The Squid's Ear Magazine


Lisbon String Trio & Bruno Parrinha: Dada (Creative Sources)

Lisbon String Trio of Ernesto Rodrigues on viola, Miguel Mira on cello and Alvaro Rosso on double bass continue their series adding a fourth player to their unique form of string improvisation, here with reeidst Bruno Parrinha on alto clarinetist for an extended expedition into highly articulate playing as they explore the dada rejection of logic, reason, and aestheticism.
 

Price: $16.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Ernesto Rodrigues-viola

Miguel Mira-cello

Alvaro Rosso-double bass

Bruno Parrinha-alto clarinet


Click an artist name above to see in-stock items for that artist.




UPC: 5609063407396

Label: Creative Sources
Catalog ID: cs739
Squidco Product Code: 32062

Format: CD
Condition: New
Released: 2022
Country: Portugal
Packaging: Cardboard Gatefold
Live recording at O'Culto da Ajuda, in Lisbon, Portugal, on November 25th 2021, by Miguel Azguime.

Descriptions, Reviews, &c.

"Turning to some other recent (and forthcoming...) Creative Sources releases, clarinetist Bruno Parrinha had already appeared there on a variety of programs - and was first mentioned here in a review of the quintet album Lithos in June 2018 - but now appears in a "series" of four albums with Ernesto Rodrigues. (Beyond those two, the albums do vary in personnel, although all musicians involved have appeared with Rodrigues previously.)

And I'll be proceeding chronologically by recording date: The first album, Dada (recorded in Lisbon last November), marks the return of the Lisbon String Trio (their previous release being Isotropy with Luis Lopes, reviewed here in May 2020...), and also presents a particularly integrated performance for that ensemble. Recent releases had involved "soloists" with a broader reputation in Portuguese free jazz, while early performances brought in musicians new to the CS scene. And while Parrinha's reputation surely continues to grow, he isn't as well known (although, as it happens, he's released e.g. an album with Lopes too...) - nor is he new here.

His adoption of the alto clarinet on Dada is relatively new, however (and Parrinha uses only varieties of clarinets on these albums, pace some saxophone on earlier outings...), as well as being particularly integrated into the string texture (versus a more concerto-like presentation....): As its title suggests, Dada also evokes a sort of rhetorical abstraction (or concrete anti-rhetoric...), so presents rather differently from e.g. LST clarinet favorite K'Ampokol Che K'Aay, there with more in the way of an "anthropological" (and naturalistic...) air, likewise easing into sound to open....

Dada might thus be compared to LST's first album (without guest), Proletariat (reviewed here as part of an extended series in July 2017): There's more sense of musical unity, even as figures move and replicate, with a sort of quiet pointillism to open, but slowly developing an intricate counterpoint via various twists and turns, yielding a feeling of occasionally busy "sketched" lines (or diagrams...), overlapping parallels that don't necessarily meet or develop... even as a cool lyricism might emerge at times too.

In this, of course dada is now over a century old, itself refiguring a kind of late imperial nostalgia - or perhaps critiquing a sort of historicism, basic exosomatization (e.g. object relations) traditionally providing rhetorical circuits (and various justifications for bad behavior). It's thus hard to envision dada without a sense of physicality, of objects beyond the body (i.e. the exosomatic ground of the postimperial subject). But its call toward anti-rationalization, a century ago, seems just as relevant to the antisocial rhetoric dominating much of contemporary politics today, i.e. to circuits of chatter that serve to enable base desire, "rationalizing" per se as the cancellation of sociality and care.

