"Émilie Payeur is a multidisciplinary artist from Montreal, Canada, mainly active in experimental music and visual arts. Her music, often described as minimalist and sometimes harsh, is mainly based on the no-input technique and on risk-taking. In her visual work, she is interested in the traces she perceives as remnants of actions from the past and in the notion of the sacred, ritual and transcendence. Emilie has a master's degree in electroacoustic music composition from the Université de Montréal and her work has been performed all over the world and has received numerous awards, both in Canada and internationally. In parallel to her artistic career, she studies the fascinating world of herbalism.

Emilie is a member of Dead Squirrels (noise music trio), Kohlenstoff Records (label and experimental music collective), Projet K (experimental ensemble), Moshi Moshi (experimental and Kawaii audio/visual trio) and Jeunesse Cosmique (music label and cosmic family)."

-Emilie Payeur Website (https://www.emiliepayeur.com/copy-of-about)
4/24/2024

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"A native of central Quebec, Julie Houle has been a tuba player for 15 years. She has a classical university education. She is also an interpreter-composer-arranger. Since 2007, she has devoted herself to different styles (gypsies, fanfare, pop, jazz, improvisation, etc.). In 2007 she will follow a master class with Michel Godard in Villeurbane in France. The meeting of this mentor was also repeated in France, in January 2013 for a series of courses in private.

Julie swells, by her desire to make her tuba heard, worked with artists such as; David Brunet, Marco Calliari, The Gypsies of Sarajevo, Catherine Major, Fred Pellerin, Benoit Rocheleau, Brigitte Ste-Aubin, Bernard Adamus, the Fanfarniente de la Strada, the Jarry fanfare, the Severni fanfare, Sophie Vaillancourt, etc. In addition, she now has in hand her own DJU project that offers instrumental music where the tuba is put forward."

-Fanfare Jarry (Translated by Google) (http://www.fanfarejarry.ca/bio_f_julie.html)
4/24/2024

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"Lori Freedman. Born Toronto, Ontario, Canada, 1958. Residence: Montréal, Québec. Composer, Performer (clarinet, bass clarinet)

Qualified as "a musical revolutionary in the front ranks of the avant-garde" by Alex Varty of the Georgia Straight (Vancouver), Lori Freedman (clarinets) is internationally recognized as one of the most creative and provocative performers. She is a member of a select group known as "renaissance musicians" as her artistic activities cover many fields: performer of written music (well over one hundred works have been written for or premiered by her), composer, improviser, teacher, and on occasion, writer. While managing a full performance schedule of more than 75 public appearances a year, Freedman has been receiving commissions to write music for ensembles such as Orkestra Futura, Arraymusic Ensemble, Ensemble Transmission, Continuum Contemporary Music Ensemble, Ensemble SuperMusique, Ensemble Paramirabo, Upstream Orchestra, Queen Mab Trio, Crowbar Trio, Lott Dance, Oberlander Films, Foresite Theatre, Cooke Productions and Autumn Leaf Productions. Her current discography comprises over 59 recordings, the most recent of which include Greffes (Empreintes digitales), On No (Mode Records), Bridge (Collection QB), Plumb (Barnyard Records), 3 and À un moment donné (Ambiances Magnétiques), Huskless! (Artifact), See Saw and Thin Air (Wig). Highlight collaborations include work with Rohan de Saram, Barre Phillips, Helmut Lachenmann, Frances-Marie Uitti, Monique Jean, Joëlle Léandre, Axel Dörner, George Lewis, the Jack Quartet and Richard Barrett."

-ActuelleCD (http://www.actuellecd.com/en/bio/freedman_lo/)
4/24/2024

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"Elizabeth Lima. Born Quebec City, Québec, 1981. Residence: Montréal, Québec. Composer, Performer (clarinet). Known for Ample et de l'Ensemble Kô."

-ActuelleCD (http://www.actuellecd.com/en/bio/lima_el/)
4/24/2024

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"Guido Del Fabbro. Born Montréal, Québec, 1980. Residence: Montréal, Québec. Composer, Performer (violin, electronics).

Born in Montréal, 1980, Guido Del Fabbro started violin lessons at age four. His taste for improvisation and composition first manifested itself around 1990; since then, he has taken several classes and workshops related to these fields. Del Fabbro is co-founder, creator and composer of Mouvement de Musique Présente, a large ensemble of up-and-coming musicians devoted to scored and improvised music. He is also a member of the groups Fanfare Pourpour, Rouge ciel and Concorde Crash. For 18 months, he toured North America with Gilles Ste-Croix's horse circus Cheval-Théâtre. As a performer, he has recorded a few soundtracks for film, television, theatre and dance. As a composer, he has written music for choreographers Élodie Lombardo (Blou take two, Gelsomina) and Séverine Lombardo (Les Accords d'elles). Del Fabbro released his first solo album, Carré de sable, in 2003, on Ambiances Magnétiques. He can be heard on the latest albums by Tomás Jensen and Loco Locass. He is an accompanying multi-instrumentalist in Pierre Lapointe's show La forêt des mal-aimés."

-ActuelleCD (http://www.actuellecd.com/en/bio/delfabbro_gu/)
4/24/2024

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"Jean René. Born Victoriaville, Québec, 1956. Residence: Montréal, Québec. Performer (viola), Conductor.

