitar work from leader Mollestad, backed by fellow Norwegians Ellen Brekken on bass and Ivar Loe Bjornstad on drums; keeping the 70s alive!

Collecting early works from this gifted vocalist and performer, studio and live recordings from 1966-1980 in NYC, Connecticut, Montreal, California, Berlin.

The young Norwegian trio of Christian Winther (acoustic guitar), Magnus Nergaard ( double bass) and Jan Martin Gismervik ( double bass) joined by legendary sax player Frode Gjerstad for open-minded, introspective and unpredictable improvisation bridging two generations.

Limited edition CDR from AT's Byways series, a stunning piece for solo cymbal, demonstrating an extraordinary variety and musicality from such limited means.

Two New York jazz originals, pianist Connie Crothers and alto saxophonist Jemeel Moondoc, performing 6 improvisations and one original compositions from each artist; melodic and deeply sensitive playing.

A series of exceptional compositions by saxophonist Jemeel Moondoc plus one by Alice Coltrane, performed in a variety of group settings, from duos to quintet, with sidemen Matthew Shipp, Roy Campbell, Steve Swell, Hilliard Greene, and Newman Taylor Baker.

The Ex's guitarist Andy Moor plays solo on 16 tracks of overdubbed and multi-tracked guitar that was recorded between 2003 and 2006.

The eclectic and gifted solo pop artist R.Stevie Moore's first LP, recorded by himself from 1974-76 around Nashville; strange, compelling, sometimes brilliant, always engaging!

Chicago's 2012 Marshmallow Festival brought together improvising drummer Frank Rosaly with New York guitarist Thurston Moore for a thick 35 minute improvisation that builds in intensity as Moore's drive and Rosaly's vehement interaction take the listener on a monumental journey.

Under the name "Caught on Tape", Sonic Youth guitarist Thurston Moore and John Moloney from Sunburned Hand of the Man deliver a set of heavy duos that swing through quiet dynamics and thick riffs, evoking both free/out jazz and beautiful SY-like rock moments.

A solo electric guitar soundtrack to James Nares' film "Street" performed by Thurston Moore, freely improvising in a dynamic and impressive performance recorded live at the Rubloff Auditorium at the Art Institute of Chicago, Chicago, Illinois.

One of the pioneers of laptop electronics, Mori here features her idiosyncratic take on contemporary dance rhythms and electronica in instrumental tracks and an animated video.

A beautifully paced and uniquely voiced album of electronic soundscapes from luminary New York performer Ikue Mori, 10 works including a realization of Izumi Kyoka's story "Koya Hijuri", 3 pieces for Mozu birds, the 2-part "Pomegranate Seeds", and one of Zorn's Masada compositions.

Secret Tempo juxtaposes NY saxophonist Jonathan Moritz' feel of jazz with elements of modern compositional and improvised music, from Bird to Webster, Webern to lowercase, as performed with his trio of bassist Shayna Dulberger and drummer Mike Pride.

Guitarist Joe Morris' continuing objective to record with his musical heroes results in this duo recording with the magnificent bassist Barre Phillips in a lively dialog.

Intense acoustic guitar interactions from frequent collaborators Joe Morris (NY) and Chris Cretella (New Haven, CT) in a remarkable display of free fingerstyle guitar improvisations presented in a limited hand-assembled package.

The trio of Joe Morris on guitar, Fausto Sierakowski on alto sax and Nigel Taylor on trumpet in a spirited studio release of collective improvisation using superb technique in beautifully dovetailed dialog.

Guitarist Joe Morris continues his duet parternships on Clean Feed, here with the innovative and amazing trumpeter Nate Wooley in an album of brilliant spontaneous improv.

For the first time, instrumentalists and improvisers Joe Morris (guitar), William Parker (bass), and Gerald Cleaver (drums) play together as a trio and create four excellent works of free jazz.

Live recordings from guitarist Joe Morris, performing solo at Bimhuis in Amsterdam in two Octobers from 2013 to 2014, showing remarkable technical and creative skills while captivating his audience with accessible progressions and story-telling; masterful!

Joe Morris reunites his NY quartet as their last configuration from 2000, with violist Mat Maneri, bassist Chris Lightcap, drummer Gerald Cleaver, and Morris on guitar, bringing us an update on the intently informed collective improvisation that defines this great- band.

A 1985 recording of guitarist Joe Morris with Lowell Davidson (drums), Malcolm Goldstein (violin) and Butch Moriss (cornet) riffing on the idea of graffiti tags, performed live at the Cambridge Dance Center.

