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© 2002-2017, Squidco LLC

Guilbeault, Normand Ensemble

Live at Upstairs 2008. Hommage a Mingus

Guilbeault, Normand Ensemble: Live at Upstairs 2008. Hommage a Mingus (Ambiances Jazz)

The Normand Guilbeault Ensemble with Jean Derome, Matthieu Belanger, &c. continue to create incredible interpretations of the music of Charles Mingus.
 

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product information:


UPC: 771028118526

Label: Ambiances Jazz
Catalog ID: AM 185
Squidco Product Code: 11638

Format: CD
Condition: New
Released: 2009
Country: Canada
Packaging: Cardstock Gatefold Sleeve 3 panels
Recorded live at The Upstairs Jazz Bar & Grill, Montreal on May 30-31, 2008 by Jacques Laurin.


Personnel:

Normand Guilbeault Ensemble:



Matthieu Belanger-clarinet, bass clarinet

Jean Derome-alto sax, baritone sax, flute, voice

Normand Deveault-piano

Normand Guilbeault-doublebass, voice

Ivanhoe Jolicoeur-trumpet, flugelhorn, voice

Claude Lavergne-drums

Karen Young-voice (tracks 3-5)

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Passions of a Woman Loved 12:39

2. Song with Orange 15:19

3. Weird Nightmare 7:43

4. Prayer for Passive Resistance 11:08

5. Eclipse 5:44

6. Sue's Changes 21:08




Related Categories of Interest:

Ambiances Magnetiques

Improvised Music
Jazz
Musique Actuelle
Jean Derome
Staff Picks & Recommended Items

sample the album:








descriptions, reviews, &c.

"Tears came to my eyes when I started reading Normand Guilbeault's transcriptions of tunes like "What Love" and "The Black Saint & The Sinner Lady". I guess a pilgrim reaching Mecca for the first time must be experiencing similar feelings, or an art lover who finally gets to see a long-time favorite painting "in the flesh." Mingus's music is controversial, politically engaged, generous, warm, and passionate. It is not for the lukewarm and the undecisive. There is something simultaneously provocative, sexual, and mystical about it. It draws a wide landscape of America, an epic fresca that runs deep into the roots of jazz music. Very few American composers have successfully depicted their continent this perfectly, except maybe Duke Ellington and Charles Ives. You cannot enter Mingus country like a traveller on an organized trip, or a visitor on a museum tour - you have to throw yourself into it, body and soul. It's a huge territory with several hundred compositions. I have always listened to Mingus's music, but I had never given serious thought to the idea of really exploring it as a performer. It seemed to me that the music was too viscerally tied to Mingus himself, leaving little room for interpretation. In other winds, for a long time I though you couldn't actually "play" Mingus. The Normand Guilbeault Ensemble has been proving me wrong for 14 years now." -Jean Derome, January 2009



Read more about this item
The Squid
At The Squid's Ear!

Artist Biographies:

"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)

One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.

Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).

Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.

Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.

Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.

Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."

-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
8/18/2017

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Clic
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