The Squid's Ear Magazine


Look Both Days (Dessel / Hall / Jackson Jr. / Sugimoto / Tate): Look Both Days (Amalgam)

"First meetings are always a risk, but if the vibrations are right and the doors are open, magic will be made. When the members of Look Both Days (brought together by Chicago pianist Erez Dessel) took the stage on the opening night of t...
 

Price: $9.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





Product Information:

Personnel:



Erez Dessel-piano

Ben Hall-drums

Fred Jackson Jr.-woodwinds, percussion

Mai Sugimoto-woodwinds, percussion

Marvin Tate-vocals

Click an artist name above to see in-stock items for that artist.



UPC: 755491323755

Label: Amalgam
Catalog ID: AMA058
Squidco Product Code: 37107

Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Digipack
Recorded live at the Catalytic Sound Festival at Elastic Arts in Chicago, Illinois, on December 8th, 2023, by Bill Harris.
Descriptions, Reviews, &c.

Artist Biographies

"Erez Dessel (USA 1998) is an improvising pianist and composer living and working in Chicago, Illinois. He holds a BM in jazz piano from the New England Conservatory of Music. Dessel's work explores the piano as a vehicle for human connection. A primary part of his practice is the history of the instrument as a tool for storytelling and world-building. His current group activity includes the bands Edition Redux, Look Both Days, Ra Bishop, and Banana Acid; as well as frequent work as a solo performer. Dessel created and curates the Night School series, which presents video artists and improvising musicians in a spontaneous performance context. Dessel has toured nationally and internationally, including performances in Europe and Korea and festival appearances at Edgefest, the Catalytic Sound festival, the Madrid jazz festival, and the Wels Music Unlimited festival. His concerts and recordings have received critical acclaim, with releases on Endectomorph Music, Ornette Coleman Fiend Club, Audiographic Records, and Amalgam Music, and in 2025, he was selected as an Arts Club of Chicago fellow. He has worked continuously both as a performer and organizer in Chicago, recording in an array of contexts with many internationally renowned musicians (including Ken Vandermark, Tim Daisy, Kim Alpert, and Ben Hall)."

-Erez Dessel Website (https://erezdessel.com/About)
2/18/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Detroit-based percussionist Ben Hall is a member of groups Burning Graveyard Lights, Cass Chamber, Death Knell, Graveyards, Hell And Bunny, Jack Wright Nonet, KillDevilHills, Machine Yardz, Mêlée, Psalm Alarm, The New Monuments, Traum, and Trauma, and leads his own Ben Hall's Racehorse Names.

-Discogs 2/18/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Mai Sugimoto is a saxophonist, composer, and active member of Chicago's jazz and improvisational music scene. "A compelling performer" with "dry-champagne tone and lyrical lines" (Chicago Tribune), Sugimoto draws inspiration from her upbringing in Japan and her roots in jazz to compose and perform from her unique multicultural experience. Born/Raised, her debut album (Asian Improv Records, 2018), explores this cultural and musical binary, juxtaposing, among others, a jazz rendition of a Japanese children's song alongside compositions inspired by the American jazz idiom. Sugimoto is also a core member of the quartet Hanami, whose two albums similarly mix Japanese culture into creative music. Mai has performed three times at the Chicago Jazz Festival: in 2015 with Hanami, in 2019 as a leader, and in 2018 with renowned bassist Tatsu Aoki, with whom she frequently plays, including appearances in his Fred Anderson Legacy Band. Her first solo album, monologue (Asian Improv Records) was released in March of 2021."

-Mai Sugimoto Website (https://www.maisugimoto.com/about)
2/18/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Marvin Tate (born 1959) is an American artist, poet, and singer-songwriter from Chicago.

Tate was born in the North Lawndale neighborhood of Chicago in 1959. Tate attended the University of Illinois at Chicago, studying with Sterling Plumpp. In 1983 Tate moved to New York City, moving back to Chicago in 1985.

Tate lives and works in Chicago, IL. Tate is the author of Schoolyard of Broken Dreams (Tia Chucha Press, 1994) and The Amazing Mister Orange (Curbside Splendor, 2014). His honors include grants from the Poetry Foundation and the Illinois Arts Council.

In the mid-1980s, Tate started performing at open mics and slam poetry competitions around the city, and was a regular participant in the Uptown Poetry Slam.

In 1990, Tate became Chicago's poetry slam champion, after which he was featured on the MacNeil/Lehrer NewsHour. In the early 1990s Tate was a member of Uptighty, with Leroy Bach (Wilco) and Dan Bitney (Tortoise), and hosted a local talk show called Talk-A-Riot-Y. Tate won a poetry slam hosted as part of Lollapalooza 1994. In 1997, Tate appeared with David Sedaris on This American Life.

Tate fronted the experimental poetry/funk band D-Settlement from the 1990s to early 2000s, which released three albums from 1997 to 2002 as Marvin Tate's D-Settlement. The Chicago Tribune wrote: "By merging ferociously honest poetry with various black musical traditions, Tate stands as heir to Chicagoan Oscar Brown Jr., the veteran urban griot whose lyrics long have decried racism and social injustice."

In 2004, Tate appeared on the compilation reVerse with Lawrence Ferlinghetti, Alexi Murdoch, Lou Reed and Mark Strand. In 2005, Tate performed the poem "My Life to the Present" on Def Jam Poetry. In 2014, Joyful Noise released the album Tim Kinsella Sings the Songs of Marvin Tate by LeRoy Bach Featuring Angel Olsen, an album interpreting Tate's songs. In 2017, the Jazz Institute of Chicago invited Tate to perform Langston Hughes' poem "Ask Your Mama: 12 Moods for Jazz." Tate adapted it into "A Great Day in the Neighborhood - Echoes of Langston Hughes," incorporating film, dance, and jazz instrumentals from Greg Ward and Ben LaMar Gay.

Tate is represented by Hana Pietri Gallery in Chicago, IL. In 2019, Intuit: The Center for Outsider Art presented an exhibition of Tate's artwork, Looking at You From a Distance Not Too Far: Work by Marvin Tate.Poetry

Tate's influences include Amiri Baraka, Gwendolyn Brooks, Charles Bukowski, Ivor Cutler, Stephen Dobyns, doo-wop, gospel, and the blues. The Chicago Tribune notes of Tate's writing: "Though it's often funny or absurd, the work's most striking aspect is the calm sense of melancholy consistent in every piece..." "-Wikipedia

-Wikipedia (https://en.wikipedia.org/wiki/Marvin_Tate)
2/18/2026

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:
Related Categories of Interest:

In Stock, Not Yet Cataloged
February 2026
Improvised Music
Jazz
Free Improvisation
Chicago Jazz & Improvisation
Unusual Vocal Forms

Search for other titles on the label:
Amalgam.