Dark, edgy and superb electric guitar work from Joe Morris in a trio with Stave Lantner on electric keyboard and Jerome Deupree on drums, the final part of what Morris calls "Big Loud Electric Guitar Trilogy" that started with "Sweatshop" and "Racket Club", following the Hendrix legacy.

A limited edition release of guitarist Joe Morri's new NY-area aggressive improvising trio with younger players Dave Parmelle on drums and Chris Cretella on electric bass, shredding with awesome technical skill and intense harmonic and melodic force, really powerful stuff!

All improvised quartet music by four acclaimed leaders in free jazz and improvised music, led by Joe Morris on bass, with Luther Gray on drums, Jimm Hobbs on alto and Petr Cancura on tenor sax.

Joe Morris on bass in the debut recording of his new trio with drummer Luther Gray and Czech saxophonist Petr Cancura, modern out jazz from this NY leader.

Book and 2 CDs documenting a 2010 concert and sound installation by Carsten Seiffarth and Michael Moser, with Polweschsel & guests (Burkhard Beins, Axel Dorner, &c) performing the concert.

Live recordings from the Dom Cultural Center in Moscow by the trio of Norbert Moslang on cracked everyday-electronics, Ilia Belorukov on sax, electronics & laptop, and Kurt Liedwart on analog synthesizer, electronics, ppooll, superb ea-improv balancing reserve and cracked power.

Merging Hannes Strobl's electric bass and effects with David Moss' unusual vocal approach into stream of consciousness observations and rich music of momentum and mood that are evocative, mysterious and fully engaging.

New York's brilliant band takes on Miles Davis' classic "Kind of Blue" in a note-for-note recreation, a head-scratching anomaly that is as close to performing a perfect replica as is imaginable.

With a cover borrowing heavily from the Impulse label, this incredible NYC band's 4th release blends 60s jazz with modern improv in creative and edge-of-your seat energetic music.

New York's MOPDTK (Evans/Irabagon/Shea/Elliott) performing band leader Moppa Elliott's post-uber-be-bop that smokes in the future tradition of 50s jazz.

Claiming to have been inspired by smooth jazz, the 6th MOPDTK album is a remarkable achievement of forward-thinking free jazz with a bizarre sense of humor and an irresistible love of poking fun at form while simultaneously paying homage.

Looking like the cover to Ornette's "This Is Our Music", the brilliant quartet of Peter Evans, Kevin Shea, Jon Irabagon & Moppa Elliott both pay homage to & move forward hard bop music.

The transnational quartet of artists from Germany, Latvia and Poland comprised of Karlis Auzins (sax), Lucas Leidinger (piano), Tomo Jacobson (double bass), and Thomas Sauerborn (drums), performing intuitive and collective free improvisation of great sensitify and skill.

Contrasts of noise exploration and melodic interventions from Mr. Stonecipher, aka Ryan Lewis, employing a variety of approaches to soundwork both attractive and brutal.

An acoustic trio using ea approaches in a set of distinct tracks using trombone, prepared piano and double bass, a fascinatingly diverse set of improvisations that alternately lull and jar the listener.

An acoustic transcription of Marcus Schmicker's electronic composition, the palindrome Sator Rotas (A-Musik, 1999)

Percussionist Seijiro Murayama and Saxophonist Stephane Rives focus on creating drone music while exploring the many subtle variations of texture sounds.

Twelve recordings constructed from 2012 field recordings of public locations in Paris by Eric La Casa and Seijiro Murayama, including subway stations, parks, open gardens, tunnels and fountains; a fascinating portrait of communal sound in this great city.

Percussionist Murayama and Soundworm (Hiromits Shoji) in a work following a score that switches between clusters of live microphones as Murayama improvises to the resulting sound.

A 2-CD release from Japanese percussionist Seijiro Murayama, performing solo on "objects" which combines clearly percussive objects and other electroacoustic items of obscure origin, creating active, rich and curious sonic environments that envelop the listener.

Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.

Patrick McGinley (Murmer) in a series of bold experiments with untreated field recordings, exploring notions of musicality within the structures of found sound, written partially as a reaction against the idea of documentary or objective presentation of found sound.

Overlays and constructs rhythmic and harmonic vignettes of transparent sound (at once complex and simple) from electronic, acoustic and documentary sources, taking ethnic field recordings as it's thematic centre.