Jean René has a Bachelor's degree in composition from the Université de Montréal. He has studied viola and conducting; Raffi Armenian, Michel Longtin, and Bruno Guiranna were his professors. From 1991 to 2002, he was associate principal violist with l'Orchestre Métropolitain de Montréal. He still freelances with a number of ensembles. Since 1990 he has collaborated with many artists, including André Duchesne, Pierre Cartier, Jean Derome and René Lussier. He also headed the group from the Ensemble SuperMusique for the Symphony of the Millennium."

-ActuelleCD (http://www.actuellecd.com/en/bio/rene_je/)
4/24/2024

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"Preston Beebe is a composer and percussionist who uses technology at the forefront of his work. His artistic approach involves audio feature extraction, organic processes, microscopic and invisible elements and how they interact in space and time. Spanning chamber, live-electronic, acousmatic, art installation, improvisation, and site-specific performances, his work has been performed in France, Spain, England, Greece, Canada, and the USA.

Preston is the recipient of the 2012-2014 CIRMMT Award to develop a digital percussion instrument using audio feature extraction and to compose a series of works for it. From 2014-2015, he attended CURSUS 1 at IRCAM, and composed a work for baritone saxophone & electronics, performed in the Centre G. Pompidou in Paris.

Preston holds a masters in music composition from McGill University; bachelors in music composition, electronic music, and percussion performance from the University of South Florida. He has studied composition with Philippe Leroux, Hector Parra, Chihchun Chi-sun Lee; percussion with Robert McCormick; lessons and workshops with Brian Ferneyhough, Chaya Czernowin, Yan Maresz, Trevor Wishart, Augusta Read Thomas, and Dai Fujikura.

Released on Kohlenstoff Records, Preston can be heard performing with his percussion duo, 4eyes, on the album mountain and with his prepared piano & percussion duo Whim Ensemble. He was a member of the McCormick Percussion Group and performed on the albums Music For Keyboard Percussions and Concerti For Strings With Percussion Orchestra, distributed through Naxos. In 2011 he released an album of his acousmatic music, Glisten."

-Preston Beebe Website (http://prestonbeebe.com/bio/)
4/24/2024

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"Émilie Girard-Charest. born Laval, Québec, 1987. Composer, Performer (cello).

Émilie Girard-Charest is a cellist, a composer and an improviser.

As a chamber musician, a soloist and with different ensembles (Allogène, Supermusique, La Machine, Quatuor d'occasion, Stéphane Pécas, Ensemble for New Music Tallinn, duo Collard-Neven-Girard-Charest), she dedicates herself to new music.

She has worked with many composers, including Malcolm Goldstein, Michel Gonneville, Maxime McKinley, Joane Hétu, Guillaume Primard, Jean-Luc Fafchamps, Isaiah Ceccarelli, Hans Zender, Graciela Paraskevaidis and Fredrik Gran.

Émilie has played at numerous festivals in Québec (Festival de musique actuelle de Victoriaville, OFF Festival de Jazz, Festival de jazz de Montréal, Festival de jazz de Québec, Montréal / Nouvelles Musiques), in the United States (Avant-Music Festival, New York), in Belgium (Ars Musica), in Austria (Klangspuren Schwaz and Impuls), in Chile (Encuentro Internacional de Compositores), in Argentina (Sonido Presente), in Estonia (Autumn Festival), in Finland (MuTe Fest), in Spain (Mixtur) and in Macedonia (Macedonian Music Days). She also played concerts in France, Germany, Russia and Uruguay.

In addition to that, she took part in various theatre and dance productions, such as Rhinocéros by Eugène Ionesco (Troupe Éponyme directed by Jocelyn Sioui), Couloir et Chambres by Philippe Minyana and La fête à Jean by Pierre-Luc Lasalle (Théâtre L'Instant, directed by André-Marie Coudou), ADN by Dennis Kelly (Conservatoire d'art dramatique de Montréal, directed by Sylvain Bélanger), the Physical Theater Choir Project (Vicki Tansey), The Sticks (Andrew Tay) and Reine et Oiseaux (théâtre Tête au Corps, Vincent Langlois and Émilie Sigouin). She is now working on a duet with the dancer and visual artist Sarah Bronsard.

Émilie holds a degree in cello (Denis Brott) and in composition (Michel Gonneville) from the Conservatoire de musique de Montréal. She is now enrolled as a student in the CoPeCo program (Contemporary Performance and Composition), a joint Master involving the Eesti Muusika - ja Teatriakadeemia (Estonia), the Kungliga Musikhögskolan i Stockholm (Sweden), the Conservatoire National Supérieur de Musique et de Danse de Lyon (France) and the Hochschule für Musik und Theater Hamburg (Germany). She is the recipient of the Bourse de développement de carrière from the foundation of the Conservatoire de musique de Montréal (2014) and of the Prix d'Europe of Composition Fernand Lindsay (2015).

-ActuelleCD (http://www.actuellecd.com/en/bio/girardcharest_em/)
4/24/2024

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"Nicolas Caloia. Born Ottawa, Ontario, Canada, 1968. Residence: Montréal, Québec. Performer (double bass).

Since 1990 Nicolas Caloia has worked at creating a contemporary music generated by using accurately composed textures to channel collective improvisation. The goal is a music that erases the lines between improvised and composed, pop and avant-garde, good and bad. He hopes this music will satisfy the body, the mind and, above all, the heart. He has worked as a performer, composer, and organizer in Montréal and has toured in North America, Europe, and Asia. He has performed and recorded in a vast array of contexts with the most important members of Montréal's creative music community as well as with internationally renowned musicians like the ICP orchestra, Marshall Allen, John Butcher, Joe McPhee, Steve Lacy, William Parker, Hassan Hakmoun, Tristan Honsinger and Pandit Hariprasad Chaurasia. His concerts and numerous recordings have been critically acclaimed both at home and abroad. Currently, the majority of his work as a composer and improviser finds a voice in: The Ratchet Orchestra - a 30-piece big band; Tilting - the Nicolas Caloia Quartet, Ring - a sextet, Spell - a 10-piece marching band, Trephining - a quintet, Mercury - a duet Lori Freedman as well in solo performances."

-ActuelleCD (http://www.actuellecd.com/en/bio/caloia_ni/)
4/24/2024

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"Performing on both the viola and the viola d'amore, Jennifer Thiessen cultivates a particular interest in classical and contemporary chamber music, new composed and improvised music, and historically informed performance practice. She is expanding the contemporary repertoire of both the viola and the viola d'amore through the creation of new compositions, and through songwriting and improvisation.

Jennifer recently commissioned and performed an entire programme of new works for solo viola d'amore by composers in Montreal and Ottawa, and a new piece by Matthias Maute for viola d'amore and pedal harpsichord. These works were presented by the Ottawa New Music Creators and Innovations en Concert in 2015. She has worked on new music with many composers and improvisers, notably: Gavin Bryars, Matthias Maute, Christopher Butterfield, Cassandra Miller, Michael Matthews, Steven Gellman, Rainer Wiens, Isaiah Ceccarelli, Pierre-Yves Martel, Megan Jerome, Mike Essoudry, Jan Jarvlepp, Jen McLaughlan, Leo Lightstone, Ida Toninato, Michel F. Côté, Michel Lambert, Giorgio Magnanensi, Nicole Lizée, Scott Godin, Alexandra Fol, Brian Harman, Matthew Ricketts, Géraldine Eguiluz and Jerry Semshychyn. From 2007 to 2012, Jennifer toured the world with the dance company La La La Human Steps, performing new chamber music by Gavin Bryars and David Lang in the productions Amjad and New Work.

As a freelance musician, Jennifer has recently performed and recorded with such ensembles as Ensemble Caprice (Matthias Maute), Collectif 9, Studio de musique ancienne de Montréal,Quatuor Bozzini, La Bande Montréal Baroque (Sigiswald Kuijken) and Ensemble Per Sonare. She has previously performed chamber music with Quatuor Franz-Joseph, Mireille Lagacé, Les Boréades (Francis Colprin), Ensemble Allogène, and Trio '86, and has joined such ensembles as La Machine, Clavecin en Concert (Luc Beauséjour), Ensemble Appassionata, Les Violons du Roy, l'Orchestre symphonique de Québec, the Winnipeg Symphony Orchestra, the Charlottetown Festival Orchestra, l'Orchestre des grands ballets canadiens de Montréal and l'Orchestre symphonique de Laval. She has performed with Sarah Slean, Martha Wainwright and Leif Vollebeck, is featured on Joe Silva's soundtrack to the film Black Field, and can be heard on recordings by Michel F. Côté, Michel Lambert, Mike O'Brien, John Carroll, Courtney Wing, Antoine Berthiaume, and The Record of the Week Club.

Originally from rural Manitoba, Jennifer studied violin with Elizabeth Lupton Ens in Winnipeg while obtaining a Bachelor of Theology. She completed a Bachelor of Music in Viola Performance with David Stewart at the University of Manitoba and the University of Ottawa, followed by a Master of Viola Performance from l'Université de Montréal with Jutta Puchammer-Sédillot.

Jennifer also writes, sings and plays guitar for her pop music project Daily Alice, whose debut recording was released in December, 2014."

-Jennifer Thiessen Website (https://jenniferthiessen.wordpress.com/about/bio/)
4/24/2024

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"Cléo Palacio-Quintin. Born Leuven, Belgium, 1971, Residence: Montréal, Québec. Composer, Performer (hyper-flute).

Constantly seeking new means of expression and eager to create, the flutist-improviser-composer Cléo Palacio-Quintin takes part in many premieres as well as improvisational multidisciplinary performances, and composes instrumental and electroacoustic music for various ensembles and media works. Since 1999, she develops her hyper-flutes. Interfaced to a computer by means of electronic sensors, these augmented flutes enable her to compose interactive soundscapes, combining instrumental sound and electroacoustic music, sometimes even with video. Recipients of many prizes, awards and grants, she is the first woman to receive a Doctorate in electroacoustic composition from the Université de Montréal (2012) and is a collaborator at the Center for interdisciplinary research in Music Media and Technology (CIRMMT). Over the years her compositions have been performed in The Netherlands, Norway, Denmark, France, Germany, Italy, Belgium, Sweden, Switzerland, the UK, Canada and the USA, either by herself or various ensembles."

-AcutelleCD (http://www.actuellecd.com/en/bio/palacioquintin_cl/)
4/24/2024

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"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)

One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.

Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).

Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.

Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.

Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.

Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."

-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
4/24/2024

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"Trained as a classical musician, Corinne René is a percussionist playing with various Québec orchestras, including the Orchestre Métropolitain. She is also a member of the piano and percussion quartet Quatrix.

Corinne works regularly with Toiture, Tuyo, Riikka Kosola and Zoey Sauvage, freely moving between theatre, dance / mouvement and improvised music. Over the years she took part in training courses at the Conservatoire supérieur de musique in Lyon, The Banff Centre for the Arts, the Centre Chorégraphique National in Rillieux-la-Pape (France) and at Hotel Pupik, in Austria."

-Le Vivier (https://levivier.ca/en/le-vivier/individual-files/corinne-rene)
4/24/2024

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"Canadian harpsichordist Katelyn Clark [Victoria, British Columbia] specializes in the performance of historical repertoire and experimental music on early keyboard instruments. As a soloist and ensemble musician, she has performed in Europe, the USA, and Canada, and has appeared at such diverse festivals as the Vancouver New Music Festival and the Festival Medièval d'Elx. An active performer and commissioner of new works for harpsichord and other early keyboards, Katelyn has premiered over 100 solo and chamber works, including recent compositions by Linda Catlin Smith, Tawnie Olson, and Anna Pidgorna. A native of Victoria, British Columbia, Katelyn studied with many of Canada's early music pedagogues and completed a master's degree in harpsichord and basso continuo with Bob van Asperen at the Amsterdam Conservatory in The Netherlands. While in Amsterdam, she learned contemporary harpsichord repertoire with the late Annelie de Man. Katelyn also studied with Christophe Rousset at the Accademia Musicale Chigiana in Siena, Italy, holds a master's degree in music from the University of Victoria, and a doctorate in performance from McGill University, advised by Hank Knox and Tom Beghin. Katelyn has been an artist in residence at the Banff Centre, NES in Iceland, Artscape on Toronto Island, and was a fellow at OMI in the USA. Her artistic study and practice have been generously supported by the Canada Council for the Arts, The BC Arts Council, Le Conseil des arts et des lettres du Québec, The Banff Centre, and the Early Music Society of the Islands."

-Neworks Calgary (http://neworkscalgary.com/bio-katelyn-clark/)
4/24/2024

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"Isaiah Ceccarelli. Born Chetwynd, British Columbia, Canada, 1978. Residence: Montréal, Québec. Composer, Performer (drum set, percussion).

Isaiah Ceccarelli is a drummer, improviser, and composer based in Montréal. His music has been qualified as "one of the most original approaches to come through our offices in recent times" (Marc Chénard, La Scena Musicale) and he has been described as possessing "a writing style with rare personality in this musical context" (Thierry Lepin, Jazzman Magazine). He participates in numerous creative music projects with Michel F Côté, Pierre-Yves Martel, Lori Freedman, Jean Derome, Bernard Falaise, Joshua Zubot and Philippe Lauzier, amongst others. He plays with Félix Stüssi and Ray Anderson, as well as with the Acadian singer Marie-Jo Thério. Proud ambassador of a new generation of creative musicians in Québec, his collaborations have led him on tour in Europe, North America, Asia and Australia. Isaiah has composed music for two of his own albums, Bréviaire d'épuisements and Lieux-dits (both on the Ambiances Magnétiques label), and for ensembles and musicians such as Quatuor Bozzini, Ensemble Allogène, the violist Jennifer Thiessen, and Ensemble Kô. He sings with the Schola Saint-Grégoire (Gregorian chant).

A seasoned musician and composer, Isaiah Ceccarelli is, in the words of Charles Collard from La Scena Musicale, "a jewel in the crown of the Montréal scene and his presence is felt on several fronts at the same time."

-ActuelleCD (http://www.actuellecd.com/en/bio/ceccarelli_is/)
4/24/2024

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"Pierre Cartier's music is the convergence of the multiple approaches he has pursued since the very start of his career. A classically trained double bass player, a specialist in baroque music on original instruments, Pierre Cartier wishes to play music as one speaks one's mother tongue - that is, with freedom, fluidity, and intelligence - passing from symphonic music to baroque and contemporary music, and from the jazz of Thelonious Monk to the fertile grounds of improvisation. He founded his own ensemble in 1987 and, centred on his own instrumental compositions, develops a very personal integration of musical idioms.

However, it is in vocal music, when voice and text mobilize both the spirit and the heart, that this integration is at its most organic. The discovery of his deep affinity for ancient sacred song, particularly Gregorian Chant and primitive polyphony, accompanied the composition of his first vocal work Chansons de Douve, a solemn and majestic ceremonial created around the poems of Yves Bonnefoy.

"Dis, Blaise..." chanson du Transsibérien sets to music a long poem published by Blaise Cendrars in 1913: Prose du Transsibérien et de la Petite Jeanne de France. This musical journey, at once painful and enlightening, was for Pierre Cartier a turning point since it was the first time he sang solo while playing the double bass.

Chansons de la belle espérance is his most recent show: seven jazz songs on texts by Québec poets. These songs, in the manner of jazz standards, shed both a lyrical and critical light on the timeless theme of love.

Pierre Cartier is a member of the new music group Jean Derome et les Dangereux Zhoms, of the group Évidence (music of Thelonious Monk), of the Studio de musique ancienne de Montréal, the Schola St-Grégoire, and the Strauss-Lanner ensemble."

-Ambiances Magnetiques (http://www.actuellecd.com/en/bio/cartier_pi/)
4/24/2024

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"Eugénie Jobin Tremblay is a Montreal vibraphonist, a member of the Ensemble Supermusique and the group Ambroise."

-Squidco 4/24/2024

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"Anne-Françoise Jacques is a sound artist based in Montreal, Canada. She is interested in amplification, erratic sound production devices and the construction of idiosyncratic contraptions and systems. Her particular focus is on low technology, trivial objects and unpolished sound. Active in performance since 2004, Jacques has performed at venues and festivals throughout North America and Europe, collaborating with Diktat, Martin Tétreault, Ignaz Schick, Éric Normand and Miguel A. Garcia, amongst many others. Jacques also has presented installations as half of the duo Minibloc and has composed soundtracks for animated films in an ongoing collaborative project with Julie Doucet. In addition to operating sound label and mail art project Crustacés Tapes, Jacques curates a bimonthly audio art show for the Berlin-based webstation Radio On."-845 Audio 4/24/2024

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"Vergil Sharkya'. Residence: Montréal, Québec. Composer, Performer (synthesizer)

In 2010 Vergil Sharkya' finished a major research project in composition for his doctoral degree at Liverpool's John Moores University, developing a complete theory of hypercomposition, featuring as well examples of its practical application.

His most recent hypercomposition - aTTAK, for piano, suspended toy piano, and digital instruments -, was commissioned for and performed at the opening of the Aufbau Haus, Berlin, in September 2011.

Vergil is also a well established composer/musician in the fields of improvised music, multimedia installations, post-modernist composition, scores and soundtracks for film, theatre and dance, composition and arrangements for orchestras, soundscapes, psychedelic noise rock, drum'n'bass, dub, and even academic research.

He has released several recordings on various labels like Cuneiform Records, UKsupersonict and VergilReality Recordings.

Since moving to Montréal in July 2010, he has been working mainly but not exclusively in the field of improvised music with musicians such as Jean Derome, Michel F Côté, Simon Pagé, Augustus Martin, Ellwood Epps, Philippe Battikha, as well as with writers Martin Lamothe, and Serge Rivest Martimots. He currently spends his spare time cooking, doing housework for his lovely family and learning how to play jazz."

-ActuelleCD (http://www.actuellecd.com/en/bio/sharkya_ve/)
4/24/2024

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"A graduate of the University of Montreal under the direction of Laurence Kayaleh and Anne Robert, violinist Geneviève Liboiron is very active in Montreal's contemporary music scene. She collaborates regularly with ensemble Paramirabo, ensemble Wapiti and No Hay Banda, three eclectic new music projects of which the latter two she is a cofounder. She has performed with La Machine, Punctum, Allogène, the ECM+, the NEM, the Bradyworks, and the SMCQ ensembles, all dedicated to the promotion of new music. She has performed extensively throughout Europe, North and South America and across Canada. She has been awarded scholarships from the Kayaleh Academy of Geneva, the Orford Arts Centre and the Banff Arts Centre and teaches at Domaine Forget academy and Père Lindsay music camp. In great demand as an artist-in-residence at various new music festivals, Geneviève has been invited to perform at Harvard University, Simon Fraser University, the National University of Bogota and the Catholic University of Santiago, among others."

-Le Viviere (https://levivier.ca/en/le-vivier/membres/organismes/ensemble-paramirabo/genevieve-liboiron)
4/24/2024

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"Tiohtià:ke/Montreal-based performer, maker and educator in both dance and music, Susanna Hood has devoted her career to synthesizing voice and movement within her dynamic practice, creating intimate, sensual and raw performances both in dance-theatre contexts as well as in the context of improvised music. Founder and former artistic director of interdisciplinary performance company hum dansoundart (2000-2013) her work has been marked by significant collaborations with musical artists Nilan Perera (improvisational duo dialogues; and choreographic musical works still, She's gone away, Shudder), John Oswald (Spinvolver), and Scott Thomson (as band member of The Rent (repertoire by Steve Lacy) and The Disguises; and as co-creator/performer of The Muted Note - songs and dances setting the poetry of P.K. Page).

Throughout her career as a creator, and particularly in the last decade, she has sought a total integration of the dance and music aspects of her practice, influenced by her internal, holistic experience of moving, sounding, and listening. Something she refers to as embodied music: the experience of movement as music and of sound/music as movement, where the two forms, in dialogue, remain simultaneously distinct and interchangeable, to create a listener/viewer experience that blurs the lines between what is heard and what is seen. In support of this interest, she pursued post-graduate research in the Research Studios at P.A.R.T.S. in Brussels, Belgium (2015/2016) with the program's emphasis on synergistic relations between dance and music. Her most recent creations (Music Is, 2016, and Impossibly Happy, 2019) have been driven by her own musical compositions arranging voices, instruments and movement.

Recent projects include: the duo musical collaboration Tortues Vapeur, with Montreal turntablist, Martin Tétreault, mixing turntables, electronics, synthesizers, vocals and objects. (releasing their first disk on on DAME's Mikroclimat label in 2019); a duo with Belgian bassist, Peter Jacquemyn; and performances with the French trio Rrève Sélavy (Frédéric BBriet, double bass; Nicolas Pointard, drums; and Christophe Rocher, clarinettes). Unpacked, the first project with her trio with Toronto/Tkaronto musicians Tania Gill (piano) and Kayla Milmine (soprano saxophone), is a new arrangement and interpretation of the Packet suite by late American poet, Judith Malina and late American jazz composer, Steve Lacy. unPacked will be released as a recording in early 2024 on Quebec's DAME label..

Since 2004, Susanna has been teaching improvisation, composition, and voice and movement synthesis in various institutions and through independent workshops across Canada, internationally and online, including: The School of the Toronto Dance Theatre (ON, CAN), T.O. Love-In (ON, CAN), l'École de Danse Contemporaine de Montréal (QC, CAN), Studio 303 (QC, CAN), TransFormation (QC, CAN), L'École de Danse de Québec (QC, CAN), l'Artère (QC, CAN), Crimson Coast Dance Society (BC, CAN), Mascall Dance (BC, CAN) and E.D.E.N. Studios (Berlin, Germany).

Since 2013 Susanna has become a teacher trainer of Open Source Forms, a practice fluidly expanded from and combining the principles of the Skinner Releasing Technique with the varied and developing practices of its teachers. In July 2023 she will complete the inaugural two-year teacher training program in Emotionally Integrated Voice with her teacher of 20 years, Fides Krucker.

Awards include the 1998 K.M. Hunter Emerging Artists Award in Dance, 2006 Dora Mavor Moore Award for Outstanding Performance in Dance, and the 2008 Canada Council Victor Martin Lynch-Staunton Award for Outstanding Achievement in the field of Dance.

Susanna is the co-director with Sarah Bild of La Poêle Studio in Tiohtià:ke/Montreal, an art space dedicated to research, creation, education and informal presentation of dance, music and other related arts practices. An important and much-loved hub in the Montreal arts-scene, the studio celebrates it's 10th anniversary in 2023!"

-Susanna Hood Website (http://susannahood.ca/biography/)
4/24/2024

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"Composer, improviser, instrumentalist (clarinet & saxophone) and sound artist, Philippe Lauzier participates in several projects that tour regularly in Canada and Europe, but also in USA, Latine America and Australia. In his solo and collective work, his ideas incorporate influences of contemporary musical languages as well as sounds from non-Western sources. Creative extended techniques, complex drones from which polyphonies emerge, and a certain compositional rigour are typical of his style. His interest for collaborative intermedia practices also leads him to create sound installation pieces, live performances for contemporary dance, theater music and many sound designs for visual art projects. Philippe lives in Montreal, Quebec."

-Philippe Lauzier Website (http://www.philippelauzier.com/bio)
4/24/2024

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"Pierre-Yves Martel. Born Vanier, Ontario, Canada, 1979. Residence: Montréal, Québec. Composer, Performer (viola da gamba, double bass, objects)

Following a unique artistic path, Pierre-Yves Martel is constantly renewing his musical identity and practice. Though a instrumentalist, he identifies himself first and foremost as a sound artist whose work oscillates between perpetual research and experimentation. It is in this spirit that he has revisited the viola da gamba, utilizing this traditional instrument in new contexts and thus reengaging it with the contemporary world. Having created an authentic musical language through non-conventional techniques and instrumental preparations, he also works outside of instrumental music altogether, using a variety of objects rife with new sonic possibilities, from contact-mics and speakers to motors, wheels, surfaces and textures."

-ActuelleCD (http://www.actuellecd.com/en/bio/martel_pi/)
4/24/2024

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"Bernard Falaise. Born Montréal, Québec, 1965. Residence: Montréal, Québec. Composer, Performer (guitar).

Bernard Falaise was born in Montréal, where he currently lives. He plays electric guitar, composes and improvises - all with evident joy - for Miriodor, Klaxon Gueule, les Projectionnistes, Diesel and other groups. He has written for the Ensemble contemporain de Montréal (ECM), Quartango and the Isis Quartet, and has created music for exhibitions, television, the theatre and dance. Allergic to labels, Falaise explores acid rock, twelve-tone waltzes and industrial tangos with equal enthusiasm."

-ActuelleCD (http://www.actuellecd.com/en/bio/falaise_be/)
4/24/2024

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"Michel F Côté. Born Montréal, Québec, 1958. Residence: Montréal, Québec. Composer, Performer (percussion).

Half a century later, now a grown-up, he still doesn't understand why he chose a career as a musician and composer instead of something else. With fluidity and idiocy, he gets involved with whomever he wants, thus avoiding any and all reductive labeling attempts. A Montréaler and a co-founder of the &records label, he stumbles around in various bands: bob, Klaxon, Pink Saliva, (juste) Claudette, and Mecha Fixes Clock. A designer associated with stage arts, he refuses to grow softer. As proof, in dance he adds his ear to the choreographies of Catherine Tardif, Sylvain Émard, Louise Bédard, Shanti Wadge, and José Navas; in theatre, he scratches his head alongside Wajdi Mouawad, Robert Lepage, Brigitte Haentjens, Éric Jean, and Martin Faucher. So what's left? He favours plants, suffers from music-loving, is rather clean overall, and tends to keep in shape."

-ActuelleCD (http://www.actuellecd.com/en/bio/cote_mi/)
4/24/2024

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"Émilie Mouchous is a French, Montreal-based sound artist who makes her own electronic instruments. Her sonic and spatial exploratory activities are characterized by the creation of mini autonomous systems and take multiple forms: radio programs, series of electronic objects, collaborative free improvisation, web art, radio transmission installations. She is interested in shared sound spaces, and likes to bring concrete sounds, movement, touch, voice and electronic sources together in a lively manner. Her works have been presented in contexts such as the BENT Festival NY, Deep Wireless (NAISA, Toronto), AKOUSMA, Suoni per il popolo, MUTEK (Montreal), Kunstradio (Vienna), Caravansérail (Rimouski), Radio LX festival de arte radio (Lisbon), the Radia European Network, Free Music Archive and Radius (Chicago)."

-Daimon (https://daimon.qc.ca/en/emilie-mouchous-2/)
4/24/2024

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"Craig Pedersen is a trumpet player, composer, and educator based out of Montréal. He actively leads his own bands, the Craig Pedersen Quartet and the It's A Free Country duo (with Joel Kerr), and co-directs the Musique a La Poele series in Montreal. He also co-founded the Improvising Musicians of Ottawa/Outaouais Concert (IMOO) Series. Since its inception in 2010, IMOO has served as a hub of improvised music in Ottawa, presenting both local and international artists. Craig has released eight albums worth of material, ranging between composed material to improvisation, and has collaborated with Lori Freedman, Nicolas Caloia, Evan Tighe, Aaron Lumley, Ian Birse and Laura Kavanaugh (Instant Places), Joel Kerr, and Mark Molnar (Kingdom Shore), as well as recording on the soundtrack for Robert Lepage's Needles and Opium, and performances at L'Off Festival du Jazz, and FONT Canada. He has recently written a method book of extended techniques for the trumpet, to published by Berklee Press and Hal Leonard in November of 2014.

Mark Molnar plays strings and electronics with Kingdom Shore, 1/4 Tonne Spike Pitcher (Nick Keupfer and Eric Craven), Generator (John Higney and Jamie Gulliksen), Mice (Bennett Bedoukian and Dave Clark), and in duos and a variety of configurations with Eric Craven, Craig Pedersen, James Annett, David Broscoe, Jamie Gulliksen, Linsey Wellman, and Bennett Bedoukian. He also plays erhu and rebab in Gamelan Semara Winangun."

-Black Bough (http://www.blackbough.ca/PedersenMolnar.html)
4/24/2024

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"Born Strasbourg, Bas-Rhin, France, 1981. Composer, performer (baritone saxophone).

Ida Toninato is a saxophonist whose solid technique allows him to rub shoulders with the great masters of the contemporary repertoire (Berio, Stockhausen, Grisey) while creating a new repertory with composers, both young and seasoned. To date, she has created a dozen works dedicated to him for baritone saxophone, his instrument of predilection. If mixed music (acoustic instrument with electronic processing in real time or delayed) is his main discipline, his lyricism and his passion also lend themselves to more classical influences ('poignant saxophone', Victor Swoboda , The Gazette, 7 January 2011, about New Work - La La Human Steps ), interdisciplinary collaborations and the exploratory bursts of improvised music. From 2010 to 2012 she joined the La La La Human Steps dance company for New Work's world tour, performing Gavin Bryars' original music on stage at prestigious theaters such as London's Sadler's Wells, the Kremlin Moscow and the Palais des Festivals in Cannes and the BBC studios in London. Back in Montreal, she signed the design and creation of Totem Contemporain 's first young audience show , which promotes composer Jean-François Laporte 's new musical instruments and sound generators. She then joined the Theater troupe L'instant for three weeks of performances at the Théâtre Denise-Pelletier in the play La Fête à Jean written by Pier-Luc Lasalle . She is currently collaborating with composers Giorgio Magnanensi , Gabriel Dufour-Laperrière and Serge Provost for the composition of new works for saxophone, electronic processing and video. She is a founding member of the ensemble La Machine , with contemporary consonances tinged with rock. She is preparing to complete her doctorate in performance at the University of Montreal and is a student researcher at CIRMMT in the field of extensive performative practices."

-SMCQ (Translated by Google) (http://www.smcq.qc.ca/smcq/en/artistes/t/toninato_id/)
4/24/2024

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"Géraldine Eguiluz. Born Tenochtitlan, Mexico. Residence: Montréal, Québec. Composer, Performer (voice, guitar, trumpet, percussion).

Voice of the earth, with echoes of jazz and south-american music, making nymphs and spirits of the ages come to life, Géraldine Eguiluz has created music for the last twenty five years in the heart of transformation, idioms and languages, people and memories. She is related to experimental scenes, performance, improvisation, actual music and jazz in Mexico, Montréal and New York. Her music has Latin-American, Afro-American, Aboriginal and contemporary printed sounds. Eguiluz's collaborations with multidisciplinary artistis include video, theatre, danse and circus, electronics and multimedia. She is related among composers and performers that privileges acoustic and natural sounds and instruments. She also paints, writes and makes photography, which are present mediums in her performances. She has produced her recordings, in Mexico with the group Tritonia, Cirrus (1997), Prisma (1998) Aramat (2000) and lately her Canadian recordings Time of Light (2010), Rubedo'ro (2014), Nigredo-Lunas Negras (2015), Paso Doble (2015), Ontologies (2017).

Earth resident, Géraldine is born in México in 1969, and also grew up in Colombia, Portugal and France. She emmigrates with her daughter to Québec city in 2006 and moved to Montréal in 2011 where she still lives dedicated to creation."

-ActuelleCD (http://www.actuellecd.com/en/bio/eguiluz_ge/)
4/24/2024

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"Scott Thomson is an improvising trombonist and composer. He works extensively with singer and dance artist, Susanna Hood, and writes songs for her based on published authors' texts to be played in many contexts, from duo to octet and sometimes including Susanna' s choreography. Monicker (with Arthur Bull and Roger Turner), for example, exemplifies Scott's commitment to open improvisation. He co-founded the Association of Improvising Musicians Toronto (AIMToronto) in 2004 and served as a director until 2009, and co- directed the AIMToronto Orchestra, formed for a project with Anthony Braxton in 2007. In 2016, he convened the Montreal-Toronto Art Orchestra to play Roscoe Mitchell's music. He founded Somewhere There, a Toronto creative music venue that hosted 850 concerts during his tenure, 2007-10. Scott has composed a series of site- specific works, "cartographic compositions" for mobile musicians and audiences in unconventional performance contexts including, notably, the National Gallery of Canada and the Art Gallery of Ontario. Scott programs the Guelph Jazz Festival."

-Bug Incision (http://www.bugincision.com/events-2014.html)
4/24/2024

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"Gabriel Dharmoo. Born Quebec City, Québec, 1981. Residence: Montréal, Québec. Composer, Performer (voice).

Gabriel Dharmoo's musical practice encompasses composition, improvisation and the research of South Indian Carnatic music.

As a composer, he has studied composition and analysis at the Conservatoire de musique de Montréal with Serge Provost and finished his studies with a "Prix avec grande distinction", the highest honour to be awarded. He has worked with emerging and established Canadian ensembles (ECM+, SMCQ, Soundstreams, Gryphon Trio, Aventa, Arraymusic, Motion Ensemble) as well as with Neue Vocalsolisten Stuttgart from Germany. His works have been performed in Canada, the USA, France, Germany, Australia, Singapore and South Africa. In addition to winning 6 prizes from the SOCAN Foundation Awards for Young Composers, he was awarded the 2011 Fernand-Lindsay Prix d'Europe composition prize and the Canada Council for the Arts' 2011 Robert Fleming Prize. He is an associate composer at the Canadian Music Centre as well as a member of SOCAN and the Canadian League of Composers.

Having researched Carnatic music with 4 renowned masters in Chennai (India) in 2008 and 2011, his personal style explores the theme of post-exotism and the interplay between tradition and novelty.

As a vocal improviser, Gabriel has sung across Canada (Montreal, Québec, Vancouver, Banff) and in Berlin, Germany. In 2013-14, a development grant from the Canada Council for the Arts allowed him to work with vocalists Phil Minton (UK) and Ute Wassermann (Germany), as well as yodel and overtone specialist Christian Zehnder (Switzerland) and beatboxer Shlomo (UK). Inspired by contrasting vocal expressions in different cultures in time and space, he conceives his voice as both a raw and a sophisticated instrument. His musical language is a blend of diverse classical, avant-garde and traditional elements, mediated by an interest in linguistics and ethno/zoomusicology."

-ActuelleCD (http://www.actuellecd.com/en/bio/dharmoo_ga/)
4/24/2024

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"Martin Tétreault. Born Saint-Jean-Baptiste-de-Rouville, Québec, 1957. Residence: Montréal, Québec. Composer, Performer (turntable), Artist.

Martin Tétreault is an internationally-renowned sound artist based in Montréal. He is a leading figure in improvisation using turntables, unusual vinyl surfaces and objects. Tétreault's trajectory includes various productions on compact disc and live performances with a range of collaborators: Diane Labrosse, René Lussier, Érik M, Michel F Côté, i8u, Otomo Yoshihide, Xavier Charles, Kid Koala, and many more. He is the composer and director of a turntable quartet Quatuor de tourne-disques founded in 2006. His work has appeared under several labels including Ambiances magnétiques, Erstwhile, Japanimprov, Oral, Victo and Vand'œuvre. Commissioned for music, dance, theatre, poetry and installation, Tétreault has been the recipient of many grants and awards."

-ActuelleCD (http://www.actuellecd.com/en/bio/tetreault_ma/)
4/24/2024

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