Recommended & Related Releases:
Jackson / Wilkerson / Baker / Ali / Ra
Ism
(Amalgam)
Whisker (Ben Baker Billington / Andrew Scott Young / Chris Corsano / Lia Kohl / Norman Long)
Trips
(Amalgam)
Double Helix Quartet (Jackson Jr. / Ali / Harris / Ra)
Double Helix Quartet
(Amalgam)
Genetti, Carol / Peter Maunu
Gleaners
(Amalgam)
Ali, Ishmael (Ishmael / Wilkerson / Wilkes / Baker / Tong / Harris)
Burn the Plastic, Sell the Copper [VINYL]
(Amalgam)
Composed and led by cellist Ishmael Ali, this wide-ranging studio set moves between raw solo explorations, collaborative improvisations and groove-driven ensemble pieces, blending cello, voice and electronics with a multi-generational Chicago lineup to create an eclectic yet cohesive sound world that balances experimental risk, melodic intimacy and playful collective interaction.
Ali, Ishmael (Ishmael / Wilkerson / Wilkes / Baker / Tong / Harris)
Burn the Plastic, Sell the Copper
(Amalgam)
Composed and led by cellist Ishmael Ali, this wide-ranging studio set moves between raw solo explorations, collaborative improvisations and groove-driven ensemble pieces, blending cello, voice and electronics with a multi-generational Chicago lineup to create an eclectic yet cohesive sound world that balances experimental risk, melodic intimacy and playful collective interaction.
Dessel, Erez
PRO FAKE NO REJECT
(Corbett vs. Dempsey)
A remarkable solo statement from Chicago pianist Erez Dessel (b.1998), whose explosive energy, intuitive form, and darkly Romantic lyricism channel influences from Cecil Taylor, Don Pullen, or even shades of Mussorgsky, while embracing playful contrarianism, captured in ten concise improvisations and presented with notes by pianist Sharon Udoh.
Reed, Mike
The Separatist Party
(Astral Spirits)
Transforming a sense of isolation and separation into exuberant and pointed expression, drummer Mike Reed brings together this hybrid sextet of Chicago players, including cornetist Ben LaMar Gay, poet and spoken word artist Marvin Tate (D-Settlement), and members of Bitchin Bajas (Rob Frye, Cooper Crain, and Dan Quinlivan), for 9 heartfelt, intensely passionate pieces.
Ulher, Birgit / Carol Genetti / Eric Leonardson
Horizontal Shift
(Amalgam)
An international electroacoustic improvising trio of German trumpet player Birgit Ulher, also on radio, speaker & objects, and two Chicago outside improvisers--Carol Genetti on voice & objects, and Eric Leonardson on his unique self-built instrument the springboard, objects & electronics-- heard in a live performance at Elastic Arts, in Chicago, Illinois in 2018.
Williams, Mars / Katinka Kleijn / Rob Kassinger
Two Or Three
(Amalgam)
Three performances of Pauline Oliveros' compositions for two or three instruments, performed by the same trio who premiered the work in 2017 at the commission of the Chicago Symphony Orchestra's MusicNow Series--Mars Williams on reeds, Katinka Kleijn on cello and Rob Kassinger on bass--these versions performed live in 2018 at Elastic Arts along with two collective improvisations.
Hearsay (Allen Moore, Ishmael Ali, Bill Harris)
Glossolalia [CASSETTE]
(Amalgam)
The trio Hearsay — turntablist Allen Moore, cellist/guitarist Ishmael Ali, and drummer Bill Harris — craft a restless and texturally rich improvisational set that bends time through fractured grooves, looping vinyl gestures, and agile acoustic interplay, balancing rhythmic tension, abstract sound manipulation, and aural exploration with striking restraint and spontaneity.
Harris, Bill
MACRODOSE
(Amalgam)
Combining acoustic drums, percussion and electronics, the third solo album from Chicago drummer Bill Harris delves deeper into the sonic aspects of his improvisations while providing them in discrete segments through eleven succinct recordings, a diverse set demonstrating unique approaches to rhythm and sound, enhanced on some pieces through studio techniques.
Hatcher, Gerrit
Good Weight [CASSETTE + DOWNLOAD]
(Amalgam)
Chicago tenor saxophonist Gerrit Hatcher, known for his duos with Anton Hatwich and with Julian Kirshner, the improvising trio Devouring the Guilt with Eli Namay & Bill Harris and a trio with Mars Williams & Lia Kohl, is heard here in three extended solo improvisations, with strong tone riffing on grooves, exuding warm melodies, and running demanding technical passages on his horn.
Morris, Joe
Instantiation: Locale
(Glacial Erratic)
The 3rd release of improvising guitarist Joe Morris' "Instantiation" series, where each part is unique, composed with specific notated and operational components such that it impossible to perform any of them the same way twice; performed with Ben Hall on tympani & percussion, Andria Nicodemou on vibraphone, Dan O'Brien on tenor & baritone sax,and , Allison Burik on alto sax.
New Monuments (Dietrich / Spencer / Hall)
New Earth
(Pleasure of the Text Records)
Burning free improvisation from the New Monument trio of saxophonist Don Dietrich (Borbetomagus), violinist/vocalist C. Spencer Yeh, and drummer Ben Hall ( Graveyards), their 3rd formal album after releases on Bocian and Important Records, as the trio tangle strings, reeds and drums in a turbulent set of improvisations that scorch the earth to make something new.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC