Incredible and telepathic ea-oriented improv from violist Ernesto Rodrigues, saxophonist Martin Kuchen, cellist Guilherme Rodrigues, and electronicist Carlos Santos.
Shipping Weight: 3.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Creative Sources
Catalog ID: CS158
Squidco Product Code: 12901
Packaging: Jewel Tray
Recorded by Diogo Tavares at TCHA3, Lisbon, 18th May, 2007Mixing and mastering by Carlos Santos
Martin Kuchen-alto saxophone
Highlight an artist name or instrument above
and click here to Search
1. Mörkertid 6:04
2. Kyla 14:02
3. Barmark 27:48
European Improv, Free Jazz & Related
Staff Picks & Recommended Items
sample the album:
"What to do with so many paths open? What do you do about those that have been closed, have become "paths you do not use"? Well, eventually you go down them, equipped with knowledge gained from the last pendulum swing away from those lanes.
There is a kind of theme that works its way through the improvisations on Vinter, supplied by Marten Küchen, a plaintive upward arc on his alto, filled with emotion, yearning, pain, hope. It's the kind of element that would have been (would still be, often) frowned upon in much music produced post-AMM, occupying the niche known as "eai" where it would have been seen as too manipulative, too referential, too imagistic perhaps. And it may well have been at one time; there was likely a period when it would have been a too-safe fallback position. But time and experience act on things, on people, the pendulum constantly goes back and forth while the entire mechanism moves forward in time and new knowledge and perspective is acquired. It's more complex than that of course. The musicians here never really operated within the bounds of a set category like electro-acoustic improvisation, as much as their work was informed by it, but skirted its borders, partaking of jazz-based improvisation, folk musics and contemporary "classical" developments in any number of subgenres.
So there's something of a mixture when looked at from one angle: the high-pitched, scraped-sounding strings of Ernesto and Guilherme Rodrigues on the one hand fit into the eai tradition of bowed objects while at the same time swelling into an almost chorale-like mass of support for that keening alto of Küchen's. Between them, they often resemble wind whistling through cracks in wooden walls. Carlos Santos' electronics remain largely abstract and often subtly percussive in sound but, too, join forces with the strings in those tidal surges, one of which, near the middle of the second cut, acquires a virtual climactic character. They're unafraid of allowing a tinge of romanticism, something often looked askance upon if not forbidden, into their music. There's an arc to the performance as a whole, the final track like an exhalation, the cello sounding low, the alto emitting breathy gasps.
Vinter chooses a path between paths, acknowledging all sides but opting for an area between, where the leaves are untrodden, where the ground may be thornier but which fits with the essences of the four musicians, unconcerned as to fashion."-Brian Olewnick
At The Squid's Ear!
• Show Bio for Martin Kuchen
"Born 1966; saxophones. Martin Küchen has been active on the Swedish free improvised/free jazz scene since the mid-1990s. He has composed for larger groups, participated in dance projects, performed with different poets and created the music for experimental films. He now collaborates with improvisors all over Europe and USA/Canada. His current collaborations include:
Angles - a new trio with Ingebrigt Håker- Flaten, doublebass, Kjell Nordeson, drums and Martin Küchen, saxophones. Exploding Customer - a free jazz quartet with Tomas Hallonsten trumpet, Benjamin Quigley double bass and Kjell Nordeson drums, which plays mainly original compositions. Sound of Mucus - a trio with the stringchordist Herman Müntzing and Andreas Axelsson, percussion. Unsolicited Music Ensemble - a trio with Tony Wren, double bass and Raymond Strid, percussion. a duo with guitarist David Stackenås. UNSK: Birgit Ulher, Martin Küchen, lise-Lott Norelius and Raymond Strid. Looper - a trio with Greek cello player Nikos Veliotis and Norwegian percussionist Ingar Zach."-European Free Improv Site (http://www.efi.group.shef.ac.uk/musician/mkuchen.html)
^ Hide Bio for Martin Kuchen
• Show Bio for Ernesto Rodrigues
"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.
His main interest shifted towards contemporary improvised and composed music.
The relationship with his instruments is focused in sonic and textural elements.
Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.
Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.
Music for Dance, Cinema, Video and Performance.
Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
^ Hide Bio for Ernesto Rodrigues
• Show Bio for Guilherme Rodrigues
"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.
Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.
Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...
Has performed and toured in all Europe. Released more than 30 albums of his own projects."-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
^ Hide Bio for Guilherme Rodrigues
• Show Bio for Carlos Santos
"Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production.
Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces.
Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise."-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
^ Hide Bio for Carlos Santos
Search for other titles on the Creative Sources label.