In any case, Dada can thus seem to evoke a bit of historical (if not musical)survey at times, generally subtle, but also moving through various moods. The alto clarinet also invokes a subtly different feel, including when involving the various timbral shadings and (spectral) counterpoints for which Rodrigues is known, pensive at times (but generally active), and with a wonderful sense of textural balance. Shifting registers also invoke differing plays of light, although there's little "direction" overall (rather, a more deconstructive figuration that nonetheless erects its own sort of solidity...) - except via generalized drift toward a melancholy of familiarity. Dada consequently projects a sort of (intricate) modesty, also being modest in length, but I've continued to appreciate its unresolving tensions too."-Todd McComb, Jazz Thoughts


Get additional information at Todd McComb's Jazz Thoughts

Artist Biographies

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
5/14/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in 1958, studying guitar at the Academy of Music Amateurs, in the 70s, with Prof. Nagy. In the late 70 studying bass at the Hot Club, in the early '80s, with Prof. Zé Eduardo.

"Intrigue and permanent and persistent unease with stringed instruments, jazz and improvisation itself. During the last forty years, in concert, in private or in the studio, I had the honor of having played and learned (chronologically) Nuno Grande, Armindo Neves, Emilio Robalo, Celso Carvalho, António Ferro, Arthur Costa, Ze Bitch John Vinegar, John Lucas, Francisco Medina, Abdul moimeme, Rashiim Ausar Sahu, Patrick Brennan, Rodrigo Amado, Scott Fields, Francisco Trindade, Ernesto Rodrigues, Harvey Sorgen and Joe Giardullo.

Today, honor me play (and perpetuate my restlessness) with Rodrigo Amado, Abdul moimeme, John Lucas, Joseph Bruno Parrinha, John Parrinha, João Pedro Viegas, Alipio Carvalho Neto, Gabriel Ferrandini, Ernesto Rodrigues, Armando Gonçalves Pereira, Hernani Faustino, Rodrigo Pinheiro, Zé Lencastre, Louis Desirat, Peter Castello Lopes, Luís Lopes, Luís Vicente, Philip Sousa, Pedro Roxo, Johannes Krieger, George Lamprey, Marcello Maggi, Paulo Curado, Diogo Leal, D' Incise, Virginia and Eduardo Chagas. With some of my friends. I share my musical day in broader bands or ensembles, with other I highlight specific musical encounters and they are my entire curriculum." "

-JACC Records (http://www.jacc-records.com/en/musicians/miguel-mira)
5/14/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Alvaro Rosso is a Portuguese double bassist, a member of Variable Geometry Orchestra, ZMVR 4tet, Orgonite, Croniques 3, and String Theory.

-Squidco 5/14/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bruno Parrinha - alto sax / soprano, Clarinet Sb / Alto, flute

Around the age of 10 began playing the clarinet. At 17 he bought a flute and entered the Academy of Music where he Amateurs solfeggio and instrument with Paulo Curado for two years . Later he was always playing clarinet and tenor saxophone ( self-taught ) and at age 21 he was invited to join the band Pop Radar Gaddafi with whom he recorded . Later he was cast of musicians on the play " Vieux Carré " in teatro da Graça playing tenor sax . Spent a year on the scene . At 87 he began to attend formations of Sei Miguel resulting in vinyl LP recorded at 88 " Songs love and against terrorism ." Since then he has dedicated his commitment to free improvisation and has participated in numerous trainings and concerts with illustrious musicians including Rodrigo Amado , Rodrigo Pinheiro , Miguel Mira , João Lucas , Paulo Curado , Ernesto Rodrigues , Guilherme Rodrigues , Ulrich Mitzlaff , Manuel Guimarães Cyril Bondi , " D' Incise ," Raphael Ortiz , Nicolaus Gerwinsky , Phill Niblock , Raymond McDonald , Victor Nubla , Nuno Rebelo , Marco Franco, Gabriel Ferrandini , Hernani Faustino , Luís Lopes , José Oliveira , Carlos Santos , Carlos " Zingaro " João Pedro Viegas , Victor Rua , Abdul " moimême " , Luís Vicente , João Lancaster , Luis Gil , Paulo Pimentel , Francisco Andrade , Albert Cicera and many others.

Presently a part of groups : ARGUE, IKB , VGO , Miguel Mira Quartet , Open Mind and Puma. "

-Bruno Parrinha MySpace Page (https://myspace.com/brunoparrinha/bio)
5/14/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Dada 34:53

Related Categories of Interest:


Creative Sources
Improvised Music
Free Improvisation
Stringed Instruments
Chamber Jazz
Trio Recordings
European Improvisation, Composition and Experimental Forms
Quartet Recordings
Staff Picks & Recommended Items
New in Improvised Music

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
Rodrigues, Ernesto / Guilherme Rodrigues / Maximilian Glass
Beyond The Mist And The Unforeseen Encounters
(Creative Sources)
Rodrigues, Ernesto / Miguel Mira / Flak / Tiago Varela / Manuel Guimaraes
Genius Loci
(Creative Sources)
Rodrigues, Ernesto / Ana Albino / Hernani Faustino / Carlos Santos
A Glimpse To An End Of A Cycle
(Creative Sources)
AGogol / NaabtalDeath / Ernesto Rodrigues / Guilherme Rodrigues
Mistika Jpeg Oscillations
(Creative Sources)
Rodrigues, Ernesto / Jung-Jae Kim / Alvaro Rosso
Meari: Instant Waves
(Creative Sources)
A live trio improvisation from violist Ernesto Rodrigues, tenor saxophonist Jung-Jae Kim, and bassist Alvaro Rosso, recorded at Lisbon's CreativeFest#18 at Casa do Comum, in Lisbon, unfolding as a 28-minute journey from hushed, lowercase textures to dynamic, scrabbly interplay, emphasizing timbral nuance and collective exploration in an intimate acoustic setting.
Petzold, Dietrich / Ernesto Rodrigues / Guilherme Rodrigues / Matthias Bauer
dis/con/sent
(Creative Sources)
An album for bowed strings, bowed metal, and double bass, from the quartet of Dietrich Petzold on violin, viola, bowed metal, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and Matthias Bauer on double bass, presenting a seven part suite recorded in the studio in Berlin, active and exciting music that bridges classical technique with free improvisation.
Rodrigues, Ernesto / Bruno Parrinha / Nuno Torres / Paulo Galao
3 Phases (II) Grey
(Creative Sources)
"3 Phases", or different aspects of the approach that violist Ernesto Rodrigues applies to improvisation, in three different groupings over three different days, all live at O'Culto da Ajuda, in Lisbon, Portugal in 2018, here in an acoustic sax trio with strings, with Bruno Parrinha on soprano, Nuno Torres on alto, Paulo Galao on tenor sax.
Rodrigues, Ernesto / Guilherme Rodrigues / Adam Pultz Melbye / kriton b.
The Distant Sound Within
(Creative Sources)
Three strings--cello from Guilherme Rodrigues, double bass from Adam Pultz Melbye, and viola from Ernesto Rodrigues--plus harmonium and objects from Kriton Beyer, in a live performance at Kuhlspot Social Club in Berlin, each of the 9 movements a concentrative work named with a three-letter onomatopoeia, as the players draw sound from a mysterious dark distance.
Rodrigues, Ernesto / Guilherme Rodrigues / Miguel Mira / Carlos Santos
Penedo
(Creative Sources)
Recorded on New Years Eve in Sintra in the Penedo region of Portugal, three strings--viola from Ernesto Rodrigues, cello from Guilherme Rodrigues, and a second cello from Miguel Mira--are joined by Carlos Santos on electronics for three extended and richly detailed improvisations, active yet concentratively controlled, using impressive and extended techniques.
Rodrigues, Ernesto / Guilherme Rodrigues/ Eduardo Chagas/ Andre Hencleeday/ Carlos Santos
Spiric Sections
(Creative Sources)
The affect of Carlos Santos' electronics and recordings are the foundation of this Portuguese quintet's improvisations, creating an environment over which Ernesto & Guilherme Rodrigues on viola & cello, Eduardo Chagas on trombone, and Andre Hencleeday add subtle gestures of unusual approaches to their instruments, in a mysterious album of lowercase improv.
Isotope Ensemble
Caesium
(Creative Sources)
Recorded live at CreativeFest #18 in Lisbon, the Isotope Ensemble channels the volatile and fluid nature of caesium through spontaneous improvisation, blending strings, brass, woodwinds, piano, electric guitars, modular synthesizer, electronics, and objects into a dynamic sonic reaction that reflects the element's unique liquid properties that make the isotope pivotal role in atomic timekeeping.
Rodrigues, Ernesto / Jung-Jae Kim / Alvaro Rosso
Meari: Instant Waves
(Creative Sources)
A live trio improvisation from violist Ernesto Rodrigues, tenor saxophonist Jung-Jae Kim, and bassist Alvaro Rosso, recorded at Lisbon's CreativeFest#18 at Casa do Comum, in Lisbon, unfolding as a 28-minute journey from hushed, lowercase textures to dynamic, scrabbly interplay, emphasizing timbral nuance and collective exploration in an intimate acoustic setting.
Parrinha, Bruno / Andrew Levine / Ernesto Rodrigues
Sensor Out Of Service
(Creative Sources)
In a live performance emphasizing minimalism and lowercase improvisation, Ernesto Rodrigues (viola, crackle box), Bruno Parrinha (bass clarinet), and Andrew Levine (Theremin, modular synth, crackle box, stereo field) engage in a nuanced exploration of subtle textures and sonic interactions, resulting in an immersive and introspective auditory experience.
Rodrigues, Ernesto / Nuno Torres / Guilherme Rodrigues
Whispers In The Moonlight - In Seven Movements [2CDs]
(Creative Sources)
Capturing a richly nuanced sonic journey across seven improvised movements from concerts in Berlin, Köln, and Munich, this 2-CD set from the Portuguese trio of Ernesto Rodrigues (viola), Guilherme Rodrigues (cello), and Nuno Torres (alto sax) presents a masterful exploration of intricate textures, hushed atmospherics, and lyrical interplay, woven into a vivid tapestry of contemporary European free improvisation.
Zingaro, Carlos / Carlos Bechegas / Ernesto Rodrigues
Spleen
(Creative Sources)
A fascinating live performance from Lisbon's Reverso Festival in 2024, where luminaries Carlos Zíngaro (violin), Ernesto Rodrigues (viola, crackle box), and Carlos Bechegas (flute, piccolo) intertwine their distinct approaches into an intricate tapestry that blends classical sensibilities with free improv exploration in a compelling journey through texture and timbre.
Rodrigues, Ernesto / Carlos Santos / Miguel Mira
The Knowledge That Our Time Is Limited Can Inspire Us
(Creative Sources)
Recorded live during the 2024 Creative Sources Cycle, violist Ernesto Rodrigues, cellist Miguel Mira, and analog synthesist Carlos Santos deliver a nuanced and exploratory collective improvisation, drawing on Rodrigues's delicate textural approach, Mira's lyrical sensitivity, and Santos's ethereal synth interactions, evoking an urgent reflection on the fleeting nature of time.
Rotor (Rodrigues / Torres / Santos)
Impulses And Signals
(Creative Sources)
Seven studio improvisations from frequent collaborators Ernesto Rodrigues on viola & crackle box, Nuno Torres on alto saxophone and Carlos Santos on digital electronics, quiet conversations of subtle and extended technique that adhere to the session title, emulating electronic impulses and signals through understated and impeccably controlled acoustic and electronic expression.
Rodrigues, Ernesto / Carlos Bechegas / Joao Madeira / Monsieur Trinite
Free to Open
(Creative Sources)
On the active and experimental side of Creative Sources' acoustic configurations organized by label leader and violist Ernesto Rodrigues, this energetic chamber quartet with Carlos Bechegas on piccolo, flute & alto flute, Joao Madeira on double bass and Monsieur Trinite on percussion, explore the three-part title work through rapid action and highly textured reflection.
Rodrigues / Gratkowski / Rodrigues / Griener
Unstable Molecules
(Creative Sources)
Bridging jazz and contemporary forms, this 2024 live recording of four improvisations at Berlin's Kuhlspot Social Club channels collective power with chamber jazz influences, showcasing the refined techniques and deep experience of Ernesto Rodrigues on viola, Frank Gratkowski on clarinets and alto saxophone, Guilherme Rodrigues on cello, and Michael Griener on percussion.
Rodrigues / Sa / Rocha / Rodrigues / Silva / Varela / Goncalves / Flak / Trindade
Mimesis
(Creative Sources)
Primarily an acoustic ensemble of nine improvisers led by Ernesto Rodrigues on viola — including saxophonist Joana Sá, percussionist Monsieur Trindade, guitarist Flak, and pianist Luisa Gonçalves — performs a live, extended improvisation of tightly controlled, deeply detailed conversation as part of the 2024 Creative Sources Cycle in Lisbon.
Rodrigues / Torres / Hencleeday / Santos
Synopsis
(Creative Sources)
Recorded live during the Creative Sources Cycle at Lisbon's Cossoul on May 2, 2024, this collaboration brings together Ernesto Rodrigues (viola, crackle box), Nuno Torres (alto saxophone), Andre Hencleeday (piano), and Carlos Santos (modular synth) in a delicate journey of reductionist improvisation, blending acoustic and electronic textures to craft an intricate, lower-case performance of subtle sonic dialogues and dynamic restraint.
Lisbon String Trio & Carlos Santos
Cobra
(Creative Sources)
The Lisbon String Trio — Ernesto Rodrigues (viola), Miguel Mira (cello) and Alvaro Rosso(double bass) — collaborates with Carlos Santos (electronics, modular synth) to create a sophisticated, assertive set that enriches the trio's soundscape with nuanced electronic textures, building on the trio's nearly telepathic coordination and harmonic depth, blending physicality and subtle electronics to evoke mysterious, wave-like motifs and dynamic subtlety.
Rodrigues, Ernesto / Nuno Torres / Johannes von Buttlar
Cosmic Collision
(Creative Sources)
Frequent collaborators Ernesto Rodrigues on viola & crackle box and Nuno Torres on alto saxophone join with Berlin percussionist Johannes von Buttlar, a member of the Altered Forms Trio who have collaborated with Fred Frith, Raymond McDonald, &c., for four "Cosmic Collisions", highly interactive improvisations with impressive inertia and extraordinary technique.
Rodrigues / Rodrigues / Madeira / Taylor / Parrinha / Taubenfeld / Carmelo / Trinite
A Tale Unfolds
(Creative Sources)
In four parts this primarily acoustic octet of Lisbon improvisers evolve a deceptive narrative of collective interaction, highly textured through rich combinations that emerge and subside throughout the natural development of their converstations; with Ernesto & Guilherme Rodriguez, João Madeira, Noel Taylor, Bruno Parrinha, Ziv Tuabenfeld, Guilherme Carmelo and Monsieur Trinite.
Bechegas, Carlos / Ernesto Rodrigues / Carlos Santos
Echoing The Chorus Of Life
(Creative Sources)
Lisbon contemporary flutist and improviser Carlos Bechegas, an associate of Carlos Zingaro and his electroacoustic trio, joins violist Ernesto Rodrigues and long-time collaborator Carlos Santos in a uniquely electronic, chamber-oriented, mysteriously crepuscular improvisation captured live at Casa do Comum, Lisbon, Portugal during the 2024 "SpectraLx" event.
Gato, Joao / Bruno Parrinha
Two
(Phonogram Unit)
Two Portuguese saxophonists of different generations both playing on alto sax--Bruno Parrinha, an established and extraordinary player involved with many projects on Clean Feed and Creative Sources, and João Gato, leader of Apophenia Quartet--present 11 improvisations recorded in the studio, their voices intertwining amid masterful technique and creative impulse.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC