Known mostly as a masterful improviser, this 2015 live performance of her 2009 work for a tenet crosses compositional and improvisation boundaries, reflecting on her 40 year career while bringing out new subtleties from its original release, here with a superb set of performers.
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Sample The Album:
Jean-Luc Cappozzo-trumpet
Alexandra Grimal-saxophones
Jean-Brice Godet-clarinets
Christiane Bopp-trombone
Guillaume Aknine-electric guitar
Theo Ceccaldi-violin
Severine Morfin-viola
Valentin Ceccaldi-cello
Joelle Leandre-doublebass
Florian Satche-drums, percussion
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UPC: 7320470171509
Label: Ayler Records
Catalog ID: aylCD-146
Squidco Product Code: 22359
Format: CD
Condition: New
Released: 2016
Country: France
Packaging: Digipack - 3 panel
Recorded live at the Arsenal, in Metz, France on January, 29th, 2015, by Celine Grangey.
"French double bass master Joëlle Léandre is known as a unique and innovative free-improviser who keeps expanding the sonic palette of the double bass, but has rarely focused on the field of orchestral composing. Her major composition so far is "Can You Hear Me?", dedicated to Léandre parents, written for a tentet and premiered in the 2009 (and released as Live at the "Ulrichsberger Kaleidophon", Leo Records, 2011).
This is a reflexive work-in-progress that addresses Léandre's, or any other creative artist's, existential question, a cry for an echo from another presence. Why do we keep creating this kind of art? Do we reach audience's minds and hearts? Do we change the audience's conceptions about art? Social conventions? Gender issues? What about politics? Obviously, Léandre's art is always very personal, as it radiates her restless, passionate and often funny character, yet she is also a very political person. Léandre is always looking for means to shake and change old and archaic conventions and institutions - in art, in society, and in politics. She demands a better, egalitarian, and more compassionate approach, and quite often tends to mock the pretentious ones who cling to some kind of a superior status.
This re-creation of Can You Hear Me? was also recorded live on January 29th, 2015, at L'Arsenal, Metz, France. The instrumentation of the tentet is the same as on the previous recording but the personnel is different. The former recording featured an almost all-Austrian ensemble comprised of musicians that have not played before with Léandre. The new tentet features an all-French ensemble with few close musical partners of Léandre as trumpet player Jean-Luc Cappozzo, violinist Théo Ceccaldi, and his brother, cellist Valentin Ceccaldi.
As on the previous recording this composition reflects on Léandre past collaborative work with iconoclast composers as John Cage and Giacinto Scelsi, but echoes her forty years career and integrates elements of free jazz, free improvisation and some that are more common with noise and even prog rock. But it is not a nostalgic work. Léandre structured it as a 9-untitled pieces suite that make full use of the rich and colorful language of the tentet, constantly generating and encouraging individual, imaginative interpretations from all the musicians. The tentet deepens the atmosphere of an organic, collective chaos, but at the same time Léandre navigates the myriad musical events into a cohesive narrative. Léandre takes the lead only towards the end of the composition, first with an expressive, lyrical double bass solo on the seventh piece, then singing in theatrical, operatic voice on the eight-piece, transformed into suggestive and hypnotic chanting of syllables on the last, ninth piece.
The debut recording of Can You Hear Me? sounded more ecstatic and urgent. This version emphasizes its subtle language and the clever metamorphoses between the different parts. Both highlight the absolute musicality of Léandre, one-of-a-kind individual and both are highly recommended."-Eyal Hareuveni, The Free Jazz Collective
"This hybrid piece, where for the first time the musician has agreed to play the problematic role and function of 'composer', can be read both as a form of achievement and as a founding act. Indeed, 'composing', as she makes it clear here, with the structure constantly generating and encouraging individual expression, is nothing else for her than a transposition to 'another stage' of the improviser's gesture and a transfusion into a band's plural entity of the complex spread of a thought both intimate and collective, made even more unique by its will to be shared. [...] Because she constantly feeds all her experience as an improviser into her writing, Leandre has clearly created, with "Can You Hear Me?", a major milestone in her already illustrious career."-Stephane Ollivier
The Squid's Ear!
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Artist Biographies
• Show Bio for Jean-Luc Cappozzo "Jean-Luc Cappozzo was born in Belfort, France, in 1954. He started playing the trumpet in the local orchestra of his native town where he performed both jazz and classical music. Following a meeting with the diatonic accordionist Serge Desaunay, he started to perform traditional music as well. His meeting with Dizzy Gillespie in 1984, who invited him to participate in his concert, was a turning point in Jean-Luc Cappozzo's career. In 1988 he obtained the State Diploma of Professor of Jazz and subsequently taught trumpet improvisation at the Music School of Lyon (CNSM). He has taken part in various groups of musicians of the ARFI. He has been a member of he Louis Sclavis Quintet "L'Affrontement des Prétendants" and of Claude Tchamitchian's "Grand Lousadzak". In addition he has played in Sophia Domancich's Quintet "Pentacle", the Denis Fournier Quartet and with Joelle Léandre's Quintet "Fragments et suite lyrique". He has formed a quartet with Jean Aussanaire , Rémi Charmasson and Bernard Santacruz and created a musical work "Du Vent chez Johannes" with the Johannes String Quartet. In 2005 he joined the European Mythical Orchestra: the Globe Unity Orchestra. He has played with the Apollo Trio and composed duo s with the cellists Joelle Léandre or Eric Brochard, the singer Géraldine Keller, the drummer Paul Lovens, the tuba player Michel Godard, the pianist Umberto Petrin and the trumpet players Axel Dorner or Herb Robertson. Actually, he is playing with: - "The Bridge" with Joëlle Léandre (cb), Bernard Santacruz (cb), Mickaël Zerang (dms) and Douglas Ewart (sax - flûte) - - " Can You Hear Me" of Joëlle Léandre (cb) - " 2 ème étage " with Christine Wodrascka (p) and Gerry Hemingway (dms) - Duo with Famoudou Don Moye (dms) - Duo with Cécile Cappozzo (p) - Quartet à l'Ouest with Jean Aussanaire (sax), Eric Brochard (cb) and Alfred Spirli (dms) - Duo with Géraldine Keller (voice) - Duo with Eric Brochard (cb) - Trio with Didier Lasserre (dms) and Paul Rogers (cb) For his strength, his creativity, his magnificent sonority, the clarity of his phrasing, Jean-Luc Cappozzo is today an indispensable trumpet player on the European musical scene and is in increasing demand. Jean-Luc Cappozzo, powerful and mellifluous trumpet player, is "a discreet man who would blush to be labeled one of the most relevant soloists and the most complete on the French jazz scene. He may blush".(S. Siclier, Le Monde 1/08/2002)" ^ Hide Bio for Jean-Luc Cappozzo • Show Bio for Alexandra Grimal "Alexandra Grimal, born in Egypt in 1980, studied classical piano from five years old. Master's Degree in jazz saxophone under the guidance of John Ruocco at the Royal Conservatory of the Hague in the Netherlands (2005), she also studied in the "Conservatoire National Supérieur de Musique" in Paris, and as an exchange student at the Sibelius Academy of Helsinki in Finland. She currently lives between New York and Paris." ^ Hide Bio for Alexandra Grimal • Show Bio for Jean-Brice Godet "Jean-Brice Godet starts clarinet at 8 years old at Colombes conservatory, where he was born, in Paris suburbs. Albert Ayler, Sonic Youth, György Ligeti, Duke Ellington and Buddy Guy, what convince him to use the way of free improvisation, The advices of Bernard Lubat, Louis Sclavis and Joëlle Léandre. In 2004, he gets a master in Computer Music Research (ATIAM) at Pierre and Marie Curie University And at IRCAM, and complements is musical education with the highest distinction of Gennevilliers Conservatory of Music, under the aegis of Nicolas Baldeyrou (solo-clarinet of the Philharmonic Of Radio-France "). With the In Sit-U collective he meets Fred Frith and works two weeks with him On an original creation. Few times later the joins the quintet Fröhn and plays on prestigious courses Like Le Petit Faucheux (Tours) or on the famous improv'music The Improviste . He creates his first silent-movie / live-music in 2004 on Le Ra t by Christophe Ali and Nicolas Bonilauri, silent movie in black and white realesed in 2000. The second one, create in 2011, on Berlin, die sinfonie der grosstatd (Walter Ruttmann, 1927) is a joint commission of SACEM and The City of Gennevilliers prompted by Bernard Cavanna . He plays since 2009 with Pablo Cueco ( Erythropus Quartet , The Ball Of The Contemporary ...) and With Anthony Braxton and Walter Thompson in 2010 in Brooklyn for a week of soundpainting Performance. He curates and played in Amok'Improv ' nights a dedicated improvised music serie With Sylvain Cathala and Fred Maurin between 2010 and 2012. He creates the MujôQuartet in 2012 in Brooklyn with Michaà "l Attias , Pascal Niggenkemper and Carlo Costa , in which they play his compositions, working on impermanence and imperfection. They Play in Paris and New York. He is co-leading also two trios, Zaal33 with Brussels-based Richard Comte (guitar) and Jean- Philippe Feiss (cello), and Capsul with England-based Matthew Bourne (piano) and EglishFrench Tam De Villiers (guitar). He collaborates regularly with Joëlle Léandre since 2012 in a few projects: a slient-movie / live-music Concert Mélies / Leandre , her new tentet Can You Hear Me? , And a new co-leaded quartet Ground (s) W / Mike Ladd (voice) and Benjamin Sanz (Drums)." ^ Hide Bio for Jean-Brice Godet • Show Bio for Christiane Bopp "Born in 1971 in Mulhouse, from the musical milieu of harmony orchestras, she studied at the Conservatory of Mulhouse, then at the CNSM of Paris (1st Prize of trombone 1992 and chamber music 1991) and Univer- sity Paris X Nanterre (Bachelor of Modern Letters). Attracted by the exploration of new repertoires, she completed her training by studying saqueboute with Franck Poitrineau, and followed some courses of contemporary improvisation notably with Yves Robert. Since 1997, she plays the old repertoire with ensembles La Fenice (Jean Tubéry), Concerto vocale (René Jacobs), Elyma (Gabriel Garrido), Akademia, Il Giardino Armonico, Doulce Mémoire, the Versailles Baroque Music Center, The Talens lyriques (Christophe Rousset), Les Meslanges (T.Van Essen). At the same time, she plays music today (creations by Vincent Bouchot, Etienne Rolin, Martin Matalon, Claude Barthélémy, Jeunes compositeurs concerts at Radio France, ensembles Ars Nova, Zellig, Berson-Aschour duo, Orchestra Poitou Charentes) . It finds more and more in the music resulting from the jazz and the improvisation a space of privileged expression. She plays in the projects of Dominique Pifarély (Dédales), Marc Ducret (Chronicles of the frozen sea and Real thing 3), Joëlle Léandre (Can you here me), Kent Carter (oratorios). She also accompanies poets on their texts, (Lucien Suel, Emmanuel Laugier, Claude Favre, Valerie Rouzeau). She develops personal and collective projects such as "Les Cannibales" with Vincent Boisseau and Julien Padovani (2005-2008), and currently the Quartet Tenements of clover (on poems by Emilly Dickinson) Merch "with Jean-Luc Foussat, Makoto Sato, Jean-Luc, Jean-Luc Mousset, Lucas Mousset and Jean-Luc Petit. Small. Holder of the C.A. obtained at the age of 21, she teaches the trombone at the Conservatory with Regional Radiation of Poitiers" ^ Hide Bio for Christiane Bopp • Show Bio for Guillaume Aknine Guillaume Aknine is a French jazz guitarist, who is in the groups Joëlle Léandre 10, Théo Ceccaldi Trio, Toons. ^ Hide Bio for Guillaume Aknine • Show Bio for Theo Ceccaldi "Theo Ceccaldi surely figures among the great revelations of the hexagonal contemporary music. Taken on a jazz scene at a young age in very serious classical studies (punctuated by a First Violin Prize, writing and chamber music in 2004), but always attracted by the freedom of jazz, he has truly found his way by creating in 2010 with his brother Valentin on cello and William Aknine on guitar, an original trio linking the western chamber music tradition and free improvisation. Winner of Orléans'Jazz springboard in 2011, Theo Ceccaldi Trio has since confirmed all the good we could think of him signing another two discs for Ayler Records, and winning the device "Jazz Migration" 2014 AJC. Founding member of the young trio Tricollectif, the violinist also participates actively in a series of trainings including the Toons (group of his brother Valentin), room quartet La Scala and Loving Suite Birdy So pianist Roberto Negro (with Elise Caron ). Praised by peers, Theo Ceccaldi recently enters the quartet led by Régis Huby iXi and Guillaume Roy, the project "A la recherche du roi frippé" Mederic Collignon revisiting music King Crimson, and the Franco-German byte TEE Pianist Hans Lüdemann whole and the new tentet Joelle Leandre "Can You Hear Me? "(Alongside Alexandra Grimal)." ^ Hide Bio for Theo Ceccaldi • Show Bio for Valentin Ceccaldi Valentin Ceccaldi, born on February 3, 1989, is a French cellist, bass player, composer and improviser. He had the opportunity to study with Raphaële Semezis, Florian Lauridon, Joëlle Léandre, Vincent Courtois, Elise Dabrowski, Pascal Contet, PRINT and Stevan Kovacs Tickmayer. He is known for his own groups, and Chamber 4, Deux Maisons, Durio Zibethinus, EAT, Flo&Co, Grand Orchestre Du Tricot, Guillotine, In Love With, Joëlle Léandre 10, Kut, La Scala (2), Lent, Marcel Et Solange, MilesDavisQuintet!, Pelouse, Points), Qöölp, Théo Ceccaldi Freaks, Théo Ceccaldi Trio, Toons, and Walabix. ^ Hide Bio for Valentin Ceccaldi • Show Bio for Joelle Leandre "Joëlle Léandre is a famous French Bassist and is known for her collaborations with other musicians in the field of improvised music. Born in France on September 12th, 1951, she made her music debut in 1984 with Les Douze Sons. Her childhood was filled with music, and she was particularly interested in the piano during her early years. In her later years, she developed an interest in double bass, which won her many honors and scholarships during her education. Her double bass teacher Pierre Delescluse encouraged her to apply to the Conservatoire National Superieur de Musique de Paris, where she was formally trained and noticed for her talent in the bass. Her outstanding musicianship took her to the United States and to the Centre for Creative and Performing Arts in Buffalo through a scholarship. In the United States, she expanded her network and met some of the best composers, such as John Cage, Giacinto Scelsi, and Morton Feldman. Among them, John Cage greatly influenced her music and compositions. Her time in the United States also enabled her to experience downtown New York music, which was another significant influence that led to her continued involvement in the field of improvised music. Some of her notable collaborations in the field of contemporary music are with Pierre Boulez, Merce Cunningham, John Cage, and Giacinto Scelsi. Among them, John Cage and Giacinto Scelsi were the biggest influences in her life and music. In an interview, Joëlle Léandre said that John Cage was her spiritual father and changed her perception of sound and music. In another interview, she tells how Giacinto Scelsi allowed her to discover her own music and how his music transported her into a new world of improved consciousness. In the field of jazz music, she collaborated with Derek Bailey, William Parker, and Sebi Tramontana. Her music was owned and distributed by different music labels, including FMP, Leo, RougueArt, and Red Toucan. Some memorable songs and albums she released throughout the years include Instant Replay, Les Douze sons, Trios, Sweet Zee, Frerebet, Joelle et Tetsu, Philippe Fenelon, Voyages, etc. Some of the recent releases include Can You Hear Me and Unleashed. She has also performed live at the Tampere Jazz Festival twice, where popular international artists compete with each other. Joëlle Léandre is also the member of European Women's Improvising Group (EWIG). The group evolved from the Feminist Improvising Group, and Joëlle Léandre joined the group in 1983. In the early 1900s, she co-founded Les Diaboliques with Irene Schweizer and Maggie Nicols, who were her long-time musician friends. Besides that, she also teaches several classes in prestigious universities about contemporary and improvised music. She has lived in France, Germany, and U.S during her lifetime, teaching at academic institutions in the religions and playing concerts. In 2002, she was invited to Canada as a visiting professor for music and composition." ^ Hide Bio for Joelle Leandre • Show Bio for Florian Satche "TRICOLLECTIVE PROJECTS MARCEL & SOLANGEThe group was formed in 2009 and produced its first album in 2011 which received a very enthusiastic welcome from the press (Revelation Jazz magazine, Elu Citizen jazz ...)The trio was then laureate of the springboard jazz defense "3rd prize of band and Prix de soliste for Gabriel Lemaire " Marcel and Solange wins Jazz migration 2013 TOONSThis quintet brings together Théo Ceccaldi Trio and Marcel & Solange, 3 + 3 = 5Valentin Ceccaldi (cello, composition), Gabriel Lemaire (sax), Guillaume Aknine (guit), Théo Ceccaldi (vln)1st Prix of the Orléans'Jazz springboard 2013, Soloist Award for Florian Satche and Composition for Valentin Ceccaldi at the European Jazz Springboard 2013 in Avignon. WHAT SAUCE? Roberto Negro and Florian Satche like to stir their eardrums and their taste buds. They emulsify, season, mince, sounds and melodies around culinary texts and recipes of Joëlle Léandre, Alexandra Grimal, Pierre Dodet, Xavier Machault, Dimitry Hatton ...The creation in the spring of 2014 is supported by Dynamo blue suburbs of Pantin. ORCHESTRA DU TRICOTFollowing a carte blanche from the Moulin de la Vapeur, he composes this orchestra with the main intention of distilling the obsolete love of Lucienne Boyer's songs. He calls for arrangements to Roberto Negro, Theo Ceccaldi and Valentin Ceccaldi"Tribute to Lucienne Boyer"this great Tricollective orchestra consisting of 11 musicians. With Florian Satche (Batt), Stéphane Decolly (b), Eric Amrofel (guit), Christophe Legrand (trb), Sacha Gillard (clar), Gabriel Lemaire (sax), Quentin Biardeau (sax), Roberto Negro (paino), Valentin Ceccaldi (cello), Theo Ceccaldi (vln), Angela Flahault (vocals) OTHER PROJECTSPETITE MOUTARDEThe 4tet of Théo Ceccaldi, a small form of L'ONJ Olivier Benoît premiered at the Atelier du Plateau in April 2014Théo Ceccaldi (violin, viola, compo), Alexandra Grimal (Saxs), Ivan Gelugne (Ctb), Florian Satche ( Batt) CAN YOU HEAR METhe reformation of the tentacle of Joëlle Léandre creation 2014 (musica Strasbourg)Joëlle Léandre (ctb composition), Alexandra Grimal (sax), Christianne Bopp (Trb), Jean-luc Cappozo (trp), Franz Loriot (alt), Theo Céccaldi (vln), Valentin Céccaldi (vlc), Guillaume Aknine (gtr), Jean Brice Godet (clar), Florian Satche (Btr) Company THE BADLY BABY BIRDSHe co- wrote and played with Quentin Biardeau the music of the show "The little story" Eugene Durif. As well as "on the Lande" with Gabriel Lemaire and Guillaume Aknine" ^ Hide Bio for Florian Satche
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Track Listing:
1. Untitled 4:45
2. Untitled 5:29
3. Untitled 4:35
4. Untitled 6:48
5. Untitled 5:52
6. Untitled 6:16
7. Untitled 6:46
8. Untitled 3:29
9. Untitled 4:11
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